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Books on the topic 'Translating into Gothic'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

M, Trofimova I͡U. Leksiko-semanticheskai͡a sistema gotskogo i͡azyka. Izd-vo Mordovskogo universiteta, 1993.

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2

Kyōka, Izumi. Japanese gothic tales. University of Hawai ì Press, 1996.

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3

Kyōka, Izumi. Japanese gothic tales. University of Hawaiì Press, 1996.

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4

F, Odoevskiĭ V. The salamander & other Gothic tales. Bristol Classical Press, 1992.

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5

Sade. The gothic tales of the Marquis de Sade. Peter Owen, 2000.

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6

Kyōka, Izumi. Three tales of mystery and imagination: Japanese gothic. [s.n.], 1992.

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7

F, Odoevskii V., and Odoevskiĭ V. F. The salamander and other Gothic tales. Northwestern University Press, 1992.

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8

Claudianus, Claudius. Cl. Claudiani De bello Gothico. Japadre editore, 1991.

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9

Sparling, Jennifer Rachel. A linguistic commentary on bishop Wulfila's gothic translation of chapters I & II of St Mark's gospel. University of Birmingham, 2001.

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10

1895-1979, Lewis W. S., ed. The Castle of Otranto: A gothic story. Oxford University Press, 1996.

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11

Horace, Walpole. The Castle of Otranto: A gothic story. Oxford University Press, 1998.

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12

translator, Ege Niels, ed. Investigation of the origin of the Old Norse or Icelandic Language: New edition of the 1993 English translation. John Benjamins Publishing Company, 2013.

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13

Kyōka, Izumi. In light of shadows: More gothic tales by Izumi Kyōka ; translated and with essays by Charles Shirō Inouye. University of Hawai i Press, 2005.

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14

McKendrick, Scot. The history of Alexander the Great: An illuminated manuscript of Vasco da Lucena's French translation of the ancient text by Quintus Curtius Rufus. J. Paul Getty Museum, 1996.

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15

Fauvinet-Ranson, Valérie. Decor civitatis, decor Italiae: Monuments, travaux publics et spectacles au VIe siècle d'après les Variae de Cassiodore. Edipuglia, 2006.

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16

1895-1979, Lewis W. S., ed. The castle of Otranto: A gothic story / Horace Walpole ; edited by W.S. Lewis with a new introduction and notes by E.J. Clery. Oxford University Press, 2008.

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17

Jan, Potocki. Manuscrito encontrado en Zaragoza. Alianza, 2003.

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18

Jan, Potocki. Rękopis znaleziony w Saragossie. Wydawn. Siedmioróg, 1998.

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19

Rosset, François, and Dominique Triaire, eds. Manuscrito encontrado en Zaragoza. Acantilado, 2009.

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20

Jan, Potocki. The manuscript found in Saragossa. Viking, 1995.

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21

Jan, Potocki. Manuscrit trouvé à Saragosse. Livre de Poche, 1995.

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22

Jan, Potocki. Manuscrit trouvé à Saragosse de Jean Potocki. J. Corti, 1989.

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23

Jan, Potocki. Manuscrit trouvé à Saragosse. Corti, 1990.

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24

Jan, Potocki. Manuscrit trouvé à Saragosse. Corti, 1989.

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25

Jan, Potocki. The manuscript found in Saragossa. Viking, 1995.

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26

Jan, Potocki. The manuscript found in Saragossa. Penguin, 1996.

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27

Jan, Potocki. Rukopisʹ, naĭdennai︠a︡ v Saragose. Amur, 1992.

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28

Jan, Potocki. Rukopisʹ, naĭdennai︠a︡ v Saragose. TERRA, 1997.

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29

Anke, Detken, ed. Theaterinstitution und Kulturtransfer II: Fremdkulturelles Repertoire am Gothaer Hoftheater und an anderen Bühnen. Narr, 1998.

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30

Peter, Holt Marion, Puig Manuel, and Woodyard George William, eds. Latin America: Plays. PAJ Publications, 1986.

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31

Horace, Walpole. The Castle of Otranto: And, Hieroglyphic tales. J.M. Dent, 1993.

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32

Falluomini, Carla. Gothic Version of the Gospels and Pauline Epistles: Cultural Background, Transmission and Character. de Gruyter GmbH, Walter, 2017.

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33

Falluomini, Carla. Gothic Version of the Gospels and Pauline Epistles: Cultural Background, Transmission and Character. De Gruyter, Inc., 2015.

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34

The gothic version of the Gospels and Pauline Epistles: Cultural background, transmission and character. De Gruyter, 2015.

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35

Klein, Jared S., and Arturas Ratkus, eds. Studies in Gothic. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198896692.001.0001.

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Abstract Studies in Gothic is a collection of twelve cutting edge chapters on the Goths and their language. The topics it covers are highly varied and include sociolinguistics, history, translation, phonology, derivational morphology, etymology, verbal syntax, word order, linguistic theory, and discourse structure. Individual chapters examine Gothic–Latin bilingualism in sixth-century Italy, some hitherto unsuspected aspects of the production of the first edition of the Codex Argenteus associated with England, and the translations of Greek nominal compounds in the Gospels. Phonological and mor

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36

Steer, Philip. Colonial Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0015.

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This chapter examines the colonial Gothic novel. Pervasive in the literatures of Canada, Australia, New Zealand, and the Caribbean, the colonial Gothic is more appropriately described as a mode rather than a discrete genre, and its representational possibilities have been shaped by three broad phases of generic transformation and cross-fertilization within the Anglophone novel during the period in question. While the popularity of the Gothic novel peaked in the 1790s with the romances of Ann Radcliffe, its translation into British colonial contexts was enabled in the early decades of the ninet

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37

Miller, D. Gary. The Oxford Gothic Grammar. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813590.001.0001.

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This reference grammar of Gothic includes much history along with a description of Gothic grammar. Apart from runic inscriptions, Gothic is the earliest attested language of the Germanic family in Indo-European. Specifically, it is East Germanic. Most of the extant Gothic corpus is a 4th-century translation of the Bible, traditionally ascribed to Wulfila. This translation is historically important because it antedates Jerome’s Latin Vulgate. Gothic inflectional categories include nouns, adjectives, and verbs. Nouns are inflected for three genders, two numbers, and four cases. Adjectives also h

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38

Sade. The Gothic Tales of the Marquis De Sade. Peter Owen Publishers, 2001.

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39

Minstrel, A. Northern. Legendary, Gothic And Romantic Tales, In Verse: And Other Original Poems, And Translations. Kessinger Publishing, LLC, 2007.

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40

Minstrel, A. Northern. Legendary, Gothic And Romantic Tales, In Verse: And Other Original Poems, And Translations. Kessinger Publishing, LLC, 2007.

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41

Pecastaings, Annie, and Walpole Horace. Castle of Otranto: A Gothic Story. Barnes & Noble, Incorporated, 2009.

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42

Carney, Jeffrey, Walpole Horace, and John Carney. Castle of Otranto: A Gothic Story. Key & Candle, Inc., 2022.

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43

Horace, Walpole. Castle of Otranto: A Gothic Story. Independently Published, 2018.

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44

Horace, Walpole. Castle of Otranto: A Gothic Story. Creative Media Partners, LLC, 2017.

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45

Horace, Walpole. Castle of Otranto: A Gothic Story. HardPress, 2020.

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46

Horace, Walpole. Castle of Otranto: A Gothic Story. Argot Press, 2018.

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47

Horace, Walpole. Castle of Otranto: A Gothic Story. CreateSpace Independent Publishing Platform, 2018.

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48

Castle of Otranto: A Gothic Story. HardPress, 2019.

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49

Walpole, Horace. The Castle of Otranto. Edited by Nick Groom. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780198704447.001.0001.

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‘Look, my lord! See heaven itself declares against your impious intentions’ The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determ

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50

Horace, Walpole. The Castle Of Otranto: A Gothic Story. Independently published, 2019.

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