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Dissertations / Theses on the topic 'Translation of the work of art'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.

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Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepre

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2

Yeung, Karen. "Music translation an exploration of how sound and image work in a moving-image sequence : this exgesis is submitted to Auckland University of Technology for the degree of Bachelor of Art & Design (Honours), Oct. 2005 /." Full dissertation Abstract, 2005.

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Thesis (BA (Hons)--Art and Design) -- AUT University, 2005.<br>Print copy accompanied by CD. Includes bibliographical references. Also held in print (iii, 26 leaves : ill. ; 30 cm. + CD (4 3/4)) in City Campus Theses Collection (T 776.7 YEU)

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3

Кривко, Ю. А. "Особливості перекладу драматичного тексту". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67300.

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Оволодіння майстерністю перекладача – це здатність до висловлювання думки мовця завдяки бездоганному володінню усім спектром засобів вербалізованої та невербалізованої репрезентації. Це орієнтує перекладача, з одного боку, на семантичну точність перекладу, а з іншого – на комунікативну наближеність до емоційного наповнення митцем – автором – в загальному контексті його повідомлення.

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4

Федоренко, Ю. В. "Особливості та проблеми перекладу сучасних літературних творів". Thesis, Видавництво СумДУ, 2010. http://essuir.sumdu.edu.ua/handle/123456789/17762.

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В проведеному дослідженні розглядається переклад сучасних літературних творів. Література за змістом ділиться на наукову та художню, призначену для пізнавальних, інтелектуальних та естетичних потреб. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/17762

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5

Клімова, А. І. "Складнощі передачі реалій у перших перекладах поеми «Мертві душі» М. В. Гоголя". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67354.

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Із творами М. В. Гоголя зарубіжна публіка змогла вперше ознайомитися уже в XIX ст. І окрім позитивних оцінок з боку критиків, перекладачі зіткнулися з широким спектром лінгвістичних проблем, що виникають при намаганні створити рівноцінний оригіналу вихідний текст.

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6

Evans, Jonathan. "Translation in Lydia Davis's work." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/translation-in-lydia-daviss-work(88fd89fa-3eac-4108-a3c2-f77d1571abfd).html.

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This thesis analyses the position of translations in the work of the American writer and translator Lydia Davis. Davis has been publishing stories and translations since the early 1970s, and has translated works by Maurice Blanchot, Michel Leiris, and Marcel Proust among others. This thesis argues that her translations form a graft onto the body of her own fiction; they are both part of her work and retain their identity as being written by someone else. The first chapter builds on theory from Translation Studies and literary criticism to formulate a theory of translation as a form of writing

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7

Flannagan, Wickham Catesby. "Translation: A Journey Toward Ethnographic Art." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2233.

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This paper breaks down my process of transitioning to a new environment through ethnographic documentation. Through the progression of my creative work, I explore the various ways in which I express my own internal feelings through my art. By expressing an alienation within a foreign country in a multitude of filmic ways, these depictions help illustrate my mental and physical journey. My work is informed by psychoanalytic theory and I am most influenced by Jacques Lacan and Sigmund Freud. These theories help me understand the human condition and how I create media art to help me come to terms

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8

Yamashita, Naomi. "Supporting machine translation mediated collaborative work." 京都大学 (Kyoto University), 2006. http://hdl.handle.net/2433/135939.

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9

Kasandrinou, Maria. "Training for translation : the case of specialised translation training and art texts." Thesis, University of Portsmouth, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438813.

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10

McClarty, R. L. "Film and translation : the art of subtitling." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.679231.

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Since the emergence of audiovisual translation as an academic discipline in the 1990s, research in the field has evolved in a wide range of directions. Subtitling, however, has remained a largely prescriptive form of translation, and has been typically unaffected by the various ethical and creative turns that have emerged within the wider discipline of translation studies. And, while recent years have seen an increasing preference for interdisciplinary research, this interest has rarely questioned subtitles' capacity to convey meaning within the film text. Little has therefore been done to con

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11

Gatti, Eugenia. "A suggested translation of art related texts." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7491/.

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12

Nauert, Sandra <1978&gt. "Translation Policies and Practices in European Art Museums." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amsdottorato.unibo.it/9980/2/TesiDottorato_NauertSandra_2021.pdf.

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One aspect of globalisation has been a significant increase in international visitors to many museums around the world, challenging museums to cater for an increasingly diverse audience in more than one language. As observed by a number of scholars (Liao 2018, Cranmer 2016, Neather 2012), more research is needed on the role of translation practices in the museum context. Adopting an action research approach and drawing on qualitative interviews with translation-related staff from a range of European art museums as well as with translation service providers, this study sets out to investigat

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13

Klayman, Charles P. "Making Art Work: A Pragmaticistic Interpretation of Art." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1255.

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Works of art can be interpreted a variety of ways. A work might be judged as moving while it may also be interpreted as worthless. I argue that a pragmaticistic interpretation of art – that is a theory based on the philosophy of Charles Sanders Peirce – can encompass the variety of interpretations of a work of art. The first mode is the aesthetic interpretation that focuses on the quality or the degree of feeling of unique presence. The second mode is the semiotic interpretation that focuses on the sign function of a work of art. The aesthetic interpretation is founded on the view of aesthetic

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Potter, Sarah. "Art Therapists' Work with Textiles." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/771.

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This research project aims to explore how art therapists use textiles in clinical practice and personal artmaking and to learn about the perceived benefits and challenges of this type of work. The study utilizes a Qualtrics survey, with 70 participants, and a focus group methodology, with 4 art therapists. Through the analysis of the participants’ conversations, artwork, and survey information, emergent themes were identified related to examining biases of gender identity, challenges related to considerations of time, the repetitive and slow nature that are particular mindful qualities of text

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15

Coates, Cecily Siobhan. "Translating the art catalogue for the "do ut do" project." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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This thesis aims to discuss the translation of an art catalogue for the “do ut do” project. The catalogue was produced for the fourth edition of the “do ut do” biennial (2018 – 2020), a cultural fundraising project based on the theme of “La morale dei singoli.” The task entailed the translation of an introductory text and a series of catalogue entries dedicated to each artist and artwork donated to that edition. The thesis is divided into six chapters. The first chapter presents an overview of the “do ut do” project and its objectives. The second chapter concerns the art catalogue as a textual

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16

Crow, Gerald. "Developing a new Thai Bible translation." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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17

Bahr, Megan Granda. "Transferring values : Albert C. Barnes, work and the work of art /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/fullcit?p9936964.

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18

Cardoso, Teixeira Carlos da Silva. "The impact of metadata on translator performance: how translators work with translation memories and Machine translation." Doctoral thesis, Universitat Rovira i Virgili, 2014. http://hdl.handle.net/10803/285838.

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Els traductors professionals fan servir diferents tipus d'eines electròniques per aconseguir un major nivell de productivitat i qualitat. Les dues eines més conegudes són les memòries de traducció i, més recentment, la traducció automàtica. Aquesta tesi investiga com el funcionament de les eines de traducció i aspectes específics de les interfícies gràfiques d'usuari afecten al rendiment del traductor. L'estudi duu a terme un experiment amb deu traductors professionals que tradueixen de l'anglès a l'espanyol en el camp de la localització de programari. Els resultats apunten al fet que les meta

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19

Gaines, Adam W. "Work of Art : the life and music of Art Farmer." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317924.

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20

Lo, Siwin. "Work and the work of art : Agnes Martin, 1959–1964." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54533.

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Agnes Martin's grids confound easy classification. Each is a six-foot square consisting only of horizontal and vertical lines arranged in stable, rhythmic patterns that emphasize no one portion of the canvas over another. In 1960, the grid emerges from the wall, from the canvas, and from Martin’s own hair and clothing. The artist herself retreats, sheathing herself in the very same graphic strategy that she commits to in the decades of painting to come. Yet, there is ample visual evidence that she was already exploring aspects of this final form in two 1959 works, both Untitled, that demonstra

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21

Scalfi, Eghenter Anna. "Organization and the work of art." Thesis, University of Essex, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.654535.

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The process of constructing the research, begun at university and continued in public spaces and then in artistic institutional spaces, observes the boundary and modulates the form in which to translate the conceptual intuition between the ambit dedicated to art and the outside, between the symbolic dimension and the real one. The constructional artefacts produced allow for the flowing of various levels of consistency of the work, ranging from the immaterial to extreme concrete expression, considering as the supporting texture of the research itself the negotiation of permits, the translation

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22

Degroot, Simon Cornelius. "Familiar beyond Recognition: Translation in Contemporary Abstraction." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/368013.

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This research contributes to discourse on abstract art in relation to a contemporary context of image sharing and exchange. Many contemporary artists working with abstraction use visual elements from art history, popular culture, product design, the computer desktop and architecture in their work. The once unrecognisable non- figurative forms of Modernist abstraction have now become recognisable objects and forms in contemporary abstraction. Artists such as Charline von Heyl, Christine Streuli, Natalya Hughes, Peter Atkins, and Ryan Gander make visual reference to pre- existing forms in their

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23

Hydes, Carol Ann. "Italian mosaic art 1270-1529." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/67655/.

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24

Jones, Raymond W. "Utopia : work of art or totalitarianism schematic? /." Electronic version (PDF), 2005. http://dl.uncw.edu/etd/2005/jonesr/raymondjones.doc.

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25

Havelda, John. "MEANINGLÊS : John Havelda's multilingual poetry and language-based art." Thesis, University of Roehampton, 2013. https://pure.roehampton.ac.uk/portal/en/studentthesis/meaningles-john-haveldas-multilingual-poetry-and-languagebased-art(bf810005-4092-4040-93e9-6f9041ab2128).html.

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This PhD by publication focuses on over fifteen years of my cultural production, including poetry, translation, critical essays, and work produced in the context of the visual arts. Ranging from my earliest published work in mor (1997) to my most recent writing projects such as pulllllllllllllllllllllllll: Poesia Contemporânea do Canadá (2010) and the “:”s, published in Open Letter (2012). I have consistently produced work in dialogue with the international context of linguistically innovative writing. The fourteen texts collected here provide clear examples of my approach to practice-led rese

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26

Morgan, Mark Williams. "The art of rokusho /." Online version of thesis, 1990. http://hdl.handle.net/1850/11513.

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27

Barokass-Emanuel, Noga. "Ethics in translation : an exploration through art, dramatization, literary and political texts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59352.pdf.

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28

Putter, Andrew. "Native work : an impulse of tenderness." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13994.

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Native Work is an installation-artwork consisting of 38 portrait photographs. It was made in response to an encounter with the archive of Alfred Martin Duggan-Croninâ€™s photographs of black southern Africans taken between 1919 and 1939. In its creative focus on traditional black South African culture in a post-apartheid context, Native Work is one of a series of related - but independent - projects occurring contemporaneously with it in the city of Cape Town (a situation examined more closely in the conclusion to this document: see p. 33). Native Work is motivated by a desire for social solid

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Quito, Anne. "Art at work potential contributions of an art collection to non-profit organizations /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456296265/viewonline.

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30

Matthews, Carrie McGowan John. "Articulations of anarchist modernism putting art to work /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1438.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature." Discipline: English; Department/School: English.

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LAMBERT, PATRICIA MOREIRA. "MIRA SCHENDEL: THE WORK OF ART S NET." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32155@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A artista suíça-brasileira Mira Schendel (Zurique, 1919 – São Paulo, 1988) chegou ao Brasil no pós-guerra, em 1949, e aqui começou a pintar. Embora mantivesse vínculos inegáveis com os demais movimentos artísticos da segunda metade do século XX, Mira criou uma linguagem plástica própria e produziu uma estética entre que não permite ser reduzida a nenhum dos ismos de seu tempo. O objetivo da tese Mira Schendel. A rede da obra é investigar as escolhas formais e as preocupações e

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Lilas, Zilvinas. "The work of art in the digital era." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1327337143.

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33

Olid-Pena, Estefania. "The Art of Future Discourse: Rhetoric, Translation and an Interdisciplinary Pedagogy for Transglobal Literacy." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/94.

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Theorists who have categorized translation as an imperfect and never-ending task have also questioned the legitimacy of this field over the years. It is uncommon for other disciplines to consider translation a topic of study. Except for translation classes in which students discuss in detail the nature of the translators’ tasks and their methodology, professors of other disciplines rarely address the fact that the voice of the translator is an overlooked, yet an important component of any translation. As a consequence, students around the globe read translated works without acknowledging trans

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34

Block, Katherine M. "Veils: Truth in Translation." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2540.

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This supporting document for the thesis exhibition entitled “Veils: Truth in Translation” will discuss Block’s exploration of painting during her time at East Tennessee State University. The supporting document also provides the historical background and influences which have contributed to Block's overall process and techniques. These influences include the Abstract Expressionists, Carl Jung, Ferdinand de Saussure, John Dewey, Theodor Adorno, Joan Mitchell and Gerhard Richter. In the supporting document Block probes the idea that non-objective painting is more than a language confined by ling

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Kayahara, Matthew. ""Travestis politiques": The gay value of Michel Tremblay's dramatic work in translation." Thesis, University of Ottawa (Canada), 2004. http://hdl.handle.net/10393/26673.

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Michel Tremblay often denies that he writes about gayness, despite frequent themes of sexual difference in his plays. In Hosanna , for example, he has suggested that the gay content is a metaphor for Quebec's aspirations to independence. In other plays, such as Les anciennes odeurs and Messe solennelle pour une pleine lune d'ete, he seems to be advancing a "banalizing" conception of gay identity. Despite these interpretations, a number of Anglophone academics have mobilized Tremblay's texts to make arguments about community-based gay identity and have treated Tremblay as a gay writer. This th

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O'Sullivan, Paul Thomas. "Lost in translation making sense of dance through words /." Connect to thesis, 2007. http://portal.ecu.edu.au/adt-public/adt-ECU2007.0044.html.

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37

Donelson, Sarah L. "Cries of agony : a work in photographic montage." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864904.

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The statement of the problem for this creative thesis project was: How to construct photomontages that expressed the photographer's personal concerns regarding the human condition and the environmental status of the earth. Secondary components of this problem were the use of color within the work and how to reproduce this color. The goal of this project was: To stimulate individual awareness resulting in a reevaluation of one's own position and responsibilities towards humanity and the environmental status of the earth.A description of the significance of this problem is given along with suppo

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Botley, Paul Alan. "Parallel texts : Bruni, Manetti and Erasmus on the art and purpose of translation." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396100.

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Thapalyal, Hyland Ranjana. "Education as mutual translation : a Yoruba and Vedantic interface for art school pedagogy." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19357/.

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This thesis proposes that concepts of self and mutuality with others, found in ancient Indian (Hindu Vedantist) and Yoruba (West African) philosophies can be applied to art school pedagogy and potentially beyond. Mind, self, identity and agency in these traditions echo recent thinking on the student being by Ronald Barnett, and critical consciousness as defined by Paulo Freire. Situating oneself as part of, yet distinct from others, leads naturally to reflection on the nature of self and identity; the thesis urges that art education engage with more awareness of students as cultural, political

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Bronner, Irene Enslé. "Intimate masculinities in the work of Paul Emmanuel." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002193.

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Paul Emmanuel is a South African artist who produces incised drawings, outdoor installations and prints (particularly intaglio etchings and manière noire lithographs). These focus on the representation of male bodies and experience. Having begun his career as a collaborative printmaker, since 2002, his work has become more ambitious as well as critically acclaimed. In 2010, his most recent body of work, Transitions, was exhibited at the Smithsonian Museum of African Art in Washington D.C. I propose that Emmanuel represents the male body as a presence that either is not easily seen or that acti

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Boyd, Carolyn E. "The work of art : rock art and adaptation in the lower Pecos, Texas Archaic /." Ann Arbor (Mich.) : UMI dissertation services, 1999. http://catalogue.bnf.fr/ark:/12148/cb400202055.

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Houston, Sarah Louise. "Douglas Coupland: Text as Art." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/22.

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This thesis discusses the art of contemporary Canadian artist Douglas Coupland and his use of textual art. It will explore his combinations of text and art through four major themes that are recurrent in both his writings and visual art: abundance, advertising, technology and translation and draw conclusions on the various reasons that text has become such an important component of his body of work. Overall, the thesis seeks to show Coupland’s unique use of text to create a modern take on Pop art that is able to highlight issues in society.

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Leyva-Perez, Irina. "Alchemy and Symbolism in the Work of Carlos Estevez." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/740.

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The purpose of this thesis was to explore how alchemy has influenced Carlos Estevez’s work through a study of the symbolic repertoire and the philosophical concepts associated with it in his art, particularly how these are expressed in his artworks and how alchemy has evolved thematically in his oeuvre. The study of alchemy influenced this artist so deeply that even pieces that were not primarily inspired by this philosophical system show traces of it, essentially by representing the concept of transformation, crucial to understanding the alchemical process. This thesis is based on Carl Gustav

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Passannanti, Erminia. "Essay writing, lyric diction and poetic translation in the work of Franco Fortini." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406749.

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Jordan, Noel. "'Controversial art' : investigating the work of director Rosemary Myers." Connect to thesis, 2001. http://repository.unimelb.edu.au/10187/1160.

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Arena Theatre Company’s Eat Your Young is examined as an intrinsic case study. The aim is to investigate the role of a director in the creation of an original multi-media theatre production designed for young people. The study explores the current social, political and cultural position of young people and argues that they are viewed and portrayed as a marginalised “other”. The history of Arena Theatre Company is documented in relation to the development of Theatre in Education from its British roots to the Company’s current emphasis on contemporary artists exploring the possibilities of multi

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Brazil, Kevin. "The work of art in postwar fiction, 1945-2001." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:f8102451-09cf-4f92-8e6e-e7c1ced2641c.

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'The Work of Art in Postwar Fiction 1945-2001' explores the responses of postwar novelists to visual art by focusing on the work of Samuel Beckett, William Gaddis, John Berger and W.G. Sebald. In doing so, it opens up a new approach to understanding the relationship between fiction and art in the postwar period as a whole, for what distinguishes these writers is that they use an engagement with visual art in order to historicize their own work as distinctly 'postwar' fiction. This thesis shows that in the writings of these novelists, long running aesthetic issues in the study of the relationsh

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Bolt, Barbara. "Materializing practices: The work of art as productive materiality." Thesis, Bolt, Barbara (2001) Materializing practices: The work of art as productive materiality. PhD thesis, Murdoch University, 2001. https://researchrepository.murdoch.edu.au/id/eprint/52756/.

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This thesis presents a critique of enlightenment notions of representation and rehearses an alternative model of visual practice, one grounded in the performative principle of methexis. Methexis is an act of concurrent actual production that allows for a veritable production, as opposed to representation. I argue that, in the material practice of art, the making is performative, the labour of making is productive and this productive materiality is the work of art. The impetus to postulate the operation of a non-representational principle, in the work of art, stems from a sustained critique

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Деревська, Олена Володимирівна. "Current challenges in culture and art texts translation: the case of Kyiv museums websites." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18278.

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Stocker, Mark Andrew. "The life and work of Sir Joseph Edgar Boehm." Thesis, University of Hull, 1986. http://hydra.hull.ac.uk/resources/hull:8293.

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Abstract:

Sir Joseph Edgar Boehm (1834-90) was, in his own time, the most popular, prolific and honoured sculptor of nineteenth-century England. This thesis aims to salvage Boehm's life and work from oblivion and to assess his achievements by complementing art history with art criticism. Boehm was Hungarian by parentage and Austrian by birth but English by adoption. His father, J. D. Bohm, was director of the Imperial Mint at Vienna and a noted art collector. The younger Boehm visited London, Italy and Paris before settling permanently in England in 1862. Chapter 1 outlines Boehm's background, summarise

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Suliman, Helen-Joy. "Framing the digital the viewing environment for web specific art work /." Access electronically, 2004. http://ro.uow.edu.au/theses/234.

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