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Journal articles on the topic 'Translations from the French'

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Published: 27 February 2023

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1

Adeyefa, Damola E. "A Postcolonial Insight into African Onomastics in Europhone Translation: A study of D. O. Fagunwa’s Selected Yoruba Narrative Names." Yoruba Studies Review 7, no. 1 (2022): 1–20. http://dx.doi.org/10.32473/ysr.v7i1.131435.

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Most African names have sociocultural identities, which convey thoughts, traditions, fortunes, conditions, histories, and other features. Translating African indigenous names from Yoruba into French and English transcends Saussure’s postulation of signified–signifier arbitrariness (Saussure,1975). Previous studies in African onomastic translation have concentrated mostly on Europhone translation, with insufficient scholarly attention paid to the Yoruba-French onomastic translation. Therefore, this work explores Yoruba names in a literary onomastic translation with a view to bringing to fore th
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Ibodulla Kamolovich, Mirzaev. "Translations from French literature in 60-70s." International Journal on Integrated Education 2, no. 5 (2019): 150–53. http://dx.doi.org/10.31149/ijie.v2i5.159.

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This article deals with translation practice the French literature in the Uzbek language. The ways of translation some stories in 60-70s are given in it. Several examples of translations in Uzbek, Russian and French are presented in this article.
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McIlfatrick-Ksenofontov, Miriam. "Fetching Poems from Elsewhere: Ciaran Carson’s Translations of French Poetry." Interlitteraria 21, no. 1 (2016): 51. http://dx.doi.org/10.12697/il.2016.21.1.5.

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Ciaran Carson is a renowned Northern Irish poet with a distinguished record of translating poetry from Irish, Italian and French. This article focuses on his translation practice as evidenced in his three volumes of French poetry in translation: sonnets by Baudelaire, Mallarmé and Rimbaud; prose poems by Rimbaud; and poems by Jean Follain. Guided by the music, the matter, and the linguistic and ontological going-beyond of the originals, Carson variously ‘adapts’ prose poems to a rhyming alexandrine format, makes explicit use of derivation, shifts spatio-temporal perspective, and ‘doubles’ his
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Brisset, Annie, and Lynda Davey. "In Search of a Target Language." Target. International Journal of Translation Studies 1, no. 1 (1989): 9–27. http://dx.doi.org/10.1075/target.1.1.03bri.

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Abstract In nationalist Quebec, French is rejected as the bearer of a foreign culture in the same way that the Québécois' native land, despoiled by the English, has become the country of the Other. Theatre, more than anything else, lent itself to the task of differentiation allotted to language. As of 1968 the vernacular has become the language of the stage as well as of theatre translation such as the exchange value of both foreign works and French translations from France increasingly erodes. Translating "into Québécois" consists in marking out the difference which opposes French in Quebec a
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Cummins, Sarah, and Geneviève Parent. "Translating maman and papa: A corpus-based survey." Translation and Interpreting Studies 2, no. 1 (2007): 3–45. http://dx.doi.org/10.1075/tis.2.1.01cum.

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This study examines the translation of the French terms maman and papa by English-language translators from the nineteenth century to the present. Following a comparative analysis of the semantics of the French terms and of their most typical English translations, the authors of the study isolate trends in the translation of these terms through analysis of corpora of French and Quebecois literary texts and their translations.
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Karas, Hilla. "Intralingual intertemporal translation as a relevant category in translation studies." Target. International Journal of Translation Studies 28, no. 3 (2016): 445–66. http://dx.doi.org/10.1075/target.28.3.05kar.

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Abstract This article argues for intralingual intertemporal translations as a separate category within the field of translation studies. Not only do these translations seem to have common characteristics and behaviors, but it is precisely their particularities that make them a key to understanding more ‘typical’ translations. Two main sets of examples will serve as demonstration: translations from Old French into Middle and Modern French, and a Modern Hebrew translation of the Old Testament, originally written in Biblical Hebrew, as well as the public discussion following its publication.
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N’Zengou-Tayo, Marie-José, and Elizabeth Wilson. "Translators on a Tight Rope: The Challenges of Translating Edwidge Danticat’s Breath, Eyes, Memory and Patrick Chamoiseau’s Texaco." TTR : traduction, terminologie, rédaction 13, no. 2 (2007): 75–105. http://dx.doi.org/10.7202/037412ar.

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Abstract Translators on a Tight Rope: The Challenges of Translating Edwidge Danticat's Breath, Eyes, Memory and Patrick Chamoiseau's Texaco — For Caribbean intellectuals and scholars, translation of Caribbean literary texts has a key role to play for breaching the language barriers in the Caribbean and fostering regional integration. However, most publishing houses are located in the industrialized North, i.e. in countries which had colonial interests in the region. The targeted market of these publishers is located in a region which tends to exoticize the Caribbean. Henceforth, translating Ca
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Kurbonova, Gulsara Sodikovna, and Gulasal Yusubjonovna Rofieva. "THE USE OF CONCEPTUAL METAPHORS IN UZBEK-FRENCH TEXTS." Scientific Reports of Bukhara State University 5, no. 5 (2021): 34–44. http://dx.doi.org/10.52297/2181-1466/2021/5/5/3.

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Introduction. The aim of research is to reveal national-cultural and cognitive peculiarities of translation of conceptual metaphors from Uzbek into French and develop modern principles of translation of conceptual metaphors. The object of research is the conceptual metaphors selected from the novel by Erkin Azam “Noise”, short stories “A tender soul of a shorty”, “Jumble mound”, “Where is the paradise”, “Master’s dog” and their French translations. The subject of research is the national-cultural and cognitive specificity of representation of Uzbek conceptual metaphors in translation. Research
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9

Margala, Miriam. "The Unbearable Torment of Translation: Milan Kundera, Impersonation, and The Joke." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (2011): 30. http://dx.doi.org/10.21992/t9c62h.

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Milan Kundera, a Czech émigré writer, living in Paris and now writing in French, is (in)famous for his tight and obsessive authorial control. He has said many times that he did not trust translators to translate his works accurately and faithfully. The various translations of his novel Žert (The Joke) exemplify this point. The novel has been translated into English, French, and many other languages more than once, depending on Kundera’s dissatisfaction with a particular translation (which, at first, he would support). Thus, there followed a cascade of translations (namely in French and English
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Schnell, Bettina, and Nadia Rodríguez. "From El Gran Meaulnes to Meaulnes el Grande." Babel. Revue internationale de la traduction / International Journal of Translation 64, no. 1 (2018): 81–110. http://dx.doi.org/10.1075/babel.00028.rod.

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Abstract The present contribution aims at a comparative study of the Spanish retranslations of the French classic Le Grand Meaulnes. With the objective of identifying macro and micro-structural variations among the various retranslations, a parallel corpus is compiled, the source-text and the various translations are aligned and imported into a translation memory which allows for a targeted analysis of specific linguistic elements. The results obtained from the corpus analysis show that, despite their differences the retranslations display a relative homogeneity, in so far as they are largely
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Leonavičienė, Aurelija. "Interpretation and Translation of Intertextual Meanings of Lithuanian Literature into French." Respectus Philologicus 23, no. 28 (2013): 97–108. http://dx.doi.org/10.15388/respectus.2013.23.28.8.

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This article analyses the intertextual meanings of Lithuanian literature, how they are interpreted, and some tendencies of their translation into French. The material for the analysis comprises 27 Lithuanian literature novels and ten poems, together with their translations into French (published from 2000–2010). The analysis shows the tendencies of translation of intertextual meanings during the last decade. The results of the quantitative research indicate that intertextual meanings are mainly translated by proper names, meaningful word groups, and phrases. A dominant tendency when translatin
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Cosme, Christelle. "Clause combining across languages." Languages in Contrast 6, no. 1 (2006): 71–108. http://dx.doi.org/10.1075/lic.6.1.04cos.

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This study explores clause combining in English and French, with special emphasis on the relationship between and/et-coordination and subordination. More precisely, the claim that English shows a strong preference for coordination while French makes more intensive use of subordination is tested against bilingual corpus data, viz. a comparable corpus of original texts and a bidirectional translation corpus. The study shows that the number of shifts from coordination to subordination is higher in translations from English into French than in translations from French into English. This finding le
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Diachuk, Liudmyla, and Iryna Nichaenko. "THE PECULIARITIES OF LANGUAGE AND STYLE OF ANNA GAVALDA’S NOVEL “LA CONSOLANTE” AND THEIR REPRODUCTION IN SPANISH AND UKRAINIAN TRANSLATIONS." Folia linguistica et litteraria XIII, no. 39 (2022): 227–57. http://dx.doi.org/10.31902/fll.39.2022.12.

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The article investigates lexical, semantic and grammatical peculiarities of the language and style of Anna Gavalda’s novel “La Consolante” and their reproduction in the Spanish and Ukrainian translations. The objective of the research focuses on the translation of the French novel into Spanish and Ukrainian, taking into account that French and Spanish are closely related languages from the group of Romance languages, and French and Ukrainian are distant languages that belong to a different language group, having different grammatical structures. The paper identifies the fragments, which presen
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D’hulst, Lieven, and Michael Schreiber. "Vers une historiographie des politiques des traductions en Belgique durant la période française." Target. International Journal of Translation Studies 26, no. 1 (2014): 3–31. http://dx.doi.org/10.1075/target.26.1.01hul.

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The language policy of the French Revolution is known today especially for the imposition of the national language and the oppression of dialects and regional languages in France. This pilot study focuses on a less-known phenomenon of that period: translation policy. From 1790 on, several decrees stipulated the translation of national laws and decrees into the regional languages of France and some languages of other European countries. We will illustrate this translation policy focusing on translations of political and administrative texts from French into Flemish in Belgium (which was annexed
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Sivilova, Yana. "Calques from French in Bulgarian Phraseology." Chuzhdoezikovo Obuchenie-Foreign Language Teaching 49, no. 2 (2022): 122–32. http://dx.doi.org/10.53656/for22.202kalk.

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The paper traces the long-term influence of the French language on the formation of Bulgarian phraseology. Distinct periods during which the French influence on Bulgarian is especially strong are analyzed. Hypotheses of individual scholars about the calquing of French phrasemes both in Bulgarian and internationally are commented on. Idioms, conventional metaphors and metonymies, loan translations of verb paraphrases, and other types of collocations are discussed. Since the French influence is both literary and oral in Bulgarian from the National Revival Period to the present day, both slang an
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Meyer, Yvonne, Céline Lemay, and Claire de Labrusse. "From Midwifery to Maïeutique: Lost in Translation." International Journal of Childbirth 8, no. 3 (2018): 177–88. http://dx.doi.org/10.1891/2156-5287.8.3.177.

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AIMTo understand the meaning and impact of translating “midwifery” into “maïeutique” as proposed in The Lancet Series on Midwifery.METHODSLinguistic change in terminology was analyzed by comparing English/French translations, reviewing the French literature, and analyzing the results of a survey among French-speaking midwives' associations.FINDINGSTranslation comparisons and French literature showed that the use of “maïeutique” was far from the definition given in The Lancet Series. Results of the survey conducted by the Swiss Federation of Midwives showed that the terms “maïeuticien” and “maï
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17

Xavier, Subha. "The global afterlife: Sino-French literature and the politics of translation." French Cultural Studies 30, no. 2 (2019): 153–65. http://dx.doi.org/10.1177/0957155819842980.

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Following the critical acclaim of Sino-French literature in recent years, an increasing number of Chinese presses have solicited translations of prize-winning novels written in French by authors of Chinese descent. Yet as the work of authors like François Cheng, Shan Sa, Ya Ding and Dai Sijie travels from French into Chinese, it also undergoes a transformation via the politics of translation and publication in China. This essay exposes the inner workings of translation between French and Chinese, as well as the politics that colour its publication and reception between France and China. The ac
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Smith, Paul J. "Folly Goes French." Erasmus Studies 35, no. 1 (2015): 35–60. http://dx.doi.org/10.1163/18749275-03501003.

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The early-modern French translations of Erasmus’ Praise of Folly show an astonishing adaptability to its ever changing readerships. Much attention has been paid recently to the two sixteenth-century translations (1518 and 1520) and their intended readers—royal and bourgeois respectively. The three French translations of the seventeenth and eighteenth centuries are less known but all the more intriguing. In 1642 Folly addresses herself to the French pre-classicist readers, adepts of Richelieu’s new Académie Française—although her translator, Hélie Poirier, was a Protestant refugee, recently set
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Frank, Helen. "Discovering Australia Through Fiction: French Translators as Aventuriers." Meta 51, no. 3 (2006): 482–503. http://dx.doi.org/10.7202/013554ar.

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Abstract The translation into French of referents of Australia and Australianness in fiction necessitates a considerable variety of translational tendencies and interpretive choices. This study focuses on French translations of selected passages and blurbs from Australian fiction set in regional Australia to determine how referents of Australian flora, fauna, landscape and people are translated and interpreted in a non-English speaking cultural system. Guided by concerns for the target readers’ understanding of the text, French translators employ normative strategies and adaptive procedures co
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Haugen, Marius Warholm. "Traduire le Voyage comme acte politique." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 2 (2019): 191–213. http://dx.doi.org/10.1075/rro.17016.hau.

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Abstract This article studies the discourse in the late eighteenth- and early nineteenth-century French periodical press on the topic of translations of travel writing. It reveals that travel reviews were arenas for discussing the political and ideological value of translating travelogues into French, notably from English. In the context of the Franco-British conflicts at the turn of the century, the French press perceived translations of British travel writing as potential patriotic tools that allowed different ways of countering or subverting British global influence. Paratextual elements of
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Vanderbauwhede, Gudrun, Piet Desmet, and Peter Lauwers. "The Shifting of the Demonstrative Determiner in French and Dutch in Parallel Corpora: From Translation Mechanisms to Structural Differences." Meta 56, no. 2 (2011): 443–64. http://dx.doi.org/10.7202/1006186ar.

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This paper focuses on translational shifts with respect to the demonstrative determiner in French and Dutch in parallel corpora. The paper aims to identify the types of translation shifts that occur systematically, and to explore the underlying mechanisms and semantic effects of this process. For this purpose, a well-balanced sub-corpus of the Dutch Parallel Corpus is used, making it possible to analyze both directions (French – Dutch and Dutch – French). In this corpus, 50% of the demonstrative determiners are translated by a demonstrative in the target text (in both directions). In 20% of th
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Ulozienė, Paulina, and Aurelija Leonavičienė. "Comparative Analysis of the Use of Lexical Analytical Constructions and their Translation into Lithuanian in Italian and French Literary Texts." Sustainable Multilingualism 16, no. 1 (2020): 175–204. http://dx.doi.org/10.2478/sm-2020-0009.

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SummaryThe intensification of research on Lithuanian translations of Italian literature and Italian translations of Lithuanian literature over the past twenty years is paralleled by the growth of interest in Italian literature in Lithuania. However, the existing research on diverse linguistic and cultural characteristics of texts translated from Italian into Lithuanian and vice versa has been sporadic, thus leaving much to be done to uncover links between the two languages and identify translation-related issues. The present article looks into one of the issues, namely, the lexical analytical
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Mörte Alling, Annika. "Fransk litteratur i Sverige 1830–1900." Tidskrift för litteraturvetenskap 40, no. 3-4 (2010): 179–92. http://dx.doi.org/10.54797/tfl.v40i3-4.11941.

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French Literature in Sweden 1830–1900. Translation, Reception and Circulation
 The article presents some results from an international project on the introduction of French literature in Scandinavia during the 19th century. A point of departure is the database BREFS (Bibliographie du Réalisme Français en Scandinavie), containing the translations of novels, short stories, poetic works and theatre plays that were published in Denmark, Finland, Iceland, Norway and Sweden in book form from 1830 to 1900.
 The Swedish part of the bibliography is in focus, consisting of as many as 1 500 tra
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Moyes, Lianne. "From one colonial language to another: Translating Natasha Kanapé Fontaine’s “Mes lames de tannage”." TranscUlturAl: A Journal of Translation and Cultural Studies 10, no. 1 (2018): 64–82. http://dx.doi.org/10.21992/tc29378.

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Signed and posted to the internet on July 6, 2012 in the months following the “Printemps érable” and leading up to Idle No More, “Mes lames de tannage” is one of Natasha Kanapé Fontaine’s most important slams. In analysing my English translation of this slam, published in Canadian Literature in 2016, this essay speaks to the relationship between Indigenous literatures and European languages. It participates in a conversation about what it means to translate French-language Indigenous literature from Quebec into English. Such translation enables Indigenous writers across North America to make l
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Wijaya, Elyan. "TERJEMAHAN BERANOTASI DONGENG LE FILS À LA RECHERCHE DE SA MÈRE KE DALAM BAHASA INDONESIA." Paradigma, Jurnal Kajian Budaya 9, no. 1 (2019): 15. http://dx.doi.org/10.17510/paradigma.v9i1.244.

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Annotated translation is a study that provides annotations or notes on the chosen equivalents of a number of translated words as a form of translator’s accountability. Using a comparative model, this qualitative study aims to describe the problems that were encountered when translating the source text and finding the right translation strategy to be used for addressing the existing translation problems. In this research, the source text is a children literature (tale) titled Le Fils à la recherche de sa mère by Senegalese author. The problems that were encountered when translating this tale we
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Beboy, Clotaire Ngaba, and Stephen Ambe Mfortheh. "Recurrent Errors in the French-English Translations of Undergrad Students in the University of Bangui." Global Academic Journal of Humanities and Social Sciences 4, no. 6 (2022): 220–26. http://dx.doi.org/10.36348/gajhss.2022.v04i06.004.

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While translation is indispensable in multi-lingual contexts, translation from French to English continues to pose a serious problem to students of translation in the University of Bangui. This study was designed to identify first year students’ errors in their translation from French to English in order to suggest areas where adjustments can be made to improve on their proficiencies and translation skills. From the analysis of 186 learners’ French-English translations, we identified 2250 inter language errors which were mostly in the use of the continuous aspects, tense concords and subject o
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Smidfelt, Linda, and Joost Van de Weijer. "The role of previous foreign language knowledge when translating from Italian as an unknown language into L2 English or L3 Spanish or French." Moderna Språk 113, no. 1 (2019): 1–24. http://dx.doi.org/10.58221/mosp.v113i1.7576.

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The aim of the present study is to examine and describe Swedish upper secondary students’ use of their background languages while translating a text from Italian, a language unknown to them, into either their L2 English or their L3 French or Spanish. The assumption here is that searching for similarities between these languages is a natural feature of language learning and that intercomprehension can lead to at least limited understanding of an unknown language. The written translations were analysed quantitatively by calculating translation accuracy in the different languages and qualitativel
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Markov, Alexander V. "Textual Criticism of Ostrovsky’s Translations from Latin. Part 1: Terence’s Hecyra and the French Intermediary Translation." Two centuries of the Russian classics 3, no. 4 (2021): 146–63. http://dx.doi.org/10.22455/2686-7494-2021-3-4-146-163.

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Ostrovsky’s translations of the works of Plautus, Terence, and Seneca, preserved in incomplete drafts, attend to the textual criticism related both to the principles of the work and to its aims. The example of the translation of Terence’s Hecyra in comparison with the earlier translation of Plautus’ Asinaria proves the evolution of Ostrovsky’s translation principles. While Plautus was translated without recourse to an intermediary translation, Terence was translated from the popular bilingual edition, and the translator turned to a French translation in difficult cases. The article explains ho
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Lamprou, Effrosyni, and Freiderikos Valetopoulos. "Traduire la peur : une étude contrastive." Lublin Studies in Modern Languages and Literature 44, no. 1 (2020): 135. http://dx.doi.org/10.17951/lsmll.2020.44.1.135-145.

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<p>In this paper, we examine the question of the verbalization of fear and its translation from modern Greek into French. The target texts of our analysis are of two types: translations of experienced translators and translations of Cypriot learners. We study data from the analysis of our translation corpus and we question the conceptualisation of the emotion of <em>fear</em>.</p>
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Poupaud, Sandra, Anthony Pym, and Ester Torres Simón. "Finding Translations. On the Use of Bibliographical Databases in Translation History." Meta 54, no. 2 (2009): 264–78. http://dx.doi.org/10.7202/037680ar.

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Abstract In any study of translations one must first decide what is to be counted as a “translation” and how such things are to be found, usually through recourse to bibliographical databases. We propose that, starting from the maximalist view that translations are potentially everywhere, various distribution processes impose a series of selective filters thanks to which some translations are more easily identified and accessible than others. The study of translation must be aware of these prior filters, and must know how to account for them, and sometimes how to overcome them. Research proces
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Marićević Balać, Jelena. "PARIZ U BEOGRADU." Lipar 22, no. 75 (2021): 73–83. http://dx.doi.org/10.46793/lipar75.073mb.

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This paper represents an image of the writer’s interweaving biography and bibliography. Explaining such an aspect required analytic and comparative ap- proaches to the material. This paper covers writer’s interviews, auto-poetic notes, letters, translations, insight into the bibliography and official biography, and also his literary work. As part of translation, scientific and literary work, Paris and French culture are a kind of prism through which the life of Milorad Pavić should be perceived. The writer felt close to the French language from his childhood, which affected the shaping of his
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Marićević Balać, Jelena. "PARIZ U BEOGRADU." Lipar 22, no. 75 (2021): 73–83. http://dx.doi.org/10.46793/lipar75.073mb.

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This paper represents an image of the writer’s interweaving biography and bibliography. Explaining such an aspect required analytic and comparative ap- proaches to the material. This paper covers writer’s interviews, auto-poetic notes, letters, translations, insight into the bibliography and official biography, and also his literary work. As part of translation, scientific and literary work, Paris and French culture are a kind of prism through which the life of Milorad Pavić should be perceived. The writer felt close to the French language from his childhood, which affected the shaping of his
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Palomo Berjaga, Vanessa. "Translations and original." Babel. Revue internationale de la traduction / International Journal of Translation 66, no. 6 (2020): 973–98. http://dx.doi.org/10.1075/babel.00200.ber.

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Abstract In 1989 and 1990, Kitty van Leuven-Zwart published two articles on the similarities and dissimilarities between a translation and its original. My research is based on a classification model which derives primarily from Van Leuven-Zwart’s comparative method, although I also work with concepts from other authors. The major difference to Van Leuven-Zwart’s research is that the main aim of the model I propose is not to indicate the differences between a translation and the original, but to detect whether previous translations have had any influence upon the studied translation. The goal
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Boginskaya, Anastasia. "French translations of “Eugene Onegin”: on the conveyance of stylistic patterns." Litera, no. 11 (November 2021): 227–41. http://dx.doi.org/10.25136/2409-8698.2021.11.36632.

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This research is dedicated to the topic of multivariate translations. Leaning on the text corpus that contains 16 French translations of A. S. Pushkin's novel “Eugene Onegin”, analysis is conducted on the peculiarities of conveying certain characteristic stylistic patterns in French texts alongside other stylistic techniques of the original, as well as changes in translations depending on the poetic form chosen by the translator. The selected extensive material trace traces the evolution of translators’ approach towards the stylistics of Pushkin's text over time.
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Hosington, Brenda M. "Translation, Early Printing, and Gender in England, 1484-1535." Florilegium 23, no. 1 (2006): 41–67. http://dx.doi.org/10.3138/flor.23.005.

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The introduction of printing to England at the beginning of the early modern period intersected with an ongoing interest in matters concerning the querelle des femmes. One result was the production of fourteen translations from Latin and French, twelve of medieval and two of humanist origin. Discussing all fourteen translations, this article proposes an overview of the varying ways in which translation, publishing, and gender were closely intertwined. The source texts, spanning almost four hundred years, varied in provenance, style, and genre and appealed to different audiences. The translatin
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Pospiszil, Karolina. "Bibliografia przekładów na język śląski w latach 2002—2018 / Bibliography of translations into the Silesian language in the years 2002—2018." Przekłady Literatur Słowiańskich 9, no. 2 (2019): 103–18. http://dx.doi.org/10.31261/pls.2019.09.02.06.

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The bibliography includes translations into the Silesian language made both in the standard script as well as in the non-standard one. The starting point for translations into the contemporary Silesian may be dated back to 2002. Since then, there have been irregularly published, usually in the form of collections, translations of various literary genres (with a preponderance of poetic forms) from dozen or so world languages, such as: Greek, Latin, French, German, Polish, Mandarin Chinese, English, Welsh, Russian, or the Upper Sorbian. No single translation from Silesian into other language is
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SVESHNIKOVA, M. I., and E. I. SERNOVA. "SUSPENSION POINTS AND ITS FUNCTIONS IN THE TRANSLATION OF A POETIC TEXT." HUMANITARIAN RESEARCHES 4, no. 80 (2021): 104–10. http://dx.doi.org/10.21672/1818-4936-2021-80-4-104-110.

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The article is devoted to the problem of the transfer of such punctuation mark as suspension points in the translation of a poetic text from French into Russian. Examples of translations of French poetic texts from classics to modern works are analyzed. The role of the suspension points is shown in the process of changing the rules of the organization of poetic speech.
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Touchi-Benmansour, Lynda. "Les flux de traduction entre les deux rives de la Méditerranée." Translationes 5, no. 1 (2013): 92–103. http://dx.doi.org/10.2478/tran-2014-0093.

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Abstract The past few years have seen the emergence of a Euro-Mediterranean policy for intercultural exchange, amongst others, the translation of written literature. Flow analysis of Arabic-French translations between the two sides reinforces the idea, already known, of unequal exchange. For reasons of specialization, in this study we will limit ourselves to the translation of works from the humanities and social sciences, referring, however, to literary translations published in the past two decades, for comparison
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Valiukienė, Vita. "From a Lexical Verb to a Pragmatic Marker: The Case of the French falloir ‘have to/must’." Verbum 13 (June 14, 2022): 3. http://dx.doi.org/10.15388/verb.29.

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The paper seeks to present a semantico-functional analysis of the French verb falloir. The empirical data are obtained from a parallel corpus – the Corpus Parallèle de Textes Littéraires (CTLFR-LT), which is composed of French literary texts and their translations into Lithuanian. The paper uses quantitative, qualitative and comparative methods. It is based on the studies focusing on the polysemy of modal verbs (Chu 2010; Dendale 1994; Kronning 1988; Le Querler 2001; Rossari 2012) as well as on the development of discourse markers in language (Dostie 2004; Vold 2008).
 The findings show t
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40

Turner, Anthony. "An interrupted story: French translations from Philosophical Transactions in the seventeenth and eighteenth centuries." Notes and Records of the Royal Society 62, no. 4 (2008): 341–54. http://dx.doi.org/10.1098/rsnr.2008.0006.

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Although consistently recognized as desirable by both the Royal Society and the Académie des Sciences, translations of Philosophical Transactions of the Royal Society were only infrequently undertaken officially. More successful were some private attempts, which by the end of the eighteenth century had produced a virtually complete translation, albeit only of Lowthorp's abridgements.
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41

Migeon-Lambert, Camile. "Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy?" Punctum. International Journal of Semiotics 06, no. 01 (2020): 221–42. http://dx.doi.org/10.18680/hss.2020.0011.

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This study examines how metal musicians appropriate Baudelaire’s poetry, one of the favorite sources of metal lyrics’ intersemiosis. We will consider several levels of intersemiosis, from the reference to the literal quotation, including the music inspired by Baudelaire’s life, inquiring what metal music, which is both counter-cultural and popular, does to a great classic of French poetry. Moreover, we intend to look closer at Baudelairean intersemiosis in the work of non-French-speaking metal musicians. When they retain the original French text, the lyrics reflect the vocalist’s relation to t
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42

Yakubovskaya, Ksenia A. "French Translations and Lifetime Publications of Nikolai Goumilev: А Dialogue with the French reader. Part One". RUDN Journal of Studies in Literature and Journalism 27, № 2 (2022): 323–44. http://dx.doi.org/10.22363/2312-9220-2022-27-2-323-344.

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This article examines in detail the circumstances of the creation of all Gumilev’s French texts known today. The research focuses on Russian-French literary relations at the beginning of the 20th century, the chronological order of Gumilev’s Russian poems and their French versions, the textual features and particularities of the translations attributed to Gumilev and the history of their publication. Particular attention is paid to Gumilev’s desire to enter the circle of French writers, thanks to his acquaintance with René Ghil, and then to determine the perception of his work in France throug
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Anderson, Jean. "Inside Out or Outside In? Translating Margins, Marginalizing Translations. The Case of Francophone Pacific Writing." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 9. http://dx.doi.org/10.21992/t9mm02.

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The concepts of centre and margins are of course, or ought to be, interchangeable: where we are is, in that sense, always the centre. However, no one would deny that in terms of culture, some 'centres' are more dominant than others. As a translator of Pacific texts, both from French into English and from English into French (as a co-translator), I have become acutely aware of what is at stake in the 'centre' of the Pacific, in particular on the islands of New Caledonia and French Polynesia. Focusing on texts from French Polynesia, I look at some of the ways in which indigenous Pacific authors
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Molés-Cases, Teresa. "Manner salience and translation: A case study based on a multilingual corpus of graphic novels." Lebende Sprachen 49, no. 5 (2020): 346–68. http://dx.doi.org/10.1515/les-2020-0020.

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AbstractThis paper examines the salience of Manner-of-motion and its translation in a multilingual corpus of graphic novels, with the dual aim of further investigating the role of visual language in Slobin’s Thinking-for-translating hypothesis and identifying the relevant translation techniques. Many studies that draw on the hypothesis have shown, for instance, that, in the translation process from a satellite-framed language (e. g. German, English) into a verb-framed language (e. g. Spanish, French), Manner-of-motion is usually omitted, whereas in the translation process between languages bel
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Bardet, Mary. "Psammead or It." Names 70, no. 4 (2022): 31–42. http://dx.doi.org/10.5195/names.2022.2469.

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Translating a name in children’s literature can be a delicate process, one that may be further complicated when the protagonist involved is a “Psammead”, a truly magical beast that is grammatically referred to with the pronoun “it”. This paper looks at the naming solutions utilized in three different French translations of E. Nesbit’s work. It examines the difficulties of translating names from English, a language with natural gender, into French, a language with grammatical gender. Using close text analysis and reader-response surveys, this article investigates readers’ cognitive responses, a
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Son, Young-eun. "Translation and Reception of Ismail Kadare’s Works via French: Paratextual Analysis." Hankuk University of Foreign Studies Literature Studies 87 (August 30, 2022): 61–102. http://dx.doi.org/10.22344/fls.2022.87.61.

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This study aims to investigate the process of how the Albanian writer Ismail Kadare's novel has been received in Korea through the medium of the French language. Indirect translation is a method of translation that has been criticized by many scholars since it is often perceived as being distant from the original. Notwithstanding, it contributes to the reception of foreign literature written in minority languages, serving to enhance cultural diversity in the international literary world. To this end, this study attempts to identify the translators' positions and strategies, their perceptions a
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Guerrero, María José Hernández. "La traducción de letras de canciones en la web de aficionados Lyrics Translate.com." Babel. Revue internationale de la traduction / International Journal of Translation 60, no. 1 (2014): 91–108. http://dx.doi.org/10.1075/babel.60.1.06her.

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This paper aims to describe a sample of community translation: the web site Lyrics Translate.com, which offers translation for lyrics. Community translation consists of the translation of a large volume of content due to the collaboration of a group of amateur translators in Internet and it is characterized by the lack of a professional who guarantees the quality of the final product. The power and reach of amateur translation is surprising. The willingness of translators to work on a project without direct financial compensation is a widespread reality. Translators are motivated by recognitio
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Lomovskaya, M. V. "François Villon’s four ballads." Voprosy literatury, no. 4 (September 23, 2022): 172–206. http://dx.doi.org/10.31425/0042-8795-2022-4-172-206.

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The fact that the existing Russian translations of the four famous ballads by the French 15th-c. poet François Villon are plagued by tentativeness and inaccuracy calls for a new translation, based on consistent preservation of the original’s imagery and meaning in each and every line. The texts of the ballads, their rendering from the language of the Late Middle Ages and the Renaissance into contemporary French, and materials on the poet’s biography and possible autobiographical allusions in the selected ballads come from the latest French editions of F. Villon’s complete works prepared by ren
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Magnus, Ilse, and Isabelle Peeters. "Les systèmes prépositionnels en français et en néerlandais." French Syntax in Contrast 33, no. 2 (2010): 224–38. http://dx.doi.org/10.1075/li.33.2.06mag.

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The French spatial preposition sur (‘on’) has recently developed new spatial usages. It has evolved from expressing a spatial configuration of superposition to also expressing extent and even a location which is merely relational. The aim of our study is to provide evidence for the hypothesis of the grammaticalization of sur. This task is carried out by comparing these new spatial usages of sur with their Dutch translations. Eighteen attestated cases of sur were selected from a unilingual French corpus, which were then translated by ten native speakers of Dutch. The analysis of these translati
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50

Gordon, W. Terrence. "A Comparative Study of the French & Italian Translations of Anne Michaels’ Fugitive Pieces." TTR : traduction, terminologie, rédaction 15, no. 1 (2003): 103–15. http://dx.doi.org/10.7202/006802ar.

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Abstract W. Terrence Gordon examines the notion of translation problems by comparing the French and Italian versions of Michaels’ work. He begins by examining the translation of geological terms which, although they cause no translation problems on a strictly scientific level, are a cause of divergence in the French and Italian versions because they express metaphorically a main theme of the novel: memory and the modifying effect that the past has on the present. Gordon also examines the strategy of each translator with regards to word play, and in particular homonyms, anagrams and palindromes
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