Academic literature on the topic 'Translations into French (Middle French)'

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Journal articles on the topic "Translations into French (Middle French)"

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Karas, Hilla. "Intralingual intertemporal translation as a relevant category in translation studies." Target. International Journal of Translation Studies 28, no. 3 (2016): 445–66. http://dx.doi.org/10.1075/target.28.3.05kar.

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Abstract This article argues for intralingual intertemporal translations as a separate category within the field of translation studies. Not only do these translations seem to have common characteristics and behaviors, but it is precisely their particularities that make them a key to understanding more ‘typical’ translations. Two main sets of examples will serve as demonstration: translations from Old French into Middle and Modern French, and a Modern Hebrew translation of the Old Testament, originally written in Biblical Hebrew, as well as the public discussion following its publication.
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Lomovskaya, M. V. "François Villon’s four ballads." Voprosy literatury, no. 4 (September 23, 2022): 172–206. http://dx.doi.org/10.31425/0042-8795-2022-4-172-206.

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The fact that the existing Russian translations of the four famous ballads by the French 15th-c. poet François Villon are plagued by tentativeness and inaccuracy calls for a new translation, based on consistent preservation of the original’s imagery and meaning in each and every line. The texts of the ballads, their rendering from the language of the Late Middle Ages and the Renaissance into contemporary French, and materials on the poet’s biography and possible autobiographical allusions in the selected ballads come from the latest French editions of F. Villon’s complete works prepared by ren
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Karas, Hilla. "Illustrated translations longing for the Middle Ages, exemplified by modern french versions of Aucassin et Nicolette." Punctum. International Journal of Semiotics 06, no. 01 (2020): 161–83. http://dx.doi.org/10.18680/hss.2020.0008.

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The relations between the verbal component, the visual component, and the translational aspect of a given text have been discussed and described by translation scholars and semioticians in a diversity of manners. A significant graphic element may be introduced during the translation production, usually in dialogue with the verbal one, thus creating a new intersemiotic text. Medieval manuscripts are known for offering their readers illustrations, miniatures, rubrics, decorated initials, colored and gilded details, and other visual ingredients. As a result, the codex functions as an essential in
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Ford, Philip. "Homer in the French Renaissance*." Renaissance Quarterly 59, no. 1 (2006): 1–28. http://dx.doi.org/10.1353/ren.2008.0159.

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AbstractAlthough the works of Homer remained unknown in Western Europe for much of the Middle Ages, their reappearance was welcomed enthusiastically in France toward the end of the fifteenth century by the small band of scholars capable of reading Greek. The founding of the Collège des lecteurs royaux in 1530 gave a fillip to Homeric studies, and partial editions of Homer were printed in Paris, aimed at a student audience. French translations also helped to bring the poems to a wider audience. However, the question of the interpretation of Homer was central to the reception of the two epics, a
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HAEBERLI, ERIC. "Syntactic effects of contact in translations: evidence from object pronoun placement in Middle English." English Language and Linguistics 22, no. 2 (2018): 301–21. http://dx.doi.org/10.1017/s1360674318000151.

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Whereas object pronouns regularly occurred before the main verb in Old and early Middle English, such word orders were to a large extent lost in Middle English prose by the end of the thirteenth century. Nevertheless, some isolated later texts still show regular preverbal occurrences of object pronouns. Such word orders are most frequent with three texts that are translations of French sources. This article closely examines one of these texts, the Middle English prose Brut, and its source, and argues that contact influence is the most plausible explanation for its distinct behaviour with respe
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Benati, Chiara, and Marialuisa Caparrini. "The German Translations of Lanfranc of Milan’s Chirurgia parva: from Latin to Vernacular or from One Vernacular to the Other?*." Mediaevistik 35, no. 1 (2022): 265–86. http://dx.doi.org/10.3726/med.2022.01.10.

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Abstract Lanfranc of Milan is considered as one of the most influential surgeons of the late Middle Ages and his Latin works – the Chirurgia parva and the Chirurgia magna – have informed surgical practice until the 16th century. The importance of his works (1293/1294 and 1296) is witnessed by the large number of vernacular translations produced after their original compilation. Overall, three High German translations of Lanfranc’s Chirurgia parva have come down to us: 1. the significantly shortened version transmitted in Vatican City, MS Pal. Lat, 1117; 2. the integral version preserved in Kal
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Dumas, Geneviève, and Caroline Boucher. "Medical Translations and Practical Compilations: A Necessary Coincidence?" Early Science and Medicine 17, no. 3 (2012): 273–308. http://dx.doi.org/10.1163/157338212x645094.

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AbstractFourteenthand fifteenth-century medicine is characterised by a trickle-down effect which led to an increasing dissemination of knowledge in the vernacular. In this context, translations and compilations appear to be two similar endeavours aiming to provide access to contents pertaining to the particulars of medical practice. Nowhere is this phenomenon seen more clearly than in vernacular manuscripts on surgery. Our study proposes to compare for the first time two corpora of manuscripts of surgical compilations, in Middle French and Middle English respectively, in order to discuss form
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Gotovtseva, Anastasia Gennad’evna Gotovtseva. "TRANSFORMATIONS OF THE SECOND ODE OF SAPPHO IN THE RUSSIAN POETRY: A TYPOLOGICAL ANALYSIS." Russkaya Literatura 2 (2024): 119–36. https://doi.org/10.31860/0131-6095-2024-2-119-136.

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Sappho’s Second ode was introduced to the europeans in the middle of the 16th century through the efforts of the French hellenist and typographer henri etienne, who had included it into his collection of the Classical texts. Since then, the ode was frmly established among the primary texts of the european culture. The prevailing translation tradition, however, had the Sapphic love triangle transformed both into the traditional ars amatoria and the other forms of romantic relationships. The article offers a typology of the russian translations of the Second ode, and analyzes their literary cont
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Delsaux, Olivier. "Nouvelles perspectives sur la réception de la littérature castillane en français à la fin du Moyen Âge." Zeitschrift für romanische Philologie 134, no. 1 (2018): 32–61. http://dx.doi.org/10.1515/zrp-2018-0002.

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Abstract This paper aims to get a better insight into the material, literary and historical context surrounding two important, but neglected or unknown, evidences of the dissemination of Castillan literature in the French literature at the end of the Middle Ages. The French translations of Diego de Valera’s Crónica abreviada de España o Valeriana, on the one part, and of Pero López de Ayala’s Crónicas, on the other part, were both achieved between 1504–1506 for the last « Duke of Burgundy » Philip the Fair. Through the investigation of the surviving manuscripts, of the paratext and of the cont
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Gréa, Philippe. "Inside in French." Cognitive Linguistics 28, no. 1 (2017): 77–130. http://dx.doi.org/10.1515/cog-2015-0127.

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AbstractThis article concerns five French prepositions that mark an inclusion relation and are ordinarily considered to be synonyms of dans ‘in’. The first is a simple preposition: parmi ‘among’. The other four are complex prepositions built from nouns of internal location (au centre de ‘at the centre of’, au milieu de ‘in the middle of’) and from names of body parts (au cœur de ‘at the heart of’ and au sein de whose word-for-word translation is ‘at the breast/bosom of’ but stands for ‘within’ ‘in’ or ‘among’ depending on the context). We will examine them from two different, yet complementary
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Dissertations / Theses on the topic "Translations into French (Middle French)"

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Campbell, Laura Jane. "Translation and Réécriture in the Middle Ages : rewriting Merlin in the French and Italian vernacular traditions." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/705/.

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This thesis will investigate the processes of translation and rewriting (réécriture) in the thirteenth and fourteenth centuries, through a study of the French and Italian Merlin corpus. In particular, it will focus upon the products of translation between vernacular languages, which, as a practice, displays a greater degree of heterogeneity than translations into the vernacular from Latin. Medieval translation will be studied through a comparative analysis of the story of Merlin’s conception in Robert de Boron’s Merlin and Paulino Pieri’s La Storia di Merlino, in addition to an examination of
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CARNEIRO, TERESA DIAS. "CONTRIBUTIONS TO A THEORY OF PARATEXT OF THE TRANSLATED BOOK: THE CASE OF TRANSLATIONS OF FRENCH LITERARY WORKS IN BRAZIL SINCE THE MIDDLE OF THE 20TH CENTURY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29928@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>Esta tese de doutorado apresenta algumas contribuições para a construção de uma teoria do paratexto do livro traduzido. A teoria do paratexto, que tem por sua obra seminal Paratextos editoriais, de Gérard Genette, não inclui como objeto de análise esse tipo de paratexto. A proposta desta tese é, portanto, complementar a teorização de Genette, contemplando um tipo específico de paratexto do livro traduzido, o prefácio/po
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Deschamps, Maryse. "Octovien de Saint-Gelais : le livre des Epistres de Ovide." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61686.

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Schoenaers, Dirk. "Getranslateerd uuten Franssoyse : translation from French into Dutch in Holland in the 15th century : the case of Gerard Potter's Middle Dutch translation of Froissart's 'Chroniques'." Thesis, University of Liverpool, 2010. http://livrepository.liverpool.ac.uk/1277/.

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This dissertation focuses on the intercultural relations between the French-speaking and Dutch-speaking world in Holland in the first half of the fifteenth century. After a turbulent war of succession between the claimants Jacqueline of Bavaria and her uncle John the Pitiless, the counties of Holland, Zeeland and Hainault were incorporated into the largely francophone Burgundian empire. It has been suggested that this event marked the end of a flourishing period of cultural production in the Dutch vernacular at the court of Holland. However, as it seems, throughout the fifteenth century transl
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.

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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of inte
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Pastore, Graziella. "Nicolas de Gonesse e la traduzione francese di Valerio Massimo. Edizione e commentario." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030011.

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La traduction française des facta et dicta memorabilia (memorabilia) de Valère Maxime est l'une des œuvres les plus importantes composées au cours de la grande saison de traduction en français des ouvrages de l'antiquité classique entre le xiiie et le xve siècle. l’œuvre conjointe de Simon de Hesdin et Nicolas de Gonesse, « translateurs » et glossateurs de Valère Maxime, eut une importante fortune manuscrite et fut très célèbre parmi ses contemporains. cependant, elle demeure toujours inédite. par notre recherche nous espérons remédier à cette lacune critique en faisant le travail qui s'impose
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Maguire, Mary Helen. "Middle-grade French immersion children's perceptions and productions of English and French written narratives." Diss., The University of Arizona, 1989. http://hdl.handle.net/10150/184842.

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This descriptive, sociolinguistic study examines six middle grade children's perceptions and productions of English and French written narratives in a suburban Montreal English Protestant, French Immersion school in the province of Quebec during the period of one school year. The primary purpose of this study was to determine the children's perceptions of writing stories in English and French and strategies for writing stories in two languages and classrooms. Interviews were transcribed, coded for emerging patterns and interpreted as socially negotiated texts. A secondary purpose was to analyz
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Ryland, C. A. "Memorialisation and metapoetics in Paul Celan's translations of French surrealist poetry." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1445830/.

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Contrary to assumptions within existing scholarship on Paul Celan's poetics, this thesis demonstrates that surrealist aesthetics were a significant discourse within Celan's poetics, in particular in die theories articulated in his Buchner Prize speech (1960). By mapping the points of convergence and divergence between specific surrealist ideas and particular elements of Celan's poetics, it demonstrates that the most significant point of contact between die two sets of aesthetics lies in the surrealist idea of a sustained tension between the unconscious and conscious realms, and between the pas
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Bisdorff, Claire Janine. "Essayer des mots : translating French and English Caribbean literature." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609255.

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Arends, Enti Amar. "Sociocultural implications of French in Middle English texts." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33226.

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This thesis studies the interaction between language, people and culture in England in the century either side of 1300 by analysing the use of French in three Middle English texts: Laȝamon's Brut, Kyng Alisaunder, and Handlyng Synne. I explore the ways in which these texts exploit the sociocultural implications of French elements to negotiate the expression of collective identity, and consider what that suggests about the texts' audiences. This exploration also provides insights into the sociolinguistic relation between English and French. Specifically, I add to recent work on multilingualism
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Books on the topic "Translations into French (Middle French)"

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Donaldson-Evans, Lance K. One hundred great French books: From the Middle Ages to the present. BlueBridge, 2010.

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Guidonis, Bernardus. A Middle French translation of Bernard Gui's shorter historical works by Jean Golein. E. Mellen Press, 1993.

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Lefèvre, Jean, and Marie-Madeleine Huchet. La vieille: Traduction du De vetula par Jean Le Fèvre. Société des anciens textes français, 2018.

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Brulé, Gace. The lyrics and melodies of Gace Brulé. Garland Pub., 1985.

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Antonia, Martínez Pérez, ed. Fatrasies, fatras y resveries. PPU, 1988.

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1953-, McGerr Rosemarie Potz, ed. The Pilgrimage of the soul: A critical edition of the Middle English dream vision. Garland Pub., 1990.

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Johnson, Shedd Carol, ed. Are you listening?: Voices from the Middle East : unit one, Growing pains. Teaching Resource Center, Center for Middle Eastern Studies, Harvard University, 1995.

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1193?-1280, Albertus Magnus Saint, ed. Des faucons: Édition et étude des quatre traductions en moyen français du De falconibus d'Albert le Grand. Laget, 2010.

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Massimi, Pacifico. Les cent nouvelles élégies: Deuxième Hecatelegium. Belles lettres, 2008.

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Sermain, Jean-Paul. Les mille et une nuits entre Orient et Occident. Desjonquères, 2009.

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Book chapters on the topic "Translations into French (Middle French)"

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D’Angelo, Edoardo. "The Middle East." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.16dan.

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Abstract Literary Latin production of the Middle East during the Crusader period (eleventh-fifteenth century) is surely not extensive, but it exists and is important. Of course, some literary genres in the “Latin East” survive only in French (epic, legal texts, etc.), but several other genres were composed in Latin, such as historiography, theology, poetry, geography and other ones (scientific translations from oriental languages, etc.).
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D’Angelo, Edoardo. "Chapter 16. The Middle East." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.16dan.

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Literary Latin production of the Middle East during the Crusader period (eleventh-fifteenth century) is surely not extensive, but it exists and is important. Of course, some literary genres in the “Latin East” survive only in French (epic, legal texts, etc.), but several other genres were composed in Latin, such as historiography, theology, poetry, geography and other ones (scientific translations from oriental languages, etc.).
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Coldiron, A. E. B. "A Survey of Verse Translations from French Printed Between Caxton and Tottel." In Arizona Studies in the Middle Ages and Renaissance. Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.asmar-eb.3.110.

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Manekin, Charles H., Y. Tzvi Langermann, and Hans Hinrich Biesterfeldt. "The French Mémoire of The Hebrew Translations of the Middle Ages. Foreword." In Moritz Steinschneider. The Hebrew Translations of the Middle Ages and the Jews as Transmitters. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7314-1_3.

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Patterson, Jeanette. "XXIII. Rhetoric, Rewriting, and Scribal Revision in Medieval French Translations of Pr 31:10–31." In Translation Automatisms in the Vernacular Texts of the Middle Ages and Early Modern Period. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.bibver-eb.5.135191.

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Sneddon, Clive R. "XLII. On Glossing the Thirteenth-Century Old French Bible. Exegetical Implications." In Translation Automatisms in the Vernacular Texts of the Middle Ages and Early Modern Period. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.bibver-eb.5.135210.

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Robecchi, Marco. "V.Fluctuant Translation Strategies in Two Thirteenth- Century Administrative Documents Written in Latin and Old French." In Translation Automatisms in the Vernacular Texts of the Middle Ages and Early Modern Period. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.bibver-eb.5.135173.

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Hosington, Brenda B. "Proverb Translation as Linguistic and Cultural Transfer in Some Middle English Versions of Old French Romances." In The Medieval Translator. Traduire au Moyen Age. Brepols Publishers, 1989. http://dx.doi.org/10.1484/m.tmt-eb.4.00047.

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de la Cruz Vergari, Elena. "XVII. Decoding the Political and Moral Justifications of Virtus in Five Medieval French Prose Translations of Vegetius’ Epitoma rei militaris." In Translation Automatisms in the Vernacular Texts of the Middle Ages and Early Modern Period. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.bibver-eb.5.135185.

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Scott, Joan Wallach. "LA NOUVELLE LAÏCITÉ AND ITS CRITICS: PREFACE TO THE FRENCH TRANSLATION OF THE POLITICS OF THE VEIL." In Studying the Near and Middle East at the Institute for Advanced Study, Princeton, 1935–2018, edited by Sabine Schmidtke. Gorgias Press, 2018. http://dx.doi.org/10.31826/9781463240035-070.

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Conference papers on the topic "Translations into French (Middle French)"

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Dolidze, Nino. "Imposters by al-Hariri and its Translations." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9009.

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In 2020 the Imposters by prominent Arab author al-Hariri (1054-1122) was issued by the NYU press. The masterpiece of Arabic Literature has alrea­dy been translated into several languages, but Michael Cooperson presented absolutely different version. In the paper I try to analyze the attitude of the translators to the origi­nal text in a diachrony. How Maqamat of al-Hariri were perceived in diffe­rent cultures? What was / is the priority while translating them? What has been changed from the Middle Ages to the globalization era? Persian, Hebrew, German and Russian translations of the Maqamat ar
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Kezerian, William, and Kristine Yu. "Ye Olde French: Effect of Old and Middle French on SIGMORPHON-UniMorph Shared Task Data." In Proceedings of the 21st SIGMORPHON workshop on Computational Research in Phonetics, Phonology, and Morphology. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.sigmorphon-1.5.

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Morozova, I. V. "FRENCH TRANSLATIONS OF V. KOLUPAEV’S SHORT PROSE: IMAGE OF OUTER SPACE." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-98.

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Sulem, Elior, Omri Abend, and Ari Rappoport. "Conceptual Annotations Preserve Structure Across Translations: A French-English Case Study." In Proceedings of the 1st Workshop on Semantics-Driven Statistical Machine Translation (S2MT 2015). Association for Computational Linguistics, 2015. http://dx.doi.org/10.18653/v1/w15-3502.

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Chystiak, D. O. "Reception of Ukrainian literature in French translations in early 2000-s: problems and perspectives." In THE LATEST SCIENTIFIC DEVELOPMENTS IN PHILOLOGY. Baltija Publishing, 2024. https://doi.org/10.30525/978-9934-26-520-4-17.

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Şəmsi qızı Məmmədova, Xumar. "Nakhchivan literary atmosphere and literary translation." In OF THE V INTERNATIONAL SCIENTIFIC RESEARCH CONFERENCE. https://aem.az/, 2021. http://dx.doi.org/10.36719/2663-4619/2021/02/03.

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The presented article discusses the issues of Nakhchivan literary environment and literary translation. It is noted that translation is a creation in itself, and the activities of representatives of the Nakhchivan literary environment in this area are exemplary. In general, during the independence period, some experience was gained in the literary environment of Nakhchivan, translations from German, English and French by our poets and writers Hamid Arzulu, Shirmammad Gulubeyli, Shamil Zaman who is famous as poet, prose-writer and translator were delivered to readers in the form of books and wo
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Correard, Nicolas. "¿Lazarillo Libertin? Sobre la primera recepción en Europa del Norte: traducciones e inspiraciones anticlericales." In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.29.

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It has often been argued that the picaresque genre derived from the Lazarillo castigado, if not from the Guzmán de Alfarache, more than from the original Lazarillo. Such an assumption neglects the fact that the first French and English translations did rely on the 1554 text, whose influence, conveyed by the 1555 sequel also translated in French in 1598, did last until the early 17th century. Probably designed in an Erasmian circle, the anticlerical satire, enhanced by provoking allusions to certain catholic dogmas, did not pass unnoticed: the marginal comments of the translations, for instance
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Rubino, Raphael, Johanna Gerlach, Jonathan Mutal, and Pierrette Bouillon. "Normalizing without Modernizing: Keeping Historical Wordforms of Middle French while Reducing Spelling Variants." In Findings of the Association for Computational Linguistics: NAACL 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-naacl.215.

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Mihaila, Ramona. "TRANSCULTURAL CONTEXTS: NETWORKS OF LITERARY TRANSLATIONS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-167.

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While in the Western societies the act of translating was a phenomenon that had a powerful tradition which started long before the sixteenth century, in the Romanian Principalities the first timid attempts were recorded at the beginning of the nineteenth century. Taking into account the translations accomplished by the nineteenth Romanian women writers and the large range of languages (French, Italian, Greek, Latin, German, English, Spanish) they used, I have tried to “discover” and “revive” as many women writers as I could, first of all by focusing all my attention on the works of the neglect
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Turpin, Melanie, Fadi H. Nader, and Eric Kohler. "Stoichiometric Characterization of Dolomites by Cell and Rietveld Refinements (Middle Triassic, French Jura): A New Approach." In GEO 2010. European Association of Geoscientists & Engineers, 2010. http://dx.doi.org/10.3997/2214-4609-pdb.248.207.

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