Relevant bibliographies by topics / Translations into Italian

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Academic literature on the topic 'Translations into Italian'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Translations into Italian"

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Porkhomovsky, Victor Ya, and Olga I. Romanova. "Names of God in Vulgate and the Italian translations of the Old Testament." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (October 1, 2021): 40–55. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-4.

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The present publication expands the analysis of the Old Testament translations into different languages. This line of studies was initiated by the works of the late French scholar Philippe Cassuto and one of the authors of this publication. The purpose of the article is to look at the strategies applied in translating the Old Testament names of the Supreme Being into Latin (the Vulgate version) and modern Italian. This purpose is two-fold: by doing so, we also expand the data base of the Old Testament terms‘ renditions in different languages. The article provides the full nomenclature of the names of the Supreme God in the Old-Hebrew (Masoretic) text of the Old Testament, concentrates on their semantics and grammatical structure, and explains the contexts of their use. A canonical Russian-language translation is used as a reference base to illustrate the fate of the original names of the God in translation. The widely-accepted English-language translations of the Old Testament are included to provide a broader perspective on translation strategies applied to this particular aspect of the Old Testament texts. The analyzed Latin and six modern Italian-language translations demonstrate a considerable degree of uniformity in translating the names of God. The Latin and the Italian translations apply the philological strategy to translating the Holy Bible (as opposed to another option presented by the typology of the Bible translation – the ideological strategy). Notwithstanding the relative lexical uniformity of the translations, they demonstrate the differences between Catholic and Protestant versions. The analysis of the Italian translations of the Old Testament contributes to the typology of the Bible translation and ultimately makes an input to the general theory of translation.
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Porkhomovsky, Victor Ya, and Olga I. Romanova. "Names of God in Vulgate and the Italian translations of the Old Testament." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (October 1, 2021): 40–55. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-4.

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The present publication expands the analysis of the Old Testament translations into different languages. This line of studies was initiated by the works of the late French scholar Philippe Cassuto and one of the authors of this publication. The purpose of the article is to look at the strategies applied in translating the Old Testament names of the Supreme Being into Latin (the Vulgate version) and modern Italian. This purpose is two-fold: by doing so, we also expand the data base of the Old Testament terms‘ renditions in different languages. The article provides the full nomenclature of the names of the Supreme God in the Old-Hebrew (Masoretic) text of the Old Testament, concentrates on their semantics and grammatical structure, and explains the contexts of their use. A canonical Russian-language translation is used as a reference base to illustrate the fate of the original names of the God in translation. The widely-accepted English-language translations of the Old Testament are included to provide a broader perspective on translation strategies applied to this particular aspect of the Old Testament texts. The analyzed Latin and six modern Italian-language translations demonstrate a considerable degree of uniformity in translating the names of God. The Latin and the Italian translations apply the philological strategy to translating the Holy Bible (as opposed to another option presented by the typology of the Bible translation – the ideological strategy). Notwithstanding the relative lexical uniformity of the translations, they demonstrate the differences between Catholic and Protestant versions. The analysis of the Italian translations of the Old Testament contributes to the typology of the Bible translation and ultimately makes an input to the general theory of translation.
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Starowicz, Aleksandra. ""Z ziemi włoskiej do Polski". Staropolskie przekłady dramaturgii włoskiej." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 235–40. http://dx.doi.org/10.24917/20811853.17.20.

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From Italy to Poland. Old Polish translations of Italian dramaAbstractThe text discusses the most important problems raised in Jadwiga Miszalska’s book The Songof the Tragic Playthings Teaches us Virtue: Translations from Italian as a Source for PolishSerious Drama till the end of the 18th Century (Kraków, 2013). The author drew attention tothe place that the translation from Italian takes in the Polish culture and literature and notedthe fact, that choice of texts for translation, the way of reading, the changes to which thetranslators of the Italian dramaturgy decided have become a source of knowledge about thehistory of literature, literary trends and reading (and scenic) expectations of the time.Keywords: literary translation, Italian drama, Polish translations
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Ulozienė, Paulina, and Aurelija Leonavičienė. "Comparative Analysis of the Use of Lexical Analytical Constructions and their Translation into Lithuanian in Italian and French Literary Texts." Sustainable Multilingualism 16, no. 1 (May 1, 2020): 175–204. http://dx.doi.org/10.2478/sm-2020-0009.

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SummaryThe intensification of research on Lithuanian translations of Italian literature and Italian translations of Lithuanian literature over the past twenty years is paralleled by the growth of interest in Italian literature in Lithuania. However, the existing research on diverse linguistic and cultural characteristics of texts translated from Italian into Lithuanian and vice versa has been sporadic, thus leaving much to be done to uncover links between the two languages and identify translation-related issues. The present article looks into one of the issues, namely, the lexical analytical construction of the Italian language and its translation into Lithuanian. Fictional texts by two representative Italian contemporary writers, Alesandro Baricco and Umberto Eco are chosen as a source of data including over three thousand pages of the source language (SL) and the target language (TL) texts. The results are compared with similar studies on translation of French literary texts into Lithuanian. The study on the translation of lexical analytical constructions in Italian literary texts translated into Lithuanian uses the theoretical framework and methodology provided by the Italian School of Semiotic Translation represented by Umberto Eco and Bruno Osimo among others. The study adopts a holistic approach to the analysis of lexical analytical constructions in Lithuanian translations of Italian literature. Comparative quantitative study has revealed three translation strategies: reformulation, translation without changes and remodelling. Reformulation has been identified to be the most frequent translation strategy. Its frequency was five times higher than that of translation without changes. The latter strategy was twice more frequent than the strategy of remodelling, which, accounts for less than ten per cent of all translation cases. Uses of calque or omission as translation strategies were not found. Comparison of quantitative results regarding the distribution of translation strategies adopted in the Lithuanian translations of Italian and French literary texts and a qualitative analysis of examples revealed similar tendencies in translation choices. It is important to note that changes of lexical analytical constructions into noun constructions were one and a half times less frequent in the translations of Italian literature than in the translations of French literature. Italian and French lexical analytical constructions were replaced by noun constructions in cases when in the SL text these constructions designated object and result but not action. Thus, it can be assumed that lexical analytical constructions in French literary texts were relatively more frequent than those in Italian literary texts.
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Derchi, Chiara-Camilla, Pietro Arcuri, Angela Comanducci, Antonio Caronni, Chiara Pagliari, Alessandro Viganò, Eleonora Volpato, Jorge Navarro, and Pietro Davide Trimarchi. "Italian translation and cultural adaptation of the Agitated Behavior Scale (ABS-I) in patients with acquired brain injuries." Journal of Rehabilitation Medicine 56 (April 4, 2024): jrm11663. http://dx.doi.org/10.2340/jrm.v56.11663.

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Objective: The objective of this study was to produce a cross-cultural adaptation in Italian of the Agitated Behavior Scale (ABS), originally developed in English, as the first of two stages that also include cross-cultural validation and allow a clinical scale to be used in the proper setting such as rehabilitation units. Methods: In order to adapt the ABS scale to a different cultural environment, five consecutive steps were performed: (1) forward translations (n = 8), (2) synthesis of the 8 forward translations to obtain a first shared italian version (ABS_I_trial), (3) back translations (n = 3), (4) creation of an expert committee to evaluate forward and back translations and finally (5) the cognitive debriefing. Results: After the five steps, including forward translations and back translations, the process of committee verification and judgement and the evaluative step of cognitive debriefing, high comprehensibility of all items was found, resulting in an Italian translation version of ABS suitable for application in a clinical setting. Conclusion: ABS translation was produced by means of a standardized procedure aimed at minimizing cross-cultural gaps. The expert committee evaluated the version produced as highly understandable in Italian. Further steps, such as the subsequent validation of its psychometric properties, are needed to employ this translation in a clinical setting.
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Porkhomovsky, Victor, and Olga Romanova. "Anthropomorphisms in Italian versions of the Bible." Rodnoy Yazyk. Linguistic journal, no. 1 (June 2021): 351–67. http://dx.doi.org/10.37892/2313-5816-2021-1-351-367.

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The present article deals with a typology of translation strategies used by Italian-language versions of the Old Testament. The research focuses on anthropomorphisms, a lexical group of primary importance for the study of Bible translations. Two translation strategies have been postulated in the authors’ previously published works on the subject. The philological strategy aims at a verbatim rendering of the text of the Hebrew Bible in a translation, while the ideological strategy allows for the elimination of certain anthropomorphisms. In this article we analyze these two strategies in translating anthropomorphisms from Biblical Hebrew into Italian.
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Ryzhik, Michael. "Preliminaries to the Critical Edition of the Judeo-Italian Translation of the Siddur." Journal of Jewish Languages 1, no. 2 (2013): 229–60. http://dx.doi.org/10.1163/22134638-12340015.

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Abstract This article analyzes five translations of the siddur (‘prayer book’) into Judeo-Italian. Three of the versions are manuscripts from the 15th century, one is the printed 1506 Fano edition, and the last is a manuscript from the 17th century. A common tradition underlies all of these translations and has much in common with Judeo-Provençal translations; this likely represents an ancient Judeo-Romance tradition of translation, which expresses itself differently in each manuscript. The 17th-century translation displays northern linguistic features; it is more Toscanized and normalized than the four other translations and has lost many typical traits of “classical” Judeo-Italian. The 15th-century translations also differ from one another in their spelling, phonology, morphology, vocabulary, and syntax. The main reason for this great variety seems to be the fact that the common old tradition prescribed only the general lines of translation. The biblical passages such as the Shema‘ Israel, are translated in a much more standardized way, but these passages nevertheless retain peculiarities. It therefore seems that a synoptic edition rather than a critical one must be made, in order to describe and analyze the different variations of the Judeo-Italian translations.
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Ghiselli, Serena. "A quantitative analysis of racist epithets referring to Italians and their translations in movie subtitles: The case of wop, eyetie and goombah." Cadernos de Tradução 44, esp. 2 (June 12, 2024): 1–18. http://dx.doi.org/10.5007/2175-7968.2024.e99464.

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Anglophone cultures have had extensive contact with other ethnic groups over the last 200 years and almost always from a position of dominance (Filmer, 2012). In English there are racial slurs for practically every race or ethnic group and swear words are commonly used in English TV dialogues. Translating swear words in movie subtitles pose a translation challenge, which has been studied by scholars such as Soler Pardo (2015), Ávila-Cabrera (2016), Beseghi (2016) and Díaz-Pérez (2020). This paper analyses the translation from English into Italian of wop, eyetie and goombah, three racist epithets used to refer to Italians or people of Italian origin. The data analyzed are taken from the English-Italian parallel corpus of OpenSubtitles (Lison & Tiedemann, 2016), a collection of parallel corpora made up of translated movie subtitles. English subtitles from a variety of movies including these racist epithets are retrieved, together with the corresponding Italian translations, using parallel concordance. The renditions are analyzed with the aim of identifying general trends in the use and in the translation of these racial slurs. In addition, renditions are divided according to moderating variables such as the languages spoken in the film, the film release date, the countries the film was shot in and the genres of the film, to test whether these variables have a significant impact on translation choices.
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Rădulescu, Valentina. "Contrainte et réécriture-création dans la traduction des Exercices de style de Raymond Queneau." Translationes 9, no. 1 (June 1, 2017): 40–54. http://dx.doi.org/10.1515/tran-2017-0002.

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Abstract Our study presents a comparative analysis of selected texts from several translations of Queneau’s Exercices de style: the Romanian version (a collective work coordinated by Romulus Bucur), the English version (Barbara Wright) and the Italian one (Umberto Eco) that illustrate the variable degrees of difficulties in translating. The analysis is meant to confirm our research hypothesis: though disruptive and often hardly surmountable, translation constraint does not stifle translator’s creativity or his fidelity toward the original style; on the contrary, it stimulates the translational process and fosters the rewriting-creation.
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Translators, Multiple. "Translations." ti< 9, no. 1 (March 26, 2020): 37–45. http://dx.doi.org/10.26522/ti.v9i1.2451.

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Dissertations / Theses on the topic "Translations into Italian"

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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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Russo, D. "FOR A METHODOLOGY OF TRANSLATION CRITISIM: THE ITALIAN TRANSLATIONS OF THE SECRET SHARER BY JOSEPH CONRAD." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/151787.

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Translation Studies encompass various more specific fields which imply tackling the phenomenon of translating from different angles: translation process analysis (synchronic approach), history of translation (diachronic approach), (inter)cultural translation studies, intersemiotic translation (multimediality, intermediality), etc. One of these subclasses is translation criticism, which is one of the most neglected areas due to the lack of interrelationship of theory, criticism and practice. By adopting a descriptive and empirical (functional) approach, contemporary translation criticism features these specific aspects: it is not aimed at “finding mistakes” and it shuns generic, impressionistic and scientifically unmotivated commentaries by identifying categories to classify translations shifts, i.e. differences between source text and target text. Translation criticism is not exclusively metatext-oriented as it was before the introduction of descriptive Translation Studies; it has a reconstructing approach aimed at tracking the translation strategy underlying the process from the prototext to the metatext; it seeks strategic consistence and pinpoints strategic inconsistencies. As for translation shifts, research is still in its infancy: by following the empirical practice, it is necessary to produce a hypothetical model, test it against practice, modify it and eventually re-test it. In this sense, the most conspicuous contributions in the field of translation criticism were given by van Leuven-Zwart (1989) and House (1997), whose models will be illustrated in Chapters 2 and 4. Due to the lack of communication between the translation industry and academic research, on the one hand the notions heralded by Translation Studies are regarded as “parochial,” “too technical” and “academic” by professionals (a category that includes editors, proof-readers, translation agencies and all the other figures working in the translation industry) who oftentimes prefer relying exclusively on their own experience, on the other hand scholars sometimes fail to make their findings accessible to whole community of practitioners. The goal of this dissertation is to bridge this gap and develop a model that synthesises various contributions so that it provides those interested in translation criticism with a source of (exhaustive, if possible) translational metalanguage. The model will be tested against a case study, i.e. a text in English having different translations: the selected text is Joseph Conrad’s The Secret Sharer, which has twelve Italian versions published from 1940s to 2007. The thesis is structured as follows. Chapter 2 reviews and critically examines approaches to translation criticism and translation quality assessment, as well as other contributions which do not specifically deal with the subject matter but are crucial for theoretical or methodological purposes. Chapter 3 is a brief text analysis of the prototext that pinpoints the linguistic and translatological aspects identified in the theoretical section; the analysis also entails extratextual elements such as the historical background, the author’s cultural background, the creation process underlying the novella and intertexts. The model for translation criticism is illustrated in Chapter 4 and is applied to the selected target texts in Chapter 5, which also synthesises the main tendencies found during the metatext analysis. A final chapter summarises the results – also in a diachronic perspective – and attempts to assess the model itself and make some suggestions for its usage.
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Minutella, Vincenza. "Reclaiming Romeo and Juliet : Italian translations for page, stage and screen." Thesis, University of Warwick, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429718.

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Valentino, Gabriella. "Italian translations of the works of P.G. Wodehouse : an epistemic approach." Thesis, Swansea University, 2017. https://cronfa.swan.ac.uk/Record/cronfa40909.

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This dissertation addresses the area of Translation and Humour Studies where the two disciplines overlap. My main original contribution is an Epistemic Approach to the translation process that focuses on the role that knowledge plays in the process of producing, reading and translating a written fictional text. Moreover, I propose a model for the description of the process of translation, tools to identify and evaluate items of verbally expressed humour, and a methodology to classify their renderings in translation. The study investigates the Italian translations of the works by the English humorist P.G. Wodehouse. It is based on a vast primary literature (87 books) translated into Italian (176 translations and 579 editions) for which I collected metadata, available for research in the form of an Excel spreadsheet. In the light of the Epistemic Approach, this work analyses and describes texts from the translations commissioned by 16 Italian publishers to 63 translators from 1928 to 2017. After an introductory chapter where I present my model of text activation and the Epistemic Approach to translation, the project begins with a presentation of the data I collected and an exposition of the complex publishing history of Wodehouse’s works in Italy. In the second chapter, I identify a definition of style suitable for both quantitative and qualitative interdisciplinary empirical research and apply it to systematically describe Wodehouse’s style. The third chapter presents the main theories developed in Humour Studies, the key concepts I identified to describe Wodehouse’s humour and the tools I developed to assess it. Chapter 4 and Chapter 5 show the results of the analyses I performed on numerous Italian translations and retranslations. I conclude by presenting the contributions that my approach and my findings offer to the disciplines of Translation and Humour Studies and possible future developments.
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Bazzea, Ilaria <1996&gt. "Dylan Thomas translated into Italian: Roberto Sanesi and Ariodante Marianni's translations." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20765.

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Dylan Thomas è stato ampiamente tradotto in Italia da diversi poeti, tra cui Montale, eppure molti teorici della traduzione si domandano se i testi originali rimangano intraducibili e, parlando di poesia, se un poeta sia un appropriato traduttore di poesia. In questa tesi verranno considerate dieci poesie di Dylan Thomas assieme alla metodologia di traduzione applicata dai traduttori, la fedeltà al testo di partenza e il residuo traduttivo.
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Della, Corte Giuseppe. "Text and Speech Alignment Methods for Speech Translation Corpora Creation : Augmenting English LibriVox Recordings with Italian Textual Translations." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413064.

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The recent uprise of end-to-end speech translation models requires a new generation of parallel corpora, composed of a large amount of source language speech utterances aligned with their target language textual translations. We hereby show a pipeline and a set of methods to collect hundreds of hours of English audio-book recordings and align them with their Italian textual translations, using exclusively public domain resources gathered semi-automatically from the web. The pipeline consists in three main areas: text collection, bilingual text alignment, and forced alignment. For the text collection task, we show how to automatically find e-book titles in a target language by using machine translation, web information retrieval, and named entity recognition and translation techniques. For the bilingual text alignment task, we investigated three methods: the Gale–Church algorithm in conjunction with a small-size hand-crafted bilingual dictionary, the Gale–Church algorithm in conjunction with a bigger bilingual dictionary automatically inferred through statistical machine translation, and bilingual text alignment by computing the vector similarity of multilingual embeddings of concatenation of consecutive sentences. Our findings seem to indicate that the consecutive-sentence-embeddings similarity computation approach manages to improve the alignment of difficult sentences by indirectly performing sentence re-segmentation. For the forced alignment task, we give a theoretical overview of the preferred method depending on the properties of the text to be aligned with the audio, suggesting and using a TTS-DTW (text-to-speech and dynamic time warping) based approach in our pipeline. The result of our experiments is a publicly available multi-modal corpus composed of about 130 hours of English speech aligned with its Italian textual translation and split in 60561 triplets of English audio, English transcript, and Italian textual translation. We also post-processed the corpus so as to extract 40-MFCCs features from the audio segments and released them as a data-set.
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Reid, Joshua. "Lyric Augmentation and Fragmentation of the Italian Romance Epic in English Translations." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2861.

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The translation and transmission of the Italian romance epics of Boiardo, Ariosto, and Tasso across linguistic and cultural boundaries also included genre reprocessing. This paper traces how Elizabethan translators and compilers of these texts tended to read epic lyrically, or to read the lyric into (and out of) the epic. For Elizabethan translators of the Italian Romance Epic—Sir John Harington, Edward Fairfax, and Robert Tofte, for example—this transmutation meant amplification or insertion of lyrical material, such as Fairfax’s enhancement of the Petrarchan subtext of the Armida Blazon in Book 4 of Gerusalemme Liberata and Robert Tofte’s injection of his own Petrarchan mistress Alba into Boiardo’s Orlando Innamorato. Another trend, demonstrated by Robert Allott’s English verse anthology Englands Parnassus (1600), involved extracting lyrical fragments from the romance epic that function as stand-alone poems.
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Giardina, Eleonora. "Gaelic Literature in Translation: the Effect of English Within and Beyond the Contact Zone The Case of Italian Translations." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17620/.

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In un contesto di lingue minoritarie, come nel caso del gaelico scozzese, la traduzione letteraria verso lingue maggioritarie può avere una natura ambivalente: se da un lato garantisce la diffusione di una letteratura altrimenti isolata, dall’altro potrebbe perpetuare degli squilibri di potere che spesso caratterizzano i rapporti tra la cultura dominante e la cultura minoritaria. Se questo è specialmente vero nella traduzione dal gaelico all’inglese, lingua la cui espansione è avvenuta a scapito della cultura gaelica, è possibile che anche nelle traduzioni italiane, prodotte generalmente tramite la versione inglese, tali squilibri vengano riconfermati. Nella presente tesi verranno analizzate le circostanze che hanno portato alla minoritizzazione del gaelico, individuando certe dinamiche riconducibili al postcolonialismo. Si commenterà il dibattito prettamente scozzese sulle più comuni pratiche di traduzione e pubblicazione utilizzate nell’editoria gaelica, adottando una prospettiva che mutua dai Minority Translation Studies, secondo cui la traduzione, se usata correttamente, può essere uno strumento capace di invertire il declino di una lingua minoritaria. Infine, si analizzeranno le risposte dei poeti gaelici e dei traduttori che ne hanno reso le opere fruibili in Italia. La ricerca svelerà che le attuali pratiche editoriali riguardanti la poesia gaelica, spesso a favore di un pubblico anglofono, non rispecchiano la diversità di posizioni degli autori intervistati, e dunque si raccomanderà l’adozione di pratiche per un panorama editoriale più rappresentativo. Lo studio mostrerà anche come, nonostante i traduttori italiani abbiano generalmente adottato strategie per compensare la scarsa conoscenza del gaelico, maggiore consapevolezza e ulteriori strategie siano necessarie affinché le pratiche traduttive e editoriali in Italia possano essere il più possibile vantaggiose alla promozione e alla rivitalizzazione della lingua, della letteratura e della cultura gaeliche.
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Mastropierro, Lorenzo. "Corpus stylistics and translation studies : a corpus-assisted study of Joseph Conrad's 'Heart of Darkness' and its Italian translations." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33678/.

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This thesis carries out a corpus stylistic study of Joseph Conrad’s Heart of Darkness and four of its Italian translations. It investigates the role of textual patterns as building blocks of the fictional world and triggers of literary themes. It also investigates the effects of translation on the relation between textual patterns and the fictional world, and discusses the potential consequences of translational alterations on the text’s themes. Heart of Darkness is a complex and multifaceted text that deals with a multitude of themes and has been interpreted in many different ways. By offering an overview of the text’s literary reception, I foreground two major themes that emerge from the contemporary critical debate as particularly central to the discussion about Conrad and his text: “Africa and its representation” and “race and racism”. Through a keyword analysis, I establish a connection between these themes and the lexical level of the text. Adopting Mahlberg & McIntyre’s (2011) model, I group keywords into categories that reflect specific aspects of the fictional world and the thematic concerns of the text. I then select groups of keywords that relate specifically to “Africa and its representation” and “race and racism” for more in-depth examination. Specifically, I analyse how the African jungle and the African natives are linguistically represented in the text. I demonstrate that repeated lexico-semantic patterns shape these fictional representations and play a fundamental part in the interpretation of the two themes related to them. I then focus on the Italian versions and compare them in order to show the effects of translation on the lexico-semantic patterns. I show that alterations made at the linguistic level affect the interpretational level of the translations, with potential consequences for the reception of the major themes in the target context. Finally, I use computational methods to compare the original and the translations at the level of whole texts, as opposed to feature-specific comparisons. I claim that together these two perspectives provide a more nuanced understanding of the relation between source and target texts. Through this analysis, the present thesis explores how the fictional world and literary themes are constructed and conveyed in literature and in its translation. It also contributes to the critical discussion on Heart of Darkness and proposes a methodology to analyse and compare literary translations. Finally, as an interdisciplinary project, this thesis builds on the interaction between corpus stylistics and translation studies, and strengthens this relation further.
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Leonardi, Vanessa. "Gender and ideology in translation : do women and men translate differently? : a contrastive investigation of translations from Italian into English." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402535.

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Books on the topic "Translations into Italian"

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Parks, Tim. Translating style: The English modernists and their Italian translations. London: Cassell, 1998.

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1911-, Hall Robert Anderson, ed. Italian stories =: Novelle italiane. New York: Dover, 1989.

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Michael, Keenan. Translations on waking in an Italian cemetery. Hong Kong]: ©A-Minor Press, 2014.

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Translating Scandinavia, Scandinavian Literature in Italian and German Translation, 1918-1945 (Conference) (2016 Rome, Italy). Translating Scandinavia: Scandinavian literature in Italian and German translation, 1918-1945. Roma: Edizioni Quasar, 2018.

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1932-2004, Raboni Giovanni, and Antomarini B, eds. InVerse 2007: Italian poets in translation. Rome: John Cabot University Press, 2008.

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Gayle, Ridinger, and Renello Gian Paolo, eds. Italian poetry, 1950-1990. Boston: Dante University of America Press, 1996.

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Massimo, Riva, ed. Italian tales: An anthology of contemporary Italian fiction. New Haven, CT: Yale University Press, 2004.

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1964-, Pavolini Lorenzo, ed. Italville: New Italian writing. Toronto: Exile Editions, 2005.

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Nick, Roberts, ed. Short stories in Italian. London: Penguin, 1999.

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Mertvago, Peter. Dictionary of 1000 Italian proverbs. New York: Hippocrene Books, 1997.

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Book chapters on the topic "Translations into Italian"

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Reynolds, Matthew. "VI. ‘Plain’ through Language(s)." In Prismatic Jane Eyre, 592–617. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0319.18.

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Pursuing the method outlined in Chapters IV and V, this chapter offers a close reading of ‘plain’ in the text Brontë wrote and in multiple translations, presenting a series of instances in video animations and printed multilingual arrays (with back-translations). It explains the argument that is made via reiterations of the word in English and shows how that argument morphs in different directions through translation. It then discusses the different patterns of significance created by repetitions of the French word ‘laid’ in Lesbazeilles-Souvestres’s 1854 French translation and the Italian word ‘brutto’ in the anonymous first Italian translation of 1904.
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Correia, António, and Michela Graziani. "Deideia / Dell’idea." In Traduzione di Deideia / Dell’idea e Amagao meu amor / Macao amore mio, 43–153. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0173-5.05.

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Macao amore mio and Dell’idea are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.
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Correia, António, and Michela Graziani. "Amagao meu amor / Macao amore mio." In Traduzione di Deideia / Dell’idea e Amagao meu amor / Macao amore mio, 155–338. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0173-5.06.

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Dell’idea and Macao amore mio are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.
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Buongiorno, Federica. "Husserl’s Phenomenology Through His Italian Translations." In Contributions to Phenomenology, 1–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25397-4_1.

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Gaudio, Paola. "11. Emotional Fingerprints." In Prismatic Jane Eyre, 546–91. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0319.17.

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This is a transversal reading of the novel and its Italian translations through the lens of nouns expressing emotions. To this aim, a parallel corpus was compiled, comprising the source text and 11 translations. After identifying the types and range of English emotion-nouns and commenting on their significance in the novel, Italian equivalents are analysed, comparing them against the source text. Such a quantitative study has allowed me to identify patterns and anomalies in how emotion-nouns are used by individual translators. Emotional fingerprints of the source text and of each translation have been created to provide a visual representation of their idiosyncrasies.
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Scandura, Claudia. "Russian Literature in Italy." In Translating Russian Literature in the Global Context, 203–18. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0340.12.

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This chapter aims to map Russian literary translation in Italy in the twentieth century and to reflect on how politics influenced publishers’ and translators’ choices. The increase of Russian literary translations into Italian is linked to the strong interest Italians had for Russia from the eighteenth century onwards, leading to a reception process unique among European literatures. After the October Revolution, many Russian exiles chose Italy as their second home and tried to propagate their culture there. The most important of these was the poet Viacheslav Ivanov. Thanks to his encouragement, the first rhymed Italian translation of Aleksandr Pushkin’s Evgenii Onegin appeared. After World War II, Russian literature in Italy was identified with the Soviet Union; texts chosen for translation were intended to underline their political-social character. Left-oriented publishing houses, such as Editori Riuniti and Einaudi, focused their interest on the literature of the “Thaw” period and of the Twenties. For Feltrinelli, a small Milanese publishing house specializing in political texts, Soviet literature was a key element of ‘editorial strategy’. Publicity surrounding the 1957 world première publication of Doctor Zhivago, followed by Pasternak’s 1958 Nobel Prize, brought Feltrinelli huge success. In the following two decades the polarization of cultural political issues subsumed discourse on Russian and Soviet literature into academia. From the mid-1980s onwards, Russian literature gradually lost its centrality to Italian translation publishing, overwhelmed by the collapse of the Soviet Union. Thirty years after the end of Communist ideological influence, the initiative to celebrate Dostoevsky’s bicentenary in 2021 (and the many new translations that have appeared to mark it), show how, without Russian literature, Italy’s literary heritage would be irredeemably impoverished.
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Gipper, Andreas, and Diego Stefanelli. "Die Wissenschaftsübersetzung als Generator symbolischen Kapitals." In Übersetzungskulturen der Frühen Neuzeit, 161–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_8.

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ZusammenfassungThis paper investigates the function of translation in the context of scientific communication, examining the correspondence between the Italian universal scientist Lazzaro Spallanzani, his translator Jean Senebier, and the Swiss naturalist Charles Bonnet. The main thesis is that the function of scientific translation goes far beyond the simple communication of scientific content and that it in fact played a complex role in the system of exchange and circulation of symbolic capital within the scientific community in the Early Modern Period. To illustrate the complexity of scientific translation, the paper focusses on Spallanzani’s remarkable adoption of a twofold perspective: on the one hand, it examines Spallanzani’s translation of Bonnet’s Contemplation de la nature; on the other, it considers some of Senebier’s French translations of the Italian scientist. In both cases, translations not only played an important role in the career planning of the actors involved, but were also part of science policy strategies. Last, but not least, they were crucial for the formation and stabilization of national science systems.
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Cipriani, Anna Maria. "To the Lighthouse in Italian (Re)translations." In Literary Digital Stylistics in Translation Studies, 73–92. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-6593-9_4.

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Dröse, Astrid, and Sara Springfeld. "Liedkultur des 17. Jahrhunderts als Übersetzungskultur." In Übersetzungskulturen der Frühen Neuzeit, 101–32. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-62562-0_6.

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ZusammenfassungIn our paper we analyse translations of Italian and French songs into German from the late sixteenth to the mid-seventeenth century. The methods of translation employed range from a narrow focus on the words and music of the original song to free variation. Analysing the bimedial relationship of words and music is the principal focus of our study. We ask: What consequences does a translation have for the text-sound relationship? In the first part of the study, we develop a heuristic methodology that describes this phenomenon while taking into account the cultural context of each translation. In the second part, we put this model to the test by examining a prominent song collection: Heinrich Albert’s Arien oder Melodeyen (Königsberg, 1638–1650), which contains a large number of as yet unidentified French and Italian originals. Two case studies on the translation of an Air de Cour and an Italian aria, as well as reflections on the digital accessibility of song translation, conclude the paper.
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Siedina, Giovanna. "Le traduzioni ucraine della Divina Commedia nei secoli XX-XXI: Karmans’kyj/Ryl’s’kyj, Drob’jazko, Stricha." In Biblioteca di Studi di Filologia Moderna, 225–43. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.14.

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In the present article, the author briefly retraces the stages of Dante’s reception in Ukraine, then analyzes the main Ukrainian translations of Dante’s Divine Comedy in the 20th-21st century, namely those by Petro Karmans’kyj, Jevhen Drob’jazko and Maksym Stricha. The author briefly dwells on Karmans’kyj’s translation, highlighting the flaws already noted by H. Kočur and M. Stricha. Then the author analyzes Drob’jazko’s and Stricha’s translations, the only two complete Ukrainian translations of the Divine Comedy published so far. The author particularly compares the translators’ approaches to potential difficulties (e.g., the rendering of verse lines or single words in Latin, the verse lines in Provencal in Purgatory, song XXVI, ll. 141-147; the translations of some characters’ names, especially speaking names), and highlights the merits of their long and accurate work, which finally allowed Ukrainian readers to truly experience the Italian national poet, on one side, and filled the gap that divided Ukrainian literature from the neighboring Polish and Russian literature, on the other.
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Conference papers on the topic "Translations into Italian"

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Mihaila, Ramona. "TRANSCULTURAL CONTEXTS: NETWORKS OF LITERARY TRANSLATIONS." In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-167.

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While in the Western societies the act of translating was a phenomenon that had a powerful tradition which started long before the sixteenth century, in the Romanian Principalities the first timid attempts were recorded at the beginning of the nineteenth century. Taking into account the translations accomplished by the nineteenth Romanian women writers and the large range of languages (French, Italian, Greek, Latin, German, English, Spanish) they used, I have tried to “discover” and “revive” as many women writers as I could, first of all by focusing all my attention on the works of the neglected women (writers) translators. The present research, which limits only to Romanian women writers that translated writings of foreign women authors, needs also a special attention to finding biographical data about the translators since a lot of them used pen names (few writers used even more than three pen names) or signed their writing or translations only with the initial letters of their names, especially for the works published in installments. There is a significant amount of research in order to bring to light all the translated works since most of them can be found only in (incomplete) issues of journals, almanacs, literary magazines, theatre’s journals, or manuscripts. By using the international database Women Writers in History we may involve researchers and students from many European countries in contributing with important information concerning their women writers. There are also negotiations with national libraries in 25 countries around Europe in order to get partners for this database which offers open access.
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.
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Noever, David, Josh Kalin, Matthew Ciolino, Dom Hambrick, and Gerry Dozier. "Local Translation Services for Neglected Languages." In 8th International Conference on Artificial Intelligence and Applications (AIAP 2021). AIRCC Publishing Corporation, 2021. http://dx.doi.org/10.5121/csit.2021.110110.

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Taking advantage of computationally lightweight, but high-quality translators prompt consideration of new applications that address neglected languages. For projects with protected or personal data, translators for less popular or low-resource languages require specific compliance checks before posting to a public translation API. In these cases, locally run translators can render reasonable, cost-effective solutions if done with an army of offline, smallscale pair translators. Like handling a specialist’s dialect, this research illustrates translating two historically interesting, but obfuscated languages: 1) hacker-speak (“l33t”) and 2) reverse (or “mirror”) writing as practiced by Leonardo da Vinci. The work generalizes a deep learning architecture to translatable variants of hacker-speak with lite, medium, and hard vocabularies. The original contribution highlights a fluent translator of hacker-speak in under 50 megabytes and demonstrates a companion text generator for augmenting future datasets with greater than a million bilingual sentence pairs. A primary motivation stems from the need to understand and archive the evolution of the international computer community, one that continuously enhances their talent for speaking openly but in hidden contexts. This training of bilingual sentences supports deep learning models using a long short-term memory, recurrent neural network (LSTM-RNN). It extends previous work demonstrating an English-to-foreign translation service built from as little as 10,000 bilingual sentence pairs. This work further solves the equivalent translation problem in twenty-six additional (non-obfuscated) languages and rank orders those models and their proficiency quantitatively with Italian as the most successful and Mandarin Chinese as the most challenging. For neglected languages, the method prototypes novel services for smaller niche translations such as Kabyle (Algerian dialect) which covers between 5-7 million speakers but one which for most enterprise translators, has not yet reached development. One anticipates the extension of this approach to other important dialects, such as translating technical (medical or legal) jargon and processing health records or handling many of the dialects collected from specialized domains (mixed languages like “Spanglish”, acronym-laden Twitter feeds, or urban slang).
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Podgornii, I. A. "LITERARY INTERTEXTS IN A.S. GRIBOYEDOV’S COMEDY «GORE OT UMA» AND ITS ENGLISH, GERMAN AND ITALIAN TRANSLATIONS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-127.

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Kurgan, M. G. "LEXICAL LEVEL OF EXPRESSION OF THE CONCEPTS «HEAVEN» AND «HELL» IN ITALIAN TRANSLATIONS «NOTES FROM THE DEAD HOUSE» BY F. M. DOSTOEVSKY." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-86.

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Brkic Bakaric, Marija, and Ivana Lalli Pacelat. "Parallel Corpus of Croatian-Italian Administrative Texts." In Second Workshop on Human-Informed Translation and Interpreting Technology. Incoma Ltd., Shoumen, Bulgaria, 2019. http://dx.doi.org/10.26615/issn.2683-0078.2019_002.

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Zanon Boito, Marcely, Antonios Anastasopoulos, Aline Villavicencio, Laurent Besacier, and Marika Lekakou. "A Small Griko-Italian Speech Translation Corpus." In The 6th Intl. Workshop on Spoken Language Technologies for Under-Resourced Languages. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/sltu.2018-8.

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Frere, Lamia. "Thematic Roles-Based Translation in MT Systems." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.939.

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The main purpose of this paper is to identify a particular thematic roles inventory that can improve the product of machine translation systems. Thematic role relations are among the semantic relations that can disambiguate the meaning of a considerable number of lexical items. Some verbs, for instance, are ambiguous for MT systems and hence are not accurately translated. The meaning of such verbs can be disambiguated by identifying the thematic role relations of their predicates. For example, ‘to express’ has two different meanings depending on its thematic role relations of its Predicate. When the verb assigns Patient <liquid> for its Object, it means ‘to squeeze out’, e.g., ‘Italians express coffee”. When it assigns Theme <letter> or <package> for its Object, it has the meaning of ‘sending by rapid transport’, e.g., ‘She expressed the letter to Florida’. The present research will focus only on a group of English verbs that convey a variety of meanings. It will show several problems in the translation of sample verbs due to the lack of thematic roles in the core of the system. The implementation is made on three MT systems: Al Wafi, Sakhr and Google. They all produce incorrect translations of the sample verbs. A suggested translation is proposed for each verb after analyzing its thematic roles and selectional restrictions.
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Ovsiannikova, L. Ye. "Problems of teaching Italian for specific purposes in music colleges of Ukraine." In PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-348-4-58.

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Pangallo, Maria Consolata. "Lázaro y Margutte entre burlas y hambre." In Simposio internacional El Lazarillo y sus continuadores: Facultad de Ciencias de la Educación, 10 y 11 de octubre de 2019, Universidade da Coruña: [Actas]. Servicio de Publicaciones. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497497657.43.

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In a comparative perspective between Spanish and Italian literature, it is considered a possible intertextual dialogue between Lazarillo de Tormes and the figure of the medium giant Margutte, proposed by Luigi Pulci in his Morgante (published between 1478 and 1483). This figure is actually examined as it appears in the Spanish translation of Pulci's work by Jerónimo de Aunés. This translation is divided into two volumes, both published in Valencia, the first in 1533 by the printer Francisco Díaz Romano (canti from I to XVII of the Italian original); the second in 1535 by the printer Nicolás Durán de Salvanyach (canti from the XVIII to the XXV). With regard to the second volume, which includes Margutte's episode, there are no modern editions and therefore I used a its facsimile. My research tries to highlight some points of contact between Lazarillo and the translation of Aunés, both at content and linguistic level. Therefore, this study also tends to integrate the corpus of literary knowledge of the anonymous author of Lazarillo.
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Reports on the topic "Translations into Italian"

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Passariello, Fausto, ed. Informed Consensus in Vascular Procedures. Fondazione Vasculab, December 2006. http://dx.doi.org/10.24019/2006.icivp.

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It is an open project, which has the aim of writing protocols for the informed consensus in invasive and non invasive vascular procedures. Versions in several languages are scheduled. English and Italian initially. Later other languages will follow, as soon as the translation will be technically possible. The project is organised into Sections. There is an initial index of the Proposed Sections, but users can by themselves propose other ones. Anyway, the Section is officially constituted as soon as they are gathered the subscriptions of the Section Coordinator and of others in a number which is sufficient to carry on the project.
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