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Relevant bibliographies by topics / Translations into Japanese x History and criticism

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Academic literature on the topic 'Translations into Japanese x History and criticism'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Translations into Japanese x History and criticism"

1

Gu, Qiushi. "Trauma, Haunting, and Representation: Rereading and the Translation Examination of Kokoro." Journal of Language Teaching and Research 15, no. 1 (2023): 263–70. http://dx.doi.org/10.17507/jltr.1501.29.

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The Japanese novel, Kokoro (1914), offers a profound insight into early 20th-century Japanese society encompassing history, politics, and literature. Although this novel has been extensively explored in literary and translation studies, the convergence remains underexplored. This study advocates integrating literary criticism with translation practice for a more faithful representation of narratives. Applying trauma/PTSD studies theory, it meticulously analyzes Kokoro, particularly examining the English and Chinese renditions of the pivotal term “談判 (danpan; negotiation)”. The methodology invo

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2

Chi, Limei. "The Transmission and Textual Transformation of the Shisong lü 十誦律 from the 6th to 13th Centuries". Religions 15, № 9 (2024): 1057. http://dx.doi.org/10.3390/rel15091057.

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The Shisong lü 十誦律, translated in the early 5th century, remains the only complete version of this Buddhist Vinaya text preserved to date and represents the first Vinaya text translated into Chinese. This Vinaya text introduced standardized terminology that significantly influenced subsequent translations of Vinaya texts and profoundly impacted Chinese Buddhism during the Six Dynasties period. Due to its complex translation history, the text is bifurcated into two lineages: the Northern lineage, featuring an initial 58-scroll version (without a preface), and the Southern lineage, with an expan

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3

Мартынов, Д. Е. "Zhang Binglin, Gu Jiegang and the "Historiographic Revolution" in China." Диалог со временем, no. 74(74) (March 5, 2021): 156–68. http://dx.doi.org/10.21267/aquilo.2021.74.74.010.

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Статья посвящена “историографической революции” первой трети ХХ в. в Китае. Для рассмотрения выбраны методологические системы двух мыслителей-радикалов, представлявших два поколения: Чжан Бин-линя (1869–1936) и Гу Цзе-гана (1893–1980). Оба получили традиционное конфуцианское образование, которое определило направление научного поиска, амбивалентное отношение к традиционной китайской культуре и историческому знанию. Мышление Чжан Бин-линя имело сильную политическую и националистическую обусловленность, в сочетании с восприятием новейших течений Kulturgeschichte через японские переводы и труды я

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4

Kaneko, Maki. "Since Meiji: Perspectives on the Japanese Visual Arts, 1868–2000. Edited by J. Thomas Rimer; translations by Toshiko MacCallum. Honolulu: University of Hawai‘i Press, 2012. x, 516 pp. $60.00 (cloth); $28.00 (paper)." Journal of Asian Studies 72, no. 4 (2013): 1004–6. http://dx.doi.org/10.1017/s0021911813001411.

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5

Hisamatsu, Yoji, Kazuhiro Egashira, and Yoshiteru Maeno. "Ogawa’s nipponium and its re-assignment to rhenium." Foundations of Chemistry, October 18, 2021. http://dx.doi.org/10.1007/s10698-021-09410-x.

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AbstractWe re-examine the history of the element “nipponium” discovered by a Japanese chemist Masataka Ogawa in 1908. Since 1996 H.K. Yoshihara has made extensive research into Ogawa’s work and revealed evidence that nipponium proposed for the place of the atomic number of 43 was actually rhenium (75). In this paper, we provide critical re-interpretations of the existing information and confirmed that Ogawa left indisputable evidence that nipponium was in fact rhenium. We further discuss the reasons for the existing doubts and criticism against Ogawa’s discovery and Yoshihara’s interpretation,

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6

Holden, Todd. ""And Now for the Main (Dis)course..."." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1794.

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Food is not a trifling matter on Japanese television. More visible than such cultural staples as sumo and enka, food-related talk abounds. Aired year-round and positioned on every channel in every time period throughout the broadcast day, the lenses of food shows are calibrated at a wider angle than heavily-trafficked samurai dramas, beisboru or music shows. Simply, more aspects of everyday life, social history and cultural values pass through food programming. The array of shows work to reproduce traditional Japanese cuisine and cultural mores, educating viewers about regional customs and his

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7

Sawyer, Mark, and Philip Goldswain. "Reframing Architecture through Design." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2800.

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Re-Framing Participation in the Architecture Studio Recently, within design literature, significant attention has been given to collaboration across different disciplines (see for instance, Nicolini et al.; Carlile), as well as consideration of the breakdown of traditional disciplinarity and the corresponding involvement of users in co-generation (Sanders and Stappers, “Co-Creation” 11–12) through the development and deployment of structured methods and toolkits (Sanders et al., “Framework”; Sanders and Stappers, “Probes”). Relatively less attention has been paid to the workings of the “commun

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8

Lobato, Ramon, and James Meese. "Kittens All the Way Down: Cute in Context." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.807.

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This issue of M/C Journal is devoted to all things cute – Internet animals and stuffed toys, cartoon characters and branded bears. In what follows our nine contributors scrutinise a diverse range of media objects, discussing everything from the economics of Grumpy Cat and the aesthetics of Furbys to Reddit’s intellectual property dramas and the ethics of kitten memes. The articles range across diverse sites, from China to Canada, and equally diverse disciplines, including cultural studies, evolutionary economics, media anthropology, film studies and socio-legal studies. But they share a common

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9

Tomkinson, Sian. "“This kind of life has no meaning”." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3037.

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Voice synthesising software Vocaloid (Yamaha Corporation) is a popular tool for professional and amateur music production. At the time of writing, there are over 770,000 videos tagged ‘vocaloid’ on Niconico; karaoke chain Karatez displays the top five thousand tracks on its Website (Karatetsu); Hatsune Miku Wiki has over 59,000 pages, while the Vocaloid Lyrics Wiki has over 90,000. Vocaloid is part of Japan’s unique media mix, comprising of the software and music but also official collaborations and a significant amount of fan culture. However, while there is academic research on the way that

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10

Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl

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Dissertations / Theses on the topic "Translations into Japanese x History and criticism"

1

Kindler, Jessica Claire. "Tokuya Higashigawa's After-Dinner Mysteries: Unusual Detectives in Contemporary Japanese Mystery Fiction." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1011.

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The detective fiction (tantei shōsetsu) genre is one that came into Japan from the West around the time of the Meiji Restoration (1868), and soon became wildly popular. Again in recent years, detective fiction has experienced a popularity boom in Japan, and there has been an outpouring of new detective fiction books as well as various television and movie adaptations. It is not a revelation that the Japanese detective fiction genre, while rife with imitation and homage to Western works, took a dramatic turn somewhere along the line, away from celebrated models like Poe, Doyle, and Christie, an

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Books on the topic "Translations into Japanese x History and criticism"

1

Chimori, Mikiko. Garivā to Oriento: Nichi-Ei zuzō to sakuhin ni miru Tōhō gensō = Gulliver in the Orient. Hōsei Daigaku Shuppankyoku, 2018.

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2

Henshūbu, Meiji Shoin. Meijin x meiku x meihyōshū. Meiji Shoin, 2012.

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3

Gasparov, M. L. Pami︠a︡tniki srednevekovoĭ latinskoĭ literatury: X-XI veka. Nauka, 2011.

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4

Kurabu, Nihon PEN, ed. Japanese literature in foreign languages 1945-1990. Japan Book Publishers Association, 1990.

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5

1925-, McClellan Edwin, Washburn Dennis C. 1954-, and Tansman Alan 1960-, eds. Studies in modern Japanese literature: Essays and translations in honor of Edwin McClellan. Center for Japanese Studies, University of Michigan, 1997.

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6

Lewell, John. Modern Japanese novelists: A biographical dictionary. Kodansha International, 1993.

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7

Kono, Shion, and Murai Noriko. Nihon bungaku no hon'yaku to ryūtsū: Kindai sekai no nettowāku e. Bensei Shuppan, 2018.

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8

Krŭsteva, T︠S︡vetana. Po sledite na chetkata: I︠a︡ponskata liricheska proza X-XIV vek. Universitetsko izd-vo "Sv. Kliment Okhridski", 1994.

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9

Virgil. Aeneid X. Bristol Classical Press, 1988.

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10

1923-1988, Brower Robert H., Hare Thomas Blenman 1952-, Borgen Robert 1945-, and Orbaugh Sharalyn, eds. The distant isle: Studies and translations of Japanese literature in honor of Robert H. Brower. Center for Japanese Studies, 1996.

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