Relevant bibliographies by topics / Transmedial storytelling

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Transmedial storytelling'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Transmedial storytelling"

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Rosendo Sánchez, Nieves. "Mundos transmediales: revisión conceptual y perspectivas teóricas del arte de crear mundos." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 14, no. 1 (2016): 49–70. http://dx.doi.org/10.7195/ri14.v14i1.930.

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El concepto de transmedia storytelling introducido por Henry Jenkins (2003, 2006) ha sido ampliamente desarrollado académicamente en los últimos años, popularizándose y redefiniéndose con el tiempo. Dentro de la propia definición del transmedia storytelling se observa la centralidad del concepto de mundo, que desde una perspectiva teórica y crítica ha sido menos desarrollado que la relación entre la narrativa y los medios presentes en las narrativas transmediales. El presente trabajo recoge y sistematiza una selección bibliográfica de los principales autores que han definido la naturaleza, lím
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Colón Zayas, Eliseo R. "Transmedia narratives and binging experiences: Ricardo Piglia’s Los casos del comisario Croce as a theoretical project." MATRIZes 14, no. 1 (2020): 41–57. http://dx.doi.org/10.11606/issn.1982-8160.v14i1p41-57.

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From a narratological perspective the paper argues that Ricardo Piglia’s posthumous book Los casos del comisario Croce offers readers a theoretical project on transmedia narratives and storytelling. The reading of Los casos del comisario Croce as a transmedial narrative centers in two aspects: 1) Piglia’s use of a text written by Marx on productivity and the professions as threshold for his transmedial narration; 2) binging engagement from the transmedial logic used for characterizations and the transmedial whodunit structure logic.
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Sánchez-Mesa, Domingo, and Jan Baetens. "La literatura en expansión. Intermedialidad y transmedialidad en el cruce entre la Literatura Comparada, los Estudios Culturales y los New Media Studies." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (January 3, 2017): 6. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271536.

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Este artículo, que los autores entienden como un «position paper», apunta a dos cuestiones fundamentalmente. Por un lado, trata de ofrecer una revisión crítica, tanto desde el punto de vista terminológico como teórico, de los cambios que ha experimentado el campo de la literatura comparada desde la emergencia de la cultura visual dentro del estudio de la literatura, a partir de la aparición institucional de los estudios sobre «palabra e imagen» en los años 80 y de las tendencias actuales de atención a los textos y productos digitales y transmediales. Por otro lado, centrándonos en el éxito rec
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Ryan, M. L. "Transmedial Storytelling and Transfictionality." Poetics Today 34, no. 3 (2013): 361–88. http://dx.doi.org/10.1215/03335372-2325250.

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Satyagraha, Aditya, and Gideon Frederick K H. "STUDI PENERAPAN TRANSMEDIA STORYTELLING PADA IP KARAKTER DARTH VADER." Ultimart: Jurnal Komunikasi Visual 13, no. 1 (2020): 75–83. http://dx.doi.org/10.31937/ultimart.v13i1.1556.

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Transmedia narrative dan unsur-unsurnya telah berkembang dengan cepat saat ini. Salah satu elemen transmedia yang berkembang adalah karakter fiksi. Makalah ini bertujuan untuk membuktikan bagaimana karakter ini dapat dilihat dari model pembentukan transmedia narrative. Penulis akan menganalisis perluasan karakter fiksi dari elemen world-building transmedia menjadi karakter transmedial melalui prinsip-prinsip hyperdiegesis dan narative braide. Dan salah satu karakter fiksi yang akan diangkat menjadi studi kasusnya adalah Darth Vader dari semesta Star Wars. Penulis akan membedah karakter ini dan
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Fast, Karin, and Henrik Örnebring. "Transmedia world-building: The Shadow (1931–present) and Transformers (1984–present)." International Journal of Cultural Studies 20, no. 6 (2015): 636–52. http://dx.doi.org/10.1177/1367877915605887.

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The study of transmedia storytelling has in recent years turned towards a more historicized understanding of its object of study, and also shifted to a wider perspective on narrative and narrative elements, focusing more on the transmediality of story-worlds and world-building rather than just narratives (‘plots’) in the stricter sense. This article combines these interrelated perspectival shifts in an analysis of story-worlds/world-building in two transmedia franchises: The Shadow (1931–present) and Transformers (1984–present), with a focus on the mechanics and processes of world-building in
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Schlichting, Laura. "Interactive Graphic Journalism." Non-fiction Transmedia 5, no. 10 (2016): 22. http://dx.doi.org/10.18146/2213-0969.2016.jethc110.

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This paper examines graphic journalism (GJ) in a transmedial context, and argues that transmedial graphic journalism (TMGJ) is an important and fruitful new form of visual storytelling, that will re-invigorate the field of journalism, as it steadily tests out and plays with new media, ultimately leading to new challenges in both the production and reception process. With TMGJ, linear narratives may be broken up and ethical issues concerning the emotional and entertainment value are raised when it comes to ‘playing the news’. The aesthetic characteristics of TMGJ will be described and interacti
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Beil, Benjamin, and Hanns Christian Schmidt. "The World of The Walking Dead – Transmediality and Transmedial Intermediality." Acta Universitatis Sapientiae, Film and Media Studies 10, no. 1 (2015): 73–88. http://dx.doi.org/10.1515/ausfm-2015-0027.

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Abstract As transmedia franchises increasingly populate our cultural environment, many questions arise about the effect of the different media involved in the depiction of storyworlds. Through the analysis of different examples, with special emphasis on the particular case of The Walking Dead, and drawing primarily from Henry Jenkins’s concept of “transmedia storytelling” and Jens Schroter’s concept of intermediality, this paper aims to show how different media aesthetics contribute to the process of storytelling and enrich the experience of the consumer. Usually overlooked in other analyses,
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Lino, Mirko. "Spatial Storytelling in the Transmedial Storyworld of The Walking Dead Franchises." Tekstualia 3, no. 58 (2019): 35–54. http://dx.doi.org/10.5604/01.3001.0013.6422.

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Zombies are conceivable as cultural artefact that follow and embody the evolution of media narratives. They have migrated from the margins of a media system (the niche of the horror cinema genre) to the center of media convergence practices, which could be summarized in the crossmedia dissemination of its key features and the construction of a transmedia storytelling for its fi ctions. Crossmedia dissemination and transmedia storytelling seem to have become two of the most dominant logical elements of contemporary entertainment; they indicate the power of the narrative to spill over the media
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Hernández Ruiz, Javier. "Diseñando una recepción participativa para universos transmedia: roles y desafíos." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 28 (August 1, 2017): 21. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017282055.

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Desde una perspectiva que complementa la experiencia como creador de su autor y las aproximaciones académicas, desde una metodología conscientemente interdisciplinar, este artículo explora la problemática que se deriva a la hora de acometer un diseño de producción de un universo transmedia. Se parte del estudio del caso Plot 28 (2013), narrativa transmedia cocreada por el autor del artículo, para ir radiografiando los distintos pasos de ese diseño de potenciales audiencias –parte fundamental del diseño de producción en la lógica transmedial-: destinatarios, público objetivo, perfil, intereses
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Dissertations / Theses on the topic "Transmedial storytelling"

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Johansson, Nellie. "Fridays For Future : En fallstudie av en social rörelses användning av digitala medier för att kommunicera klimatförändringar och transmedialt berättande." Thesis, Malmö universitet, Malmö högskola, Institutionen för datavetenskap och medieteknik (DVMT), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-41024.

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Syftet är att bidra med ökad förståelse kring hur Fridays For Future använder digitala medier samt på vilket sätt de använder det transmediala berättandet för att kommunicera klimatförändringar externt. Kvalitativa intervjuer genomfördes med Fridays For Future medlemmar och resulterade i ett material som bearbetades genom en kvalitativ innehållsanalys. Den netnografiska observationen resulterade i stor mängd data från Fridays For Future kampanjen #Withdrawthecap som bearbetades genom en kvalitativ dataanalys och med stöd av Gambaratos (2013) analytiska överväganden. Utifrån analys och diskussi
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Ingólfsson, Angelica. "Bildformatets effekt: bör filmen anpassas till 1:1 för att fungera på Instagram? : En kvalitativ intervjustudie av bildformatets inverkan på publiken inom genren storytelling." Thesis, Högskolan Dalarna, Bildproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30729.

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Att en publik upplever en berättelse i reklamfilmen olika är en självklarhet och i dagens transmediala medievärld där så pass mycket reklamfilm publiceras på många olika plattformar blir det en labyrint för ingen mindre än medieproducenten. Vilket format man ska välja, och hur det förstärker eller förminskar berättelsen är en ständigt pågående diskussion. Syftet med denna studie var därför att undersöka vad som hände med handlingen när formatet ändrades till 1:1 och hur publiken uppfattade berättelsen då, när bilden beskurits från det bredare bildformatet till ett kvadratiskt bildformat. Studi
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Alfredsson, Philip, and Wictor Palmgren. "Är det här Amerika? : En kvalitativ studie om musikvideon “This is America” och dess plats i den samhälleliga kontexten." Thesis, Karlstads universitet, Institutionen för geografi, medier och kommunikation (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71021.

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Att musik väcker känslor är nog något som vi alla kan komma överens om. Musiken kan få oss att skratta, gråta, dansa, ja, alla känslouttryck kan skapas genom den. Och kanske är den ultimata låten den som får oss att känna allting på en och samma gång, och får oss att vilja lyssna på den om och om igen. Vissa låtar med tillhörande musikvideos exploderar och får miljoner, för att inte tala om miljarder, klick. Musiken kan ibland bli mer än bara en låt, och folk kan bli sittandes och diskutera dess mening i timtal. Låten This is America, med tillhörande musikvideo, är en sådan. Den här studien re
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Dudáček, Oto. "Contemporary trends in transmedia storytelling. Transmedia television." Doctoral thesis, Universitat de Girona, 2019. http://hdl.handle.net/10803/670297.

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Transmedia storytelling is a process where integral elements of a fiction are systematically broaden through a number of distribution channels in order to create a coordinated form of entertainment. With each new medium accessible to the mass users has caused the change of storytelling. Transmedia stories are based not on individual characters or specific plots but rather complex fictional worlds which can sustain multiple interrelated characters and their stories. The questions regarding future trends and future development of this field should be answered as the results of the thesis
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Hazboun, Suha. "Challenges of Transmedia Storytelling : Considerations of Creating of Transmedia Projects." Thesis, Högskolan Dalarna, Bildproduktion, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-15175.

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Martínez, Vásquez Renato Adrián. "Storytelling Transmedia en la Publicidad Ambiental: Caso Toms." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653288.

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El siguiente ensayo tiene como propósito demostrar la influencia y efecto que puede tener una herramienta de inmersión y participación comunicativa en el consumidor, como el Storytelling Transmedia; con un discurso repetido por parte de diversas marcas, como lo es el eco-amigable. La importancia de demostrar los efectos que puede tener esta estrategia de narrativa en un discurso, que en la actualidad genera desconfianza y falta de credibilidad por parte de un consumidor comprometido y preocupado, es corroborarla como una estrategia y recurso que puede ser adoptado por las marcas para generar u
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Yang, Binbin, and Miltiadis Zisiadis. "Transmedia marketing : strengthening multiplatform user participation through storytelling." Thesis, Umeå universitet, Institutionen för informatik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-90349.

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The term transmedia storytelling describes an interactive narrative that exists in multiple platforms. This phenomenon allows active audience participation as a part of the narrative creation process. Part of the prior research on transmedia focuses on how to create a transmedia narrative. However there is a dearth of literature examining the merit that transmedia narratives create in Marketing. In order to answer the research question “How can transmedia storytelling be used to create value in marketing?” we conducted a multiple case study research in which we examined four marketing campaign
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Pardo, Federico. "New media and transmedia for documentary storytelling: a comprehensive approach." Thesis, Montana State University, 2011. http://etd.lib.montana.edu/etd/2011/pardo/PardoF0511.pdf.

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New media and transmedia are two phenomena that are currently changing the way in which media is produced, distributed and experienced. Although media scholars have proposed working definitions for these terms, their application for documentary storytelling is still scarce. Using the foundations offered by Henry Jenkins and Martin Lister and collaborators, I examine the consequences that new media and transmedia may have for documentary storytellers that are using them as production and distribution tools. This work is the result of a personal desire to explore new ways to document and tell st
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DIAS, MARIANA CASTRO. "TRANSMEDIA STORYTELLING: CREATING STORIES IN THE ERA OF MEDIA CONVERGENCE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29399@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Em um mundo de excesso de informação e convergência de mídias, cada vez mais produtores de entretenimento e marcas tentam encontrar seus consumidores em uma variedade de plataformas. O conteúdo redundante não contribui em nada para a mobilização da audiência, ao passo que uma narrativa transmidiática bem construída pode instigar a circulação do espectador entre os meios a fim de saber mais sobre uma história. O objetivo da presente dissertação é pensar o ato narrativo através de várias mídias de forma integrada, de maneira a criar conteúdo
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Lima, Roberto Carlos Santana. "Glee: uma transmedia storytelling e a construção de identidades plurais." reponame:Repositório Institucional da UFBA, 2013. http://www.repositorio.ufba.br/ri/handle/ri/13060.

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Submitted by Roberto Lima (robertogbi@hotmail.com) on 2013-09-17T00:05:20Z No. of bitstreams: 1 Glee,_uma_transmedia_storytelling_e_a_construção_de_identidades_plurais.pdf: 1555307 bytes, checksum: 0a5f76d1cd4c345089494fda6c4abd6e (MD5)<br>Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-09-26T17:01:03Z (GMT) No. of bitstreams: 1 Glee,_uma_transmedia_storytelling_e_a_construção_de_identidades_plurais.pdf: 1555307 bytes, checksum: 0a5f76d1cd4c345089494fda6c4abd6e (MD5)<br>Made available in DSpace on 2013-09-26T17:01:03Z (GMT). No. of bitstreams: 1 Glee,_uma_transme
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Books on the topic "Transmedial storytelling"

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Beyond classical narration: Transmedial and unnatural challenges. De Gruyter, 2014.

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Hovious, Amanda S. Transmedia storytelling: The librarian's guide. Libraries Unlimited, an imprint of ABC-CLIO, LLC, 2016.

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Joyce, Stephen. Transmedia Storytelling and the Apocalypse. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93952-0.

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Guynes, Sean, and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462986213.

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Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narrat
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Weedon, Alexis. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72476-4.

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Words, worlds and narratives: Transmedia and immersion. Inter-Disciplinary Press, 2014.

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Kalogeras, Stavroula. Transmedia Storytelling and the New Era of Media Convergence in Higher Education. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137388377.

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A creator's guide to transmedia storytelling: How to captivate and engage audiences across multiple platforms. McGraw-Hill, 2012.

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Christie, Ian, and Annie Oever, eds. Stories. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985841.

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Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priority for the Key Debates series, and Volume 7, edited by Ian Christie and Annie van den Oever, identifies new phenomena in this field — complex narration
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Transmedial Worlds and Everyday Life. Taylor & Francis Group, 2019.

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Book chapters on the topic "Transmedial storytelling"

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Barbara, Jonathan. "Towards Measuring Consistency Across Transmedial Narratives." In Interactive Storytelling. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27036-4_23.

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Rish, Ryan M. "Students’ Transmedia Storytelling." In Bridging Literacies with Videogames. SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-668-4_3.

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Holloway-Attaway, Lissa, and Lars Vipsjö. "Using Augmented Reality, Gaming Technologies, and Transmedial Storytelling to Develop and Co-design Local Cultural Heritage Experiences." In Visual Computing for Cultural Heritage. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37191-3_10.

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von Hertwig, Ana Carolina Silveira. "Unfinished Business – A Transmedia Project." In Interactive Storytelling. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-12337-0_29.

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Tour, Ekaterina. "Transmedia Storytelling in Education." In Encyclopedia of Educational Innovation. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-2262-4_127-1.

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Rodrigues, Patrícia, and José Bidarra. "Connecting Cat - A Transmedia Learning Project." In Interactive Storytelling. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27036-4_35.

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Scolari, Carlos A., Paolo Bertetti, and Matthew Freeman. "Introduction: Towards an Archaeology of Transmedia Storytelling." In Transmedia Archaeology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137434371_1.

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Dowling, David O. "Content Marketing’s Immersive Transmedia Storytelling." In Immersive Longform Storytelling. Routledge, 2019. http://dx.doi.org/10.4324/9780429488290-5.

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Hartmann, Bernd. "Transmedia Storytelling in der Innovationskommunikation." In Kommunikation und Technik. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-21537-8_7.

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Scolari, Carlos A., Paolo Bertetti, and Matthew Freeman. "Conclusions: Transmedia Storytelling and Popular Cultures in the Twentieth Century." In Transmedia Archaeology. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137434371_5.

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Conference papers on the topic "Transmedial storytelling"

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Raimúndez-Urrutia, Elena, and Mariella Azzato Sordo. "New pedagogical configurations for traditional learning tools: a proposal." In Third International Conference on Higher Education Advances. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/head17.2017.5149.

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Digital technologies have changed the world dramatically and, as a consequence, higher education is undergoing significant teaching and learning transformations based on their use. The need to plan and produce disruptive innovations for traditional learning tools brings a challenge in this sense. One of these modern pedagogical perspectives is the use of transmedia storytelling in education, which has given a new configuration to instructional tools and have changed their forms and educational function. We present a proposal of specialized vocabulary in reproductive biology of plants using the
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"STORYTELLING TRANSMEDIA В АУДІОВІЗУАЛЬНОМУ КОНТЕНТІ". У ЖУРНАЛІСТИКА ТА РЕКЛАМА: ВЕКТОРИ ВЗАЄМОДІЇ. Київський національний торговельно-економічний університет, 2019. http://dx.doi.org/10.31617/k.knute.2019-03-19.50.

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Santano, Delas, and Harold Thwaites. "Augmented Reality Storytelling: A Transmedia Exploration." In 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8809996.

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del Val Noguera, Elena, and Antonio González Sorribes. "TRANSMEDIA STORYTELLING EDUTAINMENT EXPERIENCE IN ENGINEERING STUDIES." In 14th International Technology, Education and Development Conference. IATED, 2020. http://dx.doi.org/10.21125/inted.2020.1510.

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Dal Pian, Luiz Fernando, Maria Cristina Dal Pian, and Mônica Dal Pian. "21ST CENTURY TRANSMEDIA STORYTELLING: EXPERIENCING NARRATIVE TRANSPORTATION." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.2522.

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Blumenthal, Hank, Yan Xu, Sanika Mokashi, Nachiketas Ramanujam, Jason Nunes, and Richard G. Shemaka. "The Ghost Club Storyscape: Designing for transmedia storytelling." In 2011 IEEE International Games Innovation Conference (IGIC). IEEE, 2011. http://dx.doi.org/10.1109/igic.2011.6115106.

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Kolosova, Alevtina A. "Transmedia Storytelling As New Format In Modern Media Landscape." In RPTSS 2017 International Conference on Research Paradigms Transformation in Social Sciences. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.02.69.

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Meng, Chang. "Study on the Transmedia Storytelling Practice of “Spider-Man”." In 5th International Symposium on Social Science (ISSS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.047.

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Kolosova, Alevtina, and Natalia Poplavskaya. "TRANSMEDIA STORYTELLING AS A NEW TECHNOLOGY IN HIGHER EDUCATION." In International Conference on Education and New Learning Technologies. IATED, 2017. http://dx.doi.org/10.21125/edulearn.2017.1743.

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Amaral, Inês, Rita Basílio Simões, and Sílvio Santos. "TRANSMEDIA STORYTELLING AND MEDIA LITERACY: LEARNING THROUGH HYBRID EXPERIENCES." In 13th annual International Conference of Education, Research and Innovation. IATED, 2020. http://dx.doi.org/10.21125/iceri.2020.1527.

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Reports on the topic "Transmedial storytelling"

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Azurmendi, A. Reconnecting with young audiences: transmedia storytelling to transform public service television in Spain, France, Germany and the United Kingdom. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1289en.

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