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1

Beyond classical narration: Transmedial and unnatural challenges. De Gruyter, 2014.

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2

Hovious, Amanda S. Transmedia storytelling: The librarian's guide. Libraries Unlimited, an imprint of ABC-CLIO, LLC, 2016.

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3

Joyce, Stephen. Transmedia Storytelling and the Apocalypse. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93952-0.

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4

Guynes, Sean, and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462986213.

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Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narrat
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5

Weedon, Alexis. The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72476-4.

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6

Words, worlds and narratives: Transmedia and immersion. Inter-Disciplinary Press, 2014.

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7

Kalogeras, Stavroula. Transmedia Storytelling and the New Era of Media Convergence in Higher Education. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137388377.

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8

A creator's guide to transmedia storytelling: How to captivate and engage audiences across multiple platforms. McGraw-Hill, 2012.

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9

Christie, Ian, and Annie Oever, eds. Stories. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462985841.

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Stories are perceived as central to modern life. Not only in narrative entertainment media, such as television, cinema, theater, but also in social media. Telling/having "a story" is widely deemed essential, in business as well as in social life. Does this mark an intensification of what has always been part of human cultures; or has the realm of "story" expanded to dominate twenty-first century discourse? Addressing stories is an obvious priority for the Key Debates series, and Volume 7, edited by Ian Christie and Annie van den Oever, identifies new phenomena in this field — complex narration
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10

Transmedial Worlds and Everyday Life. Taylor & Francis Group, 2019.

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11

Transmedial Narratology and Contemporary Media Culture. University of Nebraska Press, 2016.

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12

Freeman, Matthew. Historicising Transmedia Storytelling. Routledge, 2016. http://dx.doi.org/10.4324/9781315439525.

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13

Getting Started in Transmedia Storytelling: A Practical Guide for Beginners. CreateSpace, 2011.

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14

Joyce, Stephen. Transmedia Storytelling and the Apocalypse. Palgrave Macmillan, 2018.

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15

Joyce, Stephen. Transmedia Storytelling and the Apocalypse. Palgrave Macmillan, 2018.

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16

Transmedia Storytelling in East Asia. Taylor & Francis Group, 2020.

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17

McErlean, Kelly. Interactive Narratives and Transmedia Storytelling. Routledge, 2018. http://dx.doi.org/10.4324/9781315637570.

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18

Ryan, Marie-Laure. Transmedia Storytelling as Narrative Practice. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.30.

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Chapter 30 defines transmedia storytelling as a hybrid of adaptation and transfictionality. Like the former, it involves several media; like the latter, it builds a storyworld through multiple narratives. Two types of transmedia storytelling are distinguished: top-down, the deliberate spreading of narrative content across multiple media; and bottom-up, the use of many media to develop a narrative originally conceived as mono-medial. If transmedia is to be a truly new mode of narration, it should proceed top-down, but actual examples are rare. The essay considers what kinds of phenomena can be
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19

Learning Through Transmedia Storytelling (Infoline). Association for Talent Development, 2014.

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20

Historicising Transmedia Storytelling: Early Twentieth-Century Transmedia Story Worlds. Taylor & Francis Group, 2016.

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21

Giovagnoli, Max. Transmedia Storytelling: Imagery, Shapes And Techniques. lulu.com, 2011.

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22

Evans, Elizabeth. Understanding Engagement in Transmedia Culture. Taylor & Francis Group, 2019.

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23

Understanding Engagement in Transmedia Culture. Taylor & Francis Group, 2019.

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24

Evans, Elizabeth. Understanding Engagement in Transmedia Culture. Taylor & Francis Group, 2019.

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25

Evans, Elizabeth. Understanding Engagement in Transmedia Culture. Taylor & Francis Group, 2019.

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26

Evans, Elizabeth. Understanding Engagement in Transmedia Culture. Taylor & Francis Group, 2019.

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27

Guynes, Sean, and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9789048537433.

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28

Storytelling Across Worlds: Transmedia for Creatives and Producers. Taylor & Francis Group, 2016.

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29

Ylmaz, Recep, Recep Ylmaz, M. Nur Erdem, and Filiz Resulolu. Handbook of Research on Transmedia Storytelling and Narrative Strategies. Information Science Reference, 2018.

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30

Interactive Narratives and Transmedia Storytelling: Creating Immersive Stories Across New Media Platforms. Taylor & Francis Group, 2018.

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31

McErlean, Kelly. Interactive Narratives and Transmedia Storytelling: Creating Immersive Stories Across New Media Platforms. Taylor & Francis Group, 2018.

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32

Jin, Dal Yong. Transmedia Storytelling in East Asia: The Age of Digital Media. Taylor & Francis Group, 2020.

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33

Jin, Dal Yong. Transmedia Storytelling in East Asia: The Age of Digital Media. Taylor & Francis Group, 2020.

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34

Jin, Dal Yong. Transmedia Storytelling in East Asia: The Age of Digital Media. Taylor & Francis Group, 2020.

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35

El poder didactico de las historias : - 1. edicion. Alfaomega Colombiana, 2019.

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36

Jin, Dal Yong. Transmedia Storytelling in East Asia: The Age of Digital Media. Taylor & Francis Group, 2020.

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37

Kalogeras, Stavroula. Transmedia Storytelling and the New Era of Media Convergence in Higher Education. Palgrave Macmillan, 2014.

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38

Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. Palgrave Pivot, 2014.

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39

Freeman, M., C. Scolari, and P. Bertetti. Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. Palgrave Pivot, 2014.

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40

Increasing Student Engagement and Retention Using Multimedia Technologies: Video Annotation, Multimedia Applications, Videoconferencing and Transmedia Storytelling. Emerald Publishing Limited, 2013.

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41

Wankel, Laura A., and Patrick Blessinger. Increasing Student Engagement and Retention Using Multimedia Technologies: Video Annotation, Multimedia Applications, Videoconferencing and Transmedia Storytelling. Emerald Publishing Limited, 2013.

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42

Wankel, Laura A., and Patrick Blessinger, eds. Increasing Student Engagement and Retention using Multimedia Technologies: Video Annotation, Multimedia Applications, Videoconferencing and Transmedia Storytelling. Emerald Group Publishing Limited, 2013. http://dx.doi.org/10.1108/s2044-9968(2013)6_part_f.

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43

Medien. Erzählen. Gesellschaft.: Transmediales Erzählen Im Zeitalter Der Medienkonvergenz (Media Convergence / Medienkonvergenz) (German Edition). de Gruyter, 2013.

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44

Harvey, C. Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. Palgrave Macmillan, 2015.

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45

Fantastic Transmedia: Narrative, Play and Memory Across Science Fiction and Fantasy Storyworlds. Palgrave Macmillan, 2015.

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