Relevant bibliographies by topics / Transvestismo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Transvestismo'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Transvestismo"

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Cappelletto, Chiara. "Transvestism." Res: Anthropology and aesthetics 73-74 (March 1, 2020): 294–303. http://dx.doi.org/10.1086/710704.

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Bullough, Vern L. "Transvestism." Journal of Psychology & Human Sexuality 4, no. 2 (June 12, 1991): 53–67. http://dx.doi.org/10.1300/j056v04n02_05.

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Peo, Roger E. "Transvestism." Journal of Social Work & Human Sexuality 7, no. 1 (January 10, 1989): 57–75. http://dx.doi.org/10.1300/j291v07n01_05.

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Blanchard, Ray, and Stephen J. Hucker. "Age, Transvestism, Bondage, and Concurrent Paraphilic Activities in 117 Fatal Cases of Autoerotic Asphyxia." British Journal of Psychiatry 159, no. 3 (September 1991): 371–77. http://dx.doi.org/10.1192/bjp.159.3.371.

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Autoerotic asphyxia is the practice of self-inducing cerebral anoxia, usually by hanging, strangulation, or suffocation, during masturbation. This study investigated the relationships between: asphyxiators' ages; two paraphilias commonly accompanying autoerotic asphyxia, bondage and transvestism; and various other types of simultaneous sexual behaviour. Subjects were two concurrent series totalling 117 males aged 10–56 who died accidentally during autoerotic asphyxial activities. Data concerning sexual paraphernalia at the scene of death or among the deceased's effects were extracted from coronors' files using standardised protocols. Anal self-stimulation with dildos, etc., and self-observation with mirrors or cameras were correlated with transvestism. Older asphyxiators were more likely to have been simultaneously engaged in bondage or transvestism, suggesting elaboration of the masturbatory ritual over time. The greatest degree of transvestism was associated with intermediate rather than high levels of bondage, suggesting that response competition from bondage may limit asphyxiators' involvement in a third paraphilia like transvestism.
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Gallo, Mona. "Treating Transvestism." Family Journal 24, no. 2 (January 31, 2016): 195–99. http://dx.doi.org/10.1177/1066480716628596.

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Sarduy, Severo, and Alfred Mac Adam. "Writing/ Transvestism." Review: Literature and Arts of the Americas 53, no. 1 (January 2, 2020): 56–60. http://dx.doi.org/10.1080/08905762.2020.1748455.

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Nadia, Zunly. "Waria Dalam Pandangan Islam." Musãwa Jurnal Studi Gender dan Islam 2, no. 1 (March 30, 2003): 87. http://dx.doi.org/10.14421/musawa.2003.21.87-107.

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The existence of transvestism is something that cannot be denied, even though these tendencies represent symptoms of sexual abnormality. From this point, many views have emerged regarding transvestites. This article endeavours to explain the various forms of this phenomenon including homosexuality, transvestism and transsexuality, and the differences between them. It then goes on to review the Islamic laws concerning these by putting forward argumentation and quoting the hadith of the Prophet.
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Bollig, Ben. "Perlongher, Poetics and Transvestism." Journal of Latin American Cultural Studies 12, no. 1 (March 2003): 55–69. http://dx.doi.org/10.1080/13569320305834.

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Oppenheimer, Agnès. "Du transvestisme pervers au transsexualisme." Revue française de psychanalyse 56, no. 5 (1992): 1743. http://dx.doi.org/10.3917/rfp.g1992.56n5.1743.

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Bowler, Clare, and Richard A. Collacott. "Cross-dressing in Men with Learning Disabilities." British Journal of Psychiatry 162, no. 4 (April 1993): 556–58. http://dx.doi.org/10.1192/bjp.162.4.556.

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Four men with learning disabilities were considered to show transvestic fetishism, and a fifth to show transvestism. However, developmental retardation and personality problems may modify the concepts behind such categorisation.
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Dissertations / Theses on the topic "Transvestismo"

1

D'Exaerde, Caroline de Kerchove. ""Dedoublement" : the negotiation of gender in transvestism." Thesis, Durham University, 2001. http://etheses.dur.ac.uk/4272/.

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This thesis is intended to contribute to anthropological and sociological debates on the sources of gender identity and the strategies that are entailed in its management. Cross-dressing among men in western societies has been studied from two major perspectives. One comes from behavioural psychologists and psychiatrists who regard transvestism as deviant behaviour that requires counselling and treatment. This medical model has limited use and is not acceptable to transvestites. Cross-dressing has also been studied from a social scientific perspective that views transvestism in relation to the performance of gender. It is within this perspective that the results of my research are primarily located. The example of male transvestism is particularly instructive because it demonstrates a creative play within shifting sexual boundaries. Male transvestites challenge assumptions about gender practices in the context of every day life when expressing their 'dedoublement' that juxtapose masculinity and femininity. Transvestism is thus an attack on the very notion of gender deviance, which is being mounted by small groups of otherwise very 'ordinary' men. These men also have a developed masculine image reflecting a specifically regional discourse of masculinity that has its origin in socio-economic backgrounds based on heavy industry and its collapse in the 1960s. A similar masculine ideology is present in both areas of my research: the North East of England and Liege in Belgium. Transvestites, by asserting 'feminine within the masculine', seriously transgress this ideology. Transvestites are often rejected on the basis of their non-normative behaviour. The boundaries between 'normal' and 'deviant' are reinforced on a daily basis through, among others factors, the media. To avoid being labelled 'deviant', transvestites tend to keep their behaviour secret or meet with others in groups that have recently began to flourish.
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Arenberg, Nancy May. "Epistolary transvestism: (Re)visions of Heloise (17th-18th centuries)." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187498.

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This dissertation analyzed the flourishing of imitative versions of Heloise and Abelard's love correspondence in France in the seventeenth and eighteenth centuries. Current theoretical approaches on epistolarity, narratology, cultural and gender studies were applied to focus on the various transformations (rewriting, veiling, fragmenting) of Heloise's epistles as they fell into the hands of (mostly male) imitators. Close textual analysis was used to investigate how the multiple (re)visions of her epistolary discourse and persona over two hundred years may be indicative of, and have helped construct, ideological changes in expectation concerning the role of women. The introduction traced the historical evolution of the epistolary novel, and the genesis of the lovers' legend in the Classical Age. The medieval love correspondence was initially considered with an analysis of Heloise's dialogic discourse in which the passion is veiled in the palimpsest that is visible under the spiritual language. Particular emphasis was placed on the possibility that Abelard may have altered her epistles as he ignored her desire to see to her salvation. Yet, Abelard was not the only man to intervene in Heloise's epistles. Other subsequent authors practiced what Miller calls "pseudo-feminocentrism" or female impersonation, the technique by which a male author infringes in a "woman's" literary production. In the seventeenth century, many male authors committed a travesty as they invaded Heloise's missives. Grenaille was the first translator to reconstruct Heloise as "La Magdalene Francaise". After this penitent revision of Heloise's persona, Alluis and Bussy-Rabutin effaced her body and reinvented her as a seductive "precieuse". In the eighteenth-century verse translations, Pope and Colardeau also took over Heloise's site of writing, reconstructing her as irrational. But another Enlightenment translator, Louise de Keralio, attempted to repair the learned Heloise, and in the nineteenth century, another woman, under the pseudonym, Marc de Montifaud recovered the erotic body that had been covered by male revisionists before her. The study of these translations over the centuries has demonstrated that Heloise's missives became the site of an ideological "querelle des femmes", and an attempt at constructing "woman".
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Neal, Allison Jayne. "(Neo-)Victorian impersonations : 19th century transvestism in contemporary literature and culture." Thesis, University of Hull, 2012. http://hydra.hull.ac.uk/resources/hull:7208.

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Jones, Sara Gwenllian. "Myth and tragedy : representations of Joan of Arc in film and the twentieth century theatre." Thesis, University of Bristol, 1997. http://hdl.handle.net/1983/0ed58238-0681-4aad-b40a-ea3095fe3b34.

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This study considers the processes by which film and play-texts engage with the mythic figure of Joan of Arc. Chapter One provides an overview of the vast body of work that has been inspired by Joan's history. Chapter Two addresses the tragic configuration of Joan's story, especially with regard to ethical conflict and culpability. In Chapter Three, I discuss the displacement of notions of innocence onto Joan's virginity, youth, illiteracy, and rusticity and examine the ideologically-loaded textual constructions and uses of these elements of her myth. Chapter Four is a consideration of her textually-constructed exclusion from the ordinary run of humanity and of the implications of her strangeness and estrangement. Chapter Five is focused upon representations of Joan's condemnation trial. I consider the processes of narrativisation by which means documentary records become historical accounts. I consider fictional reenactments of Joan's trial as 'texts within texts, ' engaged in a double process of interrogation which allows Joan to be both persecuted for her transgressiveness and elevated to the status of a saint. Chapter Six examines the central importance of Joan's transgressiveness, exploring the disciplinary strategies employed by a variety of film and play texts as they attempt to counter her troublesome ambiguousness, to identify and define her, and to effect her epistemological assimilation. Chapter Seven is a consideration of the similarities and differences between the myths of Joan of Arc and of Christ and their representation in film. It explores the semantic association between transgression and transcendence, between the 'unnatural' and the 'supernatural, ' with regard to their crucial relation to the limits of discourse and epistemology. In Chapter Eight, I explore myth as a discursive practice and examine the operations of myth and of ideology in relation to the obsessive cultural reiteration of the myth of Joan of Arc.
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Abdalla, Laila. "Man, woman or monster : some themes of female masculinity and transvestism in the Middle Ages and Renaissance." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41958.

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This dissertation discusses medieval and Renaissance clerical and cultural constructions of femininity and female masculinity, and it analyses the complex relationship between such conceptions and the literary representation of the transvestite woman. Medieval theology legitimated female masculinity as transcendence of temporal sexuality. A woman who contained her affective femininity and replaced it with rational and ascetic behaviour was frequently lauded for having become male in all but body. In the middle of the first millennium, hagiographic legends abounded in which women appear to have embodied the patristic equation between spiritual rationality and masculinity. This dissertation proposes a radically different interpretation: the saint exchanges a sexualised form of femininity--ironically imposed upon her by a male society--for a non sexual but nevertheless feminine self valuation.
Early modern culture perceived transvestism in a multiform manner. It signifies monstrosity in the polemical pamphlet, serves to indicate an estimable apex of humanity in Shakespearean comedy, and represents women in roles that range from monstrous disrupter to adept uniter in the works of such other playwrights as Ben Jonson and Thomas Middleton. While the pamphlet's social commentary argues that masculinity rendered a woman monstrously unfeminine, the literature finds ways of interrogating definitions of the sex-gender system in a world which was constantly and fundamentally mutating. The drama employs elements such as inversion, monstrosity and transgressions of class to negotiate a society in flux.
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Abdalla, Laila. "Man, woman or monster, some themes of female masculinity and transvestism in the Middle Ages and Renaissance." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq29865.pdf.

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Passos, Fernando Antônio de Paula. "What a drag! Etnografia, performance e transformismo." Escola de Teatro, 2014. http://repositorio.ufba.br/ri/handle/ri/27291.

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O presente trabalho trata da presença de homens vestidos de mulher na cena pública soteropolitana: o transvestismo como oportunidade para desconstruir polaridades de Gênero. Trata-se de uma abordagem etnográfica, misturando reflexões sobre etnografia e transformismo, para pulverizar e re-significar as apresentações cênicas ditas marginais no âmbito das revisões de perspectivas e de assuntos nas artes cênicas no Brasil. Sendo uma autoetnografia transformista, onde a escritura encontra a performance, este estudo comporta trejeitos da escrita performativa, para tentar atender o “ser” da performance, assim como a sua ontologia, ou seja, a representação sem reprodução. Considera ainda as encenações do desaparecer e, ao escrever sobre o indocumentável evento da performance, tem consciência de que altera o próprio evento. Assim, também compreende: os Rastros do Desaparecimento, a Presença do Corpo em Performance, o Cross-dressing ou Transvestismo ou Transformismo, a Política/Poética Camp, Alteridade, ou as representações transnacionais do feminino coreográfico, uma grafia acerca dos Global Queerscapes, a drag queen na atualidade soteropolitana, em uma Epistemologia Drag, assim como, Nacionalidade, Transformismo e Homocultura nos cortejos e movimentos políticos públicos, em Salvador, e sua aproximação com a figura icônica da Carmem Miranda, que tem sido apropriada por homossexuais transvestidos, em todas as latitudes, como o epítome camp do excesso e da frescura internacionais.
What a Drag!: Ethnography, Performance and Female Impersonation by Fernando Antonio de Paula Passos examines the performative presence of cross-dressed men in Salvador’s public scenes: cross-dressing as the opportunity for the deconstruction of gender polarities. It consists of an approach that blends self-reflexive ethnography with issues of female impersonation and cross-dressing in order to study the multiplicity of their performances, their re-signification, their relatively recent arrival in the context of revisionist perspectives and subject matters in the academic field of the performing arts in Brazil. Incorporating concepts of auto-ethnography and theoretical transvestism, it brings together writing and performance in what is now known as performative writing, as it struggles to uncover what the “being” of performance is all about. In dealing with the ontology of performance as representation without reproduction, it is particularly focused on issues of disappearance. It is also aware that writing about the undocumentable event of the performance alters that same event. It also deals with: traces of disappearance, the presence of the body in performance, cross-dressing, camp, alterity, feminine choreography, Global Queerscapes, drag epistemology, nation, surrealism, pastoral, allegory, political resistance and Carmen Miranda, as the epitome of inter/national camp.
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Bremerich, Stephanie. "Maskerade." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219411.

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Der Begriff Maskerade unterscheidet sich trotz etymologischen Verwandschaft vom Begriff Maske. Unter Maskerade werden vor allem Strategien der Inszenierung von Geschlechtsidentitäten verstanden, weshalb synonymisch häufig von Geschlechtermaskerade die Rede ist. Das Konzept hat in den Theater-, Film- und Literaturwissenschaften sowie in der Philosophie und der Psychologie Einzug gehalten. In den Gender Studies etablierte sich der Begriff in den 1990er Jahren, maßgeblich beeinflusst durch psychoanalytische und poststrukturalistische Theoriebildung. Mit der Maskerade können sehr verschiedene Phänomene bezeichnet werden, von der Pseudonymität weiblicher Autor_innenschaft bis hin zu alltagskultureller Performance und Körperinszenierung, etwa im Transvestitismus.
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Chan, Yuk-shau Celina, and 陳毓秀. "Transvestism and laughter, with special reference to Aristophanes' comedies, Shakespeare's Twelfth night and As you like it, and JoeOrton's what the butler saw." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31948923.

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Jacobs, H. Sean. "The psychodynamic psychotherapy of a male transvestite : a case study." Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/14321.

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The present study provides a description of selected core psychodynamic issues pertinent to a male transvestite patient. Case material from an ongoing 11 month psychodynamically-oriented psychotherapy is used for illustrative purposes. The theoretical roles of the 'core complex', castration anxiety; aggression and a particular ego style are thematically outlined and illustrated by a discussion of the therapeutic process. An attempt is made to demonstrate an increased capacity for depression, increased object-relatedness and disidentification from a symbiotically related female introject as the aim and partial gain of the therapy. The transference, case management difficulties and the therapeutic process of what has occurred as well as what is likely to, are considered. The unexpected outcome, in that the patient has ceased to fetishistically cross-dress, given the short space of therapeutic time is discussed. It is concluded that this be viewed tentatively. Finally, some thoughts are raised as to the utility of the psychoanalytic approach as against the general psychiatric-diagnostic approach.
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Books on the topic "Transvestismo"

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Woodhouse, Annie. Fantastic women: Sex, gender and transvestism. Basingstoke: Macmillan Education, 1989.

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Woodhouse, Annie. Fantastic women: Sex, gender, and transvestism. New Brunswick, N.J: Rutgers University Press, 1989.

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Sifuentes-Jáuregui, Ben. Transvestism, Masculinity, and Latin American Literature. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281.

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Woodhouse, Annie. Fantastic women: Sex, gender and transvestism. Basingstoke: Macmillan Education, 1989.

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McMullan, Melanie. Transvestism, transsexualism and the law: A handbook. 2nd ed. London: The Beaumont Trust, 1995.

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Demeyere, G. Transvestism and its wide context: A working bibliography. Wijnegem: G. Demeyere, 1992.

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Davidson, J. D. The transvestite handbook. Downham Market: D & I, 1988.

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Rana, Saifur Rahman. Darmiane. Lahore: Nigarshat, 2002.

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Vested interests: Cross-dressing & cultural anxiety. New York: Routledge, 1992.

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Vested interests: Cross dressing and cultural anxiety. New York: HarperPerennial, 1993.

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Book chapters on the topic "Transvestismo"

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Blanchard, Ray. "Transvestism." In Encyclopedia of psychology, Vol. 8., 118–19. Washington: American Psychological Association, 2000. http://dx.doi.org/10.1037/10523-048.

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Lehnert, Gertrud. "Transvestismus im Text — Transvestismus des Textes." In Inszenierungen von Weiblichkeit, 47–62. Wiesbaden: VS Verlag für Sozialwissenschaften, 1996. http://dx.doi.org/10.1007/978-3-322-97061-9_4.

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Woodhouse, Annie. "Transvestism and marriage." In Fantastic Women, 120–33. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20024-5_7.

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Woodhouse, Annie. "Transvestism and women." In Fantastic Women, 77–96. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20024-5_5.

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Ruan, Fang Fu. "Transvestism and Transsexualism." In Sex in China, 145–57. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-0609-0_8.

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McConaghy, Nathaniel. "Transvestism and Transsexualism." In Sexual Behavior, 143–81. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4899-1133-9_4.

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Twycross, Meg. "‘Transvestism’ in the Mystery Plays." In The Materials of Early Theatre: Sources, Images, and Performance, edited by Sarah Carpenter and Pamela King, 185–236. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Variorum collected studies series: Routledge, 2017. http://dx.doi.org/10.4324/9781315123004-8.

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Sifuentes-Jáuregui, Ben. "Introduction Chronicle of Gender Foretold: Transvestism and the Difficulty of Gender." In Transvestism, Masculinity, and Latin American Literature, 1–14. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_1.

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Sifuentes-Jáuregui, Ben. "Nation and the Scandal of Effeminacy: Rereading Los “41”." In Transvestism, Masculinity, and Latin American Literature, 15–51. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_2.

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Sifuentes-Jáuregui, Ben. "Fashion’s Lost Word: Carpentier Writes Woman." In Transvestism, Masculinity, and Latin American Literature, 53–86. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_3.

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