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Books on the topic 'Trauma of journalists'

Author: Grafiati

Published: 24 April 2022

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1

Denmark), International Media Support (Organization :. Healing the messenger: A journalist's trauma booklet. Copenhagen: International Media Support, 2009.

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2

Chronicling trauma: Journalists and writers on violence and loss. Urbana, Chicago: University of Illinois Press, 2011.

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3

Underwood, Doug. Chronicling trauma: Journalists and writers on violence and loss. Urbana, Chicago: University of Illinois Press, 2011.

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4

Trauma journalism: On deadline in harm's way. New York, NY: Continuum International Pub. Group Inc, 2011.

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5

author, Mutonya Njuguna 1960, Bwire Victor author, Tunbridge Louise editor, International Media Support (Organization : Denmark), and Media Council of Kenya, eds. Images that stay forever: Personal stories of trauma suffered by Kenyan journalists covering the Tana River massacres in 2012 and the Westgate Shopping Mall attack in 2013. [Copenhagen?]: Published by International Media Support and Media Council of Kenya, 2014.

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6

Cleave, Chris. Little Bee: Roman. München: Dt. Taschenbuch-Verl., 2011.

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7

Simpson, Roger. Covering violence: A guide to ethical reporting about victims and trauma. 2nd ed. New York, NY: Columbia University Press, 2006.

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8

1937-, Simpson Roger, ed. Covering violence: A guide to ethical reporting about victims and trauma. New York: Columbia University Press, 2000.

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9

E, Coté William, ed. Covering violence: A guide to ethical reporting about victims and trauma. 2nd ed. New York: Columbia University Press, 2006.

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10

Vordtriede, Käthe. "Mir ist es noch wie ein Traum, dass mir diese abenteuerliche Flucht gelang--": Briefe nach 1933 aus Freiburg im Breisgau, Frauenfeld und New York an ihren Sohn Werner. Lengwil: Libelle, 1998.

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11

Underwood, Doug. Trafficking in Trauma. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036408.003.0003.

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This chapter examines the pressures of the journalists' job and the traumatic experiences of women, minorities, and journalist–literary figures from historically marginalized groups as well as those who have investigated social problems and/or used journalistic literature to advance social reform causes. More specifically, it considers the role that women's rights, civil rights, and sensationalism have played to push social justice issues. After discussing how journalism, and particularly novel writing, became a pathway for minority writers to produce protest literature, the chapter looks at the emergence of naturalism and sensationalism as tools for journalist–literary figures to cope with traumatic life experiences. It also explores the fictionalization of the conditions of joblessness and economic misery during the Great Depression and concludes with an analysis of how traumatic emotions connected to a journalist's job could come out in themes of fiction.

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12

Underwood, Doug. Trauma, News, and Narrative. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036408.003.0001.

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This book investigates the impact of trauma and coverage of violence on journalists, the subjects of their coverage, and their audience—including the possibility that journalists who have suffered early life stress (such as unhappy childhoods and distorted family relationships) may gravitate toward high-risk assignments, such as war reporting. It examines the sources and the consequences of traumatic experience in the lives of 150 journalist–literary figures in American and British history dating from the early 1700s to today—from Daniel Defoe and Jonathan Swift to Charles Dickens and Ernest Hemingway—and the traumatic events in their lives that can be viewed as contributing to their emotional struggles, the vicissitudes of their journalism careers, and their development as artists. It considers the ways that their experiences in journalism may have contributed to these writers' psychological stress and played a role in their mental health history. The book demonstrates how the intersection of journalism and fiction writing offers important insights about trauma's role in literary expression.

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13

Underwood, Doug. Trauma in War, Trauma in Life. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036408.003.0004.

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This chapter examines the traumatic history of journalist–literary figures as military correspondents and observers of and participants in war, including the part they have played in developing the “code” of courageous conduct that has come to shape the “heroic” ideal of the journalist operating under dangerous conditions. The discussion begins by looking at journalists and novelists who have incorporated trauma into their awareness and their willingness to be candid about war's impact on the psyche, including Ambrose Bierce, Tobias Smollett, Walt Whitman, Kurt Vonnegut, John Hersey, and Vera Brittain. The chapter then considers the expression of the hero's code in the fiction of Stephen Crane, Rudyard Kipling, Ernest Hemingway, and other journalist–literary figures. It also explores the satire and ambivalence in attitudes about war and peace among the journalist–literary figures who have experienced military conflict firsthand.

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14

Healing the messenger: A journalist's trauma booklet. Copenhagen: International Media Support, 2009.

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15

International Media Support (Organization : Denmark), ed. Healing the messenger: A journalist's trauma booklet. Copenhagen: International Media Support, 2009.

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16

Underwood, Doug. Stories of Harm, Stories of Hazard. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036408.003.0002.

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This chapter examines the life stories of journalist–literary figures in the context of childhood history, mental health symptoms, and categories of traumatic experience that today are recognized as “triggers” of psychic conflict. More specifically, it considers the ways that journalists have coped with childhood stress and professional trauma throughout their careers. The chapter first explains the historical limitations of our understanding of trauma's role in the lives of early journalist–literary figures such as Charles Lamb, Walt Whitman, Bret Harte, and William Dean Howells before discussing religion as the early framework for understanding trauma and traumatized emotions. It then explores the link between trauma and the romantic movement, and between trauma and psychological writing, and proceeds with an analysis of psychological themes in the fiction of journalists, such as parental and family loss, abandonment, family breakup, and/or living with psychologically ill and/or alcoholic parents. It also outlines what novel writing could do that journalism did not in terms of conveying the emotional impact of traumatic experience.

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17

Underwood, Doug. New Challenges, New Treatments. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036408.003.0006.

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This epilogue considers the lessons that might be taken from the lives of journalist–literary figures that would be helpful to psychologists, journalists, and the researchers who study the impact of trauma, stress, and risk-taking experiences on today's journalists and their emotional well-being. It also examines some of the challenges confronting contemporary journalists and writers in the face of various economic, demographic, and technological pressures. In particular, it discusses the ways that digital computing is altering the traditional culture of journalism—for instance, the world of the newsroom and the activities of the professional journalist. It also looks at the implications of a host of other factors that assault our psyches, such as threats of terrorism, video and televised violence, fear of crime, increases in divorce and broken families, and illegal drug use and gang hostilities. Finally, it evaluates the prospects for new treatment options available to journalist–literary figures suffering from mental health disorders and other psychological effects of traumatic experience, including psychotropic drugs that combat depression and anxiety.

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18

Journalists under Fire: The Psychological Hazards of Covering War. The Johns Hopkins University Press, 2006.

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19

Trauma Reporting: A Journalist's Guide to Covering Sensitive Stories. Routledge, 2019.

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20

Thorpe, Holly. Death, Mourning, and Cultural Memory on the Internet. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0009.

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This chapter discusses the cultural production of memory in the digital era through Facebook memorial pages and virtual memorial websites dedicated to deceased sporting heroes. Increasingly, fans, family, friends, and journalists are turning to the Internet to express their condolences, communicate with other mourners, and memorialize the deceased in “highly creative, interactive, and dynamic ways.” Constituting a “record of the multiple, contested, and changing emotional responses,” these websites become “valuable archives of the public affective responses to cultural trauma.” The chapter then focuses on surfer Andy Irons and skier Sarah Burke, who died in 2010 and 2012, respectively, and who have been memorialized extensively online.

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21

Gentile, Carmen. Blindsided by the Taliban: A Journalist's Story of War, Trauma, Love, and Loss. Skyhorse Publishing Company, Incorporated, 2018.

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22

Vivian, Bradford. Authenticity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190611088.003.0003.

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Chapter 2 investigates a case in which large segments of the public praised a deeply suspect act of witnessing without critical scrutiny. Questions of historical authenticity (as well as authorship and authority) attend the rhetorically inventive nature of witnessing in Binjamin Wilkomirski’s fraudulent Holocaust memoir, titled Fragments. The author’s alleged childhood memories during his fictional imprisonment at Auschwitz were hailed as an instant classic in the genre for its apparent historical authenticity, and subsequently lauded with international literary awards, but historians and journalists who eventually questioned its historical accuracy proved, in the end, that the book was fake. The chapter examines why even actual Holocaust survivors celebrated Fragments as an authentic work of testimony insofar as Wilkomirski borrowed and recycled numerous tropes and images characteristic of postwar survivor memoirs, including the ethos of the survivor, fragmented memories, and recollections focused on trauma. Wilkomirski’s book illustrates potential dangers that attend the extensive public receptiveness for commonplace, and oftentimes unquestioned, tropes of authenticity in witnessing.

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23

Ty, Eleanor. Work, Depression, Failure. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040887.003.0006.

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This chapter looks at repercussions of the sense of failure in two stories of second-generation Asian immigrant women who grew up assimilated into North American culture and became successful professionals but who experience a crisis and fall into depression. Mimi, a character in Catherine Hernandez's play Singkil (2009), and journalist Jan Wong both suffer from a breakdown that forces them to rethink or reassess their priorities and identities. Singkil is, in part, a coming-of-age story, while Out of the Blue (2012) is a memoir of workplace depression. Though different in genre, these two works recount Asianfails that critique the model minority discourse, and they also show the links between private health and professional, social trauma.

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24

Haworth, Kevin. The Comics of Rutu Modan. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496821836.001.0001.

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The Comics of Rutu Modan: War, Love, and Secrets is a biography and analysis of the work of Rutu Modan, a groundbreaking female graphic novelist from Israel. Modan is best known for her two graphic novels, Exit Wounds and The Property. Modan’s work depicts the Israeli-Palestinian conflict, the Holocaust, and most significantly, the effects of war and trauma on individuals. This book begins with a history of Israeli cartooning from its roots in early Zionism. It provides an in-depth look at the female Israeli cartoonists who preceded Modan, as well as the counter-culture Israeli comics of the 1970s and the art comics boom of the 1990s. The book explores Modan's comics within the Israeli historical, political, sociological and literary background. It offers a history of the comics collective Actus Tragicus, of which Modan was a founder, and shows how the collective paved the way for modern comics to take root in Israel. Using the recurring themes of absence and presence, the book analyzes Modan's strong female characters, the role of the Israeli-Palestinian conflict in her work, and the lingering effects of the Holocaust on Israeli society. The book also explores Modan's lesser-known but still important projects, including her comics journalism, her family narratives, and her line of children's comics that revitalizes Israeli classics.

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25

Kim, Daniel Y. The Intimacies of Conflict. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479800797.001.0001.

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Though known primarily in the United States as “the forgotten war,” the Korean War was a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of US imperial endeavors as they took shape during the Cold War. The Intimacies of Conflictworks against the historical erasure of this event first by returning us to the 1950s, revealing the emotionally compelling dramas of interracial and transnational intimacy that were staged around this event in Hollywood films and journalistic accounts. Through detailed analyses of such works, this book illuminates how the Korean War enabled the emergence of not just a military multiculturalism but also a military Orientalism and a humanitarian Orientalism: cultural logics that purported to make surgical distinctions between Asians who were allies and those who were legitimately killable. This book also demonstrates how an emergent tradition of US novels, primarily by authors of color, provides an exemplary assemblage of cultural memory, illuminating the intimacies that join and divide the histories of Asian American, African American, and Chicanx/Latinx subjects, as well as Korean and Chinese subjects. Novels by eminent US writers like Susan Choi, Chang-rae Lee, Rolando Hinojosa, and Toni Morrison and the South Korean author Hwang Sok-yong speak to the trauma experienced by civilians and combatants while also evoking an expansive web of complicity in war’s violence. Drawing together both comparative race and transnational American studies approaches, this study engages in a multifaceted ethical and political reckoning with the Korean War’s unended status.

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26

Jonsson, Herbert, Lovisa Berg, Chatarina Edfeldt, and Bo G. Jansson, eds. Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.

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Which is the identity of a traveler who is constantly on the move between cultures and languages? What happens with stories when they are transmitted from one place to another, when they are retold, remade, translated and re-translated? What happens with the scholars themselves, when they try to grapple with the kaleidoscopic diversity of human expression in a constantly changing world? These and related questions are, if not given a definite answer, explored in the chapters of this anthology. Its overall topic, narratives that pass over national, language and ethnical borders include studies about transcultural novels, poetry, drama and the narratives of journalism. There is a broad geographic diversity, not only in the anthology as a whole, but also in each of the single contributions. This in turn demand a multitude of theoretical and methodological approaches, which cover a spectrum of concepts from such different sources as post-colonial studies, linguistics, religion, aesthetics, art and media studies, often going beyond the well-known Western frameworks. The works of authors like Miriam Toews, Yoko Tawada, Javier Moreno, Leila Abouela, Marguerite Duras, Kyoko Mori, Francesca Duranti, Donato Ndongo-Bidyogo, Rībi Hideo, and François Cheng are studied from a variety of perspectives. Other chapters deal with code-switching in West-african novels, border-crossing in the Japanese noh drama, translational anthologies of Italian literature, urban legends on the US-Mexico border, migration in German children's books, and war trauma in poetry. Most of the chapters are case studies, and may thus be of interest, not only for specialists, but also for the general reader.

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