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Journal articles on the topic 'Travel Early works to 1800'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

Liljas, Juvas Marianne. "”Från pappas lydige Henric”: Pedagogiska perspektiv på det tidiga 1800-talets bildningsresande." Nordic Journal of Educational History 6, no. 2 (2019): 73–99. http://dx.doi.org/10.36368/njedh.v6i2.151.

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“From daddy’s obedient Henric”: Pedagogical perspectives on educational travel of the early 1800s. This article analyses educational travel in the early 1800s from the perspective of its educational heritage and praxis. The aim is to develop an understanding of the pedagogical significance of educational travel. The article makes clear how upbringing and education are represented in the framework of travel narratives in pre-industrial landscapes. The argument is based on the influence of the mercantile class on educational travel and the informal effect of these trips on changes in pedagogical

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King, Martina. "Gesteinsschichten, Tasthaare, Damenmoden: Epistemologie des Vergleichens zwischen Natur und Kultur – um und nach 1800." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 2 (2020): 246–66. http://dx.doi.org/10.1515/iasl-2020-0014.

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AbstractThis paper investigates comparison as a fundamental practice within the early life sciences. Four episodes are selected that show how comparing species works in the early 19th century and how it builds bridges between scientific and literary culture: comparing living organisms in pre-Darwinian natural history (Lacépède, Treviranus), comparing species distribution in actualistic geology (Lyell), comparing organs in comparative anatomy (Müller), and – last but not least – comparing social classes in new literary genres such as sketch, ‘Paris physiology’, or travel feuilleton.

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Ståhle Sjönell, Barbro. "Det tidiga 1800-talets svenska novellistik." Tidskrift för litteraturvetenskap 43, no. 2 (2013): 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.

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Swedish Short Stories in the Early 19th Century. Publication and Subgenres The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publ

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Kasatkin, Konstantin. "In Search of One’s Self: Russian Travelers in the Balkans in 1800–1830s." Russian History 48, no. 1 (2022): 61–88. http://dx.doi.org/10.30965/18763316-12340023.

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Abstract In this paper, we are going to demonstrate that the writings of Russian travelers of the early 19th century laid the foundation of a discourse of Slavism. The travelers stopped perceiving the Balkans as part of the Near East and began considering them as ‘Ours’. This allowed the Russians to assert their identity within the boundaries of the European community while simultaneously separating themselves from the Roman-Germanic “West”. We examined four different types of descriptions of the Balkans by Russian travelers of the 1800–1830s. The authors’ approaches to these narratives were e

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Тангаева, Н. И. "Sentimental Traditions in M. N. Makarov’s “Letters of a Russian Traveler” (1805 and 1824)." Вестник Рязанского государственного университета имени С.А. Есенина, no. 1(74) (April 1, 2022): 104–15. http://dx.doi.org/10.37724/rsu.2022.74.1.010.

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В статье анализируются малоизвестные журнальные публикации М. Н. Макарова начала XIX века в аспекте их преемственности традициям сентиментализма. Сочинения Макарова «Несколько писем русского путешественника из Англии в Россию» (1805) и «Август Адольф Фридерик Десалверт» (1824) рассматриваются с опорой на повествовательную структуру прозы Н. М. Карамзина. Повести Макарова представляют интерес для исследования, по крайней мере, в двух аспектах: во-первых, в контексте его малоизученной прозы; во-вторых, как свидетельство влияния карамзинской повествовательной традиции. В ходе сопоставительного ан

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Špelda, Daniel. "Kepler in the Early Historiography of Astronomy (1615–1800)." Journal for the History of Astronomy 48, no. 4 (2017): 381–404. http://dx.doi.org/10.1177/0021828617740948.

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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be th

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Kallio-Seppä, Titta. "Facing Otherness in Early Modern Sweden: Travel, Migration and Material Transformations, 1500–1800." Historical Archaeology 53, no. 1 (2019): 211–12. http://dx.doi.org/10.1007/s41636-019-00162-2.

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Iannuzzi, Giulia. "An Interview with Joan-Pau Rubiés." Cromohs - Cyber Review of Modern Historiography 24 (June 8, 2022): 123–36. http://dx.doi.org/10.36253/cromohs-13189.

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Joan-Pau Rubiés is specialised in the study of cross-cultural encounters in the early modern world, from a perspective combining the contextual analysis of travel accounts and other ethnographic sources with the intellectual history of early modern Europe. Recent work has focused on the analysis of early modern ethnography and its intellectual impact in the period 1500-1800. This has involved developing various lines of research, including the history of travel, cross-cultural diplomacy, religious missions, early orientalism, race and racism, and the history of cosmopolitanism. In recent years

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Mannaa, Bandar, and Naima Benlarabi. "The Representation of Yemeni Culture in Early 20th Century British Travel Writings." SHS Web of Conferences 119 (2021): 02001. http://dx.doi.org/10.1051/shsconf/202111902001.

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The present article seeks to analyze the representation of Yemeni culture in early 20th century British travel writings. It questions the British travel writings as merely stereotypical texts or regard them as vital historical documents. This article also tries to locate different themes that have been deploying by British writers in the respective period. The chosen works are by Harold Ingrams (1937) and Freya Stark (1948), which have shown different features about the relationship between Yemeni culture and the British attitude. I used the postcolonial theory and Orientalism as approaches to

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Constantine, Mary-Ann. "Consumed Landscapes: Coal, Air and Circulation in the Writings of Catherine Hutton." Romanticism 27, no. 2 (2021): 122–34. http://dx.doi.org/10.3366/rom.2021.0503.

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This essay examines a particular nexus of ideas about health and circulation in relation to the practice and the literature of travel and tourism in Romantic-period Britain. Wales, like other ‘picturesque’ destinations, is often envisaged in these writings, and in fiction, as a space of non-metropolitan purity, of clean air, and of health. Yet this is precisely the period of industrial expansion in both south and north Wales, and coal-mines, copper-works, iron foundries and smelting furnaces also figured on many tourist itineraries. Taking as its entry point the novels of Birmingham-based writ

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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave." Victorian Popular Fictions Journal 3, no. 2 (2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying,

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Breen, Benjamin. "No Man Is an Island: Early Modern Globalization, Knowledge Networks, and George Psalmanazar’s Formosa." Journal of Early Modern History 17, no. 4 (2013): 391–417. http://dx.doi.org/10.1163/15700658-12342371.

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Abstract The 1600-1800 period was an era of global travel and encounters. Yet this “early modern globalization” was highly unstable, characterized by miscommunications and doubts regarding the credibility of both individual witnesses and the facts they adduced. The Formosan hoax of George Psalmanazar (1679?-1763) offers a unique perspective on these themes. Although Psalmanazar was a fraud, his inventions about the island of Formosa circulated widely in different languages, nations, and inscriptive contexts. The divergence between Psalmanazar’s personal credibility and the longevity of his inv

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SAMPSON, MARGARET. "‘THE WOE THAT WAS IN MARRIAGE’: SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE." Historical Journal 40, no. 3 (1997): 811–23. http://dx.doi.org/10.1017/s0018246x97007437.

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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9

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Ergene, Bogaç. "ON OTTOMAN JUSTICE: INTERPRETATIONS IN CONFLICT (1600 - 1800)." Islamic Law and Society 8, no. 1 (2001): 52–87. http://dx.doi.org/10.1163/156851901753129674.

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AbstractThis essay investigates the ways in which the notion of "justice" was utilized as a mechanism of political legitimization in the early-modern Ottoman Empire. I claim that there existed alternative definitions of justice and that these were instrumental in the struggle between the central government and those official and unofficial power-holders in the administrative and geographical peripheries of the empire. According to the specialized terminology of the Ottoman administrative system, "justice" was the protection of the rural and urban producers against abuses of the military elite.

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Oostindie, Gert, and Jessica Vance Roitman. "Repositioning the Dutch in the Atlantic, 1680–1800." Itinerario 36, no. 2 (2012): 129–60. http://dx.doi.org/10.1017/s0165115312000605.

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After some decades of historical debate about the early modern Atlantic, it has become a truism that the Atlantic may better be understood as a world of connections rather than as a collection of isolated national sub-empires. Likewise, it is commonly accepted that the study of this interconnected Atlantic world should be interdisciplinary, going beyond traditional economic and political history to include the study of the circulation of people and cultures. This view was espoused and expanded upon in the issue of Itinerario on the nature of Atlantic history published thirteen years ago—the sa

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Norrhem, Svante. "Facing Otherness in Early Modern Sweden: Travel, Migration and Material Transformations, 1500–1800, ed. Magdalena Naum and Fredrik Ekengren." English Historical Review 134, no. 570 (2019): 1309–10. http://dx.doi.org/10.1093/ehr/cez258.

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Bertz, Inka. "Dreaming of Raphael: The Politics and Aesthetics of the Michael-Beer-Stiftung for Jewish Artists." Ars Judaica: The Bar Ilan Journal of Jewish Art 16, no. 1 (2020): 69–94. http://dx.doi.org/10.3828/aj.2020.16.6.

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In his will, the poet and playwright Michael Beer (1800-1833) provided an endowment for a prize to support Jewish painters and sculptors to travel to Italy for one year. The grant was placed under the auspices of the Berlin Academy of Art and awarded from 1836 to 1921. This essay focusses on the establishment of the prize, exploring the mindset and motivations of the donor, situated in their historical, social, and ideological contexts. It opens insights into early nineteenth-century Jewish-Christian networks, as well as into contemporary views on national art and the aesthetics of the classic

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Ostaric, Lara. "Absolute Freedom and Creative Agency in Early Schelling." Philosophisches Jahrbuch 119, no. 1 (2012): 69–93. http://dx.doi.org/10.5771/0031-8183-2012-1-69.

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bstract. By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, this essay demonstrates the following: (1) that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own, this original solution consisting in Schelling’s conception of “creative reason [schöpfersiche Vernunft]”; (2) that the theme of an absolutely free creative subjectivity is

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Fokin, Alexander Anatolyevich. "Philosophical Principles of Heinrich Klee’s Theology (1800–1840)." Philosophy of Religion: Analytic Researches 6, no. 1 (2022): 24–36. http://dx.doi.org/10.21146/2587-683x-2022-6-1-24-36.

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The article focuses on the study of the dogmatic works of Heinrich Klee (1800–1840) in relation to his criticism and reception of contemporary philosophical systems. The dogmatic theology of Heinrich Klee is a little-studied page in the history of Catholic religious thought in the first half of the 19th century, yet for his contemporaries Klee was a significant thinker, and his theology was the subject of active discussion. The works of Klee are known to have been criticized more than once in connection with the possible borrowing of philosophical ideas in his dogmatic theology. This criticism

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Thind, Rajiv. "Facing Otherness in Early Modern Sweden: Travel, Migration and Material Transformations, 1500–1800 ed. by Magdalena Naum, and Fredrik Ekengren." Parergon 36, no. 2 (2019): 260–61. http://dx.doi.org/10.1353/pgn.2019.0111.

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McCutcheon, Elizabeth. "Homo Viator: Aspects of the Works and Life of Thomas More." Moreana 42 (Number 164), no. 4 (2005): 17–42. http://dx.doi.org/10.3366/more.2005.42.4.6.

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Travel or wayfaring as a metaphor for life is both pervasive and multifaceted in More’s writings. It appears in his early Pageant Verses, which trace a double movement from life to death and to eternal life, while several of his Latin epigrams speak of death as terminus. In Utopia it is an essential aspect of Hythloday and the beliefs of the Utopians, who are metaphorically traveling towards their true home, heaven. And it is embedded in More’s devotional works, especially A Dialogue of Comfort against Tribulation, which depends upon a contrast between matters temporal and the truly good, whic

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Alonso-Almeida, Francisco, and Mª Isabel González-Cruz. "Exploring Male and Female Voices through Epistemic Modality and Evidentiality in Some Modern English Travel Texts on the Canaries." Research in Language 10, no. 3 (2012): 323–43. http://dx.doi.org/10.2478/v10015-011-0031-z.

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This article describes authorial voice through evidential and epistemic sentential devices in a corpus of 19th and early 20th century travel texts. The corpus contains four works written by female travellers and the other four by men. Therefore, apart from providing a catalogue of the strategies deployed by the authors in order to mark modality and evidentiality, we also report on expected differences in their frequencies of use in relation to the writer’s gender. In addition, the interest of this study lies in the fact that, to the best of our knowledge, no research on writer stance has previ

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Heimlich, Timothy. "Romantic Wales and the Imperial Picturesque." Modern Language Quarterly 81, no. 2 (2020): 169–92. http://dx.doi.org/10.1215/00267929-8151559.

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Abstract This essay argues that the aesthetic category named the picturesque was first systematized in a Welsh colonial context and that picturesque looking always reflects, to some degree, its initially imperialist function. While the picturesque rapidly acceded to a preeminent place in British travel and landscape writing, its rise was contested by Welsh and working-class writers like the antiquarian poet Richard Llwyd (1752–1835). By conspicuously failing to impose picturesque features on a carefully historicized landscape, Llwyd’s poem Beaumaris Bay (1800) lays bare the picturesque’s antih

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Wang, Xueli. "From identity to relation: Patty Chang’s diasporic cartography." Journal of Contemporary Chinese Art 9, no. 1 (2022): 91–112. http://dx.doi.org/10.1386/jcca_00057_1.

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This article examines the works of the Chinese American artist Patty Chang, tracing how Chang’s early deconstructive approach to Asian American identity evolves into her more recent diasporic approach to landscape and travel. The first section covers the early ‘body art’ phase of Chang’s career (from the late 1990s to the early 2000s). The second section focuses on the pivotal work Shangri-La (2005), which usefully illuminates Chang’s evolution from identity to relation, from deconstruction to ‘diasporic cartography’, using her diasporic body to forge a mode of navigation and world-making that

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Gudkova, S. P., O. Yu Osmukhina, and V. A. Samoylenko. "Features of plot building of the lyrical cycles of travels in Russian poetry of Mordovia of the late XX – early XXI centuries." Bulletin of Ugric studies 10, no. 3 (2020): 436–45. http://dx.doi.org/10.30624/2220-4156-2020-10-3-436-445.

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Introduction: the article is devoted to the study of genre and aspect specifics of the travel lyric cycle as a major genre form in modern Russian poetry of Mordovia and it fits into the complex of research of Russian literary studies concerning the problem of genre synthesis. The subjects of the analysis are the features of plot building of the lyrical cycles of travels. Objective: to reveal the genre and problem-thematic originality of the lyrical cycles of travels in the works of modern poets of Mordovia. Research materials: cycles of travels of V. Gadaev, V. Yushkin, K. Smorodin. Results an

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PIANA, PIETRO, CHARLES WATKINS, and ROSS BALZARETTI. "Travel, Modernity and Rural Landscapes in Nineteenth-Century Liguria." Rural History 29, no. 2 (2018): 167–93. http://dx.doi.org/10.1017/s0956793318000079.

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Abstract:New roads and, later, railways were essential for the modernisation and rapid economic development of north-western Italy in the early nineteenth century. The new routes also encouraged an increasing number of foreign travellers to visit the region. They opened up fresh tracts of countryside and provided novel viewpoints and points of interest; many travellers took the opportunity to record these views with topographical drawings and watercolours. In this article we make use of some of these views to examine how the modernised transport routes released new places to be celebrated by t

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Černá, Jana. "A Powerful Antidote, a Strange Camel and Turkish Pepper: Iberian Science, the Discovery of the New World and the Early Modern Czech Lands." Early Science and Medicine 21, no. 2-3 (2016): 214–31. http://dx.doi.org/10.1163/15733823-02123p06.

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This article analyses the reception of knowledge about new world nature, and, more specifically, the reception of Iberian scientific knowledge of nature in the Americas, in the early modern Czech lands. It shows how the process of the reception of information about nature in the new world differed among the urban classes, intellectuals and the nobility; particular attention is paid to herbals, cosmographical works and travel reports. On the one hand, the study reveals that the efforts of Central European intellectuals to interpret new world nature were limited by the lack of necessary data and

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Nishino, Ryota. "From Memory Making to Money Making?" Pacific Historical Review 86, no. 3 (2017): 443–71. http://dx.doi.org/10.1525/phr.2017.86.3.443.

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Of the numerous commercially published Japanese travelogues about the southwestern Pacific Islands, five stand out for their detailed accounts of interactions between the travel writers and the Pacific Islanders. This article explores the common narrative threads in these works. Drawing on the literature on travel writing and dark tourism, it analyzes how the relationship between travelers and the Islanders has evolved over time. The early writers report disturbing encounters with Islanders for whom memories of World War II’s Pacific battles were still vivid. The later writers exhibit greater

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Gommans, Jos. "Trade and Civilization around the Bay of Bengal, c. 1650–1800." Itinerario 19, no. 3 (1995): 82–108. http://dx.doi.org/10.1017/s0165115300021331.

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About seven years ago the journalItinerarioissued a special volume on theAncien Régimein India and Indonesia that carried the papers presented at the third Cambridge-Leiden-Delhi-Yogyakarta conference. The aim of the conference was a comparative one in which state-formation, trading net-works and socio-political aspects of Islam were the major topics. Thumbing through the pages of this issue (while preparing this essay) I had the impression that the results of the conference went beyond its initial comparative goals. Directly or indirectly, several papers stressed that during the early-modern

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Struck, Bernhard. "HISTORICAL REGIONS BETWEEN CONSTRUCTION AND PERCEPTION: VIEWING FRANCE AND POLAND IN THE LATE-EIGHTEENTH AND EARLY-NINETEENTH CENTURIES." East Central Europe 32, no. 1-2 (2005): 79–97. http://dx.doi.org/10.1163/18763308-90001033.

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This essay tackles the problem of spatial imaginations, representations, and "mental maps." Its main point of reference is Larry Wolff's thesis that the division of Europe into an Eastern - backward and uncivilized - part, on the one hand, and a Western - modem and civilized - part, on the other, can be traced back to the late-eighteenth century. In the Enlightenment, according to Wolff, philosophers, writers, and above all travelers created this normative and value laden inner-European dichotomy. From the perspective of German travelogues on Poland and France published between roughly 1750 an

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STRUCK, BERNHARD. "HISTORICAL REGIONS BETWEEN CONSTRUCTION AND PERCEPTION: VIEWING FRANCE AND POLAND IN THE LATE-EIGHTEENTH AND EARLY-NINETEENTH CENTURIES." East Central Europe 32, no. 1 (2005): 79–97. http://dx.doi.org/10.1163/1876330805x00045.

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Abstract: This essay tackles the problem of spatial imaginations, representations, and "mental maps." Its main point of reference is Larry Wolff's thesis that the division of Europe into an Eastern - backward and uncivilized - part, on the one hand, and a Western - modem and civilized - part, on the other, can be traced back to the late-eighteenth century. In the Enlightenment, according to Wolff, philosophers, writers, and above all travelers created this normative and value laden inner-European dichotomy. From the perspective of German travelogues on Poland and France published between rough

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Isupova, S. M. "Formation of Artistic Historicism in the Early Work of I. I. Lazhechnikov." Nauchnyi dialog 1, no. 10 (2020): 268–79. http://dx.doi.org/10.24224/2227-1295-2020-10-268-279.

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The article is devoted to the formation of artistic historicism in the work of Lazhechnikov. The relevance of the study is associated with the need for a deeper study of the early work of the writer. It is proved that the foundations of artistic historicism were laid in the early works of Lazhechnikov. It is noted that in the stories “Malinovka” and “Portrait” there is a transformation of sentimental stories with a setting on a historical theme. In the course of the study, the authors of the article conclude that in these works Lazhechnikov does not yet feel the need for historical stylization

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Lambert, Fátima. "Bernardo Soares: The Never Accomplished Travel(s) – Writing and Seeing." Revista Portuguesa de Humanidades 25, no. 1 (2021): 191–216. http://dx.doi.org/10.17990/rph/2021_25_1_191.

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The Art that emerged in the early years of the Portuguese 20th century, similarly to what occurred in Europe, was invested with expectations and strong beliefs. Nonetheless works and ideas were only accessible to few that were near to the new approaches and paradigms. The unspeakable and the unexpected came up from the intellectual and sensitive verve of bold poets or artists, experimenting daring structures and actions. That was the case of Fernando Pessoa literary production, enriched by his heteronymous’ magnum opus. Let’s take a walk into slow unquietness, in order to recognize singular ae

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Ruuska, Arto. "Consequences and Behaviour Problematised: The Establishment of Alcohol Misuse as an Object of Empirical Inquiry in Late 18th- and Early 19th-Century European Medicine." Nordic Studies on Alcohol and Drugs 30, no. 1-2 (2013): 13–32. http://dx.doi.org/10.2478/nsad-2013-0003.

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Aims This article discusses European medical thought on alcohol in the late 18th and early 19th centuries against the backdrop of concurrent transformations in the epistemological and social underpinnings of medicine at large. Design The article focuses on key medical works on alcohol written in the 1700s and early 1800s. The analysis draws on historical typologisations of medical practice and knowledge-formation (Ackerknecht, Jewson), and the notion of “working knowledges” (Pickstone). Results The defining feature of the era's medical thought on alcohol was that the issue began to be treated

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Hollsten, Laura. "Night Time and Entangled Spaces on Early Modern Caribbean Sugar Plantations." Journal of Global Slavery 1, no. 2-3 (2016): 248–73. http://dx.doi.org/10.1163/2405836x-00102005.

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This article analyzes the temporal and spatial regimes on early modern Caribbean sugar plantations by examining ways in which slaves spent their leisure hours. Drawing from travel narratives, letters, and historical works, it discusses how slaves engaged in activities of their choice, most of which took place at night and were shaped by conditions peculiar to night time. In discussing slaves’ activities during their free time, this study argues that night time on Caribbean plantations created a particular kind of space. First, it created physical spaces that were profoundly different at night

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Galyamov, А. А. "«Ethnographic portrait» of the Ob Ugrians in the light of E. M. Korneev’s travel." Bulletin of Ugric studies 10, no. 3 (2020): 587–97. http://dx.doi.org/10.30624/2220-4156-2020-10-3-587-597.

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Introduction: in the general historical and intellectual context of travels in the late XVIII – early XIX centuries, reconstructing the prevailing ideas of travelers, the article analyzes the engravings of E. M. Korneev – a famous Russian engraver, master of view graphics, traveler of the turn of the XVIII–XIX centuries. Objective: characteristics of images of the Ob Ugrians through the prism of travelers’ ideas of the late XVIII – early XIX centuries, and their visual representation on the example of the works of E. M. Korneev. Research materials: engravings by E. M. Korneev published in Rech

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Cvejić, Žarko. "From "Bach" to "Bach's son": The work of aesthetic ideology in the historical reception of Carl Philipp Emanuel Bach." New Sound, no. 54-2 (2019): 90–108. http://dx.doi.org/10.5937/newso1954090c.

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The paper explores the historical correlation between the marginalization of C. P. E. Bach in his posthumous critical reception in the early and mid 19th century and the paradigm shift that occurred in the philosophical, aesthetic, and ideological conception of music in Europe around 1800, whereby music was reconceived as a radically abstract and disembodied art of expression, as opposed to the Enlightenment idea of music as an irreducibly sensuous, sonic art of representation. More precisely, the paper argues that the cause of C. P. E. Bach's marginalization in his posthumous critical recepti

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Kuczaba-Flisak, Magdalena. "“You paint when you speak”: On the creative process of Hans Christian Andersen." Acta Universitatis Lodziensis. Folia Litteraria Polonica 64, no. 1 (2022): 93–135. http://dx.doi.org/10.18778/1505-9057.64.04.

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The article analyses the creative process of Hans Christian Andersen. The author focuses on the writer’s early years and then juxtaposes them with his mature creative period. The author draws attention to problems in interpreting the translated works, demonstrating their nature based on various endings of “The Snow Queen”. Then she analyses what, how and with what means Andersen wrote. The section devoted to Andersen’s journals analyses his goals and aspirations and how his travel records later translated into his literature. In the next part, she presents the process seen through the eyes of

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Girard, Philip. "Themes and Variations in Early Canadian Legal Culture: Beamish Murdoch and hisEpitome of the Laws of Nova-Scotia." Law and History Review 11, no. 1 (1993): 101–44. http://dx.doi.org/10.2307/743601.

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Beamish Murdoch (1800–76) was a young man when the first of the four volumes of hisEpitome of the Laws of Nova-Scotiarolled off Joseph Howe's press at Halifax in the spring of 1832. He was an old man when the first installment of his three-volumeHistory of Nova-Scotia, or Acadieappeared under James Barnes's imprint in the spring of 1865. These two works have received surprisingly disparate attention in the century since Murdoch's death. Today it is Murdoch the historian who is well known: No treatment of nineteenth-century Canadian historiography would omit reference to hisHistory. Murdoch's c

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de Vos, Machteld. "In Between Description and Prescription: Analysing Metalanguage in Normative Works on Dutch 1550–1650." Languages 7, no. 2 (2022): 89. http://dx.doi.org/10.3390/languages7020089.

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This paper is the first to perform a systematic quantitative analysis of the arguments used to motivate selections in grammatical entries from normative works on Standard Dutch written between ca. 1550 and 1650. Thus, it aims to obtain insight into what language ideologies were characteristic of this early modern period, what these reveal about how Standard Dutch took shape in its initiating phase, and what the differences are between the codification of Dutch in the early modern period (16th/17th century) and the (post)modern period (20th/21st century; analysed in earlier studies). Although c

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MacKay, James S. "The Second Repeat in Beethoven's Sonata-Form Movements: Tonal, Formal and Motivic Strategies." Music Theory and Analysis (MTA) 8, no. 1 (2021): 1–41. http://dx.doi.org/10.11116/mta.8.1.1.

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Around the middle of the Classical period, there was a paradigm shift concerning sectional repeats in sonata-form movements. Whereas previously the repeat of both halves (exposition and development/recapitulation) was virtually pro forma, by the late 1700s composers typically only indicated the first repeat. When composers began to indicate the second repeat infrequently, this decision took on greater musical significance.<br/> Whereas Haydn and Mozart indicated the second repeat frequently, even in their late works, Beethoven indicated this repeat rarely (nineteen times in works with op

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DOLAN, BRIAN. "Pedagogy through print: James Sowerby, John Mawe and the problem of colour in early nineteenth-century natural history illustration." British Journal for the History of Science 31, no. 3 (1998): 275–304. http://dx.doi.org/10.1017/s0007087498003306.

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These gems have life in them: their colours speak,Say what words fail of.In an ambitious treatise on the estimated wealth of the British Empire in the year of Waterloo, Patrick Colquhoun added to his calculations of the revenues produced by overseas property the potential profits created through exploiting natural resources. In his ‘political arithmetic’, Colquhoun recognized that an increasingly lucrative resource could be found in ‘mines and minerals’, where ‘various articles extracted from the bowels of the earth, which the new discoveries in chemistry have rendered valuable articles of com

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Worsley, Peter. "The Rhetoric of Paintings: Towards a History of Balinese Ideas, Imaginings and Emotions in the Late Nineteenth and Early Twentieth Centuries." Jurnal Kajian Bali (Journal of Bali Studies) 9, no. 1 (2019): 35. http://dx.doi.org/10.24843/jkb.2019.v09.i01.p02.

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   Western historical scholarship has taught us much about Southeast Asia in the period between 1800 and 1940. This was a time when the insistent, intensifying and transforming influence of Dutch colonial society and its culture became widespread in Bali and more broadly in the archipelago. Much too has been written about the analytical framework of European histories of these times. In this essay I discuss Balinese paintings from this same period which shed light on how painters and their works spoke to their viewers both about how the Balinese knew, imagined, thought and fe

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Mocherniuk, Nataliia. "To apprehend and to retain a considerable length of time: the memoirs of Sviatoslav Hordynsky." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 90–96. http://dx.doi.org/10.28925/2412-2475.2020.16.13.

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The paper covers the subject and genre varieties of memoirs by Sviatoslav Hordynsky. Such genres are highlighted as the memoirs itself, travel writing, diary notes, portrayals of famous artists, letters, obituaries, oral stories, interviews with the author. The main art subject-matter in the memoirs has been accentuated. The travel writing was practiced in his early works, the memories of the Western Ukrainian art processes of the interwar period pertain to the creative period in emigration. The narrative features of the artist’s memories have been traced. Hordynsky’s memoir texts are perceive

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Krasnova, Anna L. "EARLY ATHOS AND SINAI ENGRAVINGS AND THEIR ICONOGRAPHIC SOURCES: ICONS, PROSKYNETARIONS, GEOGRAPHICAL MAPS." Scientific and analytical journal Burganov House. The space of culture 17, no. 3 (2021): 24–32. http://dx.doi.org/10.36340/2071-6818-2021-17-3-24-32.

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A comprehensive study and understanding of Greek religious engravings require identifying iconographic sources and understanding the masters’ choice of certain works. Which in turn reveals the purpose and history of the existence of Greek engravings. Icons were often the subjects of religious engravings. Therefore, such engravings have a second name, “icons on paper”; along with them, views of monasteries and holy places were depicted. There is a separate genre in books, icons, religious paintings1 , cartography, and that is images with views of the Holy Places: Jerusalem, Sinai and others. In

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Vickers, Anita. "Social Corruption and the Subversion of the American Success Story in Arthur Mervyn." Prospects 23 (October 1998): 129–45. http://dx.doi.org/10.1017/s0361233300006293.

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Because both parts of Charles Brockden Brown's Arthur Mervyn; or, Memoirs of the Year 1793 (1799–1800) were clearly not composed under the same creative impetus as his other novels were (critics conjecture that the novel was written in three segments within a two-year span), the novel as a whole evinces the author's propensity to improvise more than any of his other works do (Ringe, 49). Early critics, notably R. W. B. Lewis (The American Adam) and David Lee Clark (Pioneer Voice in America), choose to ignore and/or gloss over the troublesome second part. Later criticism, however, deals with bo

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HOWARTH, RICHARD J. "ETYMOLOGY IN THE EARTH SCIENCES: FROM ‘GEOLOGIA' TO ‘GEOSCIENCE’." Earth Sciences History 39, no. 1 (2020): 1–27. http://dx.doi.org/10.17704/1944-6187-39.1.1.

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The origin and usage through time of geologia, geognosy, geogony, oryctognosy, geology and geophysics, as characterised by their frequency of occurrence in the Google Books Ngram Corpus, is discussed. The English, French, German, Italian and Spanish corpuses used in this study have been normalised over the same timespan using the average frequencies of occurrence of the same set of ‘neutral’ words in each language (as advocated by Younes and Reips 2019). Use of the term geology is found to predate publication of James Hutton's Theory of the Earth in 1795 by about 100 years; geognosy, oryctogno

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Polezzi, Loredana. "Description, appropriation, transformation: Fascist rhetoric and colonial nature." Modern Italy 19, no. 3 (2014): 287–303. http://dx.doi.org/10.1080/13532944.2014.927355.

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During the period of Fascism, a variety of discourses and representations were attached to colonial landscapes and to their uses. African nature was the subject of diverse rhetorical strategies, which ranged from the persistence of visions of wilderness as the locus of adventure to the domesticating manipulations of an incipient tourist industry aiming to familiarise the Italian public with relatively tame forms of the exotic. Contrasting images of bareness and productivity, primitivism and modernisation, resistance to change and dramatic transformation found their way into accounts of colonia

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Bembeev, Evgeny V. "Особенности калмыцкого письменного языка XIX в. (на материале калмыцких писем И. Я. Шмидта (1800–1810 гг.))". Монголоведение (Монгол судлал) 12, № 4 (2020): 652–59. http://dx.doi.org/10.22162/2500-1523-2020-4-652-659.

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Introduction. The article examines some phonetic and morphological features of the Kalmyk language traced in written monuments published by the famous Mongolists John Krueger and Robert Service in the ‘Kalmyk Old-Manuscript Documents of Isaac Jacob Schmidt’ (2002). The book presents facsimiles, transcriptions and translations of epistolary documents into English, which cover the period from 1800 to 1810. Most of the letters — 54 out of 80 — reflect correspondence with the Baga Dorbet Princes Tundutovs, including 18 from Erdeni Taisha, 27 from Tsebek, and 9 more from Jamba Taisha. These written

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Fraser, Steven, and Dennis Mancl. "Strategies for "Socially Distant"." ACM SIGSOFT Software Engineering Notes 47, no. 1 (2022): 12–14. http://dx.doi.org/10.1145/3502771.3502776.

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In the early months of 2020, the COVID-19 pandemic abruptly transformed the way the world works and collaborates. With most workrelated travel curtailed and many knowledge workers constrained to work-from-home, face-to-face interaction was replaced by a world of virtual communication and collaboration. In 2021, workflows continue to evolve for universities, corporations, and governments to support "socially distant" R&D, education, and organizational infrastructure. This paper reports on a ICSE 2021 workshop panel focused on how COVID-19 has inspired changes to university-company collabora

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