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Journal articles on the topic 'Travel writing'

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1

Sillem, Peter. "Does travel writing travel?" Publishing Research Quarterly 14, no. 2 (1998): 22–25. http://dx.doi.org/10.1007/s12109-998-0016-5.

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Spencer, Robert. "Travel writing." Journal of Postcolonial Writing 48, no. 4 (2012): 454–56. http://dx.doi.org/10.1080/17449855.2012.661941.

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Cintrat, Iva, Muriel Massau, Carmen Mata Barreiro, and Lùcia Soares. "Travel writing." Language, Culture and Curriculum 9, no. 1 (1996): 35–50. http://dx.doi.org/10.1080/07908319609525217.

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Harlan, D. Whatley. "Food, Photography and Cartography in the Travel Memoirs of Ondaatje and Shopsin." postScriptum: An Interdisciplinary Journal of Literary Studies 2, no. 1 (2017): 62–73. https://doi.org/10.5281/zenodo.1318827.

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Travel writing first evolved with Pausanius, a Greek geographer from the 2nd century AD (Pretzler). In the literary genre known as “Youji Wenxue,” authors such as Fan Chengda and Xu Xiake weaved geographical and topographical information into their writing while using narrative and prose. During the Song dynasty, Su Dongpo, a government official and poet, wrote about the Yangzi gorges and other remote southern places in China. In the Asian subcontinent, Sake Dean Mahomed published his travel book in 1794, The Travels of Dean Mahomed, which presented for the first time the idea of E
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Frank-Wilson, Marion. "African travel writing." African Research & Documentation 92 (2003): 27–38. http://dx.doi.org/10.1017/s0305862x00016319.

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Frank-Wilson, Marion. "African travel writing." African Research & Documentation 92 (2003): 27–38. http://dx.doi.org/10.1017/s0305862x00016319.

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Moroz, Grzegorz. "Travel Writing Studies." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, no. 2 (2020): 403–6. http://dx.doi.org/10.36770/bp.490.

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Machet, Laurence. "‘A Strict Journal of All the Passages’: John Lawson’s "New Voyage to Carolina" and the Importance of Mobility." Baltic Journal of English Language, Literature and Culture 6 (May 11, 2016): 59–71. http://dx.doi.org/10.22364/bjellc.06.2016.05.

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In colonial British America ‘travel writing’ found its way into many different literary genres: religious tracts, scientific accounts, and political or promotional writings, often written to make settlement attractive. Travel writing was also often devoted to mapping and describing landscapes for future travellers or settlers. Whatever its genre, however, early American travel writing is unquestionably a form that makes manifest by implication the actual mobility of the travellers themselves and the need for continued and future mobility. This paper will examine this issue in A New Voyage to C
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Mewshaw, Michael. "Travel, Travel Writing, and the Literature of Travel." South Central Review 22, no. 2 (2005): 2–10. http://dx.doi.org/10.1353/scr.2005.0042.

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Jones, Rebecca. "‘Nigeria is my Playground’: Pẹlu Awofẹsọ's Nigerian travel writing". African Research & Documentation 125 (2014): 65–85. http://dx.doi.org/10.1017/s0305862x00020665.

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Since the turn of the millennium a crop of travel books by Africans or Africans in diaspora describing their travels within Africa have appeared to assert a fresh African self-representation in travel writing. Noo Saro-Wiwa's travel book Looking for Transwonderland (2012) tells the story of British-Nigerian journalist and travel writer Saro-Wiwa's travels around Nigeria for the first time since the death of her father Ken Saro-Wiwa. Looking for Transwonderland describes Saro-Wiwa's journey all over Nigeria, from Lagos to the north via the east and southwest, including a stop in her father's vi
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Cadiz, Chloe Intruso. "Journeying Filipinas: Classification of Travel Writings by Filipino Women Travelers." Journal of Language and Literature 24, no. 1 (2024): 1–15. http://dx.doi.org/10.24071/joll.v24i1.7839.

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Travel writings’ long literary tradition in the West had often been viewed as a colonial discourse and had prepared a colony of readership, particularly the narratives during the 19th century (Spurr,1993). However, travel writing is relatively new in the Philippines, and a lot of Filipino women are experimenting with writing in the genre. As such, this study examined the types of contemporary travel writings written by Filipino women using Fussell’s categorization (1982) for travel writings according to the writer's intent of travel: explorer, tourist, and travel. Some of the selected texts fi
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Calzati, Stefano. "Travel Writing on the Edge: An Intermedial Approach to Travel Books and Travel Blogs." Acta Universitatis Sapientiae, Film and Media Studies 10, no. 1 (2015): 153–68. http://dx.doi.org/10.1515/ausfm-2015-0032.

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Abstract After discussing the limits and potentialities of the definitions of travel writing proposed by Paul Fussell (1980). Patrick Holland and Graham Huggan (1998) and Jan Borm (2004), the article presents a characterization of travel writing both as a genre with a precise rhetorical status, as well as a praxis of knoivledge, which derives from the interplay between travelling and writing. Building on this, a comparison between two Italian travel books and two Italian travel blogs about China is proposed. Specifically, by considering these texts as “intermedial transpositions” (Wolf 2008) t
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Şaşmaz, Emel, and Selcen Çifci. "Determining the Levels of Writing Travel Articles of Secondary School 7th Grade Students." International Journal of Education and Literacy Studies 11, no. 4 (2023): 76–84. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.76.

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In this study, it was aimed to develop a rubric to determine the travel writing levels of secondary school 7th grade students and to determine the students› travel writing skill levels. The descriptive scanning design of the quantitative model was adopted. It was decided to develop an analytical rubric because it serves to measure the sub-skills of each skill and can be presented as feedback to the students. The rubric consists of three dimensions: layout, spelling, and punctuation, language and expression, and 18 items. It consists of 4 levels 1 (improved), 2 (moderate), 3 (good), and 4 (very
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Mukherjee, Soumitra. "The Manifestation of Cultural Identity and Transculturation in D.H. Lawrence's Mornings in Mexico." postScriptum: An Interdisciplinary Journal of Literary Studies IV, no. i (2019): 103–9. https://doi.org/10.5281/zenodo.2564118.

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This paper deals with the issues of cultural identity and transcultural spaces in the travel writing of D. H. Lawrence. The travel writings of Lawrence are important analyses of modern culture. They definitely give opportunity to study the role of cultural identity in the genre of travel writing. Travel writing as a genre primarily deals with the experiences of a travel writer travelling to different unknown cultures or places and most of the travel writings of Lawrence document the meeting of two alien cultures. The strange meetings represented by the travel writer’s own culture and the
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15

Wu, Shang. "Writing Travel as Janus: Cultural Translation as Descriptive Category for Travel Writing." Interlitteraria 26, no. 2 (2021): 403–18. http://dx.doi.org/10.12697/il.2021.26.2.6.

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Abstract: The intersection of the study of travel writing and the study of translation produces two major perspectives: travel writing in translation and translation in travel writing. The first one looks into how the travel narrative is reshaped in a different linguistic and cultural context; the other looks into the translational character of the travel narrative, as the traveller is constantly moving between languages and cultures. Though the conceptual analogy between traveller and translator has been long noted, the linguistic dimension that marks the language difference in travel narrati
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Seed, David, Glenn Hooper, and Tim Youngs. "Perspectives on Travel Writing." Modern Language Review 101, no. 4 (2006): 1075. http://dx.doi.org/10.2307/20467037.

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Seed, David, and Steve Clark. "Travel Writing and Empire." Modern Language Review 96, no. 1 (2001): 146. http://dx.doi.org/10.2307/3735727.

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Simmonds, Alecia. "Travel Writing And Empire." History Australia 7, no. 3 (2010): 71.1–71.2. http://dx.doi.org/10.2104/ha100071.

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19

White, Richard. "Travel, Writing and Australia." Studies in Travel Writing 11, no. 1 (2007): 1–14. http://dx.doi.org/10.1080/13645145.2007.9634816.

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Jones, Kathryn N., Carol Tully, and Heather Williams. "Travel writing and Wales." Studies in Travel Writing 18, no. 2 (2014): 101–6. http://dx.doi.org/10.1080/13645145.2014.908503.

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Forsdick, Charles. "Travel writing and Xinjiang." Studies in Travel Writing 18, no. 4 (2014): 313–19. http://dx.doi.org/10.1080/13645145.2014.974886.

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22

Kinsley, Zoë. "Narrating Travel, Narrating the Self: Considering Women‘s Travel Writing as Life Writing." Bulletin of the John Rylands Library 90, no. 2 (2014): 67–84. http://dx.doi.org/10.7227/bjrl.90.2.5.

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This article considers the ways in which eighteenth-century womens travel narratives function as autobiographical texts, examining the process by which a travellers dislocation from home can enable exploration of the self through the observation and description of place. It also, however, highlights the complexity of the relationship between two forms of writing which a contemporary readership viewed as in many ways distinctly different. The travel accounts considered, composed (at least initially) in manuscript form, in many ways contest the assumption that manuscript travelogues will somehow
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23

LeFanu, Sarah. "The Art of Rambling: Journeys through Space and Time with Mary Kingsley, Rose Macaulay, Ursula Le Guin, Naomi Mitchison and Octavia Butler." Postscriptum Polonistyczne 27, no. 1 (2021): 31–49. http://dx.doi.org/10.31261/https://doi.org/10.31261/ps_p.2021.27.02.

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In “The Art of Rambling: Journeys Through Space and Time”, Sarah LeFanu will look at the travels and travel-writings of, predominantly, Mary Kingsley and Rose Macaulay, and will boldly suggest some connections with the science fictional spacewomen and time-travellers of the second wave of feminism. She will talk about five travelling women whose lives span over one hundred years, and look at some of the connections between them in their lives and in their writing. By focusing on the experience of the five authors in a larger socio-cultural and literary context, LeFanu will trace the implicatio
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24

Beaver, Harold, and Philip Dodd. "The Art of Travel: Essays on Travel Writing." Yearbook of English Studies 16 (1986): 221. http://dx.doi.org/10.2307/3507778.

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25

Upadhyay, Toya Nath. "Vikram Seth’s From Heaven Lake as a Counter-Orientalist Travel Narrative." SCHOLARS: Journal of Arts & Humanities 5, no. 1 (2023): 45–52. http://dx.doi.org/10.3126/sjah.v5i1.52476.

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This study reads Vikram Seth’s From Heaven Lake: Travels through Sinkiang and Tibet (1983) as a counter-orientalist travel narrative that destabilizes the conventions of Western travel writing genre. Conventional Western travel writing, as postcolonial scholars such as Edward Said, Homi K. Bhabha and others claim, functioned mostly as a colonial or orientalist discourse by being involved in producing knowledge about the Orient for Western domination and control. It created a binary between the West and the Orient and treated the latter in negative and derogatory terms. The residues of colonial
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26

Bessière, Jean. "Voir ce que je vois, voir ce que je m’attends à voir : degré zéro de l’écriture du voyage et écriture littéraire du voyage. En citant Henri Michaux et Michel Butor." Interlitteraria 26, no. 2 (2021): 359–72. http://dx.doi.org/10.12697/il.2021.26.2.3.

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Abstract: To see what I expect to see: travel writing's degree zero and literarytravel narratives. With references to Henri Michaux and Michel Butor. This essay examines what arguments can be put forward to explain why readers and critics view travel writing as literary. It offers an answer that does not imply any coded definition of literature and literary works: literary travel writing is the mimesis of the questioning which characterises any literary work. This questioning rests on:
 1. The duality of travellers’ perceptions of the foreign lands they discover. They see what they see an
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27

Al-Otaibi, Tanf. "Journey Discourse and the Process of Knowledge an Anthropological Reading of the Book of Alnakheel Wa Alqirmeed, by Youssef Al-Muhaimeed." Journal of Umm Al-Qura University for Language Sciences and Literature, no. 33 (June 20, 2024): 1–13. http://dx.doi.org/10.54940/ll37101874.

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This paper discusses an important issue in travel literature and reveals the contents of the travel discourse from an anthropological point of view. In its first section, the dialectic of self-awareness and place. In addition, this paper revealed the development of travel writing awareness, and represented the author's attitude towards those places he visited. As for the second section, the paper dealt with the subject of literary formations and anthropology issues. The Traveler is distinguished by a keen awareness of the dimensions of writing and revealed the status of travel discourse in the
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28

Gannouni Khemiri, Imene. "“Pretty as a Picture”." Journeys 22, no. 1 (2021): 89–106. http://dx.doi.org/10.3167/jys.2021.220106.

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Recently, there has been an upsurge of interest in travel writing, postcolonialism, and landscape politics. However, studies of travel writing addressing the notion of the picturesque have not yet explored the idea of aesthetic sensibility in British travel narratives in the Regency of Tunis. This article examines the aesthetics of the picturesque in three British travel accounts: Grenville Temple’s Excursions in the Mediterranean: Algiers and Tunis (1835); Robert Lambert Playfair’s Travels in the Footsteps of Bruce in Algeria and Tunis (1877); and Henry Spencer Ashbee and Alexander Graham’s T
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Kovács, Ágnes Zsófia. "The Production, Circulation, and Reception of Edith Wharton’s Travel Writings." Eger Journal of English Studies 23 (2024): 17–38. https://doi.org/10.33035/egerjes.2024.23.17.

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This essay explores how a discursive definition of travel writing maps out the study of Wharton’s travel texts. Firstly, the essay provides a historical overview of approaches to travel writing. As part of this, it explains the notion of travel writing as a discursive formation and considers the questions of the production, circulation, and reception related to the study of the discourses of travel. Secondly, the types of American travel writing available at the time of Wharton’s time are surveyed and her travel texts are positioned among them. Thirdly, the actual publishing context and the co
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Amimo, Maureen. "Contestations of nationhood and belonging in contemporary African women travel writing." Feminismo/s, no. 36 (December 3, 2020): 157. http://dx.doi.org/10.14198/fem.2020.36.07.

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Contemporary African travel writing produces interesting possibilities redefining the directions of the genre. One of these promises manifests in how the crisis of nationhood and belonging impacts subjects’ navigation of sites of travel. African travel narratives by women foreground fractured intimacies encumbering journeys, especially when subjects travel «home». Such texts extensively grapple with the complexities of negotiating the personal and the collective in a bid to unravel belonging. This article examines two travelogues by African women: Leah Chishugi’s A Long Way from Paradise: Surv
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Amimo, Maureen. "Contestations of nationhood and belonging in contemporary African women travel writing." Feminismo/s, no. 36 (December 3, 2020): 157. http://dx.doi.org/10.14198/2020.36.07.

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Contemporary African travel writing produces interesting possibilities redefining the directions of the genre. One of these promises manifests in how the crisis of nationhood and belonging impacts subjects’ navigation of sites of travel. African travel narratives by women foreground fractured intimacies encumbering journeys, especially when subjects travel «home». Such texts extensively grapple with the complexities of negotiating the personal and the collective in a bid to unravel belonging. This article examines two travelogues by African women: Leah Chishugi’s A Long Way from Paradise: Surv
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Davis, Robert Murray, and Evelyn Waugh. "Waugh Abroad: Collected Travel Writing." World Literature Today 78, no. 3/4 (2004): 106. http://dx.doi.org/10.2307/40158557.

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O'Connor, Maura, and Robin Jarvis. "Romantic Writing and Pedestrian Travel." Albion: A Quarterly Journal Concerned with British Studies 30, no. 3 (1998): 527. http://dx.doi.org/10.2307/4053332.

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34

Bassnett, Susan. "TRAVEL WRITING WITHIN BRITISH STUDIES." Studies in Travel Writing 3, no. 1 (1999): 1–16. http://dx.doi.org/10.1080/13645145.1999.9634884.

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35

Hulme, Peter. "Preface: Travel writing and Cuba." Studies in Travel Writing 15, no. 4 (2011): 345–46. http://dx.doi.org/10.1080/13645145.2011.617963.

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Forsdick, Charles. "Travel Writing, by Carl Thompson." Studies in Travel Writing 17, no. 1 (2013): 103–4. http://dx.doi.org/10.1080/13645145.2012.746805.

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37

Howell, Jessica. "Women, travel writing, and truth." Studies in Travel Writing 21, no. 1 (2017): 111–13. http://dx.doi.org/10.1080/13645145.2017.1313431.

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Youngs, Tim. "Postcolonial Travel Writing: critical explorations." Prose Studies 35, no. 2 (2013): 202–5. http://dx.doi.org/10.1080/01440357.2013.830841.

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Carey, Daniel, and Claire Jowitt. "Introduction: Early Modern Travel Writing." Studies in Travel Writing 12, no. 1 (2008): 1–5. http://dx.doi.org/10.3197/136451408x273808.

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Kent-Drury, Roxanne. "Geography and Transoceanic Travel Writing." Journal for Early Modern Cultural Studies 3, no. 1 (2003): 147–65. http://dx.doi.org/10.1353/jem.2003.0012.

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Edwards, Elizabeth. "‘A Kind of Geological Novel’: Wales and Travel Writing, 1783–1819." Romanticism 24, no. 2 (2018): 134–47. http://dx.doi.org/10.3366/rom.2018.0367.

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This article explores the layered and multivocal nature of Romantic-period travel writing in Wales through the theme of geology. Beginning with an analysis of the spectral sense of place that emerges from William Smith's 1815 geological map of England and Wales, it considers a range of travel texts, from the stones and fossils of Thomas Pennant's A Tour in Wales (1778–83), to Humphry Davy and Michael Faraday's early nineteenth-century Welsh travels, to little-known manuscript accounts. Wales is still the least-researched of the home nations in terms of the Enlightenment and the Romantic period
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42

Liu, Zhen. "Write as another: Edith Eaton’s ‘Wing Sing of Los Angeles on His Travels’." British Journal of Canadian Studies: Volume 34, Issue 1 34, no. 1 (2022): 59–79. http://dx.doi.org/10.3828/bjcs.2022.4.

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With the recent publication of Becoming Sui Sin Far (2016), the travel writing of Chinese North American writer Edith Eaton, which is quite unique in her oeuvre in terms of both genre and style, became available in complete form for the first time. In this article I explore the many strategies and devices Eaton invented for her travel writing and argue that ‘Wing Sing of Los Angeles on His Travels’ is of great significance in the criticism of Eaton’s writing as it manifests a progressive set of identity politics. Eaton dismantles the binary opposition between self and other by writing as anoth
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43

Perry, Nicole. "Writing from the Periphery: Alma Karlin's Autobiography, Travel Writing and the Journey towards Self-Discovery." Austrian Studies 31, no. 1 (2023): 106–20. http://dx.doi.org/10.1353/aus.2023.a919426.

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Abstract: Alma Karlin is considered the most famous female Austrian travel writer of the 1920s and 1930s. On her typewriter 'Erika', she documented her eight-anda-half-year global journey before returning home to Cilli/Celje in present-day Slovenia. This article considers Alma Karlin's autobiography Ein Mensch wird and excerpts from the first volume of her travel trilogy Einsame Weltreise as examples of her self-perception as a solitary female traveller. The analysis takes into consideration Annegret Pelz's work on the relationship between travel literature and female autobiographical writing
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44

Hulme, Peter. "TRAVEL AND TRAVEL WRITING: SOME RECENT COLLECTIONS OF ESSAYS." Studies in Travel Writing 4, no. 1 (2000): 184–88. http://dx.doi.org/10.1080/13645145.2000.9634905.

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Jr., Theodore J. Cachey, and Loredana Polezzi. "Translating Travel: Contemporary Italian Travel Writing in English Translation." Modern Language Review 99, no. 1 (2004): 224. http://dx.doi.org/10.2307/3738935.

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Sharp, Joanne P. "Writing Travel/Travelling Writing: Roland Barthes Detours the Orient." Environment and Planning D: Society and Space 20, no. 2 (2002): 155–66. http://dx.doi.org/10.1068/d220t.

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This paper offers a contribution to the recent emergence in geography of studies of travel writers and the production of other representations of the non-Western world. I consider a rather different text to those normally studied in that the book, Empire of Signs by Barthes, purports not to represent any real place. A number of writers, influenced by Said's pathbreaking work Orientalism, have considered whether Barthes perpetuates Orientalist images. Rather than structure my argument around the binary of Orientalist/not-Orientalist I will consider the ways that Barthes subverts the structure o
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47

Bąk, Magdalena. "Travels with Masterpieces. Reception of Literary Works in Nineteenth-Century Travel Writing." Transfer. Reception Studies 9 (November 30, 2024): 301–14. https://doi.org/10.16926/trs.2024.09.01.

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Reading and travelling were two of the very important human experiences in the first half of the nineteenth century. The connection is very close because literature serves as a source of knowledge about how each traveller should behave and emotionally react to the surrounding world and how they should respond to the adventures that may happen while travelling. Nineteenth-century travel accounts are filled with quotations from literary texts of various kinds. This can be observed in travel-writing texts created by well-educated authors and in tourist guides intended for the average tourist. The
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Rabbi, Shakil. "Informative Travels:." Crossings: A Journal of English Studies 3, no. 1 (2011): 219–26. http://dx.doi.org/10.59817/cjes.v3i1.388.

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Travel writing has played an active role in the discourse of colonialism and the aggrandizements of European empires since the Renaissance. In her book Imperial Eyes: Travel Writing and Multiculturalism, noted critic Mary Louise Pratt observes that the sentimental travel writings which accompany colonial appropriations functioned as a way of capital infiltrations into the ‘contact zone’ and that even passive European travel writers rely on and extend the reach of colonizing structures. She also observes that the passive travel writers go through a form of anti-conquest based on reciprocity, wh
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Pellérdi, Márta. "Travel Writing, Literature, and Romance: Polixéna Wesselényi’s Travels in Italy and Switzerland." Acta Universitatis Sapientiae, Philologica 13, no. 3 (2021): 1–15. http://dx.doi.org/10.2478/ausp-2021-0024.

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Abstract Polixéna Wesselényi’s Travels in Italy and Switzerland, the first travel narrative that was written by a woman in Hungary and Transylvania, is a work little known to the wider international public, as it was published in Hungarian in 1842, seven years after her tour. There are few travel narratives written by East-Central European women in the first half of the nineteenth century. This essay attempts to reflect upon Wesselényi’s personal motives, her intellect and literary craftsmanship, as well as the cultural constraints she had to encounter. The romantic nature of the relationship
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Kvizikevičiūtė, Milda. "Reflections of the Age of Enlightenment in Eighteenth-Century Travel Writing of Lithuanian Jesuits." Senoji Lietuvos literatūra 49 (June 2, 2020): 174–96. https://doi.org/10.51554/sll.2020.28744.

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The history of travel is becoming increasingly attractive to cultural historians. Although the number of studies is growing, insufficient attention has so far been paid to travel writings within particular social groups. The aim of the paper is to present insufficiently researched examples of eighteenth-century travel writings by Lithuanian Jesuits, in which they relate of their journeys in Western Europe, and to discuss them against the overall context of travel writing of the Grand Duchy of Lithuania in the Age of Enlightenment. With his aim in mind, in this paper the author compares travel
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