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Journal articles on the topic 'Traven'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Betz, Frederick, and Jorg Thunecke. "B. Traven the Writer/Der Schriftsteller B. Traven." German Studies Review 27, no. 2 (2004): 412. http://dx.doi.org/10.2307/1433124.

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2

Perales Contreras, Jaime. "¿Quién es B. Traven?" Estudios: filosofía, historia, letras 9, no. 96 (2011): 177. http://dx.doi.org/10.5347/01856383.0096.000180317.

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3

Schurer, Ernst, and Karl S. B. Guthke. "Traven. Biographie eines Ratsels." German Quarterly 62, no. 3 (1989): 415. http://dx.doi.org/10.2307/406178.

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4

Auzias, Claire. "Traven est de retour." Chimères 31, no. 1 (1997): 39–55. http://dx.doi.org/10.3406/chime.1997.2153.

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5

Hieger, Marc. "B. Traven und Mexiko." Zeitschrift für interkulturelle Germanistik 4, no. 1 (2013): 111–34. http://dx.doi.org/10.14361/zig.2013.0107.

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6

Auzias, Claire. "Traven est de retour." Chimères N° 31, no. 2 (1997): 39–55. http://dx.doi.org/10.3917/chime.031.0039.

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7

Furness, Raymond, and Karl S. Guthke. "B. Traven: Biographie eines Ratsels." Modern Language Review 85, no. 4 (1990): 1033. http://dx.doi.org/10.2307/3732770.

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8

Osterle, Heinz D., B. Traven, Ernst Schurer, and Philip Jenkins. "B. Traven: Life and Work." German Quarterly 63, no. 2 (1990): 311. http://dx.doi.org/10.2307/406369.

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9

Fischer, Bernd, Ernst Schurer, Philip Jenkins, and B. Traven. "B. Traven: Life and Work." German Studies Review 11, no. 2 (1988): 332. http://dx.doi.org/10.2307/1430008.

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10

Schutte, Lilith, and Karl S. Guthke. "B. Traven: Biographie eines Ratsels." German Studies Review 11, no. 3 (1988): 526. http://dx.doi.org/10.2307/1430544.

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11

Cook, Scott. "B. Traven and the Paradox of Artisanal Production in Capitalism: Traven's Oaxaca Tale in Economic Anthropological Perspective." Mexican Studies/Estudios Mexicanos 11, no. 1 (1995): 75–111. http://dx.doi.org/10.2307/1051911.

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Por medio de una lectura crítica del cuento oaxaqueño "Canastitas en serie" de B. Traven, se pretende determinar su aporte al conocimiento de las pequeñas industrias artesanales ubicadas en la frontera México/Tejas y en estados del interior como Oaxaca. Desde la óptica de la economía antropológica en el campo de estudios mexicanos, se propone que el aporte de Traven era precoz, sofisticado, perspicaz y además que, por su riqueza de imágenes e ideas, presenta un reto a los investigadores actuales. Sin embargo, se recalca que el antropólogo debe de consultar las obras de Traven con un cierto grado de escepticísmo, debido a su método de producir textos que a veces subordinaba el precisar empírico al efecto literario.

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12

Mandryko, Olga. "GERMAN WRITER IN MEXICO: THE PHENOMENON OF B. TRAVEN AND WAYS OF IT STUDYING." Fìlologìčnì traktati 14, no. 1 (2022): 72–81. http://dx.doi.org/10.21272/ftrk.2022.14(1)-8.

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The article is devoted to a review of the artistic phenomenon of B. Traven. The purpose of the article is to analyze the methodological approaches to the study of the writer's work, which were formed in the philological science of many countries: Germany, Mexico, Russia, the USA, Australia, Uruguay. It is noted that during the writer's lifetime there was a tendency to find out his identity, so the biographical approach was the most powerful. The main disadvantage of this area was the neglect of the analysis of the creative work of the writer. Modern researchers involve the figure of B. Traven in cultural linguistics, cultural studies, civilizational, intermedial studies. Changes in vectors in the study of the work of the mysterious writer coincide with worldview changeson the European and American continents. But despite all the worldview shifts, few are interested in the poetics of B. Traven. Studies of the actual artistic features of his work, the internal poetic patterns of his style have not yet formed the necessarymethodological tools. It is concluded that B. Traven appears as a phenomenon demanded by the current situation of cultural diffusion. His creative figure embodies the idea of blurred borders and boundaries –state, personal, linguistic, genre, artistic –and as such can concentrate in itself the problems of a whole range of philological research. Further study of the phenomenon of B. Traven in the stream of cultural-historical method is offered, which allows to analyze the work of the writer in the contextof aesthetic, socio-economic, political paradigms of the epoch.

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13

Guthke, Karl S., and Heidi Zogbaum. "B. Traven: A Vision of Mexico." German Quarterly 66, no. 2 (1993): 258. http://dx.doi.org/10.2307/407485.

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14

Buve, Raymond, and Heidi Zogbaum. "B. Traven: A Vision of Mexico." Bulletin of Latin American Research 11, no. 3 (1992): 343. http://dx.doi.org/10.2307/3338877.

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15

Goldwasser, James. "Ret Marut: The Early B. Traven." Germanic Review: Literature, Culture, Theory 68, no. 3 (1993): 133–42. http://dx.doi.org/10.1080/00168890.1993.9934225.

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16

Benjamin, Thomas, and Heidi Zogbaum. "B. Traven: A Vision of Mexico." Hispanic American Historical Review 72, no. 4 (1992): 595. http://dx.doi.org/10.2307/2516663.

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17

Benjamin, Thomas. "B. Traven: A Vision of Mexico." Hispanic American Historical Review 72, no. 4 (1992): 595–96. http://dx.doi.org/10.1215/00182168-72.4.595.

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18

Baronnet, Bruno. "Si Traven viviera, con los zapatistas estuviera." La Palabra y el Hombre. Revista de la Universidad Veracruzana, no. 52 (May 20, 2021): 41–49. http://dx.doi.org/10.25009/lpyh.v0i52.3133.

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Bruno Baronnet nos expone cómo, en un escenario hipotético, B. Traven, el actor y novelita alemán, apoyaría la causa del Movimiento Zapatista en Chiapas. El texto es ilustrado con un minidossier de fotografías tomadas por Amehd Coca Castillo en la inauguración del Caracol VIII el 30 de enero de 2020.

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19

Von Hanffstengel, Renata. "Reseña de Nancy Sanciprián. Traven en México." Anuario de Letras Modernas 5 (December 31, 1995): 226–28. http://dx.doi.org/10.22201/ffyl.01860526p.1992.5.947.

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20

Zogbaum, Heidi. "B. Traven meets Frank Tannenbaum, Chiapas 1926." Journal of Iberian and Latin American Research 2, no. 2 (1996): 40–50. http://dx.doi.org/10.1080/13260219.1996.10429906.

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21

Leforestier, Claire. "Impulsion d’embarquement et embarcation fatale." Mnemosyne, no. 4 (October 11, 2018): 18. http://dx.doi.org/10.14428/mnemosyne.v0i4.12233.

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Le topos de l’embarquement vaut généralement amorce narrative. B. Traven, écrivant Le Vaisseau des morts (Das Totenschiff, 1926), diffère ce moment, qui devient central. Il fait courir sur quatre chapitres la scène-charnière où le narrateur rencontre un navire louche auquel, par un échange de dupes, il se lie. L’apparence d’une embarcation, funeste ou propice, s’avère ou se dément au fil du voyage: le pari sur la fortune du bateau est au programme du récit maritime. Mais qui miserait sur le mauvais ? Le discours pluriel du narrateur sur son embarquement est confus : il se dit libre ; néanmoins, on doute qu’il agisse proprio motu ; il finit par invoquer le destin. Démêler les forces en présence conduit à examiner le processus en vertu duquel, selon Traven, toute vie sera happée par un mécanisme inexorable. Dans Le Vaisseau des morts, la marginalisation d’un narrateur à l’identité ‘flottante’ donne prise aux recruteurs. Une conscience aiguë de l’agencement du piège, sur le plan énonciatif, le marquage d’une temporalité fatidique, sur le plan narratif, caractérisent l’unique roman maritime de Traven, initialement présenté comme « Histoire d’un marin américain ».

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22

Strelka, Joseph, and Karl S. Guthke. "Erkundungen. Essays zur Literatur von Milton bis Traven." German Quarterly 62, no. 4 (1989): 529. http://dx.doi.org/10.2307/406904.

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23

Chankin, Donald O. "B. Traven: Life and Work (review)." MFS Modern Fiction Studies 34, no. 2 (1988): 233–34. http://dx.doi.org/10.1353/mfs.0.0625.

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24

MANDRYKO, Olga. "MEXICAN EXPERIENCES OF B. TRAVEN: THE POSSIBILITY OF IMAGOLOGICAL READING." 7, no. 7 (December 26, 2022): 69–85. http://dx.doi.org/10.26565/2521-6481-2022-7-04.

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The article presents the historical-literary analysis of The Cotton-Pickers (Die Baumwollpflücker), the first novel by the German writer B. Traven, who spent most of his intellectual life living and writing (in German) in Mexico, where he died, and focused his main works on the life of the native people of the state of Chiapas. The Cotton-Pickers did not emphasize the issue of the native population, whose representatives only appear episodically in the text, and described the experience of the author-narrator who recently arrived in Mexico in his search for work. Until today, this novel has been analyzed mainly as an autobiographical text and from a sociological perspective, highlighting the author's leftist attitude. However, it has not been taken into account how B. Traven is creating, throughout the narrative, a cultural image of the country that enchanted him throughout his life. The social and cultural aspects of the Mexican Revolution, those that attracted the author who, at the same time, does not stop being critical about the current state of things, are highlighted too. In this way, an imagological perspective is proposed in the reception of the work. Likewise, despite the fact that B. Traven's researchers always underlined his leftist orientation (anarchist in nature) in the reception of this revolution, few were those who valued the emphasis he placed on the role of the native population in the revolutionary process. Meanwhile, B. Traven described the role and destiny of the Indians in the revolution earlier than Mexican-born writers did it. It was he who wrote the first novels in Mexico that presented the Indians as active participants in the revolutionary processes. And it was also he who placed special emphasis on the autochthonous component as the spiritual core of the Mexican nation and on its role in the hopeful future of the country.

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25

Lovell, Stephen. "Vlada Traven, La datcha en Russie de 1917 à nos jours." Cahiers du monde russe 46, no. 46/4 (2005): 941–42. http://dx.doi.org/10.4000/monderusse.6642.

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26

Guthke, Karl S. "War B. Traven Oscar Wildes Neffe? Eine skandinavische Variante des Identitäts-syndroms." Orbis Litterarum 47, no. 2 (1992): 226–33. http://dx.doi.org/10.1111/j.1600-0730.1992.tb01168.x.

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27

Meyer-Minnemann, Klaus. "La construcción de lo hispanoamericano en algunas novelas de lengua alemana." Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, no. 2 (January 15, 1997): 101–17. http://dx.doi.org/10.22201/ffyl.poligrafias.1997.2.1598.

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Klaus Meyer-Minneman hace un análisis de tres novelistas en lengua alemana del siglo XX que han situado lo otro en sus obras de creación en Hispanoamérica: Max Dauthendey, Bruno Traven y Uwe Timm. Ellos construyen lo hispanoamericano en el marco de la representación mimética, sustentada en una experiencia personal. En cada una de estas tres novelas se marcan tres momentos de la confrontación con lo hispanoamericano en la literatura de lengua alemana y al mismo tiempo muestran la sucesiva emancipación del papel del lector en las estrategias de significación del arte narrativo.

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28

Weininger, Markus J. "Die Konstitution interkultureller Texte: eine Interpretation einiger Schriften von Anna Seghers und B. Traven." Informationen Deutsch als Fremdsprache 33, no. 2-3 (2006): 246–48. http://dx.doi.org/10.1515/infodaf-2006-2-356.

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29

Dammann, G. "B. Traven--Die unbekannten Jahre. Von Jan-Christoph Hauschild. Zurich: Voldemeer, 2012. 696 Seiten. 38,86." Monatshefte 106, no. 1 (2014): 144–46. http://dx.doi.org/10.1353/mon.2014.0013.

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30

Mancebo Roca, Juan Agustín. "Una macabra fábula fantástica. Macario (Roberto Gavaldón, 1960) a partir de “El tercer invitado” (1950) de Bruno Traven." Trasvases entre la literatura y el cine, no. 2 (October 14, 2020): 293–313. http://dx.doi.org/10.24310/trasvasestlc.vi2.9013.

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Este trabajo hace un análisis comparativo entre el cuento “El tercer invitado” (1950) de B. Traven y su adaptación cinematográfica Macario (1959) dirigida por Roberto Gavaldón. El artículo contextualiza la novela corta del autor alemán respecto al relato de los Grimm, la enigmática figura del escritor, su particular relación con el mundo del cine y las diferentes adaptaciones cinematográficas de su obra literaria. Se hace un estudio de la producción de la película y el trasvase del relato a la pantalla en el que se analiza la adaptación del texto a partir de los planteamientos coincidentes y divergentes. Finalmente, se relaciona la adaptación con los referentes temáticos e iconográficos y los nexos e influencias sobre los que se elabora la película.

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31

Mandryko, Olga. "THE IMAGE OF MEXICO IN B. TRAVEN’S NOVEL «COTTON PICKERS»." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (2022): 175–78. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-175-178.

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This article is devoted to the study of the components of the image of Mexico in the novel «Cotton pickers» («Die Baumwollpflücker», 1925) by German writer B. Traven. This research introduces «Cotton pickers» as the first artistic acquaintance with Mexico for the Ukrainian readers in the year 1930, and clarifies the place of the novel in the Ukrainian culture of that time. The author aims to analyze the novel «Cotton pickers» as a «laboratory» of Mexican imagery of the writer and to trace the transformations of the figurative representations of this country. Depicting his hero in constant motion in search of work, the writer creates a unique image of Mexico, which mutually reflects society and geography, human habits and animal behavior, working conditions and climate. The research investigates the topic of labor in the novel and analyzes the socio-political attitude of its author. The article describes different ethnical images, presented by B. Traven, such as Germans, French, Indians, Americans. The research determines the direction of thematic development of the novel: from the description of strikes and difficult working conditions to the apotheosis of the beauty of Mexico and its inhabitants. Images of cotton pickers, confectioners, waiters, cattle drivers as well as bandits and whores are considered. The article analyzes the writer’s style, characterized by detailed descriptions of places, food, dances, city orchestras, railway stations. The scientific article shows the leading topos of B. Traven’s novels, including Mexican landscapes, streets and squares of Tampico, hostel, train, oil production etc. It is argued that the theme of the novel is broader than its title: the author creates an anthem for the country, summarizing its image in the dimensions of love and glorification. The research concluded that the content of the German novel reflects its task in the Ukrainian culture of the time: to present a realistic, true, devoid of exotic story about the overseas country.

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32

Baker, William. "B. Traven: A Bibliography2000131Edward N. Treverton. B. Traven: A Bibliography. Lanham, MD and London: Scarecrow Press, Inc 1999. xii + 148 pp, ISBN: 0 8108 3610 6 £40.40 Scarecrow Author Bibliography series UK distribution by Shelwing Ltd, Folkestone." Reference Reviews 14, no. 3 (2000): 27–28. http://dx.doi.org/10.1108/rr.2000.14.3.27.131.

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33

Wood, W. Warner. "Stories from the Field, Handicraft Production, and Mexican National Patrimony: A Lesson in Translocality from B. Traven." Ethnology 39, no. 3 (2000): 183. http://dx.doi.org/10.2307/3774106.

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34

Cook, Scott. "B. Traven and the Paradox of Artisanal Production in Capitalism: Traven's Oaxaca Tale in Economic Anthropological Perspective." Mexican Studies/Estudios Mexicanos 11, no. 1 (1995): 75–111. http://dx.doi.org/10.1525/msem.1995.11.1.03a00040.

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35

Whitehead, Frank. "Heidi Zogbaum, B. Traven: A Vision of Mexico (Wilmington, Delaware: SR Books, 1992), pp. xiii + 255, $24.95." Journal of Latin American Studies 25, no. 1 (1993): 225–26. http://dx.doi.org/10.1017/s0022216x00000687.

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36

Corkhill, A. "B. Traven. Autor--Werk--Werkgeschichte Herausgegeben von Gunther Dammann. Wurzburg: Konigshausen & Neumann, 2012. xii + 256 Seiten. 39,80." Monatshefte 105, no. 1 (2013): 165–67. http://dx.doi.org/10.1353/mon.2013.0009.

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37

Mandelbaum, Melina Marie. "Administering Exclusion: Statelessness, Identity Papers and Narrative Strategy in B. Traven’s Das Totenschiff (1926)." Forum for Modern Language Studies 57, no. 2 (2021): 186–204. http://dx.doi.org/10.1093/fmls/cqab015.

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Abstract Once an international best-seller but largely unknown today, B. Traven’s novel Das Totenschiff (The Death Ship) of 1926 presents a scathing critique of state bureaucracy and raises questions about the nature of authority, identity, home, and belonging in communal life. Reading the novel alongside relevant texts from political theory, I examine Traven’s text in the light of the history of bureaucracy and statelessness that surrounded and drove its production. Traven will be shown to provide a compelling critique of modern structures of communal organization, both on the level of content and in his multi-layered, non-linear style which runs counter to the more confined consecutive exposition of traditional forms, such as the biographical novel. By disrupting established ways of narrating the dynamics of individualization and belonging, Das Totenschiff reveals some of the complex elements of bureaucratically administered exclusion, as carried forth in objects such as the passport.

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38

Barreiro, Emma Julieta. "Juego de espejos: la representación de mujeres en libros de viajeros germanoparlantes en México en la década de 1920." Relaciones Estudios de Historia y Sociedad 44, no. 173 (2023): 145–76. http://dx.doi.org/10.24901/rehs.v44i173.962.

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Una primera mirada a la representación de las mujeres en los libros Wanderjahre in Mexiko (1925), de Emil Landenberger; Mexiko (1925), de Alfons Goldschmidt; Land des Frühlings (1928), de B. Traven; y Von Vulkanen, Pyramiden und Hexen. Mexikanische Impressionen (1930), de Marianne West, muestra una variedad de formas de percepción y descripción de las figuras femeninas como componente esencial de la naturaleza y la sociedad mexicana durante la década de 1920. Los estereotipos y tipos representados nos hablan de las diferenciaciones que se hacen entre mujeres y otros sectores sociales. Cuestiones de raza, género, o educación y tradición, se despliegan en este mirar y encuentro con un Otro femenino que despierta desde asombro, respeto y solidaridad o, en algunos casos, hasta atracción erótica. Vemos un juego de espejos que nos habla tanto de la representación de las mujeres mexicanas como de las alemanas de esa época, y nos motiva a extender nuestra mirada sobre un panorama hasta ahora poco estudiado desde un punto de vista comparativo.

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39

Reyes Avilés, Saray. "Análisis iconológico de la representación de la muerte en la fábula fantástica mexicana Macario (1960) de Roberto Gavaldón." Eikon / Imago 13 (March 21, 2024): e90612. http://dx.doi.org/10.5209/eiko.90612.

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El presente trabajo de investigación está enfocado al análisis iconológico de la alegoría de la muerte, identificando los elementos mexicanos de tradición popular que figuran en dicha representación, con el objetivo de precisar los contenidos ideológicos que se vehiculan en la película Macario (1960) de Roberto Gavaldón. Este estudio se realiza a partir de la metodología iconográfica de Erwin Panofsky que enfatiza la vinculación entre los elementos visuales de una época y contexto específicos. Desde el inicio de la narración fílmica podemos advertir que, en Macario, la muerte es subvertida dando un significado diferente al que originalmente tenía este personaje en El ahijado de la muerte (1815) de los hermanos Grimm y del propio texto de B. Traven; Emilio Carballido y Roberto Gavaldón manipulan una ideología, donde la muerte se humaniza, perdiendo su carácter de hecho ineludible. Otra disonancia entre las versiones del cuento original es que la muerte es representada como mujer, mientras que en Macario es personificada como hombre y no lo apadrina, lo hace compadre, le da un trato de amistad y cercanía, tal como lo sugiere el compadrazgo; dándole un carácter amistoso, democrático y sin distinción, un trato de iguales.

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40

Sustmann, Reiner. "Book Review: Frontier Orbitals and Properties of Organic Molecules.(Ellis Horwood Series in Organic Chemistry. Series editor: J. Mellor.) By V. F. Traven." Angewandte Chemie International Edition in English 33, no. 2 (1994): 239. http://dx.doi.org/10.1002/anie.199402391.

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41

Somogyvári, Márk, Peter Bayer, and Ralf Brauchler. "Travel-time-based thermal tracer tomography." Hydrology and Earth System Sciences 20, no. 5 (2016): 1885–901. http://dx.doi.org/10.5194/hess-20-1885-2016.

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Abstract. Active thermal tracer testing is a technique to get information about the flow and transport properties of an aquifer. In this paper we propose an innovative methodology using active thermal tracers in a tomographic setup to reconstruct cross-well hydraulic conductivity profiles. This is facilitated by assuming that the propagation of the injected thermal tracer is mainly controlled by advection. To reduce the effects of density and viscosity changes and thermal diffusion, early-time diagnostics are used and specific travel times of the tracer breakthrough curves are extracted. These travel times are inverted with an eikonal solver using the staggered grid method to reduce constraints from the pre-defined grid geometry and to improve the resolution. Finally, non-reliable pixels are removed from the derived hydraulic conductivity tomograms. The method is applied to successfully reconstruct cross-well profiles as well as a 3-D block of a high-resolution fluvio-aeolian aquifer analog data set. Sensitivity analysis reveals a negligible role of the injection temperature, but more attention has to be drawn to other technical parameters such as the injection rate. This is investigated in more detail through model-based testing using diverse hydraulic and thermal conditions in order to delineate the feasible range of applications for the new tomographic approach.

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42

Barnhart, Joslyn. "Law and Sentiment in International Politics: Ethics, Emotions, and the Evolution of the Laws of War. By David Traven. Cambridge: Cambridge University Press, 2021. 327p. $99.99 cloth." Perspectives on Politics 20, no. 2 (2022): 700–702. http://dx.doi.org/10.1017/s1537592722001232.

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43

Postryhan, Tetiana. "Legal regulation of Innovation Park of the Poland." Theory and Practice of Intellectual Property, no. 6 (June 16, 2021): 134–39. http://dx.doi.org/10.33731/62020.234057.

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Zheng, Yu, and Xing Xie. "Learning travel recommendations from user-generated GPS traces." ACM Transactions on Intelligent Systems and Technology 2, no. 1 (2011): 1–29. http://dx.doi.org/10.1145/1889681.1889683.

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VIDHUSEKHAR P, VIDHUSEKHAR P. "Marketing Communication through Trade Fairs with Respect to Tourism-Travel Products." Paripex - Indian Journal Of Research 3, no. 7 (2012): 1–2. http://dx.doi.org/10.15373/22501991/july2014/46.

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Cheng, Sen, Markus Werning, and Thomas Suddendorf. "Dissociating memory traces and scenario construction in mental time travel." Neuroscience & Biobehavioral Reviews 60 (January 2016): 82–89. http://dx.doi.org/10.1016/j.neubiorev.2015.11.011.

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Sustmann, Reiner. "Frontier Orbitals and Properties of Organic Molecules. (Reihe: Ellis Horwood Books in Organic Chemistry, Reihenherausgeber: J. Mellor.) Von V. F. Traven. Ellis Horwood, Chichester, 1990), XVI, 401 S., geb. 111.00 $. — ISBN 0-13-327487-X." Angewandte Chemie 106, no. 2 (1994): 245–46. http://dx.doi.org/10.1002/ange.19941060233.

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Arain, Qasim Ali, Hina Memon, Imran Memon, Muhammad Hammad Memon, Riaz Ahmed Shaikh, and Farman Ali Mangi. "Intelligent travel information platform based on location base services to predict user travel behavior from user-generated GPS traces." International Journal of Computers and Applications 39, no. 3 (2017): 155–68. http://dx.doi.org/10.1080/1206212x.2017.1309222.

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