Log in

Relevant bibliographies by topics / Tree worship in art

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Tree worship in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Tree worship in art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Tree worship in art"

1

Davis, Richard H. "Indian Art Objects as Loot." Journal of Asian Studies 52, no. 1 (February 1993): 22–48. http://dx.doi.org/10.2307/2059143.

Full text

Abstract:

Let us imagine a graceful bronze image of Dancing Śiva before us. It was perhaps created by a Cola artist in eleventh-century Tamilnad to be installed in a temple to receive offerings of worship, and to parade around the town in a ceremonial palanquin on festival days. From there, this image might have followed any of several paths to stand before us now in a North American museum. Perhaps it was buried under a banyan tree in the fourteenth century when invading Islamic armies, feared for their iconoclasm, marched through the Kaveri delta on their way to Madurai. It could have been disinterred in the nineteenth century, during British rule, by a Tamil workman on a road crew, who showed it to the civil engineer, who brought it to the attention of the District Collector, who passed it on to the Director of Archaeology. In the twentieth century, perhaps, when an international market developed for such objects, it might have ended up in an auction room, a cosmic dance sold to the highest bidder. Or a government expert on culture might have selected it, after its long hibernation in the basement storehouse of its temple, as an image worthy to travel abroad as an ambassador of independent India in the international diplomatics of traveling exhibitions.

APA, Harvard, Vancouver, ISO, and other styles

2

Dreslerová, Dagmar, and Radek Mikuláš. "An early medieval symbol carved on a tree trunk: pathfinder or territorial marker?" Antiquity 84, no. 326 (November 25, 2010): 1067–75. http://dx.doi.org/10.1017/s0003598x00067089.

Full text

Abstract:

The chance discovery of a carved symbol on a waterlogged tree of the six–ninth century AD may be the earliest mark on a living tree that has so far come to light. Given its rarity, an obvious interpretation remains elusive, but the authors review a wide range of possibilities from analogies ancient and modern. Symbols on trees have been used to mark trails, the ownership of land and resources, and all manner of votive moments from superstitious sign-making, worship of a god, thanks for a successful hunt or the memory of a loving tryst.

APA, Harvard, Vancouver, ISO, and other styles

3

Jinsin, Kun. "Chinese Buddhist Sculpture of the Early Period. Iconographic Features." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (June 10, 2020): 114–26. http://dx.doi.org/10.36340/2071-6818-2020-16-2-114-126.

Full text

Abstract:

Chinese Buddhist Sculpture of the Early Period. Iconographic Features The development period of the art of Buddhist sculpture from the mid and late era of Eastern Han to the era of Western Jin is addressed in this article. The Buddhist sculpture of this period is called early Chinese Buddhist sculpture. During this period, before individual Buddhist sculptures became official objects of worship, Buddha images were made on stone carvings in tombs, on money trees, bronze mirrors, hunping vessels, etc. They have many similarities between each other, and therefore are significantly different from Buddhist sculptures of the later period. Based on currently available archaeological materials, relief was the main form of Buddhist sculptures of this period; sculptures mainly served as decor and were not an object of worship. In terms of purpose and meaning, they were mainly associated with funeral rituals, beliefs about happy omens, beliefs about celestials, early Taoist and other ideas, etc. After putting in order and combining material on the remains of early Buddhist sculptures, the following features of the art of sculpture can be distinguished: 1. In many ways, the early Buddhist sculptures expressed the early style of Gandhara. 2. The early Buddhist statues were closely related to the themes of the celestials and Huang Lao. 3. Buddhist sculpture did not occupy the most respected position. These sculptures mainly performed a decorative function, symbolized happiness and prosperity, and were not the main object of worship. Two conclusions can be drawn from this: the art of early Buddhist sculptures and religion basically developed synchronously; after appearing in China, the art of Buddhist images immediately became Chinese.

APA, Harvard, Vancouver, ISO, and other styles

4

McPherson, Robert. "Circles, Trees, and Bears: Symbols of Power of the Weenuche Ute." American Indian Culture and Research Journal 36, no. 2 (January 1, 2012): 103–30. http://dx.doi.org/10.17953/aicr.36.2.w280374p4142140q.

Full text

Abstract:

The Ute community of White Mesa, comprised of approximately 315 people, sits in the corner of southeastern Utah, eleven miles outside of Blanding. The residents, primarily of Weenuche Ute and Paiute ancestry, enjoy a cultural heritage that embraces elements from plains, mountain, and desert/Great Basin Indian culture. Among their religious practices are the Worship Dance, Ghost Dance, Sun Dance, and Bear Dance. Although each ceremony is unique, and performed for a variety of reasons, the common ground among them cannot be missed. Healing the sick, renewing necessities for survival, connecting spiritually with ancestors, communicating with the Land Beyond, establishing patterns for life, and sharing symbols that unify religious expression—such as the circle, tree, and bear—are elements that characterize the faith of these people as expressed in these ceremonies. Their origin sheds light on the relevance of these practices as they blend traditions from the past with contemporary usage. As symbols imbued with religious relevance, they make the intangible visible while continuing to teach and protect that which is important in Ute cultural survival. This article looks at these shared elements while offering new information about the origin and symbolism of the Ghost Dance as practiced in the Worship Dance. Circles, trees, bears, and other emblems provide not only themes from past teaching but empower the Ute universe today.

APA, Harvard, Vancouver, ISO, and other styles

5

Fedorova, Elena. "CHURCH CALENDAR, GOSPEL AND LITURGICAL TEXT IN THE NOVEL THE RAW YOUTH AND A WRITER'S DIARY (1876) BY FYODOR DOSTOEVSKY." Проблемы исторической поэтики 19, no. 1 (February 2021): 258–82. http://dx.doi.org/10.15393/j9.art.2021.9182.

Full text

Abstract:

F. M. Dostoevsky's novel The Raw Youth (1874-1875) and A Writer's Diary (1876) were created in the tradition of Christian calendar prose, which is aligned with sacred time. The two works are united by the idea of the religious transformation of personality, the salvation of the soul and unification around the Gospel Truth, the search for ideal foundations in the Russian people, and reflections on their purpose. Dostoevsky introduces Easter narratives into the novel and into A Writer's Diary in 1876: the story of Makar Dolgoruky about the merchant Skotoboinikov, the opera by Trishatov, the story The Peasant Marey. The plot and storyline motives of these works and the novel go back to the parable of the Prodigal Son and the Book of Job. They share the motives of suffering, redemption and resurrection. A Writer's Diary of 1876, which utilizes a system of references to the novel, starts from January and contains a reference to the celebration of the Nativity (the Christmas story The Beggar Boy at Christ's Christmas Tree, quotes from a Christmas worship service), and ends in December, at the beginning of advent. A Writer's Diary contains an appeal to Christmas and Easter as the most significant dates of the church calendar and the writer's personal biographical time. In the chapter More on a simple but tricky case (December), Dostoevsky recalls how he survived the December 22 execution on the Semyonovsky parade ground and a revival on Christmas Eve; in the Easter story The Peasant Marey (February), he tells the story of how he acquired faith in the Russian people in penal servitude during Easter. The author's position in the novel The Raw Youth and A Writer's Diary of 1876 can’t be comprehended without referring to the gospel and liturgical text. The Gospel parable of the Prodigal Son and the Book of Job, which are referenced in the novel and A Writer's Diary, are read in church before and during Great Lent.

APA, Harvard, Vancouver, ISO, and other styles

6

Weir, Emmette. "Fruitless Fig Tree - Futile Worship." Expository Times 106, no. 11 (August 1995): 330. http://dx.doi.org/10.1177/001452469510601104.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Torvend, Samuel. "Environment & Art for Worship." Liturgy 11, no. 2 (September 1993): 114. http://dx.doi.org/10.1080/0458063x.1993.10392207.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Moore, Julie. "Tree Art." Christianity & Literature 54, no. 4 (September 2005): 644. http://dx.doi.org/10.1177/014833310505400419.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Judd, Peter A. "Children and the Art of Worship." Liturgy 4, no. 4 (January 1985): 42–47. http://dx.doi.org/10.1080/04580638509409869.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Ibude, Isaac Osakpamwan. "African Art Music and the Drama of Christian Worship among Baptists in Nigeria." East African Journal of Traditions, Culture and Religion 2, no. 1 (October 22, 2020): 72–82. http://dx.doi.org/10.37284/eajtcr.2.1.226.

Full text

Abstract:

Church music is purpose-driven and functional art. The search for authentic African experience in Christian worship among Nigerian Baptists brought about the introduction of art music compositions into the drama of worship. The paper discusses the development and contextualisation of Baptist worship by the inclusion of new music(s) written, composed and performed by Africans for the purpose of the liturgy, serving as a voice within the culture. The research adopted an ethnographic research design. Data were collected from published works and recorded art music compositions, content analysis of worship bulletins, personal interviews with art music composers, choirmasters and pastors within the denomination. Textual analysis of art music compositions reveals that there are four different modes of communication in the drama of worship: Kerigmatic, Leitourgic, Koinonia, and Reflexive. The emergence and performance of art music compositions in the drama of worship have facilitated communication, indigenisation and acculturation of Christian worship among Baptists in Nigeria.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Tree worship in art"

1

Bruneel, Benjamin. "Art and worship in Zwinglian theology." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1141.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Lindloff, Aaron. "Filmic icons a new art for worship /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Chan, Brian S. "The beauty of God and the art of worship." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

McComas, Magers Robyn. "Interactions in the space of one tree /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030331.152733/index.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wheeler, Geraldine Jean, and res cand@acu edu au. "Visual Art, the Artist and Worship in the Reformed Tradition: a Theological study." Australian Catholic University. School of Arts and Science, 2003. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp41.29082005.

Full text

Abstract:

The Reformed tradition, following Zwingli and especially Calvin, excluded images from the churches. Calvin rejected the sacred images of his day as idolatrous on the grounds that they were treated as making God present, that the necessary distinction between God and God’s material creation was not maintained, and because an image, which rightly was to be mimetic of visible reality, could not truthfully depict God. Calvin approved the Renaissance notion of visual art as mimetic and he understood that artists’ abilities were gifts of God and were to be used rightly. He also had a very keenly developed visual aesthetic sense in relation to nature as the “mirror” of God’s glory. However, the strong human tendency towards idolatry before images, he believed, meant that it was not expedient to place any pictures in the churches. Reinterpretation of key biblical passages, particularly the first and second commandments (Calvin’s numbering), together with changes in the understanding of what constitutes visual art, of the relationships between words and visual images, and of the processes of interpretation and reception not only of texts but of all perceived reality, lead to a re-thinking of the issues. The biblical narrative with its theological insights can be interpreted into a visual language and used by the church as complementary to, but never replacing, biblical preaching and teaching in words. Attention to the visual aesthetic dimensions of the worship space is important to allow for this space to function as an invitation and call to worship. Its form, colour, light and adorning may give aesthetic delight, which leads to praise and thanksgiving, or it may provoke other response which helps people prepare to offer worship to God. The world and its people depicted in visual art/image may inform the praying of the church and the visual representation of the church (the saints) may provide congregations with an awareness of the breadth of the church at worship in heaven and on earth. In the present diversity of views about visual art and the work of the artist there is freedom for the artist to re-think the question of vocation and artists may find new opportunities for understanding and exercising their vocation not only in secular art establishments and the community but also in relation to the worship of the church.

APA, Harvard, Vancouver, ISO, and other styles

6

Mahonski, Christopher. "A TLAPALIZQUIXOCHITL TREE." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1838.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fleischman, Kimberly Ann. "Sheep Hill Community Tree." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1357.

Full text

Abstract:

An urban community is a fusion of new and old that is constantly changing. We understand better the plight of a community through raising awareness of its unique history and visual character. Linking individual and community experiences offers an opportunity for dialogue, especially as long-time residents and their new neighbors learn about their different pasts and explore their common future. Community building happens from within, when many individuals sharing common values create positive change.

APA, Harvard, Vancouver, ISO, and other styles

8

Mahan, Kevin Paul. "It was and It isn't a rhetorical exploration of simulacra in emerging church vintage worship /." Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Wood, Toni A. "The Tornado Tree: Drawing on Stories and Storybooks." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3187.

Full text

Abstract:

Storytelling has been used by many cultures to record events, research genealogy, and to teach moral lessons. Some cultures passed on their histories and important events through oral narration, papyrus, or cathedral stained glass windows. More modern cultures write personal histories, and use modern technology to communicate with each other. This study is an arts based project based on writing a storybook. It is an exploration of why storytelling is important from a cultural point of view using my experiences to write a storybook based on a true event from my family history.

APA, Harvard, Vancouver, ISO, and other styles

10

Hughes, Patricia J. "A study of Built of living stones art, architecture and worship, in the light of practical theology /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

Full text

Abstract:

Thesis (D. Min.)--Catholic Theological Union at Chicago, 2003.
"This study is intended for those who assist a parish in building or renovating a worship space. The context is situated in the U.S. Catholic parishes in the twenty-first century ..."--Leaf xviii. Vita. Includes abstract. Includes bibliographical references (leaves 128-136).

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Tree worship in art"

1

Tree and serpent worship or illustrations of mythology and art in India in the first and fourth centuries after Christ from the sculptures of the Buddhist topes at Sanchi and Amravati. 2nd ed. New Delhi: Asian Educational Services, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Dawtry, Anne. Art and worship. London: SPCK, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Anne, Dawltry, ed. Art and worship. Collegeville, Minn: Liturgical Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Using art in Sunday worship. San Jose, Calif: Resource Publications, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Shimizu, Yohei. Bodhi tree worship in Theravāda Buddhism. Nagoya: Nagoya University Association of Indian and Buddhist Studies, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Art and worship: A vital connection. Wilmington, Del: M. Glazier, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Art and worship: A vital connection. Collegeville, Minn: Liturgical Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

H, Philpot J. The sacred tree in religion and myth. Mineola, N.Y: Dover Publications, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

The art of curating worship: Reshaping the role of worship leader. Minneapolis: Sparkhouse Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Nanying shu shen zhi. Tainan Xian Xinying Shi: Tainan Xian zheng fu, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Tree worship in art"

1

Frazer, James George. "Relics of Tree-Worship in Europe." In Aftermath, 150–52. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20831-9_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Frazer, James George. "Relics of Tree-Worship in Modern Europe." In The Golden Bough, 120–35. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-00400-3_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Adhikarla, Vikram. "Tree of Life." In The Art of Theoretical Biology, 120–21. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_60.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Golshan, Khosrow. "Clock Tree Synthesis." In The Art of Timing Closure, 123–37. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49636-4_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Tsinober, Arkady. "Double-Diffusive Christmas Tree." In Science and Art Symposium 2000, 51–57. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4177-2_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Robischon, Marcel. "Field Trials with Transgenic Trees – State of the Art and Developments." In Tree Transgenesis, 3–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/3-540-32199-3_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Niinemets, Ülo, and Russell K. Monson. "State-of-the-Art of BVOC Research: What Do We Have and What Have We Missed? A Synthesis." In Tree Physiology, 509–28. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6606-8_18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Kumar, Vivek, Manoj Kumar, Ram Prasad, Narendra Tuteja, and Ajit Varma. "Mycorrhizas in Forest Tree Health." In Mycorrhiza - Function, Diversity, State of the Art, 177–85. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-53064-2_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Pearce, Charles E. M., and F. M. Pearce. "The Mythological Context: Tree Worship and the Evolution of Creation Myths." In Oceanic Migration, 285–300. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-3826-5_17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Priyadarshan, P. M., and Raymond J. Schnell. "The State of the Art: Molecular Genomics and Marker-Assisted Breeding." In Genomics of Tree Crops, 1–16. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-0920-5_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Tree worship in art"

1

Martino, Jacquelyn. "Without a special object of worship." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253636.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tao, Jian. "Humanity Consideration From the Perspective of Money Worship." In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.039.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Bren, Jan, and Tomas Zeman. "Fault tree analysis of terrorist attacks against places of worship." In 2017 2nd International Conference on System Reliability and Safety (ICSRS). IEEE, 2017. http://dx.doi.org/10.1109/icsrs.2017.8272878.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Tjandradipura, Carina, Imam Santosa, and Gregorius Adhitama. "The Role of Light in The Worship Space In Culture and Religion Context." In International Conference on Aesthetics and the Sciences of Art. Bandung, Indonesia: Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338649.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Turre, Michele. "Tree fix." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312545.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wang, Weiduo. "The Gaze of Icon. The Eye Worship in Primitive Belief and Its Expressions in Plastic Arts." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.106.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ji, Chunqun. "A State of Art FPSO With Dry Tree System." In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-80229.

Full text

Abstract:

This paper provides a state of art dry tree floating system by using a moored column-buoy connected to a ship shaped vessel. The Buoy Moored Floating Production Storage and Offloading system (BMFPSO) uses a column-buoy instead of the turret in a conventional FPSO design. Similar to the turret, the column-buoy allows the vessel to weather vane about the column-buoy. In addition, the vessel can move in vertical direction relative to the column-buoy. Thus vertical motion of the column-buoy is de-coupled from the FPSO hull motion. The buoy will have relatively small heave motion allowing the use of proven top tensioned riser technology. The motion characteristics of the system make it operable in a wide range of environmental conditions.

APA, Harvard, Vancouver, ISO, and other styles

8

Williams, Rucker J., and Michael R. Lewis. "Event Tree Analysis at the Savannah River Site—A Case History." In Art of Foundation Engineering Practice Congress 2010. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41093(372)37.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Beckmann, Tom, Stefan Ramson, Patrick Rein, and Robert Hirschfeld. "Visual design for a tree-oriented projectional editor." In '20: 4th International Conference on the Art, Science, and Engineering of Programming. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3397537.3397560.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Beckmann, Tom. "Efficient editing in a tree-oriented projectional editor." In '20: 4th International Conference on the Art, Science, and Engineering of Programming. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3397537.3398477.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Tree worship in art"

1

Qi, Fei, Zhaohui Xia, Gaoyang Tang, Hang Yang, Yu Song, Guangrui Qian, Xiong An, Chunhuan Lin, and Guangming Shi. A Graph-based Evolutionary Algorithm for Automated Machine Learning. Web of Open Science, December 2020. http://dx.doi.org/10.37686/ser.v1i2.77.

Full text

Abstract:

As an emerging field, Automated Machine Learning (AutoML) aims to reduce or eliminate manual operations that require expertise in machine learning. In this paper, a graph-based architecture is employed to represent flexible combinations of ML models, which provides a large searching space compared to tree-based and stacking-based architectures. Based on this, an evolutionary algorithm is proposed to search for the best architecture, where the mutation and heredity operators are the key for architecture evolution. With Bayesian hyper-parameter optimization, the proposed approach can automate the workflow of machine learning. On the PMLB dataset, the proposed approach shows the state-of-the-art performance compared with TPOT, Autostacker, and auto-sklearn. Some of the optimized models are with complex structures which are difficult to obtain in manual design.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!