Relevant bibliographies by topics / Très riches heures du duc de Berry

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  2. Dissertations / Theses
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Academic literature on the topic 'Très riches heures du duc de Berry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Très riches heures du duc de Berry"

1

Autrand, Françoise. "Les Très Riches Heures du duc de Berry, un éloge de la paix." Bulletin de la Société Nationale des Antiquaires de France 2000, no. 1 (2004): 177–80. http://dx.doi.org/10.3406/bsnaf.2004.10447.

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2

Zierer, Adriana Maria de Souza. "The Devil and its multiple images in illuminations of the Devorous Monster and the Falling Angel (15th century): some examples." Antíteses 9, no. 17 (September 6, 2016): 12. http://dx.doi.org/10.5433/1984-3356.2016v9n17p12.

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This article conducted an analysis on the multiple images of the Devil, based on three illuminations of the 15th century. It is possible to observe the following elements: 1-the evil one as a head, with a huge open mouth, known as the Hellmouth; 2-as a human being, but with animalistic characteristics, carrying claws, the tail, among other things, still with devouring aspect; 3-represented in beautiful shape, as the rebel angel, Lucifer, expelled from heaven by God. Three images were analyzed; one from the narrative Vision of Tondal, which it is represented as the Beast Acheron, in the form of Hellmouth, and two images of the book Les Très Riches Heures of the Duc de Berry (The Very Rich Hours of the Duke of Berry), when figured with animalistic features in the image entitled "Inferno" (fl.108r) and with his angelic features in "The fall of the Rebel Angels" (fl. 64v). In the last two illuminations the Devil presents ruler of Hell elements. Moreover, it is clear that this has ambiguous features in Christian imagination.
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3

Satterlee, Thom. "“The Soldiers Fall before Christ in the Garden of Gethsemane”: From Tres Riches Heures of John Duc De Berry." Christianity & Literature 53, no. 4 (September 2004): 538. http://dx.doi.org/10.1177/014833310405300407.

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4

Manion, Margaret M. "Psalter Illustration in the Très Riches Heures of Jean de Berry." Gesta 34, no. 2 (January 1995): 147–61. http://dx.doi.org/10.2307/767285.

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5

Kinch, Ashby. "The broken mirror of the book: Cole Swensen'sSuch Rich Hourand theTrès Riches Heures de Jean, duc de Berry." Word & Image 27, no. 2 (June 2011): 175–89. http://dx.doi.org/10.1080/02666286.2010.514712.

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6

Villela-Petit, Inès. "Les Très Riches Heures de Jean de Berry et les Heures de Bedford. Floraison d’études sur deux œuvres majeures de l’enluminure du xve siècle." Perspective, no. 1 (March 31, 2008): 145–50. http://dx.doi.org/10.4000/perspective.3533.

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7

Stirnemann, Patricia, and Jean-Baptiste Lebigue. "Jean de Berry, la science et les Très Riches Heures, la devise Le temps venra et le chiffre EV." Bulletin de la Société Nationale des Antiquaires de France 2010, no. 1 (2015): 298–304. http://dx.doi.org/10.3406/bsnaf.2015.12110.

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8

Timmermann, Achim. "Jean de Berry’s Croix Couverte at Beaucaire (Gard) in its Pan-European Architectural-Cultural Contexts." Acta Historiae Artium 62, no. 1 (April 7, 2022): 17–38. http://dx.doi.org/10.1556/170.2021.00003.

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This contribution explores a remarkable but very much understudied late medieval roadside monument, the so-called Croix Couverte near Beaucaire in the eastern Languedoc. not only is it one of the earliest extant structures erected in the novel Flamboyant Gothic style, it can also be conclusively linked to the patronage of Jean de Valois, Duke of Berry from 1360, and resident as Lieutenant du Roi at Beaucaire from 1382 to 1384. This study investigates the Croix within several rings of inquiry, which gradually widen as the discussion proceeds, beginning with its local context, and proceeding with a detailed examination of the monument’s place within several architectural traditions (roadside furniture, covered crosses especially; ciboria and honorific baldachins). In order to better comprehend its cutting-edge design, the Croix is then positioned within broader (micro-)architectural trends around 1400, a period often referred to as the age of International Gothic. The final part is devoted to some of the architecturally themed miniatures in Jean de Berry’s famous book of hours, the Très Riches Heures, which reflect and refract many of the broader themes of this study, including the “signing” of landscapes through roadside monuments; the simultaneous control and sanctification of certain locales; and the late medieval fascination with turriform and ciboriform structures in the framing of both the sacred and the political.
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Dissertations / Theses on the topic "Très riches heures du duc de Berry"

1

Colenbrander, Herman Theodoor. "Op zoek naar de gebroeders Limburg de Très Riches Heures in het Musée Condé in Chantilly, het Wapenboek Gelre in de Koninklijke Bibliotheek Albert I in Brussel, en Jan Maelwael en zijn neefjes Polequin, Jehannequin en Herman van Limburg /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2006. http://dare.uva.nl/document/90153.

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Proefschrift Universiteit van Amsterdam.
Auteursnaam op rug: H.T. Colenbrander. - Met teksten in het Engels en het Frans. De gebroeders Limburg zijn Johan, Herman en Paul van Limburg. Met lit. opg. - Met samenvatting in het Engels.
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Books on the topic "Très riches heures du duc de Berry"

1

Raymond, Cazelles, Colombe Jean fl 1463-1498, Limbourg, Pol de, ca. 1385-ca. 1416., Longnon Jean 1887-1980, and Musée Condé, eds. Les Très riches heures du duc de Berry: Musée Condé, Chantilly. London: Thames and Hudson, 1993.

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2

Catholic Church. Les Très riches heures du Duc de Berry: Musée Condé, Chantilly. London: Thames and Hudson, 1989.

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3

Limbourg, Pol de, ca. 1385-ca. 1416., Colombe Jean d. 1529, Longnon Jean 1887-1980, Cazelles Raymond, and Berry, Jean de France, duc de, 1340-1416., eds. The Très riches heures of Jean, Duke of Berry: Musée Condé, Chantilly. New York: G. Braziller, 1989.

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4

Stirnemann, Patricia. Les Très riches heures du duc de Berry et l'enluminure en France au début du XVe siècle. Paris: Somogy, 2004.

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5

Françoise, Autrand, Stirnemann Patricia Danz 1945-, Villela-Petit Inès, and Toulet Emmanuelle 1957-, eds. Les Très riches heures du duc de Berry et l'enluminure en France au début du XV siècle. Paris: Somogy, 2004.

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6

Johannes, Rathofer, and Cazelles Raymond, eds. Illuminations of heaven and earth: The glories of the Très riches heures du duc de Berry. New York: H.N. Abrams, 1988.

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7

Très riches heures: Behind the Gothic masterpiece. Munich: Prestel, 1997.

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8

A collection of hours. Morristown, NJ: Polly Press, 2016.

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9

Museum, J. Paul Getty, and Metropolitan Museum of Art (New York, N.Y.), eds. The art of illumination: The Limbourg brothers and the Belles Heures of Jean de France, Duc de Berry. New York: Metropolitan Museum of Art, 2008.

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10

Beckett, Wendy. The duke and the peasant: Life in the Middle Ages : the calendar pictures in the Duc de Berry's Très riches heures. New York: Prestel, 1997.

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Book chapters on the topic "Très riches heures du duc de Berry"

1

Reynaud, Nicole. "Petite note à propos des Très Riches Heures du duc de Berry et de leur entrée à la cour de Savoie." In Ars Nova, 273–78. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ars-eb.3.37.

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