Relevant bibliographies by topics / Trick films

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Trick films'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Trick films"

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Małyszek, Tomasz. "Grimms Volksmärchen in Lotte Reinigers filmkünstlerischer Arbeit." Fabula 61, no. 1-2 (2020): 58–83. http://dx.doi.org/10.1515/fabula-2020-0004.

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ZusammenfassungIm zwanzigsten Jahrhundert war das Volksmärchen vor allem deshalb weiterhin eine sehr produktive Gattung, weil es sich im Medium des Films ausbreitete und sich damit zugleich auf aktuelle gesellschaftliche Diskurse bezog. Das geschah zunächst durch Trick- und Animationsfilme. Als Pionierin des Trickfilms war Lotte Reiniger diejenige Regisseurin, die das alte Ideal der Natur- und Volkspoesie kreativ transformiert und gesellschaftlich aktualisiert hat. Sie stilisierte Grimms Märchen zu autonomen Silhouettenfilmen. Ihr außerordentlicher Erfolg beendete eine Tradition, nach der das
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Rattan, Sunita, Inderjeet Kaur, Nitika Gupta, Devesh Kumar Avasthi, Ambuj Tripathi, and Saif Ahmad Khan. "Modification of Track Etchedfluorinatea Films by Radiation Induced Graft Copolymerization." Chemistry & Chemical Technology 3, no. 2 (2009): 123–28. http://dx.doi.org/10.23939/chcht03.02.123.

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With the aim of improving the basic characteristics of Track Etched Membranes (TEMs), functionalization by graft copolymerization has been attempted in the present work. Thin films (25 μm) of poly(vinyl fluoride) (PVF) (Tedlar) were irradiated by swift heavy ions (110 MeV Si 8+ ). The irradiated films were chemically etched to form latent tracks. Atomic Force Microscopy (AFM) was used to ascertain the formation of latent tracks. Irradiation effects were studied using UV-visible spectroscopic techniques. The tracks were functionalized by gamma radiation induced grafting with 4-vinyl pyridine (4
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Susik, Abigail. ""The Man of these Infinite Possibilities": Max Ernst’s Cinematic Collages." Contemporaneity: Historical Presence in Visual Culture 1 (June 1, 2011): 61–87. http://dx.doi.org/10.5195/contemp.2011.27.

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On more than one occasion in his critical writings of the 1920’s, surrealist leader André Breton compared Max Ernst’s collages to cinema. In his first essay on the artist in 1921, Breton aligned Ernst’s collages with cinematic special effects such as slow and accelerated motion, and spoke of the illusionistic ‘transformation from within’ that characterized Ernst’s constructed scenes. For Breton, Ernst’s collages employing found commercial, scientific and journalistic images approximated the naturalistic movement of film, and thereby contributed to the radical obsolescence of traditional two-di
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Animbom Ngong, Paul. "Music and sound in documentary film communication: an exploration of Une Affaire de Nègres and Chef!" CINEJ Cinema Journal 8, no. 1 (2020): 156–84. http://dx.doi.org/10.5195/cinej.2020.265.

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This paper examines the function of music and sound as important elements of documentary film communication. It considers the soundtrack to have equal value as the visual track. This is even more appalling when sound is viewed as an aesthetic constituent of a film or as acoustic signs with equal communicative value as visual signs. Two films are used to show the role music and sound play in facilitating comprehension in a documentary film. Focusing particularly on testimonies, narrative commentary, filmic silence and music, the study shows how documentary films provide a unique medium to engag
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SADOFF, RONALD H. "The role of the music editor and the ‘temp track’ as blueprint for the score, source music, and scource music of films." Popular Music 25, no. 2 (2006): 165–83. http://dx.doi.org/10.1017/s0261143006000845.

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The ‘temp track’, a temporary mock-up of a film's soundtrack, is assembled from pre-existing music prior to the real, commissioned score being composed. An integral element of the post-production process of American feature films, it survives only in its role for audience previews. Constructed by a music editor, in most cases, it is a blueprint of a film's soundtrack – a musical topography of score, songs, culture and codes in which a balance must obtain between the director's vision, the music's function, underlying requirements of genre, and the spectator's perception. This article demonstra
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Lawrence, Robert G. "Vaughan Glaser on Stage in Toronto 1921-1934." Theatre Research in Canada 9, no. 1 (1988): 59–80. http://dx.doi.org/10.3138/tric.9.1.59.

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The American actor and stock-company manager Vaughan Glaser settled in Toronto to operate an extraordinarily popular repertory company at the Uptown and Victoria theatres, September 1921-June 1928, with occasional appearances later. His carefully chosen comedies, musicals, pantomimes, melodramas and infrequent serious dramas contributed significantly to the great vogue for stock theatre in Toronto before radio, talking films, and the Depression brought it to an end.
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Kadono, M., T. Yamamoto, M. Michijima, M. Kyoho, T. Matsuda, and T. Muramatsu. "FeSiN films for a narrow track head." IEEE Transactions on Magnetics 30, no. 6 (1994): 3924–26. http://dx.doi.org/10.1109/20.333945.

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Björk, Ulf Jonas. "Tricky Film: The Critical and Legal Reception of I Am Curious (Yellow) in America." American Studies in Scandinavia 44, no. 2 (2012): 113–34. http://dx.doi.org/10.22439/asca.v44i2.4919.

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This study examines the reception of the Swedish film I am Curious (Yellow) in America. As a mixture of political satire and a chronicle of a sexual affair, with fictional and documentary material, the film was referred to by a U.S. government official as “the most explicit movie ever imported” when it arrived in America in 1968 and was released only after a federal appeals court reversed a lower-court verdict that had found it legally obscene. Although cleared for importation, I am Curious (Yellow) continued to be dogged by whether its sex scenes violated local and state obscenity laws. While
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Kovalins’ka, T. V., V. I. Sakhno, Yu V. Ivanov, et al. "Study of functionality of polymer films by dense electron beams." Polymer journal 42, no. 4 (2020): 254–61. http://dx.doi.org/10.15407/polymerj.42.04.254.

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Methodology of using megavolt electrons for investigation of the functionality of thin polymer films of polycyanurates (PCN) is described. The relevance of research is determined by the prospects of using films as a functional basis for improvement of track-etched technologies of nanoporous nuclear filters, where ionizing radiation is used in most of technological stages of their production. Functionality control is the main criterion for the qualification of films on the suitability for production of nuclear filters on their base. Development of megavolt electrons radiation methods is promisi
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Kravets, Lyubov I., Sergei N. Dmitriev, and Pavel Yu Apel. "Production and Properties of Polypropylene Track Membranes." Collection of Czechoslovak Chemical Communications 62, no. 5 (1997): 752–60. http://dx.doi.org/10.1135/cccc19970752.

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This paper describes results of the method of manufacturing the polypropylene track membranes produced by physicochemical treatment under irradiation of accelerated heavy ions of polymer films. The developed method allows to produce membranes with pores of 0.1-0.2 μm in diameter and more, with an improved structural and physicochemical properties. Polypropylene track membranes of a novel sample are characterized by high homogeneity of pore sizes in magnitude, considerable mechanical strength, advanced thermal stability and resistance to oxidation in aggressive media. It opens new fields for th
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Dissertations / Theses on the topic "Trick films"

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Tabet, Frédéric. "Circulations techniques entre l’art magique et le cinématographe avant 1906." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0037.

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Cette thèse étudie les relations techniques entre l’art magique et le cinématographe et confronte la pratique de trois artistes magiciens à celle de Georges Méliès. Bien que le rapprochement ait souvent été considéré comme évident, le but est ici d’étudier en détail les liens techniques entre le cinéma et la magie. En effet, le spectacle magique présenté par les prestidigitateurs, les illusionnistes ou les manipulateurs répond à des règles établies, théorisées, et débattues au sein de la profession. Il n’y a pas une pratique, mais des genres et des modes de présentation différents, qui évoluen
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Tohline, Andrew M. "Towards a History and Aesthetics of Reverse Motion." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1438771690.

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Pimenta, Thiago Coimbra. "Imunossensor impedim?trico para diagn?stico de Dengue utilizando eletrodos impressos de grafite revestidos com filmes polim?ricos derivados do ?cido 4-aminofenilac?tico." UFVJM, 2017. http://acervo.ufvjm.edu.br/jspui/handle/1/1431.

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Souza, Thatyara Freire de. "Crescimento de filmes nanom?tricos monocristalinos de Fe/MgO(100) por "SPUTTERING" DC." Universidade Federal do Rio Grande do Norte, 2007. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16661.

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Made available in DSpace on 2014-12-17T15:15:05Z (GMT). No. of bitstreams: 1 ThatyaraFS.pdf: 1656842 bytes, checksum: a24e627a4eabea4a6ac67cca1f9790f8 (MD5) Previous issue date: 2007-07-16<br>Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico<br>The research behind this master dissertation started with the installation of a DC sputtering system, from its &#64257;rst stage, the adaptation of a refrigerating system, passing by the introduction of a heating system for the chamber using a thermal belt, until the deposition of a series of Fe/MgO(100) single crystal nanometric &#64257;l
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Kamuriwo, Dzidziso Samuel. "Fast track knowledge development in new firms : an investigation of knowledge building dynamics within firms." Thesis, City University London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446453.

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Franco, César Henrique Rocha. "EmotiOn Track = representação do amor na trilha musical do cinema." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284419.

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Orientador: Claudiney Rodrigues Carrasco<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-18T11:31:42Z (GMT). No. of bitstreams: 1 Franco_CesarHenriqueRocha_D.pdf: 3052982 bytes, checksum: a83a06b9ef0319988ca875e92deb1155 (MD5) Previous issue date: 2011<br>Resumo: Inicialmente, este trabalho procura delinear algumas definições preliminares como convenção, gênero, gênero fílmico, melodrama e o melodrama romântico, enquanto filme, partindo dos pressupostos gerais sobre as convenções musicais dos gêneros fílmicos, estabelecidos p
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Godman, Nicola. "Tricky Tales : MFA Essay by Nicola Godman." Thesis, Konstfack, Institutionen för Konst (K), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7738.

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This essay is a reflection on various layers which inform my artistic practice, and particularly expands on the background and research for my short film The Spirit, The Lamp &amp; The Permanent Inhabitant. It's an attempt to describe how certain parts of my Gotlandic background influence and inspire my artistic practice, and also to show how reading, writing and critical reflection are important parts of my process. The essay pays tribute to an oral storytelling tradition that can be found on the island Gotland, Sweden, but is also an examination into how tourism has affected human relationsh
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Novotný, Antonín. "Experimentální studium hladovějícího kontaktu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2016. http://www.nusl.cz/ntk/nusl-241730.

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This master’s thesis deals with the experimental study of an elastohydrodynamic contact under conditions of insufficient lubricant supply. Starvation level of this type of the contact may be experimentally determined based on the input position of the meniscus, but this way can’t determine all its levels of starvation. Consequent development in the field of tribology achieved theoretical model that can determine at all levels of starvation depending on the thickness of the lubricant film entering the contact, but it is relatively difficult for experimental verification. The main goal of this w
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Vacula, Richard. "Nové metody záznamu a reprodukce optické zvukové stopy 16mm filmu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2016. http://www.nusl.cz/ntk/nusl-242157.

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The work deals with the recording and reproduction of sound tracks on 16mm film and with old forgotten film optic sound technologies, as well as plans experiments and research, which examines possible methods for reading and writing tracks using modern optoelectronic devices. The final output is intended to drive the writing negative audio (analog and digital) on the photosensitive material and design of the device for synchronous playback of digital audio tracks from an external memory card. The work is done in collaboration with film laboratories Barrandov Studio a.s. and Meopta-Optika, spol
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Xavier, Marcelo de Sousa. "Eletross?ntese, caracteriza??o e aplica??o de filmes polim?ricos de poli(?cido 2-hidroxicin?mico) em imunossensores impedim?tricos para diagn?stico de leishmaniose visceral em amostras de soros caninos." UFVJM, 2017. http://acervo.ufvjm.edu.br/jspui/handle/1/1479.

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Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2017-09-22T18:10:08Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) marcelo_sousa_xavier.pdf: 3096603 bytes, checksum: dae91257943ac86316978d8deb31ff3e (MD5)<br>Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2017-10-09T13:42:33Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) marcelo_sousa_xavier.pdf: 3096603 bytes, checksum: dae91257943ac86316978d8deb31ff3e (MD5)<br>Made available in DSpace
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Books on the topic "Trick films"

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Michalski, Jens. Alles Trick: Das grosse Lexikon des Animationsfilms der DDR. J. Michalski, 2005.

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DEFA-Stiftung. Puppen im DEFA-Animationsfilm: Puppets in DEFA animation films. Edited by Deutsches Institut für Animationsfilm Dresden. DEFA-Stiftung, 2006.

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Cheap tricks and class acts: Special effects, makeup, and stunts from the films of the fantastic fifties. McFarland & Co., 1996.

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Tōhō tokusatsu sōshingeki: Tōhō tokusatsu eiga zen 89-sakuhin ga makiokosu seiki no daikettō! Yōsensha, 2010.

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Daiē, Kabushiki Kaisha. Daiei tokusatsu eiga taizen: Daikaijū kūsō kessen Gamera tai Daimajin = Daiei tokusatsu movie chronicle. Kadokawa Shoten, 2010.

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Ganso kaijū shōnen no Nihon tokusatsu eiga kenkyū yonjūnen. Jitsugyō no Nihonsha, 2001.

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Boullay, Daniel. Le petit Albert, ou, Le livre des trucages au cinéma. Dreamland, 1998.

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Gojira, Mosura, gensuibaku: Tokusatsu eiga no shakaigaku. Serika Shobō, 2007.

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Andreyko, Marc. Trick 'r treat. WildStorm Productions/DC Comics, 2009.

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Disappearing tricks: Silent film, Houdini, and the new magic of the twentieth century. University of Illinois Press, 2010.

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Book chapters on the topic "Trick films"

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Moody, Paul. "Trick or Treat?" In EMI Films and the Limits of British Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94803-4_7.

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Izod, John. "Track 29." In The Films of Nicolas Roeg. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11468-9_12.

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Bearce, Stephanie. "Sneaky Tricks." In Top Secret Files. Routledge, 2021. http://dx.doi.org/10.4324/9781003239178-38.

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Brown, Jennifer. "Off the Beaten Track? The Post-Conradian Cannibal." In Cannibalism in Literature and Film. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292124_4.

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de las Carreras-Kuntz, Maria Elena. "Magical Tricks and Ingmar Bergman: Referentiality in Magic in the Moonlight." In Referentiality and the Films of Woody Allen. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137515476_13.

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Murphy, Bernice M. "‘That Truck Driver Tried to Kill Me!’ The Highway Nemesis Narrative." In The Highway Horror Film. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137391209_3.

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Martín, Raúl, Ramón A. Mollineda, and Vicente García. "Melodic Track Identification in MIDI Files Considering the Imbalanced Context." In Pattern Recognition and Image Analysis. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-02172-5_63.

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Kessler, Frank, and Sabine Lenk. "“Rendre réel aux yeux du public”: Stage Craft, Film Tricks, and the Féerie." In Media Archaeology and Intermedial Performance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99576-2_3.

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Adriaensens, Vito, and Steven Jacobs. "The Sculptor’s Dream: Living Statues in Early Cinema." In Screening Statues. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474410892.003.0002.

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In its earliest years of existence, cinema seems to have been fascinated by stasis and stillness. As if emphasizing its capacity to represent movement, early cinema comprises many scenes in which moving people interact with static paintings and sculptures. Moreover, films made shortly before and after 1900 often make explicit the contrast between the new medium of film and the traditional arts by means of the motif of the statue or the painting coming to life. In so doing, early film continued a form of popular entertainment that combined the art of the theater with those of painting and sculpture, namely the tableau vivant, or living picture. Focusing on the trick films of Georges Méliès and the early erotic films by the Viennese Saturn Company, this chapter reveals the importance and continuity of nineteenth-century motifs and traditions with regard to tableaux vivants as they were presented on the legitimate stage, in magic, in vaudeville, and in burlesque.
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West, Steven. "Watch A Few Movies, Make A Few Notes: Scream’s Layer Cake of References." In Scream. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325277.003.0006.

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This chapter describes how Halloween is referenced throughout Wes Craven's Scream as the definitive slasher text in its own time that was received by some critics as a genre-savvy confidence trick in its own right. It notes the numerous references to Halloween in Scream as an example of periods rewriting the past to create their own heritage, consequently imposing understandings from the present on to the past. It also emphasizes how it became common for 1980s American horror cinema to playfully incorporate references to past-genre films via excerpts, character names, or dialogue quotes. The chapter talks about how Scream is sceptical about the horror genre as a whole, openly highlighting the weaknesses of the Nightmare on Elm Street sequels and critiquing its exploitation of young actresses. It explores Halloween's main purpose in Scream's narrative that is climactically used to mirror the onscreen action in the film.
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Conference papers on the topic "Trick films"

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Shibutani, Tadahiro, Qiang Yu, Masaki Shiratori, and Takeshi Akai. "Evaluation of Damage Process Near Interfaces During Nanoscratch Test." In ASME 2005 Pacific Rim Technical Conference and Exhibition on Integration and Packaging of MEMS, NEMS, and Electronic Systems collocated with the ASME 2005 Heat Transfer Summer Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/ipack2005-73159.

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In multi-layered films on a silicon substrate for an advanced electronics devices, interfacial fracture often takes place and its strength (thin film adhesion) is very important in reliability. This study aims that the mechanism of damage initiation during nanoscratch test is examined for Si3N4/Cu/TaN films on a silicon substrate. In the case that the interfacial strength is weak, the interfacial damage initiates before surface film failure. In the case of edge-forward scratching, there are little effects of the rates of normal stress and scratching on the critical load. Contact analysis witho
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Fridley, Charles H. "Paint Film Laminate Technology Provides Painted Thermoplastic Parts Without VOC Issues." In International Truck & Bus Meeting & Exposition. SAE International, 1990. http://dx.doi.org/10.4271/902231.

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Tallman, James A., and Rahul A. Bidkar. "Heat Transfer Coefficient Characterization for Large Aspect-Ratio Thin Films in Film-Riding Seals." In ASME Turbo Expo 2018: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/gt2018-76168.

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Low-leakage film-riding seals are a key enabling technology for utility-scale supercritical carbon dioxide (sCO2) power cycles. Fluid film-riding rotor-stator seals (operating with sCO2 as the working fluid) are designed to track rotor movements and provide effective sealing by maintaining a tight operating clearance (of the order of several microns) from the spinning rotor. Thin film-riding seals generate viscous shear heat during high-speed operation, and the reliable operation of such thin-film seals depends critically on the designer’s ability to control the thermal deformations of the sea
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Ian-gang Zhu and Xiao-guang Ye. "Narrow Track Recording In Perpendicular Thin Film Media." In 1993 Digests of International Magnetics Conference. IEEE, 1993. http://dx.doi.org/10.1109/intmag.1993.642626.

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Su, J. L., and Kochan Ju. "Track edge phenomena in thin film longitudinal media." In International Magnetics Conference. IEEE, 1989. http://dx.doi.org/10.1109/intmag.1989.689982.

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Kishigami, J., K. Fukuzawa, and Y. Koshimoto. "TRack profile analysis for film heads on perpendicular media." In International Conference on Magnetics. IEEE, 1990. http://dx.doi.org/10.1109/intmag.1990.733802.

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"BASS TRACK SELECTION IN MIDI FILES AND MULTIMODAL IMPLICATIONS TO MELODY." In Special Session on Interactive and Adaptive Techniques for Machine Learning, Recognition and Perception. SciTePress - Science and and Technology Publications, 2012. http://dx.doi.org/10.5220/0003843404490458.

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Krzanowski, James E., and Dyumani Nunna. "Tribological Properties of Embedded Solid Lubricant Coatings Fabricated by Patterning Methods." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-63247.

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In this work we have investigated the tribological properties of embedded solid lubricant coatings and compared them to monolithic and alloy films of the same constituents. Lithographic patterning methods were used to create two-component coatings in which columns of MoS2 were embedded in a Ti matrix. Coatings were deposited using rf sputter deposition, and co-deposition of MoS2 and Ti was used to deposit the alloy coatings. A pin-on-disk (POD) test was used to examine the frictional behavior and mechanical stability of the coatings, and was carried out in both low and high humidity conditions
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Sasaki, T., and T. Sawada. "Cross-talk simulation of a multi-track magnetic thin film head." In International Magnetics Conference. IEEE, 1989. http://dx.doi.org/10.1109/intmag.1989.690135.

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Tarmawan, Irwan. "Building Brand Awareness Through Film Narrative." In Proceedings of the International Conference on Business, Economic, Social Science, and Humanities – Humanities and Social Sciences Track (ICOBEST-HSS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200108.019.

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