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1

Robinson, Gregory K. "The Trickster Archetype: Tracing the Trickster Myths to Their Proto-Trickster Roots." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1300928452.

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Ratt, Solomon. "Continuing Trickster storytelling, the trickster protagonists of three contemporary Indian narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq30539.pdf.

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Maja, Tebogo Stanislaus Abel. "Sepedi tricksters : reflections of the human ego." Thesis, University of Limpopo, 2012. http://hdl.handle.net/10386/2644.

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Thesis (M.A. (Folklore Studies)) --University of Limpopo, 2013<br>The purpose of this study is to investigate whether human conduct and behaviour can be “seen” through the actions of trickster tales. This study focuses on how Bapedi people’s actions can be manifested in the actions of these tales. A variety of trickster tales will be used in trying to investigate the above claim. There will be some folktales that will be sampled from a variety of existing Literature. The sampled folktales will be brought together for analysis at the end of this study. The other folktales will be gathered from
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4

Coleman, Arvis R. (Arvis Renette) 1961. "The West African Trickster Tradition and the Fiction of Charles W. Chesnutt." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc277706/.

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Analyzing Chesnutt's fiction from the angle of the West African trickster tradition explains the varying interpretations of his texts and his authorial intentions. The discussion also illustrates the influence that audience and editorial concerns may have had on African-American authors at the turn of the century.
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5

Coffey, Eryn. "The Trickster in Research| It's a Trap." Thesis, Pacifica Graduate Institute, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10076216.

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<p> This thesis interweaves the theories of Jungian psychology with the Native American Winnebago tribe&rsquo;s trickster mythology in order to identify what the role of the trickster is in the process of research. With an alchemical hermeneutic and heuristic methodological approach, the researcher becomes the subject of the thesis. In this intertwining of ideas and heuristic methodology, the trickster archetype traps the researcher in such a way that promotes assimilation of unconscious material through the use of dream work, shadow integration, and the exploration of countertransference and
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6

Fergusson, Stephen. "Native literature in Canada a comparative study of the coyote trickster in the literature of Thomas King and W.P. Kinsella." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0015/MQ61746.pdf.

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Krause-Loner, Shawn Christopher. "Scar-Lip, Sky-Walker, and Mischief-Monger the norse god Loki as trickster /." Oxford, Ohio : Miami University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1063416355.

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Thesis (M.A.)--Miami University, Dept. of Comparative Religion, 2003.<br>Title from first page of PDF document. Document formatted into pages; contains 72 p. Includes bibliographical references (p. 69-72).
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8

Kahan, David. "Trickster Redux : a reappraisal of Jacob's theological significance." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/2319/.

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Bringing God into history is Jacob's task. Jacob the patriarch, the one who breaks through, is a powerful biblical figure who may have been a role model for Jesus and was considered eldest of the angels during New Testament. Medieval church frescoes depict Jesus and Jacob together wearing halos. Unfortunately, as a survey of commentary will show, Post-Reformation Jacob becomes the typical Jew ruthlessly taking advantage of his brother, repulsive, a vile deceiver. Cardinal Ratzinger questioned whether Christians still can claim in good conscience to be the legitimate heirs of Israel's Bible: to
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9

Murtha, William Gearty. "The role of trickster humor in social evolution." Thesis, The University of North Dakota, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1552210.

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<p> Trickster humor is ubiquitous. Every society has some version of trickster and each society tells the stories of trickster over and over again to both enlighten and entertain. This thesis argues that trickster humor plays a fundamental role in helping society adapt by challenging social norms. Because trickster stories are humorous they are entertaining, because they critique social behaviors they are instructive. Tricksters break social rules, leaving society to remake them. This thesis examines the works of American Humorists Tom Robbins and Edward Abbey, particularly <i>Still Life
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10

Oh, Seiwoong. "The Scholarly Trickster in Jacobean Drama: Characterology and Culture." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.

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Whereas scholarly malcontents and naifs in late Renaissance drama represent the actual notion of university graduates during the time period, scholarly tricksters have an obscure social origin. Moreover, their lack of motive in participating in the plays' events, their ambivalent value structures, and their conflicting dramatic roles as tricksters, reformers, justices, and heroes pose a serious diffculty to literary critics who attempt to define them. By examining the Western dramatic tradition, this study first proposes that the scholarly tricksters have their origins in both the Vice in earl
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11

Rizzo, Therese M. "The Sentimental trickster in nineteenth-century American (con)texts." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 244 p, 2009. http://proquest.umi.com/pqdweb?did=1654494551&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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12

Herrmann, Andrew F. "Trujillo the Trickster: Trouble in the Sign of Love." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/813.

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13

Douglas, Greig. "The columnist as trickster: satire and subversion in literary journalism." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1008397.

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This project examines facets of racial identity as they emerge in a contemporary South African context, and considers how instances of local satire both subtly resist and support white normativity. It consists of two separate sections: firstly, a self-reflective essay that, employing current theories from the academic field of whiteness studies, assesses South African satire’s relation to and negotiation of race and identity politics; and secondly, The Weekly Crab, my own creative response to the genre of satire. Using contemporary theories of racial construction, the first section will deline
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14

Wright, Sarah. "The trickster-function in the theatre of Federico García Lorca." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624924.

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Sarny, Dominique. "Contribution à l'étude du trickster : une figure de la modernité." Master's thesis, Université Laval, 1993. http://hdl.handle.net/20.500.11794/17659.

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16

Groneman, Matthew. "Trickster's Taxonomy." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/121.

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Matthew Groneman explores the dynamic nature of language through a series of poems broken into three thematically-linked sections. The first section includes poems about the natural world, scientific processes and technological innovation. The second section is centered around poems exploring American culture, from the nineteenth century to contemporary times. The final section explores the speaker's perceptions of self, particularly with regards to the speaker's masculinity relative to societal expectations thereof. The poems play with concepts of fluid semiotics by employing notions of the t
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Stein, Wolfgang. "Der Kulturheros-Trickster der Winnebago und seine Stellung zu vergleichbaren Gestalten in den oralen Traditionen nordamerikanischer Indianer : eine Kritik an der Kulturheros-Trickster-Konzeption Paul Radins /." Bonn : Holos, 1993. http://catalogue.bnf.fr/ark:/12148/cb37450183v.

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18

Warn, Jaime Dawn-Lyn, and University of Lethbridge Faculty of Arts and Science. "A trickster paradigm in First Nations visual art : a contemporary application." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2007, 2007. http://hdl.handle.net/10133/533.

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In the past few decades, Indian art has been available to the mainstream under the supervision of Western science and art history. For the sake of cultural survival and identity, countless Native artists, curators, critics, and writers have objected to these often wrongful and discriminating art histories and scientific classifications. Indian artists are re-writing their history from Native perspective, and as a result, the misrepresentation of Indian art has begun to be recognized by those working in contemporary art galleries and museums. Today many contemporary spaces support and give cont
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Cruz, Thiago Moraes Fernandes. "Duas faces da malandragem: a figura do malandro nos contos \"A volta do marido pródigo\", de Guimarães Rosa, e \"Paulinho perna torta\", de João Antônio." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-29042015-155520/.

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O presente trabalho analisa a construção da personagem malandra em dois contos da literatura brasileira: A volta do marido pródigo (1946) de Guimarães Rosa e Paulinho Perna Torta (1965) de João Antônio. O foco da análise incide na representação, respectivamente, culturalista e histórica do malandro pelos seus protagonistas. A construção da personagem malandra nesses contos corresponde à redução estrutural dessa figura na sociedade, seja como um tipo cultural, que, ideologicamente, representa o tipo simpático e cordial do brasileiro, ou como figura histórica, que se transformou na figura margin
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20

Teixeira, Carlos Henrique [UNESP]. "O Trickster na escola: um estudo sobre a função educativa do mito." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123357.

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Made available in DSpace on 2015-05-14T16:53:26Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-06-11Bitstream added on 2015-05-14T16:58:49Z : No. of bitstreams: 1 000822823_20160611.pdf: 113874 bytes, checksum: 21314e20e9467735b9ef20e878f6127c (MD5) Bitstreams deleted on 2016-06-15T18:56:27Z: 000822823_20160611.pdf,. Added 1 bitstream(s) on 2016-06-15T18:57:09Z : No. of bitstreams: 1 000822823.pdf: 1688451 bytes, checksum: 2f999eea6606f787d979d6490c6eb400 (MD5)<br>O objetivo desta pesquisa é identificar, a partir de um levantamento etnológico em uma escola pública de Araraquara, a m
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Turner, Ian. "Changing the subject, objectivity, trickster and the transformation of the Western academy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0020/MQ49783.pdf.

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Stevens, Nancy, and Germain Janice St. ""Using the gifts of the Trickster: Balancing "Self" in the helping field"." School of Native Human Services, 2003. http://142.51.24.159/dspace/handle/10219/409.

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As helpers in an Aboriginal mental health program, we are faced with a number of challenges that constantly reinforce the need for balance in our professional and personal lives. These challenges occur within the helping relationships, within the larger agency and between the other services and service providers that we encounter in our daily work. In order to demonstrate this ongoing struggle for balance, we will share some of the history of B'saanibamaadsiwin and the context in which we work.
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23

Knight, Deborah Frances. "Geographic enchantments : the trickster and crone in contemporary fairy tales and storytelling." Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/4195.

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Fairy tales are enchanting geographical stories, which affectively organize space-time in socially, politically, and ethically significant ways. Despite this, fairy tales have been neglected in the discipline of geography, and the inter-discipline of fairy tale studies has rarely interrogated the spatialities of tales, or of storytelling more widely. This thesis addresses this lacuna by theorizing the relationship between fairy tales, storytelling, and geography through the subversive folkloric figures of the trickster and crone. It posits, first, that we understand fairy tales as iterative st
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24

Fang, Hong, and 方紅. "The ethnic trickster in Maxine Hong Kingston's Tripmaster monkey: his fake book." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31244154.

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Teixeira, Carlos Henrique. "O Trickster na escola : um estudo sobre a função educativa do mito /." Araraquara, 2014. http://hdl.handle.net/11449/123357.

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Orientador: Sueli Aparecida Itman Monteiro<br>Banca: Ricardo Ribeiro<br>Banca: Micael Carmo Côrtes Gomes<br>Banca: Débora Raquel da Costa Milani<br>Banca: Luci Regina Muzzeti<br>Resumo: O objetivo desta pesquisa é identificar, a partir de um levantamento etnológico em uma escola pública de Araraquara, a manifestação do mito trickster presente nas narrativas de professores, alunos, diretores e demais membros da comunidade escolar. Desta forma, pretendemos realizar o inventário dos variados mitemas tricksterianos que se repetem de forma recorrente nos relatos, revelando a função educativa deste
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Thiele, Maria Elisabeth. "Trickster, Transvestiten und Ciganas : Pombagira und die Erotik in den afrobrasilianischen Religionen /." Leipzig : Leipziger Univ.-Verl, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014794422&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Nabigon, Herbert, Rebecca Hagey, Schuyler Webster, and Robert MacKay. ""The learning circle as a research method: The trickster and windigo in research"." School of Native Human Services, 1999. http://142.51.24.159/dspace/handle/10219/461.

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This study reports on how funded research - carried out by a recognized elder in selected communities on Manitoulin Island - affects the community experiences and perceptions of the emotional issues surrounding diabetes. In his research, this elder was able to assert and Aboriginal approach of achieving human subjects' review approval.
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Westendorf, Elizabeth J. "Banksy as Trickster: The Rhetoric of Street Art, Public Identity, and Celebrity Brands." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275671316.

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Rutherford, Miranda Julia. "A Trickster in Disguise: Reading a New Type of Satan in 2 Corinthians." Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1433465476.

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Gauck, Megan. "Killed a Bird Today: The Emergence and Functionality of the Santeria Trickster, Eleggua." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/461.

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Recognizable by their cunning exploits and gray morality, tricksters can be found in mythology, folklore, and religions throughout the world. Two tricksters were familiar to the Yoruba people in West Africa, Ajapa and Eshu, and their stories and abilities provide insight to the functions fulfilled by trickster characters. Upon the introduction of Regla de Ocha (or Santeria) to Cuba following the transatlantic slave trade, a new figure emerges, known for his tricks and adaptability. Due to the West African influence in Santeria religious practices, the original roles and traits of Eshu and Ajap
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Torres, Oyarce Tania. "El trickster en el Manuscrito de Huarochirí: los casos de Cuniraya Huiracocha, Huatiacuri y Pariacaca." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/101815.

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En este artículo, sostenemos que Cuniraya Huiracocha, Huatiacuri y Pariacaca, en su calidad de sujetos carentes, actúan como tricksters al tomar la figura de huacchas para obtener un objeto de deseo específico a través del cual se satisfaga su carencia: Cuniraya Huiracocha desea quedarse con la doncella Cahuillaca, lo cual conduce a la reorganización de la fauna andina; Huatiacuri, al incorporarse a un núcleo familiar, prepara la llegada de Pariacaca; y este último, al demostrar su poder y ser reconocido como deidad, busca instaurar y consolidar un orden nuevo regido por él mismo. Sobre esta b
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Smith, Derek Wesley. "108 Kōans." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1161.

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The capacity for creative thought is of utmost importance for the survival and furtherance of humanity. Luckily, creative thought is the most essential aspect of humanity; it is what defines us. Unfortunately, we have created a society that tries to make us forget that. I am building a body of work that encourages mindfulness and heightens awareness. Awareness of self and mindfulness in everyday activities are prerequisites to social and spiritual evolution. I want nothing less than to expand human consciousness. 108 Kōans occurred over a period of time that I devoted to maintaining a "begin
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Anderson, Robyn Lisa, and n/a. "The decolonisation of culture, the trickster as transformer in native Canadian and Maori fiction." University of Otago. Department of English, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070508.145908.

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The trickster is a powerful figure of transformation in many societies, including Native Canadian and Maori cultures. As a demi-god, the trickster has the ability to assume the shape of a variety of animals and humans, but is typically associated with one particular form. In Native Canadian tribes, the trickster is identified as an animal and can range from a Raven to a Coyote, depending on the tribal mythologies from which he/she is derived. In Maori culture, Maui is the trickster figure and is conceptualised as a human male. In this thesis, I discuss how the traditional trickster is contexua
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Wallart, Kerry-Jane. "La poétique du trickster dans le théâtre de Derek Walcott : la référence en jeu." Paris 4, 2005. http://www.theses.fr/2005PA040127.

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Héritiers de l'esclave contraint à parler par sous-entendus afin de déjouer son maître, les personnages déploient, dans le théâtre de Derek Walcott, une rhétorique qui n'est claire que lorsqu'on devine leur système d'encodage. Tous les niveaux sémantiques de la pratique théâtrale sont touchés par une volte-face du sens. Une même référence désigne deux référents, une même mimesis renvoie à deux objets dans cette dramaturgie diabolique. Elle est orchestrée par la figure immuable mais métamorphique du trickster, clochard céleste et habile qui plonge ses racines à la fois dans les contes africains
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Simpson-McIntyre, Janet. "Characteristics of trickster tales found in What the crow said & The Double hook." Mémoire, Université de Sherbrooke, 1992. http://hdl.handle.net/11143/10353.

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Le trickster représente une figure fondamentale dans le folklore et les légendes des indigènes dans tous les coins du monde et, en particulier, il se retrouve au centre de la mythologie amérindienne. Depuis un siècle, il a fait son apparition dans la culture littéraire des autochtones sous la forme de légendes et chants écrits. L'importance de ce personnage mythologique dans la culture des peuples autochtones partout à travers le monde est bien reconnue et bien documentée. Elle est reconnue, par exemple, en anthropologie, en psychologie et en sociologie. Le mythe du trickster faisait, autrefoi
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Chiu, Wai-fong, and 趙慧芳. "Tradition as inheritance and departure: transformation, survival, and the trickster in Love medicine, Chinamen and Illywhacker." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47850024.

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 This dissertation examines literary representations of the trickster in contemporary literature across different cultures. The introduction traces the recent development in the studies on the trickster since Radin's influential publication, The Trickster. There are two major trends in recent scholarship. First, many theorists believe that the trickster is a cross-cultural phenomenon. Second, recent scholars have started to track modern expressions of the trickster in contemporary societies. Building upon these two observations, this dissertation further explores various forms of the modern
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Van, Woudenberg Gerdine. "The political constitution of indigenous land struggles, a case study of the Aboriginal rights; trickster." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0002/MQ43331.pdf.

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Walker, Tracy Deonn Pollock Della. "Authentic chameleons mythic identity, performative trickster-ing, and the potential of the telephone booth moment /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,905.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Communication Studies (Performance Studies)." Discipline: Communication Studies; Department/School: Communication Studies.
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Torres, Oyarce Tania. "El trickster en el Manuscrito de Huarochirí : los casos de Cuniraya Huiracocha, Huatiacuri y Pariacaca." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2014. http://tesis.pucp.edu.pe/repositorio/handle/123456789/5694.

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En este trabajo, sostenemos que, en el Manuscrito de Huarochirí, los personajes Cuniraya Huiracocha, Huatiacuri y Pariacaca, en su calidad de sujetos carentes, actuán como tricksters al tomar la figura de huacchas con el fin de obtener un objeto de deseo específico a través del cual se satisfaga su carencia. Dicho comportamiento tiene alcances de gran importancia para la organización del universo andino presentado en el texto, debido a que, bajo la apariencia de pobres y la utilización de la astucia como mecanismo de engaño, Cuniraya Huiracocha desea quedarse con una mujer deseada por muchos,
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Van, Woudenberg Gerdine (Gerdine Marinna) Carleton University Dissertation International Affairs. "The Political constitution of indigenous land struggles; a case study of the aboriginal 'rights' trickster." Ottawa, 1999.

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Chisum, Pamela Corinne. "Becoming visible in invisible space| How the cyborg trickster is (re)inventing American Indian (ndn) identity." Thesis, Washington State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3598054.

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<p> This dissertation investigates issues of representation surrounding the American Indian (NDN) and the mixedblood. By conflating images of the trickster as described by NDN scholars with the postmodern theories of Donna Haraway, I explore in my dissertation how the trickster provides a way of viewing formerly accepted boundaries of identity from new perspectives. As cyborg, the trickster is in the "system," but it is also enacting change by pushing against those boundaries, exposing them as social fictions. I create a cyborg trickster heuristic, using it as a lens with which to both analyze
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Squibb, Catherine. "Tobacco and Tar Babies: The Trickster as a Cultural Hero in Winnebago and African American Myth." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/313.

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This thesis explores the trickster character through the lens of his role as a cultural hero. The two characters that I chose to examine are from North American myth, specifically Winnebago Hare and Brer Rabbit. These two characters represent the duality of the trickster while simultaneously embodying the lauded abilities of the hero. Through their actions these two characters shape culture through the very action of disrupting societal norms.
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Tsuji, Yasuko. "A comparative study of Japanese and Polynesian mythology with particular reference to selected cosmogony and trickster myths." Thesis, University of Canterbury. Japanese, 1998. http://hdl.handle.net/10092/8131.

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In this thesis, Japanese mythology is compared with Polynesian mythology. Particularly, two Polynesian myths are selected as comparative material. The first one is a Maori cosmogony myth, a South Island version of Tāne, the second one a Samoan trickster myth, The Octopus and the Rat. Tāne is compared with the Japanese cosmogony myth, while The Octopus and the Rat is compared with the Japanese trickster myth, the White Rabbit of lnaba. Some common elements between the two mythologies and their origins are discussed in an analysis of the myths. Both myths are also translated into Japanese. To
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Calhoun, Fraser C. "Blues signifying and the trickster figure in the improvisations of Johnny Hodges, Charlie Parker, and Ornette Coleman." Thesis, The William Paterson University of New Jersey, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10003779.

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<p> The goal of this study is to relate blues characteristics as they appear in the playing of Johnny Hodges, Charlie Parker, and Ornette Coleman, to blues lyrics, Signifying, the artists&rsquo; life experiences, and to the ancient cultural icon Esu-Elegbara. This study reviews the theory of Signifying, discusses existing literature on blues Signifying, and investigates select biographical information of each player. In addition, the study presents and analyzes transcriptions of jazz improvisations for each artist and reveals and investigates their blues characteristics. The study then context
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Hawley, Steven Jubitz. "Tracking the Trickster Home: The Animal Nature of Words in the Writing of Gerald Vizenor and Barry Lopez." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-03012007-101943/.

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Booy, Simon. "'The files of Agent 22' : trickster aesthetics and the 'culture of discourse' in the writings of Ishmael Reed." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324222.

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Sattaur, Jen. "Representations of childhood : motifs of child and trickster in selected mid-Victorian to fin-de-siecle prose fiction." Thesis, Aberystwyth University, 2008. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.731709.

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This thesis reads Victorian fin de siecle literature through perceptions of childhood, as revealed in the patterns of two archetypes: the Trickster and the Child. It examines a connection between the chaotic and the idealistic symbolic representations of childhood, as represented by these two archetypes, and as seen in some of the newly-developed cultural formations of the Victorian fin-de-siecle. Victorian anxieties about change are linked closely to anxieties about childhood, procreation, and maturation, revealed as a progression of patterns of the two archetypes in a range of children's and
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Mountian, Daniela. "Simbologia do caos em O diabo mesquinho de Fiódor Sologub." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-15062012-103007/.

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Este trabalho se propôs a analisar O Diabo Mesquinho (1892-1902), romance-chave de Fiódor Sologub (1863-1927), um dos expoentes do simbolismo russo. Além da importância incontestável da obra para a literatura russa e mundial, foi estímulo para a pesquisa a possibilidade de delinear o primeiro estudo acadêmico sobre o autor no Brasil. A análise seguiu duas direções, que continuamente se encontraram: a evidente tessitura paródica, e a presença de arquétipos míticos universais perpassados por elementos do folclore russo. Quanto ao uso da paródia, tendo como base teórica autores como Iuri Tyniánov
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Byrd, Gayle. "The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/258606.

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English<br>Ph.D.<br>The Presence and Use of the Native American and African American Oral Trickster Traditions in Zitkala-Sa's Old Indian Legends and American Indian Stories and Charles Chesnutt's The Conjure Woman My dissertation examines early Native American and African American oral trickster tales and shows how the pioneering authors Zitkala-Sa (Lakota) and Charles W. Chesnutt (African American) drew on them to provide the basis for a written literature that critiqued the political and social oppression their peoples were experiencing. The dissertation comprises 5 chapters. Chapter 1 defi
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OLIVEIRA, ANA PAULA SILVA DE. "GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34820@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>A Umbanda é uma religião afro-brasileira, na qual ocorre a manifestação de espíritos por meio do transe. Durante as giras, essas energias são evocadas através de cânticos, denominados pontos cantados, uma espécie de mantras, fundamentais na ritualística. A cosmologia umbandística possui em sua estrutura uma variedade de entidades, a grande maioria tipos so
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