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Dissertations / Theses on the topic 'Trios (Oboe'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.

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2

Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is

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3

Drude, Matthias. "Trio für Oboe, Klarinette und Fagott (1988)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72480.

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Das Trio für Oboe, Klarinette und Fagott entstand kurz nach Beendigung meines Kompositionsstudiums bei Ulrich Leyendecker (Hamburg) im Jahr 1988. Wie das Bläserquintett (1986), jedoch im Unterschied zum Bläseroktett (1988) und den meisten anderen meiner kammermusikalischen Werke ist es nicht ein-, sondern zweisätzig. Die beiden Sätze Allegro und Andante stehen zueinander im Verhältnis des vermittelten Kontrastes. Die Anfänge sind extrem gegensätzlich. Das Allegro beginnt rhythmisch profiliert mit großen Intervallsprüngen, das – geringfügig kürzere - Andante eher diffus mit kleinräumiger Chroma

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4

Bretz, Jacqueline Therese. "The Reed Trio: Analysis of Works by Ibert, Francaix and Schreiner with a Representative Repertoire List." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366236512.

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5

Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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6

Almeida, Herminio Carlos de. "A canção viver de amor de Toninho Horta e Ronaldo Bastos: aspectos composicionais e de performance em um arranjo para trio de oboé, trompa e piano." Universidade Federal de Minas Gerais, 2005. http://hdl.handle.net/1843/AAGS-7YMLM4.

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Study about compositional and performance aspects yielded by the transposition from the popular to erudite musical styles in the trio arrangement for oboe, horn and piano by Hermínio Carlos de Almeida of the song Viver de Amor (1980) by Brazilian composers Toninho Horta and Ronaldo Bastos. It discusses the legitimacy of this procedure, its importance to the development of the repertory integrating both erudite and popular musical traits and to the development of the repertory for non conventional instrumentations. It also discusses structural elements of the original version and the idiomatic

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7

"Oboe Trios: An Annotated Bibliography." Doctoral diss., 2014. http://hdl.handle.net/2286/R.I.26889.

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abstract: This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre. The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentati

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8

Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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9

"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.

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by Lee Chui Ling.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1994.<br>Preface --- p.1<br>Chapter I. --- Twinkling --- p.3<br>Chapter i) --- Analysis-----Introduction --- p.4<br>Chapter ----- --- Formal structure<br>Chapter ----- --- Musical elements<br>Chapter ii) --- Score (with performance notes) --- p.8<br>Chapter II. --- Emancipation --- p.14<br>Chapter i) --- Analysis 226}0ؤ Introduction --- p.15<br>Chapter ----- --- First movement ~ Formal structure<br>Chapter ~ --- Orchestration<br>Chapter ----- --- Second movement ~Formal structure<br>Chapter ~ --- Harmony<br>Chapter --

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10

Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.

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11

"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

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Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Progra

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12

YI-CHUAN, TAI, and 戴憶娟. "The Analysis and Interpretation of Poulenc’s Trio for Piano, Oboe and Bassoon." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/69088450763093658323.

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碩士<br>輔仁大學<br>音樂研究所<br>95<br>Francis Poulenc is an outstanding composer and pianist on 20th century.The chamber music is one of the representatives in his works. The trio for Piano, Oboe and Bassoon. composed by Poulenc present special tone color, the treatment of phrase and best artistry. I got different cognition in composer’s background, construction and interpretation of this work. I hope enlarge region of music knowledge and improve performing technique in multilevel exploration condition.

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13

Chan, Hao-Yen, and 詹皓巖. "An Analysis and Interpretation of Poulenc Trio for Piano, Oboe and Bassoon." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/11016150599168791624.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>104<br>The research and analyses of this paper are based on Sonata for Piano, Oboe and Bassoon by Francis Poulenc. Poulenc applies his special technique to deal with his compositions. His has not received the traditional music training; as a result, there exist distinct fluency in his works. This trio is few of his chamber music that joins the bassoon, By discussing, analyzing and performing this trio, we can realize this composer’s music features. There are five chapters in this paper. Chapter one is an introduction to investigate the motivation and methods of thi

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14

Pennington, Anna Ohlsson Eric Paul Pasculli Antonino. "Days of bliss are in store Antonino Pasculli's "Gran trio concertante per violino, oboe, e pianoforte su motivi del Guglielmo Tell di Rossini" /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-06292007-235916/.

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Treatise (D.M.A.) Florida State University, 2007.<br>Advisor: Eric Ohlsson, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 67 pages. Includes biographical sketch. Includes bibliographical references.

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15

Kang, Lin, and 康琳. "An Analysis and Interpretation of Francis Poulenc''s Trio for Piano, Oboe and Bassoon." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/46648114980608730328.

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16

Lin, Chi-Yin, and 林祈吟. "An Analysis and Interpretation of Poulenc's Trio for Piano, Oboe and Bassoon, Op. 43." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/36594211905705749576.

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碩士<br>國立高雄師範大學<br>音樂學系<br>101<br>The compositional writing in the twentieth-century was various, Neo-Classical that mainly represented by Igor Stranvinsky was one of the most important music styles. However, Francis Poulenc’s Trio for Piano, Oboe, and Bassoon, Op. 43 departs from the style of Neo-Classical. The use of harmonic language is innovative and colorful. Poulenc is especially talented for his lyricism and his gift for melody, so his music seems familiar yet fresh. It is the purpose of this dissertation to make a complete and thorough analysis from the details of texture, form, phrase,

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