Academic literature on the topic 'Triton Museum of Art'

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Journal articles on the topic "Triton Museum of Art"

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kim suhee. "A Study on the Culture of Art Objects in Literature Museums - Focusing on the “Tale of Genji Museum” -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 78 (2017): 121–36. http://dx.doi.org/10.21792/trijpn.2017..78.007.

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Kampasakali, Elli, Theodora Fardi, Eleni Pavlidou, and Dimitrios Christofilos. "Towards Sustainable Museum Conservation Practices: A Study on the Surface Cleaning of Contemporary Art and Design Objects with the Use of Biodegradable Agents." Heritage 4, no. 3 (2021): 2023–43. http://dx.doi.org/10.3390/heritage4030115.

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Green contemporary art conservation cleaning methods are explored as sustainable museum practices, ensuring the conservator’s health and reducing the environmental impact. The performance of selected biodegradable cleaning agents, namely deionised (DI) water, a chelate based on trisodium salt of methylglycinediacetic acid (MGDA), Trilon® M, a non-ionic surfactant based on alkoxylated fatty alcohols (Plurafac® LF900), and two solvents, limonene and ethyl lactate, was evaluated for the surface cleaning of polymethyl methacrylate (PMMA), polylactic acid (PLA), polypropylene (PP), and plasticized
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Guarino, Regina. "The Art Museum." McNeese Review 60, no. 1 (2023): 121–25. http://dx.doi.org/10.1353/mcn.2023.a925635.

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Halbertsma, Ruurd, and Frits Scholten. "Two Bronze Tritons from Nicolaes Witsen’s Collection." Rijksmuseum Bulletin 65, no. 4 (2017): 340–53. http://dx.doi.org/10.52476/trb.10068.

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It recently emerged that two bronze ‘doorknobs’ in the Rijksmuseum collection, decorated with Tritons blowing conch shells and with inlaid silver discs, came from the renowned collection of the Amsterdam merchant and burgomaster Nicolaes Witsen. They were listed in 1728 in the catalogue of the sale of his estate (in the Antiquiteyten section) and appear in an engraving in the third, enlarged edition of Witsen’s Noord en Oost Tartaryen of 1785. It was also possible to establish that they were not, as had long been thought, sixteenth-century objects, but Roman appliques dating from the first cen
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Woytek, Bernhard. "CIRCENS CONST. Ein unikaler Sesterz Traians aus dem Jahr 98 n. Chr. und sein typologisches Umfeld." Numismatische Zeitschrift 116-117 (2008: Festschrift für Günther Dembski zum 65. Geburtstag, Teil I) (October 29, 2008): 115–31. https://doi.org/10.5281/zenodo.7915448.

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Editio princeps and contextualisation of the Trajan sestertius Woytek no. 10A (Kunsthistorisches Museum Vienna, Coin Cabinet, inv. 51.048): rev. CIRCENS(ibus)&nbsp;CONST(itutis);&nbsp;Neptune mounting&nbsp;<em>quadriga</em> to the left; Triton underneath the horses.
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Yuliasari, Yuliasari, and Yeptadian Sari. "Penerapan Konsep Arsitektur Kontemporer pada Art 1 : New Museum and Art Space." Journal of Architectural Design and Development 1, no. 1 (2020): 37. http://dx.doi.org/10.37253/jad.v1i1.718.

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Museum merupakan bangunan yang diperuntukkan sebagai tempat untuk pameran benda-benda karya seni yang memiliki nilai sejarah, seni dan ilmu. Namun pada kenyataannya, museum tidak lagi dianggap tempat penting karena kondisi beberapa museum di Indonesia kurang diperhatikan. Sehingga tingkat kunjungan masyarakat ke museum semakin menurun. Berdasarkan latar belakang tersebut maka perlu penerapan arsitektur kontemporer agar tempat yang tadinya dianggap demikian menjadi tempat yang menarik untuk dikunjungi masyarakat tanpa mengenal umur dan kalangan. Penelitian ini bertujuan untuk memahami penerapan
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Ortíz Triviño, Jorge Eduardo, and Rodolfo Cipagauta. "A virtual art museum." Ingeniería e Investigación 26, no. 3 (2006): 78–84. http://dx.doi.org/10.15446/ing.investig.v26n3.14754.

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This paper presents some indispensable technical aspects for designing an art museum based on virtual reality (VR) technology. A VR setting can be produced which is able to submerge users having a basic immersion level in a didactic, entertaining, cultural and artistic experience. Specialised tools, object-orientated programming language and low-cost peripheral equipment are suggested so that the VR experience can be developed and executed on reasonably-priced computers. The VR concept, characteristics, components, application and systems are analysed, as is the design for implementing it.
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Tollfree, Eleanor. "Art and the Museum." Art Book 8, no. 2 (2001): 3–5. http://dx.doi.org/10.1111/1467-8357.00235.

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Carrier, David. "The Art Museum Today." Curator: The Museum Journal 54, no. 2 (2011): 181–89. http://dx.doi.org/10.1111/j.2151-6952.2011.00080.x.

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Guffey, Elizabeth. "The Disabling Art Museum." Journal of Visual Culture 14, no. 1 (2015): 61–73. http://dx.doi.org/10.1177/1470412914565965.

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Dissertations / Theses on the topic "Triton Museum of Art"

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Bradford, Shalen. "Children's Art Museum." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2175.

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This Thesis explores the question; Is a children’s museum a playground or a museum? Through research and visits to children’s museums I feel that many are playgrounds. They are also visually stimulating to children, but not to the guardians who bring them there. In most cases the exhibits are permanent and there is little change to the atmosphere of the space on a regular basis. An old warehouse located on North Boulevard was chosen to house this project idea of a children’s art museum. The scenario is that The Virginia Museum of Fine Arts and the Children’s Museum of Richmond would have a
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Bingham, Glenn. "Mobile Museum of Art." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/aa_rpts/153.

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The following internship report is an investigation of the organizational structure of the Mobile Museum of Art from January 2013 to August 2013. During the internship, I was able to work in several different capacities, from volunteer coordinating, to marketing, to programming. This report analyzes several aspects within these fields, including the organization’s brand, marketing strategies, and educational structure as they shift under new management. Based on my observations, I will offer recommendations for programming, marketing, and volunteer management, and compare the current structur
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Wong, Ngai-leung Aman, and 黃毅樑. "Museum of Guangdong folk art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B3198552X.

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Secleter, John Robert. "Duke University Museum of Art." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/52237.

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Wong, Ngai-leung Aman. "Museum of Guangdong folk art." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2594552x.

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Södersten, Tove. "A Museum of Graphic art." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-175596.

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This project investigates the relations light and shape in a museum of graphic arts. The nature of daylight determines the meeting between the building and the sky. The shape of the building, therefore, distributes the light thus facilitating the meeting between the visitor and the art. The best light in art museums is neutral and avoids sharp contrasts and shadows that would otherwise detract from the experience in the museum. I studied how different shapes influence light and found a rounded shape to produce the best results, distributing light evenly thus avoiding distracting contrasts. Rou
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Conway, Chelsea. "Participatory Activities and the Art Museum: A Case Study of the Columbus Museum of Art." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1493982670620671.

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Lange, Andreas. "The Surreal Museum: An Intervention for the Cincinnati Art Museum." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1179159972.

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Thesis (Master of Architecture)--University of Cincinnati, 2007.<br>Title from electronic theses title page (viewed July 12, 2007). Includes abstract. Keywords: Cincinnati Art Museum; Addition; Intervention; Surrealism; unheimlich; museum; Architecture Includes bibliographic references.
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Jalkanen, Dayna Marie. "Art Around Town." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1285100432.

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Ng, Victor, and 伍達文. "Art ropolis: redefining the museum of (new) art, TST." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986717.

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Books on the topic "Triton Museum of Art"

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Art, Triton Museum of, ed. Duveneck, lost paintings found: An exhibition organized by the Triton Museum of Art. The Museum, 1987.

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Art, Triton Museum of, ed. La voz: A contemporary visual dialogue of South Bay Mexican American artists = un diálogo visual de artistas México-Americanso del Sur de la Bahía : Triton Museum of Art, Santa Clara, California : May 4 - August 15, 1996. Triton Museum of Art, 1996.

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Marc, D'Estout, Hernandez Joanne Farb, and Triton Museum of Art, eds. New furnishings: A survey of post modern Bay Area furniture design : Triton Museum of Art, June 8 through July 28, 1985. Triton Museum of Art, 1985.

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Souza, Celina Olga de, translator, ed. O Trianon do MAM ao MASP: Arquitetura e política em São Paulo (1946-1968). Editora 34, 2019.

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Kalivas, Fulton Andrea, and Denver Art Museum, eds. Denver Art Museum: Art spaces. Scala Publishers Ltd., 2006.

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Hubard, Olga. Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1.

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Cartoon Art Museum of California. and Comix collection, eds. Cartoon Art Museum. The Museum, 1985.

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Friedland, Katy. Art museum opposites. Philadelphia Museum of Art, 2010.

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From, Lena. Art museum architecture. Edited by Göteborgs konstmuseum. Göteborgs Konstmuseum, 2015.

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Franck, Anna. Turku Art Museum. Turku Art Museum, 2018.

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Book chapters on the topic "Triton Museum of Art"

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Valle Noronha, Marina. "No Longer Artwork." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_7.

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AbstractIn this conceptual chapter I explore, from a curatorial perspective, a new approach to the lifespan of artworks in museum collections. At a time when the managing of collections is under pressure because of new theories on the conservation of contemporary art, the conventional understanding of collection management might no longer hold. I speculate on how philosopher’s Tristan Garcia’s non-linear notion of time, in which the future does not exist and time is marked by intensities of presence, makes us re-think the engagement with objects perceived as deviant in collections. I investiga
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Schubbach, Arno. "AI and Art." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-005.

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Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on Michael Noll's early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot make do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential
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Kidd, Jenny. "The transmedia museum." In Curating Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-48.

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Ban, Shigeru. "Paper Art Museum." In Transparente Kunststoffe. Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8294-0_15.

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Ryan, Michael. "Yaroslavl Art Museum." In Revisiting Museums of Influence. Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-44.

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Plevoets, Bie, and Koenraad Van Cleempoel. "Kolumba Art Museum." In Adaptive Reuse of the Built Heritage. Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-15.

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Fahden, Melanie, and Anja Gebauer. "With AI to Art!" In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-025.

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In this article, Melanie Fahden and Anja Gebauer present a participatory project in which young students collaborated in the development of an AI-based chatbot. How can artworks from the nineteenth to the twenty-first century be communicated to young people in a compelling way, and how can they be interrogated with respect to their current relevance and debated in light of recent socio-political discourse? These were a few of the initial questions for a sophisticated art mediation program within the framework of the special exhibition FEMME FATALE: Gaze-Power-Gender (9 December 2022 to 10 Apri
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Ezeluomba, Ndubuisi C. "The development of the exhibition of African art in American art museums." In Museum Innovation. Routledge, 2021. http://dx.doi.org/10.4324/9781003038184-4.

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Serrao, Cissy, and Marenka Thompson-Odlum. "The Art of Hawaiian Quilting." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468487-012.

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Hubard, Olga. "Introduction: What Is Gallery Teaching?" In Art Museum Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_1.

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Conference papers on the topic "Triton Museum of Art"

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Ortiz, Julian, Nicolle Frazetta, and Jeyaprakash Chelladurai. "Design and Implementation of a Virtual Reality Environment for the Frazetta Art Museum." In 2025 17th International Conference on Computer and Automation Engineering (ICCAE). IEEE, 2025. https://doi.org/10.1109/iccae64891.2025.10980505.

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Baba, Shinsuke, Jennifer Meloon, and Stephen Duck. "K museum." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.312971.

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Livatino, Salvatore. "Virtual Museum of Contemporary Art." In 17th International Conference on Artificial Reality and Telexistence (ICAT 2007). IEEE, 2007. http://dx.doi.org/10.1109/icat.2007.55.

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Zhou, Hao. "Virtual Reality in the Art Museum." In SA '19: SIGGRAPH Asia 2019. ACM, 2019. http://dx.doi.org/10.1145/3366344.3366441.

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PASQUIER, Florent, and Mariana THIERIOT LOISEL. "The Museum Visit: Art and Transdisciplinarity." In For an international transdisciplinary chair. ADJURIS – International Academic Publisher, 2024. http://dx.doi.org/10.62768/adjuris/2024/2/13.

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Abstract: The article explores the critical need for contemporary organizations to foster a democratic and meaningful dialogue about life, emphasizing the importance of conscience in career paths and senior management research. It advocates for museums as spaces of reflection, offering an escape from the mechanistic and docile tendencies fostered by technological mediation in human relations. The text highlights the widening gap between management and workers, exacerbated by inequalities and miscommunication, and calls for transdisciplinary scientific research to address these issues. It under
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Družetić-Vogel, Ivana, Alina Fuchte, and Marina Bauernfeind. "ARt chat - A Museum App combining AR, Art and Communication." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-52-full-druzetic-vogel-et-al-art-chat.

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Museum labels are often looked at more intensively than the actual work itself. And who says that the interpretation written there is the only possible one? ARt chat is an application that enables museum visitors to place their own opinions, knowledge or even questions as comments virtually in the exhibition space. Through the application, they can also discuss the artworks with others and follow and respond to comments even after leaving the exhibition. The application combines augmented reality, art and communication.
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Revetneva, Olesia Evgenevna. "Museum Art Coaching: an innovative approach to interacting with art." In All-Russian Scientific and Practical Conference. Publishing house Sreda, 2025. https://doi.org/10.31483/r-138012.

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Ribeiro, Ana Luisa. "Projeto histórico e expografia em Design no Brasil: História e Realidade." In Encontro de História da Arte. Universidade Estadual de Campinas, 2012. http://dx.doi.org/10.20396/eha.8.2012.4182.

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O desenvolvimento das experiências de Lina Bo Bardi no campo museográfico perpassa grande parte de sua experiência no Brasil, por vezes entremeado e sobreposto à atuação multidisciplinar de Lina nos campos da arquitetura, cenografia e atividade editorial. Desde sua chegada ao Brasil até meados da década de 80, Lina seria responsável pela museografia do Museu de Arte de São Paulo (MASP) à rua Sete de Abril, à partir de 1947; realizaria a exposição Bahia no Ibirapuera (1959); as exposições Nós e o Passado, Formas Naturais e uma série de exposições didáticas no Museu de Arte Moderna da Bahia (MAM
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Chang, Wen-Thong. "Proactive guiding with iBeacon in Art Museum." In 2017 Pacific Neighborhood Consortium Annual Conference and Joint Meetings (PNC). IEEE, 2017. http://dx.doi.org/10.23919/pnc.2017.8203530.

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Chang, Yujin. "SIMPLE LIFE (CHANG UCCHIN MUSEUM OF ART)." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.06.09.02.

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Reports on the topic "Triton Museum of Art"

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Westermann, Mariët, Liam Sweeney, and Roger Schonfeld. Art Museum Staff Demographic Survey 2018. Ithaka S+R, 2019. http://dx.doi.org/10.18665/sr.310935.

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Sweeney, Liam, Deirdre Harkins, and Joanna Dressel. Art Museum Staff Demographic Survey 2022. Ithaka S+R, 2022. http://dx.doi.org/10.18665/sr.317927.

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Sweeney, Liam, and Joanna Dressel. Art Museum Director Survey 2022: Documenting Change in Museum Strategy and Operations. Ithaka S+R, 2022. http://dx.doi.org/10.18665/sr.317777.

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Schonfeld, Roger, and Liam Sweeney. Organizing the Work of the Art Museum. Ithaka S+R, 2019. http://dx.doi.org/10.18665/sr.311731.

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Fox, Andrew, and Sadie Walters. North Carolina Museum of Art West Building Expansion. Landscape Architecture Foundation, 2015. http://dx.doi.org/10.31353/cs0940.

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Sweeney, Liam, and Jennifer Frederick. Ithaka S+R Art Museum Director Survey 2020. Ithaka S+R, 2020. http://dx.doi.org/10.18665/sr.314362.

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Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic funct
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Dressel, Joanna, Deirdre Harkins, and Liam Sweeney. Living Wages: Art Museum Leaders Confront Persistent Staff Compensation Challenges. Ithaka S+R, 2023. http://dx.doi.org/10.18665/sr.319152.

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Baba, Tameka, Jack Gruber, and Caressa Givens. Bud and Susie Rogers Garden at the Akron Art Museum. Landscape Architecture Foundation, 2024. http://dx.doi.org/10.31353/cs2020.

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Miller, N. J., and S. M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1220103.

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