Dissertations / Theses on the topic 'Trombone concertoes'
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Oliver, Jason L. "The Creation of a Performance Edition of the Georg Christoph Wagenseil Concerto for Trombone with Attention Given to the Surviving Manuscripts and Primary Sources of Performance Practice from the Middle of the Eighteenth Century." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30500/.
Full textBruenger, David. "The cadenza: performance practice in alto trombone concerti of the eighteenth century." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332843/.
Full textMoore, Donald Scott. "The Concerto for Bass Trombone by Thom Ritter George and the Beginning of Modern Bass Trombone Solo Performance." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258476563.
Full textHoormann, Matthew Bleys. "A performer's guide to Daniel Schnyder's "Subzero, concerto for bass trombone"." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383474831&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Full textLamb, Christopher. "Blueline Concerto: Critical Essay." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc283800/.
Full textMartinez, Bradley William. "Intertextual Relationships in Nino Rota's Concerto per Trombone E Orchestra, the Godfather, and Fortunella." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10784437.
Full textNino Rota was most well known as a composer of film music, notably The Godfather Parts I & II. He also composed music for several other films including the Italian comedy Fortunella. This score has been credited as the reason the Academy of Motion Picture Arts and Sciences declined to nominate Rota for Best Original Music for The Godfather due to similarities between the two soundtracks. Because of this, scholars such as Franco Sciannameo and Marcia Citron have compared the two films. In this paper, I will introduce a piece of Rota’s concert music into this discussion, his Concerto per Trombone e Orchestra . This concerto connects the films chronologically: it was composed in 1966, eight years after Fortunella and six years before The Godfather . I will examine several themes of these three pieces using the literary element of intertextuality to show how they relate to one another.
Rota was known to borrow themes between his concert music and film music and vice versa, as he saw little difference between the two. Some themes have appeared in multiple pieces and scores spanning decades, not just in the three pieces discussed in this paper. These themes appear with different amounts of variation throughout Fortunella, the Concerto per Trombone, and The Godfather. At some points, they may be note-for-note, and at other points include some variations. Some of the similar themes between these three pieces include two themes in Fortunella, the “Love Theme,” “The Godfather Waltz,” and “The Pickup” from The Godfather, and three figures from Movements I and II from the Concerto per Trombone. Additionally, many of the film score themes serve a purpose similar to a Wagnerian leitmotif, but that purpose does not necessarily remain the same across films. Despite some common themes, these pieces of music utilize contrasting styles. Some of this difference may also be due to the relationship and differences in personal backgrounds between Rota and his closest collaborator, Federico Fellini, whom he worked with on Fortunella, and Francis Ford Coppola, director of The Godfather. This stylistic contrast becomes especially apparent when comparing the music Rota composed for films versus the concert hall, such as the Concerto per Trombone. This comparison and relationship between these three pieces can be viewed as an intertextual relationship, as would exist between pieces of literature quoting or referencing one another. These relationships add an extra layer of complexity to the text when understood by the reader, listener, or, in this case, performer. Understanding the intertextual relationships between Rota’s Concerto per Trombone and his scores for The Godfather and Fortunella, will add depth to a trombonist’s performance of this concerto.
Cernuto, Joseph Raymond. "Analytical, interpretative, and performance guides for conductors and soloists to John Mackey's Harvest: concerto for trombone, Drum music: concerto for percussion, and Antique violences: concerto for trumpet." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6071.
Full textHunter, Steven K. "The Instrumental Music of Ida Gotkovsky: Finding Intertextual Meaning." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc31535/.
Full textZugger, Thomas W. "The Influence of Jazz and Popular Music on the American Trombone Concerto, A Selected Study of the Solo Trombone and Large Ensemble Works of Richard Peaslee, James Pugh, Howard Buss, and Dexter Morrill." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1393348259.
Full textZugger, Thomas. "The influence of jazz and popular music on the American trombone concerto, a selected study of the solo trombone and large ensemble works of Richard Peaslee, James Pugh, Howard Buss, and Dexter Morrill /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488203158827096.
Full textWolfinbarger, Steve M. "The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331705/.
Full textMarks, Jeremy. "Doctoral thesis recital (trombone)." 2011. http://hdl.handle.net/2152/17011.
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"Vaclav Nelhybel: An Introduction to His Works for Trombone Solo and Trombone Ensemble." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.55551.
Full textDissertation/Thesis
Doctoral Dissertation Music 2019
Workman, Darren. "Doctoral thesis recital (bass trombone)." 2011. http://hdl.handle.net/2152/16593.
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TSAI, WEN-NI, and 蔡宛霓. "The Analysis and Interpretation of Henri Tomasi Trombone Concerto." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/54b2q5.
Full textHSU, YONG-TANG, and 許詠棠. "Analysis and Interpretation of Georg Christoph Wagenseil’s Concerto for Alto Trombone." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/u2sc96.
Full text國立臺灣藝術大學
音樂學系
107
Georg Christoph Wagenseil (1715- 1777) is an Austrian composer and a core member in Mannheim School. He is a model of early classical creative style. The concerto for alto trombone he wrote is the most important work in classical field of trombone. Therefore, this piece is a new horizon and challenge towards the trombonists. The thesis is divided the trombone concerto by Wagenseil into five chapter in order for further discussion. First Chapter: Clarify the aim of this research and introducing the researching method by the researcher. Second Chapter: Describing the background information and development of the trombone concerto, and also sketching the biography of Wagenseil. Third Chapter: Discussing the music form of the trombone concerto. Fourth Chapter: Introducing the interpretation method of the researcher towards this piece. Final Chapter: Summarizing the thesis.
Kao, Tsung-Wen, and 高崇文. "An Analysis and Interpretation of Nino Rota’s Concerto per trombone and orchestra." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/z9p853.
Full text國立臺北藝術大學
音樂系碩士在職專班音樂專業師資教育組
101
This paper is basic on analyzing and interpretation of Nino Rota’s “Trombone Concerto” which wrote in 1966.Content is divided into five chapters: The first chapter is an introduction, the second chapter is the historical information about the Rota life and background of life through an understanding of Rota, as well as its unique soundtrack composers to find their identity in the trombone Concerto in style and features. The third chapter analyzes the song done by analyzing chords and music composer way to understand the structure and characteristics. The fourth chapter is an interpeatation of the author and the final chapter is the conclusion.
CHIEN, HSU-KANG, and 錢旭康. "An Analytical and Interpreational Study of Marc Lys “Vertiges Concerto for Tenor Trombone”." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/hm2fde.
Full text國立臺北藝術大學
音樂系碩士在職專班音樂專業師資教育組
105
To be different from the traditional study of trombone concerto with piano accompaniment, the content of discussion trombone and percussion instruments with the relevant track collection; and then with the song works, this is the author set up this research motivation, escape the general for Single Track Works. In the second section, the relevant works on the trombone and percussion ensemble are collected as far as possible, and the types of the instruments are analyzed, the required instruments are listed, and the musical instrument is simply misinterpreted and related to the musical composition. The author of the song through a friend in France, asked the song writers, in order to better understand the track-related content. The third chapter introduces the creative background of this song, including the composer ''s school experience, to provide information to the musician, and finally to analyze the differences between the band version and the piano concerto edition. The fourth chapter analysis of music, using tabulation and traditional spectrum of music content for detailed introduction. The fifth chapter is the author of this song for the interpretation of the performance and note that. Finally, it is difficult to summarize the difficulties encountered in the production of this paper, the data collection direction is not good control, language problems and trombone and combat ensemble repertoire.
Tien, Yao-Wei, and 田曜瑋. "The Analysis and Interpretation of Concerto No. 1 for Trombone by Eric Ewazen." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7h8gdr.
Full text中國文化大學
音樂學系
106
Eric Ewazen (1954-) plays an important role in contemporary brass music, and is also an celebrated American composer of Neo-Romanticism. Concerto No. 1 for Trombone is an arrangement with band accompaniment. based on the Sonata for Trombone and Piano composed in 1993. Concerto No. 1 for Trombone by Ewazen is a significant contemporary trombone repertoire. The researcher aims to study his compositions, and look into his techniques influenced by Neo-Romanticism. Through analyzing the structure and background stories of the repertoire, the researcher will be able to have a better understanding of the composer and his works. Eventually, the researcher will compare interpretations of different performers in order to profoundly appreciate the layers and features of a repertoire. This thesis focuses on researching Concerto No. 1 for Trombone by Ewazen and can be divided into five chapters. The first chapter is an introduction identifying the importance of the proposed research, research methods and methodology. Chapter two leads to the background information and features of Ewazen’s works. Chapter three contains music form analysis. The researcher will provide his own interpretation of Concerto No. 1 for Trombone in chapter four. Last but not the least, a conclusion of the research will be provided in chapter five.
Tsai, I.-Tien, and 蔡沂恬. "The Analysis and Performance Practices of Vladislav M. Blazhevich's 《Trombone Concerto No.2》." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/93562459414542295105.
Full text國立臺北教育大學
音樂學系碩士班
104
Russian musician Vladislav Mikhailovich Blazhevich (1881-1942) is playing a significant role to the early twentieth century, addition to a virtuoso trombonist of the time, he also served as a composer and an educator. Apart from playing, he also composed numerous concertos, etudes and textbooks for trombone and tuba, his legacy for trombone and tuba has indelible contribution. This dissertation carried out a profound study subject to Concerto No.2 produced by Vladislav Mikhailovich Blazhevich. The content of this study was divided into five chapters. The first chapter is an introduction to explain the motivation and purpose of this study, the scope of study and its methodology, and a review of literature. The second chapter refferred to the background and introduction of this concerto. The third chapter began to elaborate the music composition and give an analysis on this subject. The fourth chapter is an interpretation to the music composition. The fifth chapter is the conclusion part. Hopefully, this study can help the performer to get to known the music composition and its written background as well as its structure. The performer may have a better way to interpret the music composition after reading this dissertation.
"New Editions of G. P. Telemann’s Sonata in F minor TWV 41:f1 and N. A. Rimsky-Korsakov’s Concerto for Trombone." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.38421.
Full textDissertation/Thesis
Doctoral Dissertation Music 2016
"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.
Full textsubmitted by Tang Pan-hang Benny.
Thesis submitted in: December 1997.
Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.
Abstract also in Chinese.
Abstract --- p.i
摘要 --- p.ii
Acknowledgment --- p.iii
Declaration --- p.iv
Introduction --- p.1
Trombone Concerto (first movement) --- p.2
Programme notes --- p.3
Remarks --- p.5
Instrumentation --- p.6
Seating Plan --- p.7
Scores --- p.8
Post-Zero 零後 --- p.56
Introduction --- p.57
Programme notes --- p.57
Performance direction --- p.61
Instrumentation --- p.62
Seating plan --- p.62
Scores --- p.63
"Trio for Flute, Violin and Cello No.2" --- p.144
Programme notes --- p.145
Performance direction --- p.145
Scores --- p.146
Biography --- p.159
Music Works List --- p.160