Relevant bibliographies by topics / Troubadours – Influence

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Troubadours – Influence'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Troubadours – Influence"

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Iskhakova, Saida Z. "Eastern and Western Influences in the Cantus Publicus Tradition of the 12th and 13th Centuries." Observatory of Culture, no. 5 (October 28, 2014): 66–72. http://dx.doi.org/10.25281/2072-3156-2014-0-5-66-72.

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Considers the impact of Muslim­Arab culture (via Andalusia) on the one hand and of the Church poetry and music on the other on the troubadours’ art. The author argues that though troubadours’ love poetry was quite alike Arabic lyrics, the formal structure of the songs created in the South of France was directly related to the Church Latin poetry and music of the second half of the 11th century. However, the ambiguity about the issue is rooted in the poetic Arab influence on these Church “songs” that spread during the 9th and the 10th centuries.
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HAINES, JOHN. "Living troubadours and other recent uses for medieval music." Popular Music 23, no. 2 (2004): 133–53. http://dx.doi.org/10.1017/s0261143004000133.

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This essay aims to expand on existing narratives of medieval music performance by exploring recent interpretations of the troubadours. Recent advances in the field of ethnomusicology, popular music and medieval music reception suggest the need to view medieval music performance in ways other than the conventional narrative of early music performance. This article focuses on the troubadours, originally song-makers in the late medieval Midi, or South of France. Based on my interviews with recent ‘living troubadours’ in the United States and France, I present evidence for multifarious musical int
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3

Marcenaro, Simone. "«Filologia e cultura epica: il caso dei trobadores»." Revista de Literatura Medieval 30 (December 31, 2018): 13–28. http://dx.doi.org/10.37536/rpm.2018.30.0.74043.

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Resumen: Alcune cantigas de escarnio e maldizer del trovatore galego-portoghese Fernan Soarez de Quinhones alludono, in forma parodica e burlesca, alla letteratura epica, sia attraverso l’uso di forme e stilemi propri del genere, sia attraverso una rete di rimandi intertestuali. L’analisi e lo studio dei possibili intertesti utilizzati dal trovatore per le sue canzoni satiriche possono dirci qualcosa di più in merito alla cultura letteraria del circolo di autori che si riunirono alla corte del futuro Alfonso X, ancora infante, nel quarto decennio del xiii secolo; allo stesso tempo, sarà possib
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Alconchel, José Luis Girón. "Nebrija y las gramáticas del español en el siglo de oro." Historiographia Linguistica 22, no. 1-2 (1995): 1–26. http://dx.doi.org/10.1075/hl.22.1-2.02alc.

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Summary This article is intended as a contribution to the history of Spanish grammar of the 16th and 17th centures. It has two parts. In the first the author places grammar studies within the framework of Spanish linguistics of the Renaissance; in the second, he delineates their evolution with reference to Latin grammar and the teaching Spanish as a foreign language. It is well known that nationalism and the intention to establish the literary foundations of the language are the most important agents of grammatical studies during the Renaissance; yet, attention must also be paid to the rupture
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5

Khalafat, Khaled S. "The Influence of the Andalusi Muashah on the Troubadour Poetry." International Journal of Comparative Literature and Translation Studies 5, no. 4 (2017): 19. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.4p.19.

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This study investigated the relationship between the Andalusi Muashah and the Troubadour that appeared in the eleventh century in southern France with the coexistence of the Arab Islamic presence in Andalusia where the Andalusi Muashah appeared in the fourth century AH. The study also examined the different perspectives about the origins of the Troubadour, and how the Andalusi Muashah reached this type of poetry. Besides, the present study further shed light on the structure of the Andalusi Muashah and the Troubadourian poems, thus presenting the overlapping between these two literary genres i
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6

Hamos, Andrea Warren. "Popular Elements in Late Troubadour Poetry: The Galician-Portuguese Influence." Tenso 7, no. 1 (1991): 12–22. http://dx.doi.org/10.1353/ten.1991.0018.

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7

Abu-Haidar, J. A. "The diminutives in the dīwān of Ibn Quzmān: a product of their Hispanic milieu?" Bulletin of the School of Oriental and African Studies 52, no. 2 (1989): 239–54. http://dx.doi.org/10.1017/s0041977x00035448.

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The distinguished orientalist Reinhart Dozy, writing in 1849, and referring to the possible influence of Arabic poetry on Spanish romances and on the early troubadour lyrics, pronounced the whole question as ‘tout à fait oiseuse’. He went on to say about this highly controversial question: ‘nous voudrions ne plus la voir débattue, quoique nous soyons convaincu qu'elle le sera pendant longtemps encore. A chacun son cheval de bataille’.
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8

Ecklund Farrell, Dianne. "Rear Cover: Courtly Love in the Caucasus: Rustaveli’s Georgian Epic, The Knight in the Panther Skin." Carl Beck Papers in Russian and East European Studies, no. 2205 (November 13, 2012): A. http://dx.doi.org/10.5195/cbp.2012.193.

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The Knight in the Panther Skin by Shota Rustaveli is the great medieval (ca. 1200) epic of Georgia, and its most distinctive feature is courtly or romantic love, which is its basic motivating force. This article seeks to establish in which respects The Knight in the Panther Skin resembles Western courtly love, and what the explanation for this resemblance might be. In this endeavor I have had to challenge a common (mis-) conception that Western courtly love was essentially illicit loveOne can easily demonstrate that the literary roots of The Knight in the Panther Skin lie in Persian literature
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9

Grinina, Elena, and Galina Romanova. "Italy and Provence: Cultural Connections in the Middle Ages." Stephanos Peer reviewed multilanguage scientific journal 45, no. 1 (2021): 36–46. http://dx.doi.org/10.24249/2309-9917-2021-45-1-36-46.

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The Provencal language and lyrics of troubadours had the highest authority in the Middle Ages, having influenced the development of poetic art, in particular, and the development of philological thought, in general, in adjacent territories. Undoubtedly, there were the closest ties of medieval Provence with Catalonia. However, Italy was also involved in the orbit of the cultural life of Provence. The purpose of the article is to show how Italy and Provence were connected in the 13th century and to what extent Italy contributed to the development and preservation of the grammar of the Provencal
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10

Bellver, José. "Mirroring the Islamic Tradition of the Names of God in Christianity: Ramon Llull’s Cent Noms de Déu as a Christian Qurʾān". Intellectual History of the Islamicate World 2, № 1-2 (2014): 287–304. http://dx.doi.org/10.1163/2212943x-00201017.

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‭The aim of this paper is to call attention to Ramon Llull’s Cent noms de Déu, or The One Hundred Names of God, and its unique place in the history of medieval Christian-Muslim polemics. Llull (1232–1315) was a writer, logician, philosopher, theologian and mystic born in Mallorca shortly after it was conquered by Christians from the Muslims. Initially living the life of a troubadour, he experienced a religious conversion and committed himself, in turn, to convert the “infidels”. With his Cent noms de Déu, a versified book written under the influence of the Islamic tradition of the asmāʾ Allāh
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Dissertations / Theses on the topic "Troubadours – Influence"

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Marquand, Patrice. "Les relations culturelles entre la Bretagne continentale et l'Aquitaine au Moyen âge." Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20060.

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La littérature française médiévale a puisé aux sources celtiques et occitanes pour donner naissance aux romans courtois.D’autre part, la plupart des chansons de geste en langue d’oïl sont localisées en Occitanie et certaines d’entre elles ont puexister en occitan. Or, certains des héros de ces chansons sont Bretons. Les écrivains du 12ème siècle et leurs mécènes ont-ils rapproché deux mondes jusque-là distincts, le monde celtique et le monde occitan ? Ou bien les contacts ont-ils été directs et plus anciens ? La Bretagne continentale a-telle été un intermédiaire entre le Nord et le Sud ? Entre
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Dolgorukova, Natalia. "La réception de la matière de Bretagne aux XIIe-XIIIe siècles : Marie de France et ses contemporains." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040151.

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Les auteurs qui vivaient à la cour des Plantagenêt, créaient une sorte de mythe historique et culturel, appelé à contribuer à la consolidation politique et sociale de leur royaume. Les Lais de Marie s’inscrivent dans ce contexte. La première partie montre pourquoi et comment Marie s’adresse à l’œuvre historiographique de Wace. L’influence de cet écrivain transparaît incontestablement dans l’œuvre de Marie et il n’est pas impossible que son projet littéraire, consistant à créer un recueil des douze lais, puisse être inspiré par la chronique de l’historiographe. La seconde partie dégage de nombr
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Bonnery-Constans, Nathalie. "De l'essai au poème : l'inspiration du catharisme dans l'oeuvre de René Nelli." Montpellier 3, 1996. http://www.theses.fr/1996MON30058.

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2 000 caracteres maximum espaces compris. En cas de depassement la coupure sera automatique cette etude par un va-et-vient entre poemes et ecrits theoriques veut montrer l'importance de l'inspiration du catharisme dans l'oeuvre de rene nelli en reconstituant son parcours poetique et en relevant les themes dualistes qui affleurent a la surface des poemes puis s'y affirment. Nous avons distingue pour cela deux epoques indissociables qui se repondent. La premiere ou l'experience poetique de rene nelli est une experience existentielle qui se donne comme centre l'amour. Reactivant la parole des tro
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Books on the topic "Troubadours – Influence"

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Rhetorics of reason and desire: Vergil, Augustine, and the troubadours. Cornell University Press, 1988.

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2

Assembling the lyric self: Authorship from Troubadour song to Italian poetry book. University of Minnesota Press, 2000.

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3

Le fonti provenzali dei poeti della scuola siciliana: I postillati del Torraca e altri contributi. Le lettere, 1996.

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4

Philip, Grover, ed. Ezra Pound and the troubadours: Selected papers from the Ezra Pound conference, Brantôme, France, 1995. Fédérop, 2000.

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Capelli, Roberta. Carte provenzali: Ezra Pound e la cultura trobadorica (1905-1915). Carocci editore, 2013.

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6

Studi sui fedeli d'amore: Dai poeti di corte a Dante : simboli e linguaggio segreto. Bastogi, 1997.

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7

Dennis, Helen May. A new approach to the poetry of Ezra Pound: Through the medieval Provençal aspect. Edwin Mellen Press, 1996.

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8

Margherita, Lecco, ed. Poeti e poesia a Genova (e dintorni) nell'età medievale: Atti del convegno per Genova capitale della cultura europea 2004. Edizioni dell'Orso, 2006.

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9

Holmes, Olivia. Assembling the Lyric Self: Authorship from Troubadour Song to Italian Poetry Book. University of Minnesota Press, 1999.

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Holmes, Olivia. Assembling the Lyric Self: Authorship from Troubadour Song to Italian Poetry Book (Mmc-Medieval Cultures). Univ of Minnesota Pr, 1999.

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Book chapters on the topic "Troubadours – Influence"

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"Influence, les troubadours en dehors de l'Occitanie." In Bibliographie de la littérature occitane: trente années d’études (1977-2007). Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.paieo-eb.4.00060.

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Kelly, Douglas. "Translatio Poetriae." In Filologie medievali e moderne. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-137-9/005.

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The Occitan treatises on the art of poetry are among the earliest vernacular arts of poetry. However, they adapt the pedagogy of the classroom implicit in Latin treatises like the Poetria nova to the court milieu beginning in the thirteenth century. This paper illustrates this development by comparing the new vernacular art with the Latin art found in Geoffrey’s treatise and commentaries on it as well as in other treatises written and commented on in the twelfth-thirteenth centuries and beyond. The Occitan treatises were written for laymen; although ignorant of Latin, they wished to write in the style of the early troubadours but with adaptations to the new subject matters of fin’amors. Key documents include the different versions of Guilhem Molinier’s Leys d’Amors written for the Toulouse consistory as well as some Catalan courts. An important feature of this emerging vernacular art is the imitation and emulation of recognised masterpieces of the art, including the ‘ancient troubadours’ and some Latin pieces, as the vernacular art evolved under supervision of the Inquisition. These changes are evident in the works of model poets such as N’At de Mons and Ramon de Cornet on whom I focus in this paper. Latin pedagogy is evident in the Occitan treatises these authors exemplify, but with adaptations to the new vernacular. The troubadour influence went north to some French courts and beyond. The role of intermediaries that link different vernaculars will be briefly noted in conclusion, a rayonnement not unlike that identified in Woods’ study on the diffusion in Europe of the Poetria nova and commentary on it.
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Thain, Marion. "Ezra Pound’s Troubadour Subject: Community, Form and ‘Lyric’ in Early Modernism." In The Lyric Poem and Aestheticism. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474415668.003.0011.

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This final case study also acts as a historical ‘coda’ to the trajectory of aestheticist lyric traced within this book. It connects it with the twentieth century and with the better known story of lyric within high modernism. Starting with Pound’s intense historical engagement with lyric in the earliest part of his career, and with his troubadour poem ‘Cino’, the chapter opens with an analysis of the significance of community through refrain. It then moves on to trace the substantial influence of aestheticist poets on this early work, and offers an original account of the significance of Ernest Dowson and the Rhymers’ Club for Pound’s work. The chapter ends with an account of modernism’s troubled relationship with the conceptualisation of lyric inherited from the nineteenth century.
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Reports on the topic "Troubadours – Influence"

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Lucas, Marilyn. The Influence of Cathar Philosophy, Thought and Everyday Life on the Works of Selected Troubadour Poets. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7194.

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