Relevant bibliographies by topics / Trow's Conception

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Trow's Conception'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Trow's Conception"

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Frendo, Mario. "The dithyrambic dramatist: A Nietzschean musical-performative conception." Studies in Musical Theatre 14, no. 2 (2020): 193–206. http://dx.doi.org/10.1386/smt_00032_1.

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The concept of the dithyrambic dramatist ‐ introduced by German philosopher Friedrich Nietzsche in the fourth essay of his Untimely Meditations of 1873‐76 ‐ is one of the most performance-oriented concepts to emerge out of the nineteenth century in which theatre was often associated with dramatic literature. This article investigates the nature of the dithyrambic dramatist by tracing, in the first instance, the underlying musical perspectives ‐ already evident in The Birth of Tragedy of 1872 ‐ which led Nietzsche to develop the concept. In the second instance, the author articulates what may b
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Snider, Madison. "The Bully Pulpit: trolling the trolls with polysemous monstrosity." Communication, Culture and Critique 14, no. 2 (2021): 220–36. http://dx.doi.org/10.1093/ccc/tcab004.

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Abstract The photography of Haley Morris-Cafiero partakes in a larger feminist response to the vitriol of online misogyny that implicates the current moderation environment of online social platforms. This analysis illuminates Morris-Cafiero’s work of transgressive feminist art, using the body as a means for subverting the gaze of online misogyny and fat-shaming and presenting it anew. Morris-Cafiero uses self-portraiture to remark on the subject of online harassment as both the recipient and the sender. Bringing gendered histories of monstrosity into conversation with contemporary gendered on
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Jampol-Petzinger, Andrew. "Kierkegaard as a Thinker of Deleuzian Immanent Ethics." Symposium 24, no. 1 (2020): 118–37. http://dx.doi.org/10.5840/symposium20202416.

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In this article, I present an interpretation of Kierkegaard’s ethics in terms of Gilles Deleuze’s distinction between immanent ethics and transcendent morality. I argue that Kierkegaard’s skepticism towards moral prescription, his emphasis on the single individual as the basis of normative evaluation, and his view of Christianity as somehow “beyond” the scope of moral obligation are all functions of a Deleuzian conception of immanent ethics as a non-moralistic form of normativity. On this basis, I argue for two conclusions: first, that Kierkegaard’s work is better understood through this frame
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Salinas Araya, Adán. "Filosofía teatral: lecturas posibles de Deleuze." Hermenéutica Intercultural, no. 32 (December 4, 2019): 145–60. http://dx.doi.org/10.29344/07196504.32.2111.

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El artículo se detiene en algunas facetas de una posible filosofía teatral en Deleuze. Esta filosofía teatral podría ser una de las claves de interpretación para el análisis de algunas de las principales categorías del autor. Como un modo inicial de aproximación, el artículo expone tres operaciones o tropos de esta forma de filosofía: utilizar los conceptos dentro de una puesta en escena, encarnar el acontecimiento y devenir menor, tropos que pueden ser entendidos, según las palabras de Artaud, como un lenguaje a medio camino entre el gesto y el pensamiento.
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Szczepanik, Petr. "Post-socialist producer." Critical Studies in Television: The International Journal of Television Studies 13, no. 2 (2018): 207–26. http://dx.doi.org/10.1177/1749602018763546.

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This article focuses on a profession of key importance for understanding today’s screen industries in Central-Eastern Europe: the independent producer. Using the approach of critical production studies, the article focuses on producers’ ‘reflexivity’ to reveal how their professional identity is being constructed and how they are positioning themselves within the broader ecology of the media industry. By analysing a set of semi-structured interviews with Czech producers of all kinds, this article identifies five recurrent tropes related to their ‘self-conceptions’. The tropes demonstrate how th
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Zahra, Tara. "Going West." East European Politics and Societies: and Cultures 25, no. 4 (2011): 785–91. http://dx.doi.org/10.1177/0888325411398917.

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“Going West” explores the potential of integrating East European History into broader histories of Europe and the world. Placing the history of Eastern Europe in a European context, I argue, may enable us to challenge the tropes of backwardness, pathology, and violence that still dominate the field. I also suggest that historians explore the extent to which conceptions of minority rights, development, and humanitarianism first developed in Eastern Europe radiated beyond the region in the twentieth century.
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Sánchez, Marta E. "La Malinche at the Intersection: Race and Gender in Down These Mean Streets." PMLA/Publications of the Modern Language Association of America 113, no. 1 (1998): 117–28. http://dx.doi.org/10.2307/463413.

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Piri Thomas's Down These Mean Streets (1967) challenges binary notions of whiteness and blackness by valorizing a third term—mestizaje. And yet the novel enlists dominant views of female gender and sexuality to affirm the protagonist's ethnic male identity. In my Chicana feminist reading of this Puerto Rican text, I import the reinterpreted figure La Malinche and its companion figure La Chingada—prevailing tropes in Chicano and Chicana literature and discourse of the 1960s—to illuminate the complex intersections of race, ethnicity, gender, sexuality, and class. These intersections are key to s
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Hoquet, Thierry. "« Insaisissable Haraway »." Sociologie et sociétés 42, no. 1 (2010): 143–68. http://dx.doi.org/10.7202/043961ar.

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RésuméQui est Donna Haraway ? Historienne des sciences spécialiste des hominidés, théoricienne du féminisme cyborg, elle s’est récemment tournée vers les animaux domestiques. Nous analysons les dispositifs rhétoriques (tropes) et biologiques (métaplasmes, symbiose) par lesquels Haraway hybride les disciplines et trouble les frontières théoriques, sans tomber pour autant sous l’étiquette « postmoderne ». Haraway opère une critique des dichotomies conceptuelles qu’elle reconduit pourtant en partie en multipliant les mots-valises (naturecultures, cyborgs). Puis nous analysons la conception harawa
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VAN RIJ, INGE. "Back to (the music of) the future: Aesthetics of technology in Berlioz's Euphonia and Damnation de Faust." Cambridge Opera Journal 22, no. 3 (2010): 257–300. http://dx.doi.org/10.1017/s0954586711000255.

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AbstractIn his final years, Berlioz's name became entangled in debates around Wagnerian ‘music of the future’; but Berlioz was also engaged with conceptions of the future in a much more literal sense throughout his life. An examination of texts such as Euphonia which treat futuristic settings helps us to identify three main technological tropes by which the future is characterised in Berlioz's writings: the industrialisation of space and time; the discourse of gender; and fears around agency. Applying these tropes to the contemporaneous La damnation de Faust enables a new reading of genre in B
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Adeniyi, Emmanuel. "The Portraiture of Stockholm Syndrome: Cultural Dislocation in Phillis Wheatley’s Poetry Collection and Selected African American Texts." English Studies at NBU 4, no. 1 (2018): 41–60. http://dx.doi.org/10.33919/esnbu.18.1.4.

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One of the tropes that have often been glossed over in African American literature is the concept of Stockholm Syndrome. The syndrome emphasises irrationality and abnormal psychological or mental disposition of Stockholm Syndrome sufferers towards individuals responsible for their pitiable conditions. This article examines the conception and its nexus with slavery and the use of religion (Christianity) as an ideological tool for the indoctrination or brainwashing of African slaves and their descendants in the United States of America. I argue that the syndrome, though conceived as a correlate
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Dissertations / Theses on the topic "Trow's Conception"

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Scholl, Isabelle. "Conception, réalisation et utilisation d'archives de données solaires spatiales." Paris 6, 2003. http://www.theses.fr/2003PA066303.

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Zidna, Ahmed. "Contribution à la modélisation des carreaux troués." Metz, 1990. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1990/Zidna.Ahmed.SMZ9018.pdf.

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Les objets du monde industriel ont souvent des formes gauches, il a donc fallu trouver une représentation adéquate de surfaces répondant à des contraintes de construction telles que le contrôle de la forme et le lissage. Les modèles de Bézier, B. Spline et B. Spline rationnelles constituent une réponse à ces demandes et sont utilisés dans de nombreux systèmes industriels, de l'automobile à l'aéronautique. Un exemple qui inspirera notre travail est la création d'un toit ouvrant ou d'une fenêtre dans une carrosserie de voiture. La difficulté réside dans la modélisation de la restriction. Nous pr
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Girard, Pierre Rechenmann François. "Construction hypothétique d'objets complexes." S.l. : Université Grenoble 1, 2008. http://tel.archives-ouvertes.fr/tel-00345880.

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BRUNSON-MCCLOUD, JAMES. "La Conception de la guerre dans les romans de Chrétien de Troyes." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1014395360.

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Guilloteau, Alexis. "Conception d'une clarinette logique." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM4740.

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Le processus de conception des instruments à anche simple, élaboré au fil des siècles par les facteurs, est essentiellement basé sur des lois de comportement empiriques qui résultent de l’arbitrage des clarinettistes. Leurs critères subjectifs d’appréciation semblent être aussi bien alimentés par des descripteurs acoustiques (fréquence de jeu, spectre perçu, dynamique) que par l’aisance dans leur contrôle. Les connaissances actuelles en propagation guidée dans les réseaux de trous latéraux, offrent une base nécessaire à la prédiction du comportement acoustique linéaire du résonateur de l’instr
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Lajmi, Abdelmajid. "Conception d'un appareil de mesure de tension d'une courroie à trois points de déflexion." Mémoire, École de technologie supérieure, 2002. http://espace.etsmtl.ca/819/1/LAJMI_Abdelmajid.pdf.

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Dans la majorité des applications industrielles, l'utilisation des courroies dans les transmissions de puissance ne cesse d'augmenter. Les constructeurs de courroies sont conscients de l'importance de cet organe de transmission. Des expertises montrent que le glissement, le défaut d'alignement, la tension de pose incorrecte, etc. causent la dégradation prématurée de la courroie et réduisent sa longévité. Le réglage de la tension est le point le plus sensible, soit dans le cadre d'une nouvelle installation, soit dans le cadre d'une réparation. Le but de cette étude est de concevoir un a
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Duncan, Dennis. "Tropes of translation and conceptions of the subject in the work of the Oulipo." Thesis, Birkbeck (University of London), 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615322.

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The subject of translation is one which appears with striking frequency in the work of the Parisian literary coterie, the Oulipo. As a cosmopolitan group, it is perhaps unsurprising that members should translate one another's work for their native markets, but more than that we find that variant forms such as homophonic translation underlie a considerable portion of the group's output. Translation, as Harry Mathews puts it, is '[ a] principle central to Oulipian research' . This thesis will argue that the preoccupation with translation goes beyond its practice in various Oulipian modes, and th
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Pouliot, Nicolas. "Analyse, optimisation et conception de mécanismes de simulation de mouvement à trois degrés de liberté." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq25715.pdf.

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Morachioli, Laurent. "Développement d'une sonde de pression 5 trous instationnaire avec capteurs embarqués." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24818/24818.pdf.

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White, Jacques. "Les prises de décision des architectes dans la conception architecturale, étude de trois concours québécois récents." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ31806.pdf.

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Books on the topic "Trow's Conception"

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Paroisse de l'Immaculée-Conception (Trois-Rivières, Québec). Répertoire des baptêmes de la paroisse Immaculée-Conception (cathédrale de), Trois-Rivières, 1800-1878. Société de généalogie de la Mauricie et des Bois-Francs, 1999.

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Société de généalogie de la Mauricie et des Bois-Francs. Répertoire des sépultures de la Paroisse Immaculée-Conception de Trois-Rivières, 1634-2004. Société de généalogie de la Mauricie et des Bois-Francs, 2005.

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Bergeron, Jacqueline. Répertoire des baptêmes de la Paroisse Immaculée-Conception (cathédrale de), Trois-Rivières, 1875-1878: (baptêmes omis). Société de généalogie de la Mauricie et des Bois-Francs, 2003.

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Société de généalogie de la Mauricie et des Bois-Francs., ed. Répertoire des baptêmes de la Paroisse Immaculée-Conception de Trois-Rivières, 1635-1799. Société de généalogie de la Mauricie et des Bois-Francs, 2003.

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Paroisse de l'Immaculée-Conception (Trois-Rivières, Québec) and Société de généalogie de la Mauricie et des Bois-Francs., eds. Répertoire des baptêmes de la paroisse Immaculée-Conception (cathédrale de), Trois-Rivières, 1879-1991. Société de généalogie de la Mauricie et des Bois-Francs, 1998.

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6

Faúndez C., Jorge, Marlene Verónica González González, Patricio Parra Sanhueza, and Juan Carlos Valencia Baier. Manual 38: Manual para la certificación sanitaria forestal. INFOR, 2001. http://dx.doi.org/10.52904/20.500.12220/6669.

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Entrega protocolos sanitarios de procesos productivos basándose en el concepto y objetivo de los Sistemas Integrados de Mitigación de Riesgo de Plagas. Constituye un documento guía para la certificación sanitaria de productos forestales primarios de exportación (trozas, madera aserrada y astillas) de pino, eucalypto, coigue y tepa.
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Bassler, Samantha. Madness and Music as (Dis)ability in Early Modern England. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.46.

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Although disability has long been a subject of premodern historical, cultural, and literary studies, musicologists have not thoroughly investigated conceptions of disability in early music. This essay is intended to enrich understanding of how disability operated in the culture of early modern England and argues for Disability Studies as a useful tool for illuminating aspects of early modern English culture that might otherwise go unnoticed within traditional cultural analysis. It uses disability as a departure point for a more nuanced understanding of premodern culture in England, centering o
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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. The poetics of language. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0035.

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The chapter analyzes language-oriented poets and movements, showing how different conceptions of the poetic word emerged and influenced writing and performance throughout the period. The chapter follows the ramifications of avant-garde experiment, expressed in manifestos, public gestures, and performances. These innovations continued to influence the artistic practices of the 1920s and were revived later in the 1960s–80s. They comprised a legacy for concrete and Conceptualist poetry and, later, Metarealism. The chapter discusses the connection of these groups to underground culture, and shows
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Williams, Donald C. Introduction. Edited by A. R. J. Fisher. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810384.003.0001.

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The Introduction begins with a brief biographical treatment of Williams’s early career, with reference to philosophers of the previous generation. His general philosophical commitments are then outlined. They are empiricism, realism, and naturalism. According to Williams, empiricism entails the view that all knowledge pertaining to matters of fact is known inductively. Realism is the view that there is an external world independent of our conscious experience. Naturalism is the view that every existent is located and extended in a single system of space-time. His conception of metaphysics, his
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Williams, Wes. Montaigne on Imagination. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.39.

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This article explores aspects of Montaigne’s imagination with a focus on questions of conception and generation, volition and cognition, human and animal being. Engaging critically with the reception of early modern theories of the imagination in both poetic and medical discourse, and with a set of now canonical essays in the field (I, 8; II, 6; II, 12 as well as I, 21), it explores a number of resonant themes, tropes, and actions: falling, watching, reading, and (almost) dying. Discussion of Montaigne’s inheritance is best conducted alongside consideration of the complex afterlives of the Ess
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Book chapters on the topic "Trow's Conception"

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Wood, Roy C. "Roads not adopted: tourism research in neo-liberal(?) times." In Tourism in development: reflective essays. CABI, 2021. http://dx.doi.org/10.1079/9781789242812.0017.

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Abstract This chapter explores conceptions of neo-liberalism in the context of the development of tourism research. Although its intellectual origins are somewhat earlier, neo-liberalism as an economic philosophy is mostly seen as growing in global dominance from the late 1970s and early 1980s. However, the starting point for this discussion is the extensive and ongoing debate about neo-liberalism's general influence on higher education in particular. This is justified in terms of the corresponding growth of tourism in higher education since the 1970s. Putting it another way, in the English-speaking world (and, some would argue, beyond), the apparent growth of neo-liberalism in higher education is coincidental with the rise of tourism as a subject in that milieu. Accordingly, we might not unreasonably expect the development of tourism as a relatively new area of enquiry to more strongly reflect the supposed tropes of the neo-liberal project than is the case with more established subjects. Following from this, the chapter seeks to explore the extent to which the neo-liberal project has influenced tourism research, finally reflecting on the implications of such an analysis.
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Chaput, Marie-Claude, and Julio Pérez Serrano. "Trois conceptions de la nation espagnole à partir des Constitutions." In Les nations européennes entre histoire et mémoire, xixe-xxe siècles. Presses universitaires de Paris Nanterre, 2017. http://dx.doi.org/10.4000/books.pupo.6696.

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Chivallon, Christine. "Chapitre VI. Trois conceptions de la diaspora pour trois thèses relatives à l’univers culturel afro-américain." In La diaspora noire des Amériques. CNRS Éditions, 2004. http://dx.doi.org/10.4000/books.editionscnrs.5026.

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GABAUDAN, Vincent, Moulay Tahar SOUGRATI, Lorenzo STIEVANO, and Laure MONCONDUIT. "Électrodes négatives non carbonées pour batteries au sodium." In Les batteries Na-ion. ISTE Group, 2021. http://dx.doi.org/10.51926/iste.9013.ch4.

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La chimie et la conception des matériaux non carbonés d'électrode négative sont décrites dans ce chapitre. Ils se répartissent en trois groupes selon le mécanisme de stockage du sodium : les matériaux d’insertion, les matériaux d’alliage et les matériaux de conversion. Ces mécanismes électrochimiques sont ici rappelés dans le cas du sodium. Chacun de ces groupes présente des avantages et inconvénients pour l’application des batteries qui sont déclinés dans ce chapitre.
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McLaughlin, Emily. "Voice and Subjectivity in Les Planches courbes." In Yves Bonnefoy and Jean-Luc Nancy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849582.003.0004.

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This chapter analyses Bonnefoy’s experimentation with sound in Les Planches courbes, published in 2001. Offering a close reading of the eleven-poem sequence ‘La Voix lointaine’, it investigates how Bonnefoy uses the motif of listening to a distant voice to present self-presence as a space of resonance. It examines how the poet critiques visual tropes that present subjectivity as a scene of self-reflection and instead uses the rhythms of poetic voicing to explore how consciousness emerges from the reverberations between linguistic, sensual, and material forces. Analysing how Bonnefoy and Nancy both present resonance as an originary dynamic, this chapter investigates how they both use this larger conception of resonance to explore how human subjectivity emerges from an endlessly mobile and relational physical world.
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Zeisberg, Mariah. "Presidential Discretion and the Path to War." In War Powers. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691157221.003.0002.

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This chapter pairs President Polk's entry into the Mexican War with President Roosevelt's movement toward World War II. Using the relational conception, it argues that while both Polk and Roosevelt behaved independently and made good use of the distinctive capacities of the executive branch, Roosevelt's behavior was more deeply relational in that it was more subject to legislative rebuff. Roosevelt's constitutional authority was also buttressed by a defensive security necessity. After World War II, repelling troops at the border was transparently revealed as an inadequate standard for judging whether a president was using the office's war powers “defensively.” Confronted with this transparent destabilization of the category of “defensive,” the United States embarked on a project of global institution building to reduce its vulnerabilities.
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Brzoska, Matthias. "Le spectaculaire, le Mal inné, l’expiation : trois conceptions du fantastique dans le grand opéra." In Opéra et fantastique. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.80163.

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Schmid, Marion. "The World as Spectacle: Cinematic Theatricalities." In Intermedial Dialogues. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474410632.003.0003.

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This chapter examines theatre's double role as both rival and tutelary figure for New Wave directors. From Alain Resnais's theatrical fictions to Jean-Luc Godard's Brechtian conception of the cinematic medium, not forgetting Jacques Rivette's incorporation of theatre rehearsals and theatrical plots into the filmic fabric, the theatre takes centre stage in the New Wave as cinema's embodied 'other'. The chapter explores the manifold interactions with theatre and theatricality in New Wave film, focusing on intermedial tropes such as mise en abyme and metalepsis, but also interrogating the theatre's capacity - as postulated by Rivette - to reveal cinema to itself. We will see that the collective practices of avant-garde theatre of the 1950s and 60sopen up the concept of the auteur, creating a new space for improvisation and creative collaboration.
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McKevitt, Steven. "Planning for Success." In The Persuasion Industries. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821700.003.0004.

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From the 1970s, consumers were becoming increasingly desensitized to the established tactics and tropes of the hard sell. The need for continued, effective audience engagement led to the emergence of a new methodology—born out of the growing body of sector-related academic research, based on emotional rather than rational appeals with much greater emphasis on the creative content—that allowed the persuasion industry to respond to this challenge. This chapter looks at the key methodological developments in the persuasion industries and their impact, namely the so-called creative revolution in advertising, the conception and adoption of account planning and market positioning, and the emergence of brand marketing. There is also an analysis of the mass media and their role in the delivery of persuasion. Developments and challenges affecting the UK’s burgeoning public relations sector are discussed.
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Krentz, Peter. "Hoplite Hell: How Hoplites Fought." In Men of Bronze. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691143019.003.0007.

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This chapter takes aim at Victor Davis Hanson's The Western Way of War and its highly influential and popular conception of how hoplites fought. It critiques the orthodox view—especially the version of Hanson—concerning the actual weight of the hoplite panoply, which the chapter argues was far lighter than the traditional estimate of about seventy pounds. The chapter proposes a different interpretation of the various stages of hoplite battle, such as the hoplite charge into battle. In this view, the evidence supports neither the picture of a mass collision between armies nor the concept of a mass pushing of troops or the account of the othismos as a rugby scrum. Furthermore, this chapter contends that the phalanx did not consist exclusively of hoplites before Marathon. It suggests, however, that even in the fifth century hoplites never actually fought in a cohesive formation.
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Conference papers on the topic "Trow's Conception"

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Elmoutawakkil, N., S. Bouzoubaa, S. Bellemkhannate, and I. Benyahya. "Flux de travail du guidage tridimensionnel en chirurgie orale." In 66ème Congrès de la SFCO. EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206602005.

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L’implantologie assistée par ordinateur permet de sécuriser le geste, de prévoir les potentielles complications, d’anticiper la séquence de forage et le choix de l’implant et donne la possibilité d’avoir une transition entre la simulation et la chirurgie à l’aide d’un guide chirurgical, elle est utilisée pour faciliter l’établissement d’un diagnostic précis et du plan de traitement idéal[1]. Dès que les images radiologiques (sous format DICOM) sont acquises suite à la réalisation d’une tomodensitométrie ou d’un cône-beam, elles sont transférées dans un logiciel de planification qui permettra l
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