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Journal articles on the topic 'True womanhood'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Roberts, Mary Louise. "True Womanhood Revisited." Journal of Women's History 14, no. 1 (2002): 150–55. http://dx.doi.org/10.1353/jowh.2002.0025.

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Guy, Donna J. "True Womanhood in Latin America." Journal of Women's History 14, no. 1 (2002): 170–73. http://dx.doi.org/10.1353/jowh.2002.0019.

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Lannon, Frances. "True Catholic Womanhood: Gender Ideology in Franco's Spain (review)." Catholic Historical Review 89, no. 2 (2003): 320–21. http://dx.doi.org/10.1353/cat.2003.0124.

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4

Zschoche, Sue. "Dr. Clarke Revisited: Science, True Womanhood, and Female Collegiate Education." History of Education Quarterly 29, no. 4 (1989): 545. http://dx.doi.org/10.2307/369063.

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5

Broude, Norma. "Mary Cassatt: Modern Woman or the Cult of True Womanhood?" Woman's Art Journal 21, no. 2 (2000): 36. http://dx.doi.org/10.2307/1358749.

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6

Grimshaw, Patricia. "In pursuit of true Anglican Womanhood in Victoria, 1880-1914." Women's History Review 2, no. 3 (1993): 331–47. http://dx.doi.org/10.1080/09612029300200037.

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7

Kaiser, Laurie. "The Black Madonna: Notions of True Womanhood from Jacobs to Hurston." South Atlantic Review 60, no. 1 (1995): 97. http://dx.doi.org/10.2307/3200715.

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8

Carlson, A. Cheree. "No Laughing Matter: American Woman Humorists Versus "True Womanhood," 1820-1880." Journal of American Culture 13, no. 3 (1990): 23–29. http://dx.doi.org/10.1111/j.1542-734x.1990.1303_23.x.

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9

Swenson, Kristine. "The menopausal vampire: arabella kenealy and the boundaries of true womanhood." Women's Writing 10, no. 1 (2003): 27–46. http://dx.doi.org/10.1080/09699080300200257.

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10

duCille, Ann. "The Occult of True Black Womanhood: Critical Demeanor and Black Feminist Studies." Signs: Journal of Women in Culture and Society 19, no. 3 (1994): 591–629. http://dx.doi.org/10.1086/494914.

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11

Payne, Rodger M. "Escaped Nuns: True Womanhood and the Campaign against Convents in Antebellum America." Journal of American History 106, no. 4 (2020): 1059–60. http://dx.doi.org/10.1093/jahist/jaz729.

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12

Huneycutt, Keith. "The Storm: True Womanhood, Feminism, and Companionate Marriage in Antebellum Key West." CEA Critic 79, no. 3 (2017): 291–97. http://dx.doi.org/10.1353/cea.2017.0026.

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13

Jones, Paul C. "Burning Mrs. Southworth: True Womanhood and the Intertext of Ellen Glasgow's Virginia." Southern Literary Journal 37, no. 1 (2004): 25–40. http://dx.doi.org/10.1353/slj.2005.0008.

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14

Dickerson, Glenda. "The Cult of True Womanhood: Toward a Womanist Attitude in African-American Theatre." Theatre Journal 40, no. 2 (1988): 178. http://dx.doi.org/10.2307/3207655.

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15

Dworkin, Shari L. "“Holding Back”: Negotiating a Glass Ceiling on Women's Muscular Strength." Sociological Perspectives 44, no. 3 (2001): 333–50. http://dx.doi.org/10.1525/sop.2001.44.3.333.

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Researchers have highlighted how numerous women in male-dominated occupations face a glass ceiling. Using ethnography and interview work, I argue that this ceiling is also useful to understanding women in fitness. That is, women in fitness—particularly those who seek muscular strength in the weight room—may find their bodily agency limited not by biology but by ideologies of emphasized femininity that structure the upper limit on women's “success.” Results show that nonlifters and moderate lifters uniquely negotiate the glass ceiling by avoiding, holding back on, or adjusting weight workouts.

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16

Mullenix, Elizabeth Reitz. "“So Unfemininely Masculine”: Discourse, True/False Womanhood, and the American Career of Fanny Kemble." Theatre Survey 40, no. 2 (1999): 27–42. http://dx.doi.org/10.1017/s0040557400003549.

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The English actress Fanny Kemble, whose 1832–1834 tour left her unrivaled among female performers in this country and who has been touted by historians as a sterling example of antebellum womanhood, emerges as a far more equivocal figure than previous histories suggest. Indeed, for someone who disdained the spurious histrionics of public life, she routinely exposed her own paradoxical nature: she hated the stage, yet recovered her family's fortunes through a luminous albeit brief acting career; she yearned for the simple pleasures of domesticity, yet castigated American women as “drudges” in h

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17

Hurner, Sheryl. "Discursive Identity Formation of Suffrage Women: Reframing the “Cult of True Womanhood” Through Song." Western Journal of Communication 70, no. 3 (2006): 234–60. http://dx.doi.org/10.1080/10570310600843512.

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18

Flynn, Karen. "Beyond the Glass Wall: Black Canadian Nurses, 1940–1970." Nursing History Review 17, no. 1 (2009): 129–52. http://dx.doi.org/10.1891/1062-8061.17.129.

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Until the mid-1940s, young Black women who wanted to train as nurses in Canada were prohibited from doing so. The first cohort of Black Canadian registered nurses integrated Canadian nursing schools beginning in the early 1950s. I argue that despite entering an occupation that defined itself around Victorian ideals of “true womanhood,” an archetype that excluded Black women, these nurses were able to negotiate and secure a place in the profession. This research not only contributes to Canadian nursing, it also situates Canada, with respect to scholarly discussions about the Black Diaspora.

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19

Cohen, Daniel A. "Cassandra L. Yacovazzi. Escaped Nuns: True Womanhood and the Campaign against Convents in Antebellum America." American Historical Review 125, no. 2 (2020): 650–52. http://dx.doi.org/10.1093/ahr/rhz063.

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20

Kaspirek, Maria. "The Home and the Asylum. Antebellum Representations of True Womanhood in Nathaniel Hawthorne’s The House of Seven Gables." Kultura Popularna 4, no. 54 (2018): 6–15. http://dx.doi.org/10.5604/01.3001.0011.6714.

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This paper presents an analysis of Nathaniel Hawthorne’s novels The Scarlet Letter and The House of Seven Gables regarding his depiction of the nineteenth-century ideals of femininity: the cult of true womanhood and domesticity. Drawing primarily on original material, it will be shown that emerging nineteenth-century psychiatry – asylum medicine – has strongly corroborated American ideals of femininity and their presumably restorative influence in cases of mental derangement. Hawthorne’s portrayals of women and madmen negotiate antebellum concepts of femininity and psychiatry, juxtapose the as

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21

O'Donnell, Catherine. "Escaped Nuns: True Womanhood and the Campaign against Convents in Antebellum America by Cassandra L. Yacovazzi." Journal of the Early Republic 40, no. 2 (2020): 343–45. http://dx.doi.org/10.1353/jer.2020.0043.

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22

Clark, Emily Suzanne. "Escaped Nuns: True Womanhood and the Campaign Against Convents in Antebellum America by Cassandra L. Yacovazzi." U.S. Catholic Historian 38, no. 1 (2020): 163–65. http://dx.doi.org/10.1353/cht.2020.0007.

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23

Mannard, Joseph G. "Escaped Nuns: True Womanhood and the Campaign Against Convents in Antebellum America by Cassandra L. Yacovazzi." American Catholic Studies 130, no. 2 (2019): 77–79. http://dx.doi.org/10.1353/acs.2019.0030.

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24

Mahar, Karen Ward. "True Womanhood in Hollywood: Gendered Business Strategies and the Rise and Fall of the Woman Filmmaker, 1896–1928." Enterprise & Society 2, no. 1 (2001): 72–110. http://dx.doi.org/10.1093/es/2.1.72.

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Women flourished as producers, directors, screenwriters, and editors in the first quarter-century of the film industry. But by 1925 their presence in all but screenwriting was severely diminished. The argument of this essay is that the process of gendering the industry ultimately closed studio doors to female filmmakers. As studios moved from the artistic and entrepreneurial stage, conducive to the perceived qualities of women, to the corporate stage, the needs of the industry became masculinized and women were excluded. This process is explored by examining the assumptions regarding gender in

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25

Otu, Oyeh O. "AFRICAN WOMEN AND FORBIDDEN GROUNDS: FEMALE SEXUALITY AND SELF-DETERMINATION IN AFRICAN LITERATURE." Imbizo 7, no. 1 (2017): 40–54. http://dx.doi.org/10.25159/2078-9785/1773.

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This article examines how female conditioning and sexual repression affect the womanâ€™s sense of self, womanhood, identity and her place in society. It argues that the womanâ€™s body is at the core of the many sites of gender struggles/ politics. Accordingly, the womanâ€™s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-dete

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26

Moon, Set-Byul. "Rejecting the Culture of True Womanhood and the Image of the Black Madonna in Nella Larsen’s Quicksand and Passing." Journal of Modern British & American Language & Literature 35, no. 1 (2017): 69. http://dx.doi.org/10.21084/jmball.2017.02.35.1.69.

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27

Buchanan, NiCole T., Isis H. Settles, and Krystle C. Woods. "Comparing Sexual Harassment Subtypes Among Black and White Women by Military Rank: Double Jeopardy, the Jezebel, and the Cult of True Womanhood." Psychology of Women Quarterly 32, no. 4 (2008): 347–61. http://dx.doi.org/10.1111/j.1471-6402.2008.00450.x.

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Drawing upon feminist analyses of double jeopardy and the cult of true womanhood, we examine race, rank, sexual harassment frequency, and psychological distress for Black and White female military personnel ( N = 7,714). Results indicated that White women reported more overall sexual harassment, gender harassment, and crude behavior, whereas Black women reported more unwanted sexual attention and sexual coercion; enlisted women reported higher rates of each subtype than officers. Black enlistees reported more sexual coercion than White enlistees, and enlistees reported more than officers, but

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28

Peters, Janelle. "Lot's Wife in the Novels of Mary Anne Sadlier." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 5, no. 2 (2011): 185–204. http://dx.doi.org/10.1558/post.v5i2.185.

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The biblical figure of Lot’s wife in the novels of Mary Anne Sadlier functions typologically, assigning the role of Lot’s wife to both men and women. This essay explores how such an interpretative move functioned to reverse the charges leveled against Catholic men by muscular Christianity and Catholic women by the Protestant Cult of True Womanhood. Sadlier’s audience was the burgeoning Irish American immigrant community, but the ethnically porous character of Sadlier’s sources of inspiration for that community might be attested by her family’s Catholic catechetical publishing company’s reprint

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29

Rupp, Leila J. "Women's History in the New Millennium: A Retrospective Analysis of Barbara Welter's "The Cult of True Womanhood, 1820-1860"." Journal of Women's History 14, no. 1 (2002): 149. http://dx.doi.org/10.1353/jowh.2002.0030.

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30

Klassen, Pamela E. "The Robes of Womanhood: Dress and Authenticity among African American Methodist Women in the Nineteenth Century." Religion and American Culture: A Journal of Interpretation 14, no. 1 (2004): 39–82. http://dx.doi.org/10.1525/rac.2004.14.1.39.

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AbstractScholars of American religion are increasingly attentive to material culture as a rich source for the analysis of religious identity and practice that is especially revealing of the relationships among doctrine, bodily comportment, social structures, and innovation. In line with this focus, this article analyses the ways nineteenth-century African American Methodist women turned to dress as a tool to communicate religious and political messages. Though other nineteenth-century Protestants also made use of the communicative powers of dress, African American women did so with a keen awar

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31

Purnomo, Mulyo Hadi. "Persepsi Seks Dua Wanita Beda Budaya: Perbandingan dalam “Pengakuan Pariyem” dan “Malam Yang Keramat”." Endogami: Jurnal Ilmiah Kajian Antropologi 2, no. 1 (2018): 102. http://dx.doi.org/10.14710/endogami.2.1.102-110.

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Sexual encouragement is a natural gift brought by humans from birth and becomes universal in its expression. Cultural and psychological backgrounds that can make manifestations of encouragement are different. Sex and one's self-perception determine a person's status as female-female. This article is about to reveal differently: Javanese and Arabic in two novels of Pariyem Recognition and Sacred Night through a comparative literary approach. Pariyem, the main character in Pengakuan Pariyem, was originally born as a woman. However, his bitter and sweet experience with Kliwon caused him to be tra

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32

Holguín, Sandie. "True Catholic Womanhood: Gender and Ideology in Franco's Spain. By Aurora G. Morcillo. DeKalb: Northern Illinois University Press, 2000. Pp. ix+214. $36.00." Journal of Modern History 73, no. 3 (2001): 695–96. http://dx.doi.org/10.1086/339088.

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33

Ortiz, David. "True Catholic Womanhood: Gender Ideology in Franco's Spain.. By Aurora G. Morcillo. DeKalb, Ill., Northern Illinois University Press, 2000. ix + 224 pp. $36.00 cloth." Church History 71, no. 2 (2002): 426–28. http://dx.doi.org/10.1017/s0009640700096050.

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34

Suharyati, Henny. "Moral and Manners of Flappers (New Woman) in F. Scott Fitzgerald Works." JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) 2, no. 1 (2018): 47–50. http://dx.doi.org/10.33751/jhss.v2i1.822.

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Flapper's phenomenon appeared in the 1920s in line with the feminist achievement on women's suffrage. Industrialism opened the possibility for vistas of young American generations at that time to undergo a good member of changes both in moral and manners. The characteristics of flappers are reflected in literary works by Fitzgerald, an American famous novelist. In achieving the objective of this research, a qualitative method is applied by the way of library research - collecting data from both primary and secondary sources. The former, This Side of Paradise (1919), a novel telling about the y

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35

Rutkowska, Małgorzata. "“My lot is cast in with my sex and country”: Generic Conventions, Gender Anxieties and American Identity in Emma Hart Willard’s and Catherine Maria Sedgwick’s Travel Letters." Anglica. An International Journal of English Studies, no. 27/1 (September 17, 2018): 51–63. http://dx.doi.org/10.7311/0860-5734.27.1.04.

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The article analyses generic conventions, gender constraints and authorial self-definition in two ante-bellum American travel accounts – Emma Hart Willard’s Journal and Letters, from France and Great Britain (1833) and Catharine Maria Sedgwick’s Letters from Abroad to Kindred at Home (1841). Emma Hart Willard, a pioneer in women’s higher education and Catharine Maria Sedgwick, an author of sentimental novels, were influential figures of the Early Republic, active in the literary public sphere. Narrative personas adopted in their travel letters have been shaped by the authors’ national identity

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36

Fischer, Mia, and Jennifer McClearen. "Transgender Athletes and the Queer Art of Athletic Failure." Communication & Sport 8, no. 2 (2019): 147–67. http://dx.doi.org/10.1177/2167479518823207.

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Fallon Fox became the first openly transgender fighter in professional mixed-martial arts (MMA) in 2013. Her outing elicited fervent responses from the MMA community, reflecting the barriers many transgender women encounter in sex-segregated sports. Fox frequently faced pseudoscientific arguments alleging innate physical advantages over cisgender women, which are deeply entangled with sexist and racist assumptions about trans identity. For Fox, the only way to prove her “true” womanhood—that is, that she was just as biologically inferior to men as “regular” women—was by losing fights. In this

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37

Ryan, James Emmett. "Escaped Nuns: True Womanhood and the Campaign against Convents in Antebellum America. By Cassandra L. Yacovazzi, New York: Oxford University Press, 2018. xxiii, 202 pp." Church History 88, no. 1 (2019): 247–49. http://dx.doi.org/10.1017/s0009640719000933.

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38

Anderson, Emma. "Yacovazzi, Cassandra L. Escaped Nuns: True Womanhood and the Campaign against Convents in Antebellum America. New York: Oxford University Press, 2018. xxii+202 pp. $31.95 (cloth)." Journal of Religion 101, no. 2 (2021): 296–98. http://dx.doi.org/10.1086/712907.

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39

DOMÍNGUEZ-RUÉ, EMMA. "Madwomen in the Drawing-Room: Female Invalidism in Ellen Glasgow's Gothic Stories." Journal of American Studies 38, no. 3 (2004): 425–38. http://dx.doi.org/10.1017/s0021875804008722.

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“Definitions belong to the definers, not the defined.” Toni Morrison, Beloved.Freud's psychoanalytic theories of fear of castration and penis-envy transformed woman into not-man, thus defining her as “other” and “lacking.” His studies also gave a sexual component to relationships among women, marking them as potentially lesbian and hence deviant. Medical men of Victorian England and America consciously or unconsciously helped to justify gender roles and women's seclusion in the domestic on the grounds that their specific physiology made them slaves of their reproductive system. As women's ovar

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40

Chatraporn, Surapeepan. "From Whore to Heroine: Deconstructing the Myth of the Fallen Woman and Redefining Female Sexuality in Contemporary Popular Fiction." MANUSYA 11, no. 2 (2008): 24–37. http://dx.doi.org/10.1163/26659077-01102002.

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The fallen woman, long existent in patriarchal discourse and intensified by Victorian sexual ethics, succumbs to seduction or sensual desires, suffers social condemnation and ostracism, and eventually dies, either repentantly or shamelessly. The questions of female sexuality and feminine virtues are dealt with in The Great Gatsby, Daisy Miller and The Awakening. Daisy Buchanan, Jordan, and Myrtle, all three sexually transgressive women, are punished, with Myrtle, the most sexually aggressive, being subjected to an outrageous death penalty. Daisy Miller, upon engaging in acts of self-presentati

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41

Beggs, Margo L. "(Un)Dress in Southworth & Hawes’ Daguerreotype Portraits: Clytie, Proserpine, and Antebellum Boston Women." Fashion Studies 2, no. 1 (2019): 1–30. http://dx.doi.org/10.38055/fs020111.

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Young America: The Daguerreotypes of Southworth & Hawes (2005) is a monumental exhibition catalogue showcasing the work of Albert Sands Southworth and Josiah Johnson Hawes. Together the partners established a renowned daguerreotype studio in mid-nineteenth-century Boston that catered to the city’s bourgeoisie. This paper seeks to unravel the mystery of dozens of daguerreotypes found in Young America, in which elite Boston women appear to be nearly nude. The unidentified women stand in stark contrast to the carefully concealed bodies of Southworth & Hawes’ other female subjects. Why wou

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42

Phillips, Chelsea. "Bodies in Play: Maternity, Repertory, and the RivalRomeo and Juliets, 1748–51." Theatre Survey 60, no. 2 (2019): 207–36. http://dx.doi.org/10.1017/s004055741900005x.

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In her recent book on celebrity pregnancy, legal scholar Renée Ann Cramer writes, “in the years from 1970 to 2000, popular culture became more open to performances of pregnancy; once kept secret and articulated as private, pregnancy became ‘public.’” This is not wholly true. In the English-speaking world, “celebrity pregnancy,” with its overt performances of femininity and maternity, bodily monitoring, and careful dance between the concealment and revelation of private information, had its first public moment in the long eighteenth century. That century's professional theatre was a site for th

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43

SHAW, JANE. "Women, Gender and Ecclesiastical History." Journal of Ecclesiastical History 55, no. 1 (2004): 102–17. http://dx.doi.org/10.1017/s0022046903007280.

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Outrageous women, outrageous god. Women in the first two generations of Christianity. By Ross Saunders. Pp. x+182. Alexandria, NSW: E. J. Dwyer, 1996. $10 (paper). 0 85574 278 XMontanism. Gender, authority and the new prophecy. By Christine Trevett. Pp. xiv+299. Cambridge: Cambridge University Press, 1996. £37.50. 0 521 41182 3God's Englishwomen. Seventeenth-century radical sectarian writing and feminist criticism. By Hilary Hinds. Pp. vii+264. Manchester–New York: Manchester University Press, 1996. £35 (cloth), £14.99 (paper). 0 7190 4886 9; 0 7190 4887 7Women and religion in medieval and Ren

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44

Lundgreen-Nielsen, Flemming. "Grundtvig i guldalderens København." Grundtvig-Studier 46, no. 1 (1995): 107–39. http://dx.doi.org/10.7146/grs.v46i1.16185.

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Grundtvig and Golden Age CopenhagenBy Flemming Lundgreen-NielsenThe article has originally been given as a public lecture at the University of Copenhagen during the Golden Days in Copenhagen festival in September 1994. By way of introduction the question is posed to which extent Grundtvig belongs to the Golden Age period in Danish cultural and artistic life. Though he lived in the capital for 65 years, he never orientated himself towards the places that interested most other educated Copenhageners. The University rejected his applications for a professorate, and he in return vehemently attacke

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45

"True Catholic womanhood: gender ideology in Franco's Spain." Choice Reviews Online 37, no. 11 (2000): 37–6486. http://dx.doi.org/10.5860/choice.37-6486.

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46

Rachwal, Maria N. ""A Jewish Maestra and a Lady too": Reflections on Femininity in the Career of Ethel Stark." Canadian Jewish Studies / Études juives canadiennes 28 (December 31, 2019). http://dx.doi.org/10.25071/1916-0925.40146.

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Ethel Stark (1910–2012) was one of the most important conductors and concert violinists in Canada in the Twentieth century. This article highlights how an Austro-Canadian Jewish woman who lived outside the constraints of conventional domesticity, both navigated through and defied the ideals of the “Cult of True Womanhood” and spearheads a movement of feminism in music. I argue that Stark’s exposure to Jewish cultural traditions of social justice and womanhood in her childhood formed a critical dimension of her feminist activism later in her life, and in particular in the founding of The Montre

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47

Lenskyj, Helen. "Training for "True Womanhood": Physical Education for Girls in Ontario Schools, 1890-1920"." Historical Studies in Education / Revue d'histoire de l'éducation, October 1, 1990, 205–23. http://dx.doi.org/10.32316/hse/rhe.v2i2.1314.

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48

Dobariya, Hina. "CROSSING THE THRESHOLD OF ORTHODOXY AND EMERGING AS AN ENLIGHTENED WOMEN WITH SPECIAL REFERENCE TO SUDHA MURTHY’S MAHASHWETA." Towards Excellence, December 30, 2017, 48–51. http://dx.doi.org/10.37867/te090305.

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Indian writing in English has created special niche in the heart of the readers from all over the world. There are noticeable writers who have effectively portrayed India with variety of subjects and issues in their books. Sudha Murthy is one of the most prolific writers in India who has written both in Kannad and English. Being a visionary, she has voiced out many issues related to feminine sensibility. Mahashweta by Sudha Murthy is magnum opus where the protagonist Anupama’s journey has been depicted with gray sheds of life. However, Sudha Murthy has celebrated the true essence of womanhood

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49

Elenowitz-Hess, Caroline. "Reconstructing the “Femme-Fleur”: Floral Modernism in the Work of Madeleine Vionnet and Jeanne Lanvin." Journal of Design History, August 28, 2021. http://dx.doi.org/10.1093/jdh/epab035.

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Abstract The seeds of modernism had been planted before the First World War, but it was in the post-war period that there was a true blossoming of self-consciously “modern” aesthetics and the new, “modern” woman. Although modernism is often associated with the masculine, urban, and geometric—indeed, women’s fashion took a more androgynous turn—influential couturières Madeleine Vionnet and Jeanne Lanvin still drew upon traditionally feminine floral and pastoral themes to create their modern fashions. Fashion designers were not alone in this use of the floral in a “modern” context. Writers, visu

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50

Purwanto, Ahmad. "PEMIKIRAN ANNEMARIE SCHIMMEL TENTANG SIFAT FEMININ DALAM TASAWUF." Jurnal THEOLOGIA 26, no. 2 (2016). http://dx.doi.org/10.21580/teo.2015.26.2.430.

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Abstract: The article explores the ideas of Annemarie Schimmel relating to aspects of feminism in Sufism. According to Schimmel, that Sufism, or mystical Islam is the awareness of a single reality and love of the Absolute, because the forces that separate the true mystic by asceticism is love. Even true love can make enjoyment of all that painful. Mystical considered a mysterious thing that can not be achieved by ordinary means or by intellectual effort. While the literature and difficult spiritual life depicted as blind men touching an elephant, in pengambaraannya will say according to the el

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