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Journal articles on the topic 'Truman Capote'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Beaver, Harold, and Kenneth T. Reed. "Truman Capote." Modern Language Review 80, no. 1 (1985): 139. http://dx.doi.org/10.2307/3729398.

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2

Zakharov, D. V. "Truman Capote in Russian translations." Voprosy literatury, no. 2 (May 27, 2019): 148–72. http://dx.doi.org/10.31425/0042-8795-2019-2-148-172.

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In his overview of the history of Truman Capote’s publications in Russia, the author follows a period from the first mention of the writer in 1948 until the appearance of his unfinished novel Answered Prayers in Russian in 2019. The article quotes documents from Russian archives, detailing the preparation of Capote’s works for publication, as well as reminiscences of translators: V. Chemberdzhi, M. Galperina, N. Staviskaya, and E. Romanova, who share personal impressions of their work with Capote’s texts, and their opinions about his stylistics. The article examines the quality of the Russian

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3

Kerrigan, John. "Truman Capote and the Canon." Iowa Review 28, no. 3 (1998): 1–7. http://dx.doi.org/10.17077/0021-065x.5043.

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4

Lee, Kathy. "Truman Capote (review)." Missouri Review 21, no. 2 (1998): 215–16. http://dx.doi.org/10.1353/mis.1998.0116.

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5

Dick, Bernard F., and John Malcolm Brinnin. "Truman Capote: Dear Heart, Old Buddy." World Literature Today 61, no. 3 (1987): 452. http://dx.doi.org/10.2307/40143411.

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6

Morales Pérez, Donají. "Haití: el viaje en prosa de Truman Capote." Memorias, no. 31 (January 15, 2017): 73–95. http://dx.doi.org/10.14482/memor.31.9884.

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7

Jones, Dan. "The Nonfiction of Truman Capote: A Reconsideration." Storytelling: A Critical Journal of Popular Narrative 5, no. 2 (2006): 143–50. http://dx.doi.org/10.3200/stor.5.2.143-150.

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8

Clarke, Thomas. "In Cold Blood by Truman Capote – reflection." British Journal of Psychiatry 209, no. 3 (2016): 191. http://dx.doi.org/10.1192/bjp.bp.116.182568.

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9

Voss, Ralph F. "“Spiteful Sisterhood”: Tennessee Williams and Truman Capote." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 26, no. 2 (2013): 88–95. http://dx.doi.org/10.1080/0895769x.2013.775054.

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10

Galarça, Sandro Lauri da Silva. "A Sangue Frio: jornalismo diversional em Truman Capote." Latin American Journal of Development 3, no. 2 (2021): 804–18. http://dx.doi.org/10.46814/lajdv3n2-025.

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O presente artigo apresenta uma síntese da tese de doutorado intitulada Sujeito, discurso e delinquência – uma cartografia de A Sangue Frio, em que se apresenta uma análise sobre os signos narrativos que constroem os sujeitos na obra A Sangue Frio, de Truman Capote. Procura-se evidenciar como o jornalismo diversional se utiliza do discurso acerca dos sujeitos – ambiente, comportamento, vestimentas, características destas personagens ou, a rigor, a personalidade dos envolvidos – mas também como é constituído o sujeito que emerge do discurso. Para tanto, esta obra será lida pela lente do pensame

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11

Kreyling, Michael. "KATHERINE ANNE PORTER: CONVERSATIONS and TRUMAN CAPOTE: CONVERSATIONS." Resources for American Literary Study 18, no. 1 (1992): 116–18. http://dx.doi.org/10.2307/26366750.

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12

Kreyling, Michael. "KATHERINE ANNE PORTER: CONVERSATIONS and TRUMAN CAPOTE: CONVERSATIONS." Resources for American Literary Study 18, no. 1 (1992): 116–18. http://dx.doi.org/10.2307/resoamerlitestud.18.1.0116.

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13

Scott. "On Superficiality: Truman Capote and the Ceremony of Style." Journal of Modern Literature 34, no. 3 (2011): 128. http://dx.doi.org/10.2979/jmodelite.34.3.128.

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14

Zakharov, D. V. "Houston Diary. Truman Capote’s unfnished project." Voprosy literatury, no. 6 (December 27, 2022): 155–76. http://dx.doi.org/10.31425/0042-8795-2022-6-155-176.

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In January 1974, The Washington Post was about to print a series of reports on the Houston mass murders perpetrated by the pedophile serial killer Dean Corll. The newspaper announced that the sensationalist reports would be written by Truman Capote, who had already published a well-known documentary novel In Cold Blood (1966). The new project, entitled Houston Diary, promised to become yet another true-crime bestseller. Despite the newspaper’s extensive promotion and the readership’s big interest, the coverage of the trial was never published. Capote refused to proceed with the project, citing

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15

Kolin. "“darling” Pru: Four Unpublished Tennessee Williams Letters to Truman Capote." Journal of Modern Literature 37, no. 2 (2014): 161. http://dx.doi.org/10.2979/jmodelite.37.2.161.

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16

Solomon, Jeff. "Young, Effeminate, and Strange: Early Photographic Portraiture of Truman Capote." Studies in Gender and Sexuality 6, no. 3 (2005): 293–326. http://dx.doi.org/10.1080/15240650609349279.

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17

Krämer, Peter. "The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany‘s and Hollywood." Film Studies 5, no. 1 (2004): 58–65. http://dx.doi.org/10.7227/fs.5.5.

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This essay examines some of the literary and biographical models Truman Capote drew on in the creation of Holly Golightly, the heroine of his 1958 novella Breakfast at Tiffany‘s. Making use of Paramount studio records, the essay also explores the complex process of adapting the story to the big screen. Numerous changes were made so as to transform Capotes story into a romantic comedy, and thus to contain Holly‘s liberated sexuality while also erasing any doubts about the male protagonists heterosexuality. Casting Hepburn as the female lead helped to neutralize Holly‘s sexual transgressiveness,

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18

Neumann Garcia, Rosalia. "THE MIRROR OF SENSIBILITY: STYLE AND TRUMAN CAPOTE IN BREAKFAST AT TIFFANY’S." Cadernos do IL, no. 43 (February 27, 2012): 266–73. http://dx.doi.org/10.22456/2236-6385.25305.

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Em entrevista para The Paris Review, em 1957, o escritor americano Truman Capote revela idéias sobre estilo literário que serão aplicadas em uma de suas obras mais conhecidas, Breakfast at Tiffany’s, de 1958. A precisão e a objetividade utilizadas para escrever essa obra abrem caminho para seu projeto posterior, In Cold Blood, de 1965, onde o estilo jornalístico tem como objetivo revelar da forma mais neutra possível a “verdade” dos fatos. Tiffany’s, ainda, demonstra a habilidade de Capote para a descrição mais exata de seus personagens, ao mesmo tempo em que desvela a cidade de Nova York a pa

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19

Alisher Qizi, Khidirova Mukhlisa. "The Elements Of Documentary Narrative In In Cold Blood By Truman Capote." American Journal of Applied Sciences 02, no. 07 (2020): 86–93. http://dx.doi.org/10.37547/tajas/volume02issue07-15.

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20

Mack, Adam. "Truman Capote: A Literary Life at the Movies by Tison Pugh." American Studies 54, no. 4 (2016): 174–75. http://dx.doi.org/10.1353/ams.2016.0038.

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21

Bolling, Ben. "On the Make: Truman Capote, Seriality, and the Performance of Celebrity." American Literature 88, no. 3 (2016): 569–95. http://dx.doi.org/10.1215/00029831-3650247.

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22

Parada, Alejandro E. "Otras voces y otros ámbitos para la Historia de la Lectura." Orbis Tertius 22, no. 26 (2017): 059. http://dx.doi.org/10.24215/18517811e059.

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El título del presente ensayo proviene de una novela de Truman Capote (1976). El préstamo no es arbitrario ni accidental. Su enunciación reproduce el laberinto en el cual se interna la Historia de la Lectura de cara al futuro y, en el vórtice de esa prospección, clama por la necesidad de explorar esta materia desde otras voces y otros ámbitos.

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23

Zakharov, D. V. "An unknown Capote. The American writer’s juvenilia and unpublished short stories." Voprosy literatury, no. 4 (August 28, 2020): 239–65. http://dx.doi.org/10.31425/0042-8795-2020-4-239-265.

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The article sets out to acquaint readers with early works by Truman Capote that have never been published in collections of his early prose. It concerns his school exercises, some of which appeared in The Trinity Times newspaper, as well as short stories penned before 1942 during his time at Greenwich High School. A brief abstract of these works gives an idea of the talent of the writer, who became aware of his vocation very early in life. The article discusses Capote’s other manuscripts discovered in American archives, including a draft ‘Article about a group of young people in Moscow’, refer

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24

Konovalova, Zhanna Georgievna. "Image of the Soviet Union in Truman Capote’s work “The Muses Are Heard”." Филология: научные исследования, no. 6 (June 2021): 1–9. http://dx.doi.org/10.7256/2454-0749.2021.6.35733.

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The subject of this research is the reception of the image of the Soviet Union in the book &ldquo;The Muses Are Heard" by the American writer Truman Capote. The perception of the image of &ldquo;foreign&rdquo; and &ldquo;foreign culture&rdquo; is one of the pressing problems within the modern literary studies. The goal of this work is to determine the peculiarities of literary-documentary resemblance of the image of &ldquo;foreign&rdquo; country based on the work &ldquo;The Muses Are Heard&rdquo;, which is synthetic in its genre nature. The conclusion is dra

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25

Davidson, Guy. "‘Just a couple of fags’: Truman Capote, Gore Vidal, and celebrity feud." Celebrity Studies 7, no. 3 (2015): 293–308. http://dx.doi.org/10.1080/19392397.2015.1111151.

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26

Thelin, John R. "Numbers, Please!" History of Education Quarterly 53, no. 2 (2013): 150–56. http://dx.doi.org/10.1111/hoeq.12013.

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Publishing deadlines can be a nuisance for an author. For example, in 1972 when the editor of Rolling Stone magazine pressed Truman Capote on why he had promptly cashed his advance payment check yet had failed to submit his manuscript more than a month after the publishing deadline, Capote replied, “Do you want an article that is timely or timeless?” Much to Capote's chagrin, the editor replied, “Both!” Capote's response was “Neither”—and the project fell apart. Little wonder, then, that I was pleasantly surprised to receive the invitation from the History of Education Quarterly to explain to

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27

van der Leeuw, Sander E. "Whispers from the context of real life." Archaeological Dialogues 1, no. 2 (1994): 133–64. http://dx.doi.org/10.1017/s1380203800000210.

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‘We live in the dark, we do what we can, the rest is the madness of art.’ (Truman Capote, Music for Chameleons)‘We must again become a people making our own history. To be able to make our own history is to be able to mould our own future, to build our society that preserves the best of our past and our traditions, while enabling us to grow and develop as a whole people.’ (Robert Andre)

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28

González C., Yanko. "Entrevista a Miguel Barnet: Ni epígono de Oscar Lewis ni de Truman Capote." Revista Austral de Ciencias Sociales, no. 13 (2007): 93–110. http://dx.doi.org/10.4206/rev.austral.cienc.soc.2007.n13-07.

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29

Hickman, Trenton. "Truman Capote and the Legacy of In Cold Blood by Ralph F. Voss." Studies in the Novel 45, no. 4 (2014): 725–26. http://dx.doi.org/10.1353/sdn.2014.0017.

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30

Tangedal, Ross K. "Truman Capote and the Legacy of In Cold Blood by Ralph F. Voss." Journal of the Midwest Modern Language Association 45, no. 2 (2012): 259–62. http://dx.doi.org/10.1353/mml.2012.0026.

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31

Barros Cunha, Roseli, and Manfred Rommel Pontes Viana Mourão. "O nonfiction novel em paralaxe: duas leituras possíveis de In Cold Blood, de Truman Capote." Revista Graphos 22, no. 2 (2020): 379–99. http://dx.doi.org/10.22478/ufpb.1516-1536.2020v22n2.52612.

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Este artigo busca, através de uma discussão sobre a dupla natureza discursiva da obra In cold blood (1965), de Truman Capote, apontar para duas leituras feitas do gênero ícone do jornalismo literário estadunidense: a primeira desvela os traços que fariam do gênero um legítimo “romance de não-ficção”, tal como sugeriu Capote; a outra sonega esta nomenclatura. Valemo-nos de uma análise da obra segundo as premissas da Reader-Response Criticism, avaliando as relações de texto, contexto e leitura, conforme advoga Richard Beach (1993), exame cujos traços salientam as nuances de caráter sócio-históri

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32

Kord, Catherine, and George Plimpton. "Truman Capote: In Which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career." Antioch Review 56, no. 4 (1998): 498. http://dx.doi.org/10.2307/4613768.

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33

Knudsen, James, and George Plimpton. "Truman Capote: In Which Various Friends, Enemies, Acquaintances, and Detractors Recall His Turbulent Career." World Literature Today 72, no. 4 (1998): 841. http://dx.doi.org/10.2307/40154354.

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34

Baetens, Jan. "So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein." Leonardo 51, no. 5 (2018): 536–37. http://dx.doi.org/10.1162/leon_r_01675.

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35

Oberhelman, David D. "Truman Capote Encyclopedia2010376Robert L. Gale. Truman Capote Encyclopedia. Jefferson, NC: McFarland 2010. viii + 187 pp., ISBN: 978 0 7864 4296 6 £70.50/$75 Distributed in the United Kingdom, Europe, the Middle East and Africa by Eurospan." Reference Reviews 24, no. 8 (2010): 36–37. http://dx.doi.org/10.1108/09504121011091150.

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36

Barnet, Miguel. "The untouchable ‘Cimarrón’." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 3-4 (1997): 281–89. http://dx.doi.org/10.1163/13822373-90002609.

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[First paragraph]Biografia de un cimarron has attracted many articles, criticisms and even essays, all aimed at pinpointing neglected aspects of slavery in our country. The book met with a positive reception and has been regarded as a pioneering work in terms of the method followed. It should not be forgotten that the book was published in 1966, before Truman Capote had written In Cold Blood. I was the one who suggested publishing that book in Cuba to Alejo Carpentier. In the end I translated it into Spanish and added a preface. This book aroused a great interest in me. To a certain extent, I

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37

Sécail, Claire. "In Cold Blood de Truman Capote. Histoire médiatique d'une fiction multiple et de ses résurgences (1959-2007)." Le Temps des médias 14, no. 1 (2010): 124. http://dx.doi.org/10.3917/tdm.014.0124.

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38

Davidson, Guy. "So Famous and So Gay: The Fabulous Potency of Truman Capote and Gertrude Stein by Jeff Solomon." Studies in the Novel 52, no. 1 (2020): 105–7. http://dx.doi.org/10.1353/sdn.2020.0010.

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39

Pinedo García, Peggy Paola. "El género de no ficción en América Latina: caracterización a partir de dos obras pioneras, Relato de un náufrago y Operación masacre." Tesis (Lima) 13, no. 17 (2021): 7–20. http://dx.doi.org/10.15381/tesis.v13i17.19601.

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El presente artículo tiene como finalidad presentar una propuesta de caracterización de la narrativa de no ficción en América Latina. Para tal fin, se toman como obras de referencia dos novelas pioneras de este género: Relato de un náufrago (1955) y Operación masacre (1957), del colombiano Gabriel García Márquez y el argentino Rodolfo Walsh, respectivamente. Ambas obras son analizadas desde la influencia que ejercieron en la literatura y el periodismo en esta parte del continente, como fundadoras de una tradición que hoy es continuada por autores que transitan entre el periodismo narrativo y l

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40

Khitarova, Tatyana Alexandrovna, and Yelena Georgievna Khitarova. "“The journalistic criminal novel” “In Cold Blood” by Truman Garcia Capote in the context of “new journalism” problem." Vestnik of Kostroma State University 27, no. 3 (2021): 194–201. http://dx.doi.org/10.34216/1998-0817-2021-27-3-194-201.

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The success of the ‟new journalism” in the United States in the 60s of the last century had an impact on the literary process. Truman Garcia Capote's novel ‟In Cold Blood” is an attempt to create a new form of fiction and nonfiction novel, which combines the features of nonfiction and journalism. So there is a genre of ‟criminal journalistic novel”. The author is involved in the investigation of a criminal case. The analysis reveals common typological features of a crime novel. Capote's approaches to the text are investigated, which are similar to journalistic professional methods – interview,

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41

Sánchez Gómez, Jose Luis. "Funciones y características de la música en la ficción sonora en el caso de RNE y Podium Podcast." Popular Music Research Today: Revista Online de Divulgación Musicológica 4, no. 1 (2022): 163–79. http://dx.doi.org/10.14201/pmrt.29110.

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El objetivo de este artículo es conocer la importancia de la música dentro de la ficción sonora en RTVE y Podium Podcast. Con un enfoque metodológico mixto, cualitativo en cuanto a la observación e interpretación de datos y cuantitativo en cuanto a recolección de datos, análisis, estadísticas y comparativas. Se evalúa la parte musical según su función interna, función externa, planos sonoros, recursos musicales, psicoacústicos y emocionales. Nuestro campo de estudio se centra en dos casos en particular con algunas características que los hacen especiales, como Guerra 3 (Podium Podcast) y A san

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42

Mkrtchyan, N. "ROLE AND GENRE SPECIFICITY OF PARATEXT IN NON-FICTION NOVELS ON THE EXAMPLE OF “IN COLD BLOOD” BY TRUMAN CAPOTE." Herald of Russian-Armenian (Slavonic) University: humanities and social sciences, no. 2 (2021): 140–50. http://dx.doi.org/10.48200/1829-0450_2021_2_140.

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43

Hill, Geoffrey. "Address Of Thanks To The Sponsors And Jury Of The Truman Capote Award For Literary Criticism In Memory Of Newton Arvin (2009)." Iowa Review 40, no. 1 (2010): 186–90. http://dx.doi.org/10.17077/0021-065x.6870.

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44

Kramp, Joseph M. "Tiny Terror: Why Truman Capote (Almost) WroteAnswered Prayers. By William Todd Schultz. New York: Oxford University Press, 2011. Pp. vii + 175. $17.95." Religious Studies Review 39, no. 2 (2013): 73–74. http://dx.doi.org/10.1111/rsr.12025_2.

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45

Bergeron, Patrick. "L'être et le crime. Cinq romans-phares. Fédor Dostoïevski, Oscar Wilde, William Faulkner, Truman Capote, Paul Auster by Michel DionMichel Dion, L'être et le crime. Cinq romans-phares. Fédor Dostoïevski, Oscar Wilde, William Faulkner, Truman Capote, Paul Auster, Montréal, Nota bene, coll. Sciences humaines / Littérature, 2013, 168 p., 23,95$." University of Toronto Quarterly 85, no. 3 (2016): 109–11. http://dx.doi.org/10.3138/utq.85.3.109.

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46

Rodríguez Celada, Antonio. "Manuel González de la Aleja, Ficción y nuevo periodismo en la obra de Truman Capote. Salamanca: Publicaciones de la Universidad de Salamanca, 1990." Revista Alicantina de Estudios Ingleses, no. 4 (1991): 221–24. http://dx.doi.org/10.14198/raei.1991.4.17-10.

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47

Bolsterli, Margaret Jones. "Katherine Anne Porter: Conversations, and: Truman Capote: Conversations, and: With All My Might, and: William Styron, and: The Southern Vision of Andrew Lytle (review)." MFS Modern Fiction Studies 34, no. 4 (1988): 642–43. http://dx.doi.org/10.1353/mfs.0.0205.

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48

Lyubimskaya, O. M. "ВЕЩЬ КАК ИНСТРУМЕНТ КОММУНИКАЦИИ В ПРОЗЕ ТРУМЕНА КАПОТЕ 1950-Х ГГ." Philologos 37, № 2 (2018): 56–63. http://dx.doi.org/10.24888/2079-2638-2018-37-2-56-63.

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49

"Understanding Truman Capote." Choice Reviews Online 52, no. 05 (2014): 52–2395. http://dx.doi.org/10.5860/choice.186578.

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50

"Truman Capote encyclopedia." Choice Reviews Online 48, no. 03 (2010): 48–1206. http://dx.doi.org/10.5860/choice.48-1206.

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