Relevant bibliographies by topics / Trumpet concerto

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Trumpet concerto'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Trumpet concerto"

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Zavialova, Olha, and Zhang Jinqiu. "Baroque concert for trumpet with orchestra of Italian composers: ways of formation." Culturology Ideas, no. 26 (2'2024) (2024): 53–60. https://doi.org/10.37627/2311-9489-26-2024-2.53-60.

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The ways of formation of the genre of Trumpet Concerto with Orchestra in the work of Italian composers of the Baroque era are highlighted. It was found that the trumpet in the concert genre of a certain period was first used in the work of the Italian Master J. Torelli who was a key figure in the development of trumpet art of the Baroque period in Italy. As one of the founders of the solo Violin Concerto, this artist contributed greatly to the development of the genre of the Trumpet Concerto with Orchestra. The peak of the development of the Trumpet Concert in Italy was the work of Fr. O. Manf
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Horez, Iulian. "16. Trumpet and Orchestra Concert in D Major by Georg Philipp Telemann in Interpretation Vision of Wynton Marsalis and Rafael Méndez." Review of Artistic Education 19, no. 1 (2020): 134–39. http://dx.doi.org/10.2478/rae-2020-0016.

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AbstractLike most baroque concerts, the Concerto for trumpet and orchestra in D major by Georg Philipp Telemann raises particular problems of interpretation. It is a concert written in the head register of the trumpet, with frequent references in the acute register. I should mention that the head register of a trumpet depends on its size. At a normal trumpet in and flat (and not piccolo), the acute register is from do (and flat from the first octave) to the next do ascendant. The head register continues from do2 to do3. In the trumpets in do, re, mi flat, fa, sol, the principle remains the sam
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Horez, Iulian. "16. Sinfonia Avanti Il Barcheggio by Alessandro Stradella in Interpretations of the Trumpeters Iulian Horez and Miroslav Kejmar." Review of Artistic Education 21, no. 1 (2021): 133–38. http://dx.doi.org/10.2478/rae-2021-0016.

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Abstract Alessandro Stradella is a lesser-known composer in trumpet works. However, the Sinfonia avanti il Barcheggio is of great beauty and is written perfectly trumpet. The original is composed for trumpet in C, but the key of D major in which the concerto played with trumpet in C is written poses the biggest tuning problems. For this reason, I recommend for this concert a trumpet in A. The tuning will be much better, it will be played in F major, the natural notes of the trumpet will be used a lot (C, E, G).
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Grigorev, Konstantin A. "THE ROLE OF ANDRÉ JOLIVET'S TRUMPET COMPOSITIONS IN THE FORMATION OF ORIGINAL CONCERT REPERTOIRE." Arts education and science 3, no. 36 (2023): 25–30. http://dx.doi.org/10.36871/hon.202303025.

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The article deals with the Concertino for Trumpet, Piano and String Orchestra and the Concerto for Trumpet and Orchestra by André Jolivet. Their importance in the development of the original repertoire for this instrument in the XXth century is noted. The author describes the main trends in the development of the trumpet repertoire in the first half of the XXth century in the context of new tendencies in European musical culture. Using a comparative analysis of historical research and the repertoire of that time, the author notes the gradual overcoming of the most acute repertoire deficit, cau
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Thomas, Gavin, Heinrich Schiff, Heinz Holliger, et al. "Cello Concerto, Oboe Concerto, Trumpet Concerto, Canto di speranza." Musical Times 135, no. 1812 (1994): 108. http://dx.doi.org/10.2307/1002990.

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Mottershead, Tim. "Manchester, Bridgewater Hall: Concertos by Hakola and Broström." Tempo 67, no. 265 (2013): 75–77. http://dx.doi.org/10.1017/s0040298213000508.

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Given that the BBC Philharmonic had taken the courageous step to perform not one but two substantial premières on 1 February, one might have expected enticing potboilers to make up the rest of the menu. However, the remainder of the programme was devoted to Stravinsky's Petrushka (admittedly his most colourful ballet) along with his austere Symphonies of Wind Instruments. The concert was given a novel twist in that the first half (Symphonies of Wind Instruments and Hakola Violin Concerto) was directed by visiting guest conductor Håkan Hardenberger with John Storgårds as soloist; whilst in the
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Conway, Paul. "Civic Hall, Stratford-Upon-Avon: John McCabe's Trumpet Concerto ‘La Primavera’." Tempo 67, no. 263 (2013): 89–91. http://dx.doi.org/10.1017/s0040298212001489.

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Although John McCabe's Rainforest II, of 1987, is in effect a chamber concerto for trumpet and 11 strings, his extensive body of concertante works has lacked an official trumpet concerto. La Primavera, which had its première on 15 June 2012, now happily fills that gap. The subtitle derives from McCabe's consideration of two aspects of the approach of Spring: the vitality of burgeoning growth and the flowering of the new or refreshed life as it expands.
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Carnovale, Norbert, Gunther Schuller, and Robert Waddell. "Concerto for Trumpet and Chamber Orchestra." Notes 43, no. 3 (1987): 679. http://dx.doi.org/10.2307/898222.

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Song, Shuailong, and Patrick Niñalga Leo. "Improvement of Hebei College Students' Understanding of Haydn's Trumpet Concerto in E Flat Major." International Journal of Social Science and Humanities Research 12, no. 1 (2024): 150–58. https://doi.org/10.5281/zenodo.10695592.

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<strong>Abstract:</strong><em> </em>This thesis investigates the enhancement of Hebei College students' comprehension of Haydn's Trumpet Concerto in E-flat Major, focusing on strategies to improve music cognition and appreciation. The study delves into the realm of music education and cognitive theories, aiming to address challenges in understanding classical compositions among students. By utilizing a mixed-methods approach, including surveys, interviews, and music analysis, the research analyzes the effectiveness of various educational methodologies in fostering a deeper grasp of the intrica
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Carnovale, Norbert, and Ellen Taaffe Zwilich. "Concerto for Trumpet and Five Players, 1984." Notes 44, no. 4 (1988): 832. http://dx.doi.org/10.2307/941062.

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Dissertations / Theses on the topic "Trumpet concerto"

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Evans, Donald Earl. "Concerto for Trumpet and Chamber Ensemble." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc1038898/.

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Concerto for Trumpet and Chamber Ensemble is a three-movement work for solo trumpet and ten instruments, one player to a part, of approximately fourteen minutes in length. It is scored for flute, oboe, clarinet in B-flat, bassoon, piano, percussion, trumpet (solo) in C, violin, viola, cello, and double bass. The principal percussion instrument is xylophone with lesser parts for suspended cymbal and triangle.
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Lockard, Douglas Todd. "A stylistic and analytical discussion of Jean Rivier's Concerto for saxophone and trumpet and Concerto for trumpet." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023556.

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Adamson, Daniel. "A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862771/.

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Among the existing solo instrumental concertos of Joseph Haydn's oeuvre are two concertos for brass instruments. These are the Horn Concerto in D Major (Hob. VIId: 3) and Trumpet Concerto in E-flat Major (Hob. VIIe: 1). In addition to their standing as the only two concertos for solo brass instruments written by Haydn in existence, the two concertos provide a unique opportunity for insight into the history of the concerto genre and Haydn's change in compositional style. This is because of their chronological position within Haydn's oeuvre; the Horn Concerto was composed in 1762 during the earl
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Place, Logan. "An analysis and performance guide to William Lovelock's Concerto for trumpet and orchestra." Thesis, connect to online resource. Recital, recorded Apr. 3, 2006, in digital collections. Access restricted to the University of North Texas campus. Recital, recorded Apr. 2, 2007, in digital collections. Access restricted to the University of North Texas campus, 2008. http://digital.library.unt.edu/permalink/meta-dc-9743.

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Phillips, Edward. "Mozartean gesture and rhetoric in Hummel's Concerto for trumpet." Thesis, Recital, recorded June 13, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6062.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 13, 2006, Feb. 12, 2007, Nov. 8, 2007, and Mar. 5, 2008. Includes bibliographical references (p. 38-40).
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Reed, Marc Allen. "An historical and stylistic examination of Charles Chaynes' Concerto Pour Trompette and Deuxième Concerto Pour Trompette, with an interview of the composer." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3924/.

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Research has been conducted on prominent mid-twentieth century French trumpet concertos and their composers. Jolivet, Bozza, and Tomasi have all been the subject of research. Charles Chaynes' music is equally valuable to modern trumpet repertoire as that of Jolivet, Bozza, and Tomasi. Chaynes' exclusion from research leaves a void in resources available to future trumpet students. A study of Charles Chaynes and his trumpet concertos is essential to preserving the history of the valve trumpet's young modern repertoire. Lack of understanding of Chaynes' trumpet concertos can only lead to misconc
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Thompson, Joshua Ketring. "Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1093.

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Libby Larsen's Concerto for Trumpet and Orchestra was commissioned by Daniel Culver and the Quad City Youth Orchestra, in celebration of its 30th anniversary. It was written in 1987 and premiered on May 8, 1988. Daniel Culver conducted the Quad City Youth Orchestra and David Greenhoe was the trumpet soloist. Despite Libby Larsen's ongoing success as a composer, the premiere performance is the only time the concerto has been performed and it has since remained virtually-unknown to the public. This project serves as a way in which to reintroduce Libby Larsen's Trumpet Concerto to the trumpet, or
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Orsen, Jason A. "The Italian Double Concerto: A study of the Italian Double Concerto for Trumpet at the Basilica of San Petronio in Bologna, Italy." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937563.

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Lind, James Meyer. "Lind, James Meyer the Trumpet Concertos of Anthony Plog: a Performer’s Guide." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149631/.

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Anthony Plog (b. 1947) has contributed several notable works for brass instruments. He is known for writing extremely technically challenging works that contain angular melodies, fast rhythms and a large degree of chromaticism. Though his music is difficult, it also conveys intense emotions. His music for trumpet, specifically Concerto no. 1 for Trumpet, Brass Ensemble and Percussion and Concerto no. 2 for Trumpet and Orchestra, represents a zenith in his compositional development. This dissertation examines Concerto no. 1 and Concerto no. 2 from a performer’s perspective to better understand
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Samayoa, Raquel Rodriquez. "An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9043/.

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Ellen Taaffe Zwilich is an important figure in the compositional world, having written a diverse body of works for which she has received many accolades, including the coveted Pulitzer Prize. The second chapter examines this American composer, the commission of the American Concerto, and events leading to the piano reduction of the concerto. The America Concerto is a modern work that incorporates synthetic scales, unusual notation, and the organization of melodic material through motives. The third chapter includes an analysis that identifies the form and tonal centers as well as the primary
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Books on the topic "Trumpet concerto"

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Husa, Karel. Concerto for trumpet and orchestra. Associated Music Publishers, 1993.

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Zwilich, Ellen Taaffe. American concerto: For trumpet and orchestra. Merion Music, 1996.

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Willener, Alfred. Pour une sociologie de l'interprétation musicale: Le cas du "Concerto pour trompette" de Haydn. Editions Payot Lausanne, 1990.

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Junker, Hildegard. Joseph Haydn, Trompetenkonzert in Es-Dur. H. Junker, 2001.

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Hummel, Johann Nepomuk. Konzert für Trompete und Orchester E-dur. C.F. Peters, 1994.

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Thielemann, Kristin. Mein erstes Konzert: 26 leichte Vortragsstücke aus 5 Jahrhunderten : für Trompete in B und Klavier = My first concert : 26 easy concert pieces from 5 centuries : for trumpet in B and piano. Schott, 2017.

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Bazelon, Irwin. Spires--: Concert piece for trumpet and small orchestra. T. Presser, 1992.

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Turok, Paul. Concert variations: Opus 51, no. 3 for trumpet and marimba. Nichols Music, 1987.

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Prelleur, Peter. Concerto in D major for two trumpets, orchestra and continuo: Two trumpets in C, strings & continuo. Hoyt Editions, 1994.

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Tull, Fisher. Concerto da camera: For alto saxophone and brass quintet. Southern Music Co., 1989.

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Book chapters on the topic "Trumpet concerto"

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Tumino, Stephen. "10. Trump Speak." In Thinking Blue / Writing Red. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0324.10.

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Chapter Ten ("Trump Speak"): Trump bragged about how the US has done a "beautiful job" because "only" upwards of 120,000 and counting had died of coronavirus at the time. Although this particular example of Trump Speak had been widely commented on because the commenters did not analyze its class politics the commentary itself was a diversion that served to normalize the prevailing cynicism of Americans toward politics so perfectly captured in Trump's "mission accomplished" speech. To understand how such a comment could be so normalized that despite the "buzz" it generated it is treated as hard
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Miller, Steven E. "The Struggle to Save the JCPOA: Negotiations to Nowhere?" In Springer Proceedings in Physics. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29708-3_15.

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AbstractOn May 8, 2018, President Donald Trump announced that he was withdrawing the United States from the Joint Comprehensive Plan of Action (JCPOA). However, he failed in his subsequent efforts to coerce Iran into capitulation on the nuclear issue or to accept what Washington regarded as a better deal. The Biden Administration thus inherited a situation in which neither the United States nor Iran was complying with the deal but the Administration was pledged to restore the JCPOA. Rather than simply reverse Trump’s unilateral policy on the JCPOA, though, Biden launched a diplomatic effort ai
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Caivano, Dean. "A Thousand Unexpected Ways." In SpringerBriefs in Political Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-94729-2_1.

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Abstract I introduce the concept of the necro-president as a figure and condition that emerges at the intersection of institutional decay, symbolic death, and political myth. Framed through the 2024 presidential election, I argue that Joseph R. Biden functions as entropy, a spectral embodiment of decline, while Donald J. Trump operates as necro-sovereign. This figure reclaims decay through spectacle and mythic restoration. Drawing from the republican tradition’s concern with fragility and collapse, I show how the presidency has shifted from a symbol of vitality to a vessel of exhaustion. The n
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Campos, Frank Gabriel. "Jazz Trumpet." In Teaching School Jazz. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462574.003.0015.

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Ensembles of all kinds call upon the trumpets for excitement and fireworks. The strength and quality of the trumpet section is a top concern for any jazz, show, salsa, and commercial music ensemble. A gifted lead or solo trumpeter is a jewel of any group, and a strong trumpet section can elevate a band to greatness. The first part of this chapter provides an overview of the physical and musical challenges that jazz trumpeters face, and offers solutions to some of the most common problems, including exercises that improve range, endurance, and sound. The second part of the chapter discusses tim
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Giddins, Gary. "The Arranger’s Monk (Bill Holman / T. S. Monk / Fred Hersch)." In Weather Bird. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195304497.003.0048.

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Abstract Bill Holman, who may be the premiere living jazz orchestrator and is surely a contender, is back, at 70, in rare form. One of the best records of 1997 was A View from the Side, and whatever 1998 brings, few albums can top Brilliant Corners: The Music of Thelonious Monk. Holman always keeps busy in Los Angeles and Europe, but records released under his name are so infrequent that they support a long-standing cult without confirming his reputation as a major figure in the development of big band music. Brilliant Corners may not change that, but it provides standards for an idiom that to
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Giddins, Gary. "Redefining Dizzy (The Carnegie Hall Jazz Band / Lalo Schifrin)." In Weather Bird. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195304497.003.0028.

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Abstract Jazz repertory without messianic passion will be nothing more than the recycling of hits for monied subscribers—cf. the New York Philharmonic. But the movement is so new, the repertory so ambiguous, and the audience so impressionable that we’re unlikely to step into that bear trap any time soon. Almost everyone in the movement has a case to make, however much at odds it may be with commerce. When the ensemble that evolved into the Lincoln Center Jazz Orchestra performed Ellington’s long neglected Anatomy of a Murder, it proved a point: the audience came, heard, and was conquered, and
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"8. The Concertos of Haydn and Hummel." In The Trumpet. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300178166-013.

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Dolloff, Matthew. "“Gabriel’s Trumpet”." In Locating Milton. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781949979725.003.0005.

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Chapter 4 traces mathematical breakthroughs in the seventeenth-century concept of infinity and argues that they influence how Milton presents an infinite God in his late poetry. Beginning with Galileo’s Two New Sciences and the subsequent work of his student, Torricelli, it shows how the mathematical model called “Gabriel’s Trumpet” contradicts Aristotle’s claim that the finite and infinite cannot be proportionally related, and demonstrates how Milton could have encountered the concept. It then shows the implications for Milton’s infinite God and his relation to the finite world.
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Hutchings, Arthur. "The Salzburg Concertos." In A Companion to Mozart’s Piano Concertos. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198167082.003.0005.

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Abstract The Salzburg trumpeter Schachtner, friend of the Mozart family, tells how Leopold Mozart examined some ink blobs made by his child, and was astonished at the ‘correct observance of rules’; Wolf gang was four years old and declared that he was writing a concerto for clavecin. This fact proves that he had grown up in a world wherein clavecin concertos were familiar, though the boy knew more of the concert world than of other fields of musical activity. The concerto ,vas the form par excellence for a fashionable concert; sonatas were home music in those days, and the composer who wished
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McAdams, Dan P. "Me." In The Strange Case of Donald J. Trump. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197507445.003.0008.

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The chapter, “Me,” examines in detail Donald Trump’s love of himself—that is, his narcissism. Tracing the concept back to the ancient Greek myth of Narcissus, the chapter explores different theories of and empirical research on narcissism, and considers how they may apply to Trump. The chapter dismisses common clinical speculations regarding the origins of Trump’s narcissism in the alleged early failings of the mother–infant bond. The chapter traces Trump’s long career in narcissism, from school experiences through the presidency. Trump never tires of glorifying the self. As the episodic man,
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Conference papers on the topic "Trumpet concerto"

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Hanganu, Dumitru. "Concerto for trumpet (in b) and orchestra by Alexander Mulear: interpretative aspects." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.03.

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The 60s of the 20th century constitute an important stage in the development of national musical art. A multitude of composers, through their prodigious activity, managed to create a solid foundation for the establishment of a school of composition in the Pruto-Nistrean area. The predominant interest was focused on instrumental music genres, especially the creation of valuable Concertos for different instruments. Among them is the Concerto for trumpet and orchestra signed by Alexander Mulear. The work is of interest for research, both from the point of view of the treatment of the genre and th
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Hanganu, Dumitru, and Svetlana Badrajan. "Aspects of the treatment of the technical-expressive and interpretative means of the trumpet in the Concert Study by Alexandr Sochireanschii and Oleandra by Vladimir Slivinskii." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.05.

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The instrumental chamber music works by composers from the Republic of Moldova are rich and diverse, both in terms of the musical genres addressed and the instruments required, either for the ensemble or solo parts. The trumpet, an instrument with wide technicalinterpretative and expressive possibilities, offers composers an ample opportunity for harnessing its potential. The two works, which we will analyze from an interpretive point of view – “The Concert Study” for trumpet and piano (in B) by Alexandr Sokireanski (1977) and “Oleandra” for trumpet and piano (in B) by Vladimir Slivinski (1979
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Li, Yousun. "The Concept of Virtual Penetration and Its Application in Risers With Multiple Contacts." In ASME 2002 21st International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/omae2002-28219.

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Marine risers may involve multiple contacts, such as a marine riser consisting of centralized multi-tubes, and a riser with a trumpet bending restrainers. An algorithm has been developed specially for the time-domain simulation of the riser motions with a large number of intermittent contacts. In this algorithm, the contact constrains are lifted, and a pair of contact forces for each contact is added to the applied loads in the global equilibrium equations. Each pair of contact loads are either large enough to keep the wall penetration within a specified tolerance, or vanish when the contact p
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Zinkiv, Iryna. "MUSICAL AND INSTRUMENTAL REALITIES IN THE TREATISE �THE MUSICAL GRAMMAR� BY MYKOLADYLETSKYI 1723: ETHNIC IDENTIFICATION OF MUSICAL INSTRUMENTS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2023/s08.12.

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The article describes the discussion among East Slavic researchers regarding the appearance of the manuscript �The Musical Grammar� by M. Dyletskyi in 1723. Mentions in its text of musical instruments and imitation of their sound nature in the newly found composer�s choral concerto�Let the trumpets sound� have been analyzed. The musical instruments have been considered for the first time depicted on the title sheet of the manuscript in terms of similar Slavic and Western European instruments of the XII � XVIII centuries, an attempt has been made to establish their ethnicity.
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Joshi, Vedant, and Francine Battaglia. "A Risk Assessment of Pathogen Transport During an Indoor Orchestra Performance." In ASME 2021 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/imece2021-73290.

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Abstract The COVID-19 pandemic has shown that airborne pathogens and viruses have a detrimental impact on the health and well-being of an individual in an indoor space. Respiratory particles are released as droplets of varying velocities and diameters, where smaller droplets (aerosols) linger in air for prolonged periods, increasing the infection risk of individuals in an enclosed space. The pandemic has raised concerns regarding the safety of musicians due to respiratory particles released through woodwind and brass instruments. A collaboration with the Buffalo Philharmonic Orchestra was purs
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Ross, Jason, Tom Campbell, Basant Parida, Mark Arnoldy, and Tarek Omar. "Development of Candidate New Emergency Warning Signals (EWS) to Improve Railroad Safety." In 2017 Joint Rail Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/jrc2017-2281.

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From the original “steam trumpet” built for locomotives in 1832 by the Leicester and Swannington Railway to modern air-pressure horns, train warning signals have not changed significantly in nearly 200 years. The effectiveness of train warning signals has been of particular concern for trespassers listening to music with headphones. The authors have conducted research as part of a Federal Railroad Administration program to design and assess the effectiveness of candidate new emergency warning signal (EWS) sounds. This paper summarizes a literature review to understand the needs for a new EWS s
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Zhang, Yu. "STAND BY/ME." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-37-short-zhang-et-al-stand-by-me.

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SHORT PAPER. This paper describes initial intention, concept, concerns in design process, production, and technical details of an artwork named “STAND BY/ME”. STAND BY/ME is an interactive installation that uses machine-learning models to generate speeches for Xi Jinping and Donald J. Trump, and uses randomness to build virtual conversations for the political spectrum, while connecting the information flow with the lived reality of the everyday. Visitors are exposed to narratives of both digital communism and digital capitalism that is randomly controlled. Next to the visual flow of randomly g
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Gerasimenko, I. V., and A. S. Rydchenko. "Reflection of culture in American political discourse." In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.128.134.

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The article examines certain phenomena, concepts, objects that are inherent in the cultures of different peoples, they are associated with clear historical, geographical, socio-political and other conditions of their existence. The authors analyzed the pre-election, inaugural and post-election types of political speeches of Donald Trump and Barack Obama and described the features of the manifestation of cultural values in the speeches of these politicians. An analysis of the material shows that the speeches of political figures directly reflect the cultural values of the people.
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Wang, Dingxi, Francesco Ornano, Yan Sheng Li, et al. "FLOvane: A New Approach for HP Vane Design." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-57285.

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The University of Oxford has been working for a number of years on a conceptually new philosophy for HP vane design [1]. The desired function of the HP vane is to accept flow from a — generally — annular intake, and turn and accelerate it with minimum loss and heat transfer, and with due consideration to mechanical, manufacturing and integration issues. The conventional design process is well-defined: annulus line definition; through-flow analysis; 2D airfoil section definition; vane stack definition; lean/sweep treatments; secondary flow contouring and fillet design; vane and platform cooling
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Lawless, William. "Autonomous human-machine teams: Data dependency and Artificial Intelligence (AI)." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003757.

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The reliance on concepts derived from observations in laboratories combined with the assumption that concepts and behavior are one-to-one (monism) have impeded the development of social science, machine learning (ML) and belief logics by restricting them to operate in controlled and stable contexts. Even in open contexts, using ideas developed in laboratories, despite using well-trained observers to make predictions about the likelihood of outcomes in open contexts, using the same concepts and assumptions, in 2016, Tetlock and Gardner's "superforecasters" failed to predict Brexit (Britain’s ex
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Reports on the topic "Trumpet concerto"

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Heitzig, Chris, and Amrita Saha. Labour Market Effects of India’s Termination from the United States’ GSP. Institute of Development Studies, 2025. https://doi.org/10.19088/ids.2025.008.

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This paper investigates the sudden 2019 termination by the United States Generalized System of Preferences (GSP) of trade with India as a quasi-natural experiment. Given the re-election of Donald Trump and global concerns about the future of global trade, understanding the distributional consequences from past trade shocks can inform strategies to balance trade preferences with social equity. The impact of the GSP termination is examined with a triple difference-in-differences specification that controls for both country- and product-level export changes to estimate the impact of the terminati
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Pavlovic, Noel, Barbara Plampin, Gayle Tonkovich, and David Hamilla. Special flora and vegetation of Indiana Dunes National Park. National Park Service, 2024. http://dx.doi.org/10.36967/2302417.

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The Indiana Dunes (comprised of 15 geographic units (see Figure 1) which include Indiana Dunes National Park, Dunes State Park, and adjacent Shirley Heinze Land Trust properties) are remarkable in the Midwest and Great Lakes region for the vascular plant diversity, with an astounding 1,212 native plant species in an area of approximately 16,000 acres! This high plant diversity is the result of the interactions among postglacial migrations, the variety of soil substrates, moisture conditions, topography, successional gradients, ?re regimes, proximity to Lake Michigan, and light levels. This ric
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