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Journal articles on the topic 'Trumpet in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Tararak, Yu P. "The history of the origin and development of the trumpet: the organological aspect." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 123–37. http://dx.doi.org/10.34064/khnum1-54.08.

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Logical reason for research. Modern performance on wind instruments, in particular on the trumpet, is characterized by a powerful development. It is an object of listening interest and composing, and today it has a fairly large repertoire of both transpositions and original works in many instrumental compositions (from solo to various ensembles and orchestras) in different styles and genres. This situation in music practice requires theoretical understanding and generalization, however, we can state that at the moment, music science highlights the performance on the wind instruments without an

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2

Zavialova, Olha, and Zhang Jinqiu. "Baroque concert for trumpet with orchestra of Italian composers: ways of formation." Culturology Ideas, no. 26 (2'2024) (2024): 53–60. https://doi.org/10.37627/2311-9489-26-2024-2.53-60.

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The ways of formation of the genre of Trumpet Concerto with Orchestra in the work of Italian composers of the Baroque era are highlighted. It was found that the trumpet in the concert genre of a certain period was first used in the work of the Italian Master J. Torelli who was a key figure in the development of trumpet art of the Baroque period in Italy. As one of the founders of the solo Violin Concerto, this artist contributed greatly to the development of the genre of the Trumpet Concerto with Orchestra. The peak of the development of the Trumpet Concert in Italy was the work of Fr. O. Manf

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3

Thibodeau, Joseph, and Marcelo M. Wanderley. "Trumpet Augmentation and Technological Symbiosis." Computer Music Journal 37, no. 3 (2013): 12–25. http://dx.doi.org/10.1162/comj_a_00185.

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This article discusses the augmentation of acoustic musical instruments, with a focus on trumpet augmentation. Augmented instruments are acoustic instruments onto which sensors have been mounted in order to provide extra sonic control variables. Trumpets make ideal candidates for augmentation because they have spare physical space on which to mount electronics and spare performer “bandwidth” with which to interact with the augmentations. In this article, underlying concepts of augmented instrument design are discussed along with a review and discussion of twelve existing augmented trumpets and

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4

van der Heide, Geert Jan, and Robert Barclay. "The Art of the Trumpet Maker." Galpin Society Journal 48 (March 1995): 246. http://dx.doi.org/10.2307/842838.

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5

Dong, Rui. "Teaching Development and Playing Art of Trumpet." Learning & Education 10, no. 2 (2021): 110. http://dx.doi.org/10.18282/l-e.v10i2.2294.

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In the many types of orchestral instruments, the trumpet sound is loud and expressive, known as the king of steel pipe instruments, which plays a very important role in the development of musical instruments. This modern wind instrument has a rich artistic expression and has relatively high requirements for the players. Based on this, this paper discusses the teaching development and basic playing method of the trumpet teaching instrument to improve the teaching effect.

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6

Meng, Juguang. "TRUMPET IN THE ORCHESTRAL SCORE OF "ODE ON ST. CECILIA`S DAY" (1692) BY HENRY PURCELL." Scientific and analytical journal Burganov House. The space of culture 19, no. 6 (2023): 46–55. http://dx.doi.org/10.36340/2071-6818-2023-19-6-46-55.

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The subject of this research is the trumpet parts in Henry Purcell’s "Ode on St. Cecilia`s Day" (1692). The author analyses the role of the trumpet in the context of the general content of the work and its poetic symbolism. In this regard, the issue of using special compositional techniques, in particular sound visualisation and musical rhetoric, is analysed. In addition, questions of trumpet tonality semantics are considered. A large amount of background information on the history of the music holiday origin is provided in the article; opinions of scientists who put forward hypotheses about t

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7

Cahyono, Agus, Septian Cipto Nugroho, and Wadiyo Wadiyo. "The Symbolic Interaction in Trumpets Playing During Worship Ceremony at Higher Than Ever Church." Mudra Jurnal Seni Budaya 38, no. 3 (2023): 259–68. http://dx.doi.org/10.31091/mudra.v38i3.2334.

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The trumpet is an ancient instrument made of a sheep’s horn that is found in the Bible. In worship at the Higher Than Ever Church, the trumpet instrument is combined with modern musical instruments. Dealing with the background, the main focus of this study is related to symbolic interaction in the playing of Trumpet. The qualitative method using a research approach to the sociology of art approach was used in this research. The data obtained through observation, interviews, and documentation. Checking the validity of the data used source triangulation and data analysis used the contextualizati

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8

Purba, Ezra Deardo, and Hagripa Natanael Barus. "IMPLEMENTASI TEKNIK DASAR ISTRUMENT TROMPET PADA MAHASISWA PRODI MUSIK, FSP, ISI YOGYAKARTA." Grenek Music Journal 9, no. 2 (2020): 83. http://dx.doi.org/10.24114/grenek.v9i2.20312.

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The trumpet instrument is one of the instruments that was studied in depth at the Music Study Program, Faculty of Performing Arts, Yogyakarta Indonesian Art Institute. The trumpet instrument course is divided into six classes, namely intermediate instruments I, II, III and advanced instruments I, II, III. Each of these practical lecture meetings has maximum stages and targets to be able to play the trumpet instrument correctly. Several stages begin with understanding the basic techniques correctly and must be mastered by students taking trumpet instrument classes. The formulation of the proble

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9

Kontsevych, O. Yu. "Diary of performing mastership: the sphere of universal skills of modern trumpeter." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 174–89. http://dx.doi.org/10.34064/khnum1-54.11.

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At the present stage of development, the musical society has the centuries-long artistic experience. The evolution of educating professionals in the performing sphere has contributed to the creation of musical masterpieces in different genres. The birth and decline of numerous musical styles and trends has led to new requirements for trumpeters and their capabilities. Of course, the development of trumpet playing has always been accompanied by the new techniques and methods aimed at implementing the composer tasks. However, we can often observe the use and borrowing of the same performance tec

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10

Wickham, L. R. "Review: The Heavenly Trumpet. John Chrysostom and the Art of Pauline Interpretation." Journal of Theological Studies 53, no. 2 (2002): 715–16. http://dx.doi.org/10.1093/jts/53.2.715.

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11

Mayer, Wendy. "The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation (review)." Journal of Early Christian Studies 10, no. 3 (2002): 408–9. http://dx.doi.org/10.1353/earl.2002.0049.

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12

Childers, J. W. "Book Review: The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation." Interpretation: A Journal of Bible and Theology 57, no. 3 (2003): 332–34. http://dx.doi.org/10.1177/002096430005700328.

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13

Aune, David E. "The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation. Margaret M. Mitchell." Journal of Religion 83, no. 4 (2003): 607–8. http://dx.doi.org/10.1086/491403.

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14

Gumelar, Aji Cahya, Fatihah Ekawati, Fitriani Intan Purnamasari, and Zharra Cynthia Dewi. "Ondel-Ondel Local Content Curriculum as A Vocational School of Betawi Cultural Preservation." Edunesia : Jurnal Ilmiah Pendidikan 2, no. 3 (2021): 607–18. http://dx.doi.org/10.51276/edu.v2i3.150.

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The research objective was to implement the learning process ondel-ondel arts in local content in the form of music, dance, and fine art compositions at the Vocational High School level as an effort to preserve Betawi culture. This research was conducted using a qualitative approach with interview techniques, observation, literature study, and triangulation techniques. Music composition for ondel-ondel art only relies on the trumpet as an instrument that plays a melody or song. The song that was played was limited to only 2 songs, namely Leles and Mangle. Ondel-ondel art in terms of visual art

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15

Khongsai, Lalginthang, and Mayanglambam ManiBabu. "The Art of Using Sound: Pengkul (Trumpet) and Its Role in Traditional Kuki Society." Oriental Anthropologist: A Bi-annual International Journal of the Science of Man 21, no. 2 (2021): 375–94. http://dx.doi.org/10.1177/0972558x211055386.

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The unique way of timekeeping strategy, involving pengkul (a traditional bamboo trumpet) as a communication or signalling device within the Lom institution demonstrates the early Kuki people’s technological adaptability and cognitive development. Pengkul has been an important musical instrument of the early Kuki people since time immemorial. It plays a significant role in traditional Kuki society as a means of public communication and conveyor of time and event rather than a mere instrument of merriments. Firstly, the article focuses on the procurement of raw materials, manufacturing process,

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Tsiuliupa, S. D. "Doctoral dissertations of wind instruments musicians in Ukraine (the end of XX – early XXI century)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 24–39. http://dx.doi.org/10.34064/khnum1-54.02.

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This paper is the first attempt to lay out the major scientific achievements of teachers of faculties of wind and percussion instruments of Ukrainian universities with 3-4 accreditation levels, for the period from second half of XX – to beg. of XXI century. This article systematizes and precisely analyzes the content of obtained PhD dissertations on musical art, theory and methodic of professional education, musical art, theory, the methodic and organization of cultural and educational activities. In the period of Ukraine’s integration into the European entities, scientific work becomes the le

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17

Suwarjiki, Diki, Juju Masunah, and J. Julia. "Transformation of tanji arts: A study of style changes in today’s music." SHS Web of Conferences 197 (2024): 02001. http://dx.doi.org/10.1051/shsconf/202419702001.

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Tanji art has historical and cultural value for the Buahdua Sumedang community. The beginning of the emergence of this art began with instruments or musical instruments, a set of drumband instruments such as: clarinet, trumpet, trombone, snare, bass drum and cymbals that played reports of Sundanese songs. Along with the times and social dynamics, this art has transformed with different musical instruments than when it first appeared. The aim of this research is to explore, analyze and trace what factors influence musical changes in Tanji art in Buahdua today. The research method uses qualitati

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18

Lan, Leng Thi, Nguyen Thi Hang, and Dinh Tran Ngoc Huy. "Developing Local Cultural Features through Community Tourism Services in Ha Giang Province, Vietnam." Revista Gestão Inovação e Tecnologias 11, no. 3 (2021): 2261–75. http://dx.doi.org/10.47059/revistageintec.v11i3.2226.

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In recent years in Vietnam, discovering and developing local cultural features in the Northern region of Vietnam is quite interesting and attract local people to participate. Our study uses mainly qualitative analysis synthesis and inductive methods, together with quantitative analysis with data and statistics. Our research results show that there are many strengths in local cultural features in Ha Giang province of Vietnam with 19 ethnics minorities that we can develop for cultural and community tourism. Ha Giang has a lot of local products/specialties that are very attractive to tourists suc

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19

Buana, Utari Arsy. "BENTUK PENYAJIAN LAGU OEMAR BAKRIE DI MARCHING BAND SWATAMI PADA GEBYAR PENDIDIKAN NASIONAL KABUPATEN LABUHANBATU UTARA." Grenek Music Journal 7, no. 1 (2018): 92. http://dx.doi.org/10.24114/grenek.v7i1.8790.

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The results showed that one form of emotional expression that is channeledthrough the music and therefore, the group marching band Swatami onarranemen songs Oemar Bakrie brought by Marching band Swatami using threecategories of instrument, namely: instrument Percussion in tone (Glockenspiel,vibraphone, Xylophone, Marimba), brass instruments (trumpet, Mellophone,Baritone, Tuba), and percussion (Senar drum, tenor drum, bass drum, cymbals).Choosing songs Omar bakrie for in the arrangements with the shape Marchingband. Bakrie Oemar tempo songs using 163 has 51 bars and has two variations ofthe mel

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20

D. Tata, Mahadevan, Nur Q. A. Mahazir, Ooi W. Keat, and Ismail A. S. Burud. "Impact of a new conceptualized anti-reflux Trumpet stent on the quality of life of patients with advanced carcinoma of the cardio-oesophageal junction." Ghana Medical Journal 56, no. 2 (2022): 95–99. http://dx.doi.org/10.4314/gmj.v56i2.6.

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Objectives: To evaluate a newly developed, self-expandable anti-reflux Trumpet (ART) stent customized for cardio oesophageal junctional (COJ) cancer on the feasibility of deployment, stent migration, quality of life, and symptom reliefDesign: Prospective case series, Proof of concept pilot studySetting: Tertiary Health Care Center, Hospital Tuanku Jaafar, Seremban, Malaysia. Department of Surgery.Participants: A total of 17 patients diagnosed with advanced COJ tumour and who had never undergone any surgical, endoscopic, or chemoradiotherapy and indicated for stenting were recruitedIntervention

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21

Nabilunnuha, Mantaaba Zukhruf, Sunarto Sunarto, Syahrul Syah Sinaga, and Wahyu Lestari. "Innovative music learning in “Profil Pelajar Pancasila” development for students: an intervention study through world wall applications." International Journal of Visual and Performing Arts 4, no. 2 (2022): 174–84. http://dx.doi.org/10.31763/viperarts.v4i2.823.

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The importance of art education in instilling the principles of Pancasila that should be taught to pupils has diminished since the era of technological transformation. Learning the names of the Pancasila principles through music is a powerful tool. However, pupils lose interest in the process when learning is still presented in the traditional fashion. Student's strengths in global variety, mutual cooperation, independence, critical reasoning, and creativity can be cultivated through this music-learning process and included in their Pancasila student profiles. As a result, changes in music edu

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22

Fischer, Henry George, and Robert Barclay. "The Art of the Trumpet-Maker: The Materials, Tools, and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg." Notes 50, no. 1 (1993): 189. http://dx.doi.org/10.2307/898745.

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23

Lansbury, Coral. "Melodrama, Pantomime, and the Communist Manifesto." Browning Institute Studies 14 (1986): 1–10. http://dx.doi.org/10.1017/s0092472500003436.

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At the heart of all great religion and art there is a mystery that expresses an ineluctable paradox: “Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed in a moment, In the twinkling of an eye, at the last trumpet” (I Cor. 15:51–52). The bass aria of Handel's Messiah confounds the natural world and all its laws to affirm the divine power that will make the corruptible incorruptible and the mortal immortal. For Marx the transformation of humankind does not wait upon a seraphic clarion; it will be accomplished when the industrial proletariat overthrows the capitali

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24

Wagner, Mayke, Wang Bo, Pavel Tarasov, Sidsel Maria Westh-Hansen, Elisabeth Völling, and Jonas Heller. "The ornamental trousers from Sampula (Xinjiang, China): their origins and biography." Antiquity 83, no. 322 (2009): 1065–75. http://dx.doi.org/10.1017/s0003598x0009935x.

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A decorated pair of trousers excavated from a well-preserved tomb in the Tarim Basin proved to have a highly informative life history, teased out by the authors – with archaeological, historical and art historical dexterity. Probably created under Greek influence in a Bactrian palace, the textile started life in the third/second century BC as an ornamental wall hanging, showing a centaur blowing a war-trumpet and a nearly life-size warrior of the steppe with his spear. The palace was raided by nomads, one of whom worked a piece of the tapestry into a pair of trousers. They brought no great luc

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25

Sadeghi Sahlabad, Zeinab, Oksana Kravchenko, and Alina Shuldishova. "IMAGES OF GILAN IN THE POETICS OF VELIMIR KHLEBNIKOV." Проблемы исторической поэтики 21 (June 2023): 196–216. http://dx.doi.org/10.15393/j9.art.2023.12402.

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The article discusses V. Khlebnikov’s Iranian images associated with the poet’s stay in Gilan from April to July 1921. The relevance of the article is determined by the need to explore the Persian component of Khlebnikov’s poetics, which cannot be reduced to speculative and generalized Asian images. The article demonstrates the diversity of poetic manifestations of Gilan, depicted through its inhabitants, landscapes, mythology, ancient and contemporary history. The poem “Night in Persia” is proposed to be read as a spiritual experience of mastering space. The specifics of female images in the

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26

Ridgway, Brunilde Sismondo. "The Ludovisi “Suicidal Gaul” and his wife: bronze or marble original, Hellenistic or Roman?" Journal of Roman Archaeology 31 (2018): 248–58. http://dx.doi.org/10.1017/s1047759418001307.

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From 1981 to 2002, in various lectures and writings, I presented my suggestion about the “Roman” conception of the Ludovisi Suicidal Gaul, without eliciting positive responses. What has prompted me to re-open this issue after the passing of so many years? Perhaps the catalyst was a major exhibition — Pergamon and the Hellenistic Kingdoms of the Ancient World — held at the Metropolitan Museum of Art in New York from April 18 to July 17, 2016, together with its impressive catalogue. There, an essay by M. Papini reviewed present knowledge about the victory dedications of the Attalids and the ston

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27

Deutscher, Max. "Speeches on Poetry." Philosophies 9, no. 6 (2024): 170. http://dx.doi.org/10.3390/philosophies9060170.

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Paul Celan’s ‘Speeches’ determine what poetry is and why we need it. He does not want ‘timeless’ poetry but still ‘lays claim to infinity’; he would ‘reach through time’. He neither refuses poetry as contrary to reason, nor elevates it as pure immediacy of meaning. He questions the ambivalent attitudes towards art—as ‘artifice’ or as ‘profound’. Celan cuts into the loose fabric of such ordinary language to shape it. Those who trumpet ‘plain sense’ against such incisive art deface it as degenerate. Celan’s poetic language presents us as ‘of the earth’ and as ‘released from it’—Büchner’s Lenz se

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Kuś, Grzegorz, Maciej Trzeciecki, and Paweł Gan. "Down by the river to the middle of nowhere? Avar-period metal artifacts discovered in Janowiec, site 3, Puławy district." Sprawozdania Archeologiczne 74, no. 2 (2023): 289–316. http://dx.doi.org/10.23858/sa/74.2022.2.2978.

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The text discusses the results of typological and metallographic analyses of metal objects dated to the 7th-8th centuries from Janowiec on the Vistula River, including five bronze strap fittings, two silver bracelets with trumpet-like endings, two bronze bars, and lumps of melted metal. The analyses of the fittings indicate their direct associations with the Avar Kaganate. Currently, the fittings from Janowiec comprise the most numerous assemblage of Avar imports from Polish lands. The form and technology of manufacture of the bracelets is typical for the area between the middle Dnipro and the

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29

Marjuni, Marjuni Misri, and Adly Rosyad Fudhulul Ulwani. "The Islamic Moral Perspective on Semiotic Analysis of Reyog Art against Children's Drama "Songgolangit Sayemboro"." Islamika Inside: Jurnal Keislaman dan Humaniora 8, no. 1 (2022): 60–84. http://dx.doi.org/10.35719/islamikainside.v8i1.173.

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Abstract: The semiotic interpretation of Reyog as an intangible cultural treasure and a representation of Ponorogo people's historical knowledge is still debatable, especially in light of Reyog Ponorogo's failure to become one of the nominees to be presented to UNESCO in the second week of April 2022. This research explains how a) Reyog Ponorogo as a local culture requires socio-religious values and b) the historical construction of Reyog Ponorogo has strengthened the reality of social change. Child Reog Performance and Drama "Songgolangit Sayemboroo" on December 11, 2021, on the Youtube Chann

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30

Yarbrough, O. Larry. "The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation. By Margaret M. Mitchell. Westminster John Knox Press, 2002. 563 pages. $44.95." Journal of the American Academy of Religion 73, no. 4 (2005): 1240–43. http://dx.doi.org/10.1093/jaarel/lfi139.

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31

Naidu, Ashish J. "Margaret M. Mitchell, The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation (Hermeneutische Untersuchungen zur Theologie 40; Tübingen: Mohr Siebeck, 2000), pp. xxxiv + 564. €99.00." Scottish Journal of Theology 57, no. 2 (2004): 245–47. http://dx.doi.org/10.1017/s0036930604260197.

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32

Asaulyuk, I. O., та A. A. Diachenko. "Особенности физической подготовленности студентов учебных заведений в процессе физического воспитания". Health, sport, rehabilitation 5, № 1 (2019): 9. http://dx.doi.org/10.34142/hsr.2019.05.01.01.

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<p><em>The main goal of the work</em> is to study the level of physical fitness of students of music specialties. The objectives of the study reflect the gradual achievement of the goal. It also gives the analysis of the static strength endurance of the muscles of the body <em>Methods of research</em>: analysis and generalization of data in literature, pedagogical methods of research (experiment, testing), methods of mathematical statistics. 154 students of the first and second year of the Vinnitsa School of Culture and Arts named after M. D. Leontovich participat

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Febriana, Sonya Widya, and Muziatun Fajariah Fajariah. "The Analysis Speech Acts of Donald Trump’s Speech." PROJECT (Professional Journal of English Education) 1, no. 5 (2018): 573. http://dx.doi.org/10.22460/project.v1i5.p573-577.

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This research is entitled the analysis speech acts of Donald Trump’s speech. The study analyze the speech acts of President Donald Trump’s speech. The speeches used as the data are taken from White House online on September until October 2017 in USA. Moreover, the researcher focused on speech act of illocutionary acts. In this study the research used theory from Searle. From Donald Trump's speech, the researcher found 7% Declarative, 18% Representative, 31% Expressive, 29% commissive, and 15% Directive. The result showed that President Donald Trump’s more on sentence expressive. Analysis speec

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Doc, J. B., C. Vergez, and J. Hannebicq. "Inverse problem to estimate lips parameters values of outward-striking trumpet model for successive playing registers." Journal of the Acoustical Society of America 153, no. 1 (2023): 168–78. http://dx.doi.org/10.1121/10.0016808.

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The objective of this work is to estimate by inverse problem lip parameters values of trumpet model so that the oscillation thresholds for successive playing registers occur for the same blowing pressure as the one measured on several trumpet players. The lips vibration is modeled through an oscillator including unknown parameters such as resonance frequency, quality factor, surface mass, stiffness, and opening at rest of the lips. The oscillation threshold is calculated through linear stability analysis of the outward-striking model including the nonlinear coupling with the bore of the trumpe

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Насонов, Р. А. "Bach the Apollonian? Rethinking ‘Six Concerts avec plusieurs instruments’ as a Meaningful Set." Научный вестник Московской консерватории, no. 1(44) (March 23, 2021): 86–117. http://dx.doi.org/10.26176/mosconsv.2021.44.1.005.

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Автор рассматривает «Бранденбургские концерты» И. С. Баха как собрание музыки, выражающее систему представлений композитора о древнем и современном искусстве, гармонии мира и общества, религиозных основах человеческой жизни. Проанализированы существующие аргументы «за» и «против» целостности цикла, представления о мотивах его создания. Основная гипотеза статьи состоит в том, что порядок расположения концертов внутри собрания тщательно продуман Бахом, а все трудно объяснимые особенности отдельных произведений (такие как характер использования малой скрипки в Первом концерте, выбор в пользу баро

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Rauniyar, Bijay Kumar. "Beyond Beasts: Some Cases of Native American AniManism." Literary Studies 33 (March 31, 2020): 7–11. http://dx.doi.org/10.3126/litstud.v33i0.38029.

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We all are animals and animals (are) us. There is only a thin line between both of us and beasts. We often tend to fall towards the beastly line. This paper, however, will show how the Native American tribes maintain their ties and wisdom with the animals. For them, animal spirits stand for life and livelihood. They regard animals as “the messenger for wisdom about life, nature, and power. These also prophecy future (events), as we take dogs’ moaning to herald earthquake and cats’ growling to trumpet troubles. The tribes represent those spirits through symbols on clothes, art and ceremonial it

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Leyerle, Blake. "The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation. By Margaret M. Mitchell. Hermeneutische Untersuchungen zur Theologie 40. Tübingen: Mohr Siebeck, 2000. xxxiv + 564 pp. DM 198 cloth; $44.95 paper." Church History 72, no. 3 (2003): 640–41. http://dx.doi.org/10.1017/s0009640700100447.

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38

Hairston, Alena. "Trumpet." Callaloo 29, no. 2 (2006): 691–93. http://dx.doi.org/10.1353/cal.2006.0098.

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Иванова, С. В. "Angelic Trumpets in Medieval Christian Art." OPERA MUSICOLOGICA, no. 2022 (September 12, 2022): 46–63. http://dx.doi.org/10.26156/om.2022.14.3.003.

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В статье исследуются изображения духового музыкального инструмента, в который трубят ангелы; подобные изображения появляются в христианском искусстве с XI века. Это труба характерной формы, слегка изогнутая, с очень небольшим раструбом, она может быть как сравнительно небольшой, так и довольно значительного размера, бывает украшена резьбой или же инкрустацией. Сопоставление изображений позволяет сделать вывод, что перед нами шофар — особый библейский инструмент, труба, изготовленная из рога парнокопытных животных (диких и домашних баранов, козлов, антилоп). Шофары описаны в видениях ветхозавет

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Woodall, G. Carole. "Listening for Jazz in Post-Armistice Istanbul." International Journal of Middle East Studies 48, no. 1 (2016): 135–40. http://dx.doi.org/10.1017/s0020743815001543.

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On the evening of 14 July 2013, while living in Istanbul, I walked down Kumbaracı Yokuşu away from the sounds of protest to the city's contemporary art museum. As part of the Istanbul Jazz Festival lineup, the Istanbul Modern screened director Batu Akyol's documentary Türkiye'de Caz (Jazz in Turkey), which gathers interviews with Turkish jazz musicians intimate with the country's jazz scene from the 1940s onward. The emergence of a jazz ecology of musician-composers, entrepreneurs, jazz promoters, and collectors runs in tandem with the history of the Turkish Republic, beginning in the years le

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Dymydyuk, Dmytro. "The Relief on the Door of the Msho Arakelots Monastery (1134) as a Source for Studying Arms and Armour of Medieval Armenian Warriors." Studia Ceranea 9 (December 30, 2019): 207–50. http://dx.doi.org/10.18778/2084-140x.09.12.

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Byzantium’s arms and armours were researched by many historians. For that reason, the military history of the medieval Roman Empire enjoyed a dominant position in medieval historiography, with the consequence that very often the military history of small nations (under Roman influences) was written from the perspective of the Eastern Romans historians. The aim of the paper is to change this perspective and give the subject of the medieval Armenian military the attention it deserves. The idea is to perform an analysis of the relief on the Door of the Msho Arakelots monastery, where four equestr

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Oades, Robert. "Robert Barclay. The Art of the Trumpet-Maker: The Materials, Tools, and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg, Oxford: Oxford University Press, 1992. 186 p., 167 figures. ISBN 0-19-816223-5." Canadian University Music Review, no. 13 (1993): 163. http://dx.doi.org/10.7202/1014305ar.

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Ovchar, О. P. "V. O. Bohdanov – an outstanding researcher of the history of wind art in Ukraine: his life and creative career." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 8–23. http://dx.doi.org/10.34064/khnum1-54.01.

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Background. The question of a comprehensive assessment of certain musicians’ work has both artistic and aesthetic, sociocultural, and ethical projections associated with the evaluation of the creativity and activity of the musician both during their lifetime and after their passing. This issue also continues to be acutely relevant in the area of studying and shaping the scope of cultural knowledge about traditions and innovations in all spheres of musical art, about the role of an individual in the historical and cultural process both in the national and in the civilizational, globalizational

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Van Der Velden, Hugo. "De broer van de koning met de dood bedreigd: een 'exemplum iustitiae' in de vijftiende- en zestiende-eeuwse Nederlandse kunst." Oud Holland - Quarterly for Dutch Art History 108, no. 4 (1994): 157–70. http://dx.doi.org/10.1163/187501794x00233.

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AbstractA South Netherlandish panel in the collection of the Ringling Museum of Art, Sarasota, painted around 1475-85, can be identified as one of the few surviving fifteenth-century justice pictures. Bruyn succeeded in tracing the painting's enigmatic iconography to a mediaeval 'exemplum', The King's Brother Threatened with Death, in which elements from The Sword of Damocles and from the story of the trumpet of death in the legend of Barlaam and Josaphat are combined into a single history. In the Gesta Romanorum, under the heading 'De timore extremi iudicii', the tale is told of a wise and ri

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Hwang, Shih M. "Trumpet horn speaker." Journal of the Acoustical Society of America 83, no. 1 (1988): 408. http://dx.doi.org/10.1121/1.396170.

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Hastings, John H. "Valveless trumpet instrument." Journal of the Acoustical Society of America 78, no. 4 (1985): 1455. http://dx.doi.org/10.1121/1.392815.

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Meredith, A. "The heavenly trumpet. John Chrysostom and the art of Pauline interpretation. By Margaret M. Mitchell. (Hermeneutische Untersuchungen zur Theologie, 40.) Pp. xxxiv+565. Tübingen: J. C. B. Mohr (Paul Siebeck), 2000. DM 198. 3 16 147360 4; 0440 7180." Journal of Ecclesiastical History 53, no. 3 (2002): 545–650. http://dx.doi.org/10.1017/s0022046902294762.

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Petryszak, Karol. "A triumph of science or a paradigm blowing its own trumpet? A book review: Dennis Dutton, Instynkt sztuki. Piękno, zachwyt i ewolucja człowieka [The Art Instinct: Beauty, Pleasure, and Human Evolution], transl. by J. Luty, Copernicus Center Press, Kraków." Logos i Ethos 62, no. 2 (2024): 169–74. http://dx.doi.org/10.15633/lie.62209.

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G'Froerer, Callum. "WEAVING AN EXPANDED SONIC PRACTICE: PROPOSING A TEXTILIC SONIC METHOD." Tempo 77, no. 306 (2023): 7–21. http://dx.doi.org/10.1017/s0040298223000311.

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AbstractThis article discusses the way textile metaphors can act as catalysts for reflection in my practice as a trumpet performer and composer. Metaphors such as ‘fibre’, ‘spin’, ‘yarn’, ‘ply’, ‘weave’, ‘loom’, ‘drape’ and ‘felt’ are engaged as lenses through which the dynamic, contingent and tailorable interactions are made between sonic and extra-sonic elements in my expanded practice. The metaphors are engaged to shape instrumental techniques, improvisation, form, audiovisual media, physicality and spatial design. In this article, I describe how I developed my own expanded sonic practice b

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Scharff, Jill Savege. "Trumpet: Revisiting and Reimagining Thornton Wilder’s The Trumpet Shall Sound." Thornton Wilder Journal 4, no. 1 (2023): 86–107. http://dx.doi.org/10.5325/thorntonwilderj.4.1.0086.

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Abstract The Trumpet Shall Sound (1919–20) is Thornton Wilder’s first known full-length, published, and produced play. The action is straightforward: While their master is away on a prolonged journey, three servants open the house to roomers for profit, but then they live in guilt and fear of discovery. The play was awarded a college literary prize and it attracted the attention of talented director Richard Boleslavsky, but his production received mixed reviews. Wilder considered rewriting the problematic final act, but instead he moved on to Pulitzer Prize–winning literary and theatrical proj

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