Relevant bibliographies by topics / Trumpet music (2 trumpets)

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  2. Dissertations / Theses
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Academic literature on the topic 'Trumpet music (2 trumpets)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Trumpet music (2 trumpets)"

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Kontsevych, O. Yu. "Diary of performing mastership: the sphere of universal skills of modern trumpeter." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 174–89. http://dx.doi.org/10.34064/khnum1-54.11.

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At the present stage of development, the musical society has the centuries-long artistic experience. The evolution of educating professionals in the performing sphere has contributed to the creation of musical masterpieces in different genres. The birth and decline of numerous musical styles and trends has led to new requirements for trumpeters and their capabilities. Of course, the development of trumpet playing has always been accompanied by the new techniques and methods aimed at implementing the composer tasks. However, we can often observe the use and borrowing of the same performance tec
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Suwantada, Patcharee, and Joseph Bowman. "Guidelines for creation of a Luk Thung method for trumpet." Malaysian Journal of Music 11, no. 1 (2022): 145–63. http://dx.doi.org/10.37134/mjm.vol11.1.9.2022.

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21st century trumpet players are required to play many diverse styles of music. One of these unique musical styles, Luk Thung (a Thai traditional music style) is music derived from Thai folk music culture that describes the Thai rural lifestyle, especially in the lyrics. Learning this style is a crucial part of a trumpet player’s chances for career success in Thailand’s musical industry. For trumpet players, performing Luk Thung music requires fundamental trumpet techniques. Because of the need for training trumpet players in this unique Thai musical style, this research aims to generate the g
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Hanganu, Dumitru. "Concert No.2 for trumpet in ‘B’ and piano by Oleg Negruta: structural and interpretative specification." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 17–22. http://dx.doi.org/10.55383/amtap.2022.2.03.

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Oleg Negruta produced different genre pieces for the trumpet. Out of ample pieces we single out the two concerts that contain difficulties for the execution and represent challenges for the performers. Concert nr.2 for the trumpet in ‘B’ and for the piano was written in 2014 and performed in premiere by the trumpet player and professor Vasile Ciubuc. The interpretative language of Concert nr. 2 is guided by the composer, indicating different terms of tempo and dynamic nuances.. The author used different groups of articulations, such as accents, staccato, legato, detache and others. The musical
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Muzaqi, Moh Afit, and Eko Raharjo. "Music Creativity In The Brascong Vijaya Kusuma Keroncong." Jurnal Seni Musik 11, no. 2 (2022): 161–73. http://dx.doi.org/10.15294/jsm.v11i2.64235.

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Creativity in music can be formed by observing, studying, and understanding existing creative works or creating new music. In the city of Salatiga, there is a keroncong orchestra called "Brascong Vijaya Kusuma." This study aimed to determine, analyze, and describe the musical creativity in the brascong keroncong orchestra Vijaya Kusuma in Salatiga. The method used in this study is a qualitative research method that presents a descriptive analysis. This research approach uses musicology. The results of this study indicated that creativity in brascong keroncong Orchestra Vijaya Kusuma transpired
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Steele-Perkins, Crispian. "Review: Russell Gilmour, 'Just' Natural Trumpet (Russell Gilmour, 2024.). 268pp. ISBN: 978-1-73-971592-2." Early Music Performance & Research, no. 54 (March 7, 2025): 43–5. https://doi.org/10.5281/zenodo.14991098.

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Rumsey, Hannah E., Sahil Aggarwal, Erin M. Hobson, Jeeyn Park, and Peter Pidcoe. "Anxiety’s Effect on Muscle Activation and Fatigue in Trumpet Players: A Pilot Study." Medical Problems of Performing Artists 30, no. 4 (2015): 203–10. http://dx.doi.org/10.21091/mppa.2015.4038.

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Due to the high percentage of musicians who suffer from musculoskeletal disorders, there is a need for more research in the field of music and medicine. The purpose of this study was to analyze the possible relationship between anxiety, muscle activation, and muscle fatigue in undergraduate trumpet players. Assessment tools included surface electromyography (sEMG) data, State Trait Anxiety Inventory (STAI), and Visual Analogue Scales (VAS) of perceived anxiety. Data were collected from 27 undergraduate music students across five universities (22 males, 5 females) aged 18 to 24 years. The three
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Lien, Joelle L., and Jere T. Humphreys. "Relationships among Selected Variables in the South Dakota All-State Band Auditions." Journal of Research in Music Education 49, no. 2 (2001): 146–55. http://dx.doi.org/10.2307/3345866.

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The purpose of this study was to examine the effects of school enrollment, distance to audition site, sex of auditionees, and instrument type on the results of the 1992–97 South Dakota all-state band auditions. Results include the following: (1) total audition scores were better for students from larger schools and for those who traveled a shorter distance to the audition; (2) female students' scores were significantly better than those of male students, but there was no significant difference in the percentages of successful auditions between males and females; (3) scores differed significant
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Žarskienė, Rūta. "The Sound of Trumpet will Stir the World and Raise the Dead: Prayers Accompanied by Brass Instruments in the Folk Piety Tradition." Tautosakos darbai 55 (June 25, 2018): 177–97. http://dx.doi.org/10.51554/td.2018.28504.

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The article focuses on a phenomenon that has so far evaded scholarly attention and research. Apparently, in Samogitia, where brass instruments still play at traditional Catholic or even Lutheran funerals and death anniversaries, participate in the Easter morning processions and the Catholic Church feasts (Lith. atlaidai), yet another practice of folk piety involving brass instruments is thriving: i.e. prayers at the graveside in summer time, during Catholic Church feasts and All Souls’ Day (more frequently still, All Saints’ Day). During her fieldwork of 2013–2017 in various parts of Mažeikiai
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Nabilunnuha, Mantaaba Zukhruf, Sunarto Sunarto, Syahrul Syah Sinaga, and Wahyu Lestari. "Innovative music learning in “Profil Pelajar Pancasila” development for students: an intervention study through world wall applications." International Journal of Visual and Performing Arts 4, no. 2 (2022): 174–84. http://dx.doi.org/10.31763/viperarts.v4i2.823.

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The importance of art education in instilling the principles of Pancasila that should be taught to pupils has diminished since the era of technological transformation. Learning the names of the Pancasila principles through music is a powerful tool. However, pupils lose interest in the process when learning is still presented in the traditional fashion. Student's strengths in global variety, mutual cooperation, independence, critical reasoning, and creativity can be cultivated through this music-learning process and included in their Pancasila student profiles. As a result, changes in music edu
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Gumelar, Aji Cahya, Fatihah Ekawati, Fitriani Intan Purnamasari, and Zharra Cynthia Dewi. "Ondel-Ondel Local Content Curriculum as A Vocational School of Betawi Cultural Preservation." Edunesia : Jurnal Ilmiah Pendidikan 2, no. 3 (2021): 607–18. http://dx.doi.org/10.51276/edu.v2i3.150.

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The research objective was to implement the learning process ondel-ondel arts in local content in the form of music, dance, and fine art compositions at the Vocational High School level as an effort to preserve Betawi culture. This research was conducted using a qualitative approach with interview techniques, observation, literature study, and triangulation techniques. Music composition for ondel-ondel art only relies on the trumpet as an instrument that plays a melody or song. The song that was played was limited to only 2 songs, namely Leles and Mangle. Ondel-ondel art in terms of visual art
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Dissertations / Theses on the topic "Trumpet music (2 trumpets)"

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Wetzel, Pierson A. "The pedagogical benefits of duet playing a Vannetelbosch companion /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180034244.

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McIntire, David D. Rudy Paul. "Karlheinz? Wohin gingen Sie? [electronic resource] /." Diss., UMK access, 2009.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009.<br>For two trumpets and chamber ensemble with electronic sounds. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Dec. 04, 2009. Includes performances notes. Online version of the print edition.
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Wood, James J. "A Historical and Analytical Examination of the Stravinsky Octet for Wind Instruments, with a Guide to Performance Preparation of the Two Trumpet Parts." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3593.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by recitals, recorded Mar. 22, 1999, Nov. 29, 1999, and Sept. 11, 2006. Includes bibliographical references (p. 52-53).
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Duke, Evan Benjamin. "LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/2.

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The Bitsch Vingt Études are a significant part of the trumpet performers repertoire. They are taught in many university trumpet studios across the United States. David Baldwin, professor of trumpet at the University of Minnesota, has recorded all of them for the International Trumpet Guild. The editor, Raymond Sabarich, is considered the founder of the modern French school of trumpet playing. Articulation is a significant component in performing on a brass instrument. By varying the attacks of the tongue, different timbres can be successfully achieved on the trumpet. Because of the volume the
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Hines, John. "Folio of compositions /." Title page and contents only, 1993. http://web4.library.adelaide.edu.au/theses/09MUM/09mumh662.pdf.

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Hanson, Frank E. III. "Trumpet Timbre: A Comparative Investigation of the Tone Quality of Two Professional C Trumpets." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391686077.

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Hanson, Frank E. "Trumpet timbre : a comparative investigation of the tone quality of two professional C trumpets /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588249822482.

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Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of California, Los Angeles, 2008.<br>CD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).
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Davis, Whitney Rose. "Bb and C Rotary Trumpets in Orchestras of the United States: Perspectives from Professional Orchestral Trumpet Players on the Use, Audition Considerations, and Current Makes/Models." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587634757776806.

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Parish, Tracy M. "A performance interpretation of the concerto in E-flat major by Joseph Haydn based on contemporaneous writings and period performance practice /." 2008. http://proquest.umi.com/pqdweb?index=0&did=1686371681&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1271698041&clientId=36305.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2008.<br>Includes abstract. Vita. Adviser: John Hill. Includes bibliographical references. Available from Pro Quest Information and Learning.
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Books on the topic "Trumpet music (2 trumpets)"

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Erb, Donald. Remembrances: For two trumpets. Merion Music, 1996.

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Persichetti, Vincent. Parable: For two trumpets : (Parable XXV) op. 164. Elkan-Vogel, 1991.

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Nelhybel, Vaclav. Duets for trumpets or any two equal brass or woodwind instruments in treble clef. J. Christopher Music, 2000.

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Adolphe, Bruce. Triskelion: Brass quintet (1990). MMB Music, 1991.

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Pinkham, Daniel. Morning music: For organ and brass quintet. Ione Press, 1996.

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Schickele, Peter. A little mosey music: Rag for brass sextet (2 B♭ trumpets, 2 F horns, trombone, and tuba). Elkan-Vogel, 1990.

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Luening, Otto. Divertimento for brass quintet: Two trumpets, horn, trombone, and tuba. C.F. Peters, 1992.

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Ryden, William. The wedding album: For two trumpets, horn, trombone, and bass trombone or tuba. Masters Music Publications, 1999.

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Charles, Ives. The unanswered question: For trumpet, flute quartet, and strings. Peer International, 1985.

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Lendvay, Kamilló. Scenes: Cantata to the texts from tetralogy "Joseph and his brothers" by Thomas Mann ; The harmony of silence ; Fifth music ; Five arrogant ideas. Hungaroton, 1986.

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Book chapters on the topic "Trumpet music (2 trumpets)"

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Barclay, Robert. "The Instrument and its History." In The Art of the Trumpet-maker. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198162230.003.0002.

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Abstract Before examining the development and progress of the metal industry in Nurem berg it would be advisable first to describe the typical musical instrument which the trumpet-makers produced in huge quantities for nearly four hundred years. The classic trumpet is one of the simplest and most uncomplicated instruments in European music. It consists solely of a length of tubing (usually brass) which is folded upon itself once, runs parallel for three-quarters of its length, and then flares out wards into a bell for the remainder. The tubing is about IO or 12 mm. in diameter and about 2 m. l
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Howard, Keith. "Instruments of the People." In Songs for "Great Leaders". Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190077518.003.0003.

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Chapter 2 is the first of two chapters that outline and analyze the development of North Korea’s kaeryang akki—“improved” or “reformed” versions of traditional musical instruments. It identifies formational influences from the Soviet Union, China, and elsewhere. The underlying ideology, which holds that Korean instruments should match Western counterparts, but that Western instruments must be subservient to the Korean soundworld, is critiqued. Key musicians and institutions, and music pedagogy are introduced. Data from published resources is matched to the author’s detailed work with key perfo
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Campos, Frank Gabriel. "Jazz Trumpet." In Teaching School Jazz. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462574.003.0015.

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Ensembles of all kinds call upon the trumpets for excitement and fireworks. The strength and quality of the trumpet section is a top concern for any jazz, show, salsa, and commercial music ensemble. A gifted lead or solo trumpeter is a jewel of any group, and a strong trumpet section can elevate a band to greatness. The first part of this chapter provides an overview of the physical and musical challenges that jazz trumpeters face, and offers solutions to some of the most common problems, including exercises that improve range, endurance, and sound. The second part of the chapter discusses tim
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Downey, Peter. "Performing Mr Purcell’s ‘Exotick’ Trumpet Notes." In Performing the Music of Henry Purcell. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198164425.003.0005.

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Abstract On 9 November 1686 Nicholas Staggins, Master of the Music, was paid ‘for faire writeing of a composition for his Majesty’s coronation day from the originall in score the 6 parts, [and] for drawing ye said composition into forty several parts for trumpetts, hautboyes, violins, tennors, [and] bases’. While the composition itself has not survived, the payment record supplies some very illuminating information. Assuming that he was the composer rather than the arranger, Staggins’s piece, which was performed on 23 April 1685, holds the honour of being the earliest recorded example of Engli
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Schuller, Gunther. "The Trombone in Jazz." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0049.

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Abstract The trombone is the only instrument in the Western music tradition that is virtually unchanged in its basic construction (shape and size) and technical function since its first appearance in the late fifteenth century. All other instruments-whether the violin, the organ, or even the trumpet-have experienced important changes or physical additions (such as valves on trumpets). Although a valve trombone was developed eventually in the early nineteenth century, it never replaced in classical music or in jazz the so-called slide trombone, the instrument with which this article will be pri
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