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Dissertations / Theses on the topic 'Trumpet music (2 trumpets)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Wetzel, Pierson A. "The pedagogical benefits of duet playing a Vannetelbosch companion /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180034244.

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2

McIntire, David D. Rudy Paul. "Karlheinz? Wohin gingen Sie? [electronic resource] /." Diss., UMK access, 2009.

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Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2009.<br>For two trumpets and chamber ensemble with electronic sounds. "A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Dec. 04, 2009. Includes performances notes. Online version of the print edition.

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3

Wood, James J. "A Historical and Analytical Examination of the Stravinsky Octet for Wind Instruments, with a Guide to Performance Preparation of the Two Trumpet Parts." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3593.

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Thesis (D.M.A.)--University of North Texas, 2007.<br>System requirements: Adobe Acrobat Reader. Accompanied by recitals, recorded Mar. 22, 1999, Nov. 29, 1999, and Sept. 11, 2006. Includes bibliographical references (p. 52-53).

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4

Duke, Evan Benjamin. "LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES." UKnowledge, 2012. http://uknowledge.uky.edu/music_etds/2.

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The Bitsch Vingt Études are a significant part of the trumpet performers repertoire. They are taught in many university trumpet studios across the United States. David Baldwin, professor of trumpet at the University of Minnesota, has recorded all of them for the International Trumpet Guild. The editor, Raymond Sabarich, is considered the founder of the modern French school of trumpet playing. Articulation is a significant component in performing on a brass instrument. By varying the attacks of the tongue, different timbres can be successfully achieved on the trumpet. Because of the volume the

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5

Hines, John. "Folio of compositions /." Title page and contents only, 1993. http://web4.library.adelaide.edu.au/theses/09MUM/09mumh662.pdf.

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6

Hanson, Frank E. III. "Trumpet Timbre: A Comparative Investigation of the Tone Quality of Two Professional C Trumpets." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391686077.

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7

Hanson, Frank E. "Trumpet timbre : a comparative investigation of the tone quality of two professional C trumpets /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588249822482.

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8

Behnen, Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar Behnen Severin Hilar. "Volume I. The construction of motion graphics scores Volume II. Seven motion graphics scores /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1581435611&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of California, Los Angeles, 2008.<br>CD-ROM entitled "The motion graphics scores of Severin Behnen" includes the animated scores. Includes bibliographical references (v. 1, leaves 138-142).

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9

Davis, Whitney Rose. "Bb and C Rotary Trumpets in Orchestras of the United States: Perspectives from Professional Orchestral Trumpet Players on the Use, Audition Considerations, and Current Makes/Models." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587634757776806.

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10

Parish, Tracy M. "A performance interpretation of the concerto in E-flat major by Joseph Haydn based on contemporaneous writings and period performance practice /." 2008. http://proquest.umi.com/pqdweb?index=0&did=1686371681&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1271698041&clientId=36305.

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Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2008.<br>Includes abstract. Vita. Adviser: John Hill. Includes bibliographical references. Available from Pro Quest Information and Learning.

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11

Yeo, Young-hwan Pinkston Russell. "Gray sky II for brass quintet and tape /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120314.

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12

Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.

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13

Yeo, Young-Hwan. "Gray sky II: for brass quintet and tape." Thesis, 2003. http://hdl.handle.net/2152/1087.

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14

Ramirez, Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen Ramirez Richard Bowen. "Technology integration in music : Exploration, preparation, and realization /." 1998. http://www.quicktime.com.

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15

Carlson, Kirsten Therese. "Graduate recital." Thesis, 1995. http://hdl.handle.net/2429/4024.

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This document contains scores for the works performed at a recital of compositions by Kirsten Carlson at 8:00 p.m. April 21, 1995 at the University of British Columbia Recital Hall. Model-Deviation is written for solo flute and was composed in 1992. Those That Follow is written for two flutes and was composed in 1993. The Distance is written for soprano voice, spoken voice, violin and cello and was composed in 1993. The text is by Kirsten Carlson. For will is written for flute and trumpet and was originally composed in 1994 and revised in 1995. This is a photograph of me is written for

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16

Scott, Marshall Lynn. "The American piston valved cornets and trumpets of the Shrine to Music Museum." 1988. http://catalog.hathitrust.org/api/volumes/oclc/18429459.html.

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17

"A portfolio of music compositions." 2009. http://library.cuhk.edu.hk/record=b5896608.

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《紙・驚》與《鼓・箏》 : 褐紫紅色 : 自《彩露》 : 為京腔女中音、中國大鼓和古箏而寫的雙樂章作品 = "Paper. Jolt" and "Gu. Zheng", op. 23 : Maroon : from the Dews of Color : two-movement piece for Chinese operatic mezzo-soprano, Chinese big drum, and Gu-Zheng (2008) -- Carnival, op. 24 : for symphonic band : coral : from the Dews of Color (2009) -- Celadon, op. 26 : from the Dews of Color : composed for clarinet in B-flat, Gu Zheng, and Percussion (suspended cymbal and vibraphone) = 青瓷色: 自《彩露》: 為降B單簧管, 古箏與敲擊(弔鈸及鋼片琴)而寫 -- Prelude, passacaglia and fugue, op. 25 : for percussion quartet.<br>"Zhi, jing" yu "Gu, zheng" : he zi hong se : zi "Ca

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18

Copeland, Warren. "Time for bee: a recital of compositions." Thesis, 1994. http://hdl.handle.net/2429/5123.

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Time for Bee consists of a series of ten original musical/theatrical compositions created between September 1992 and January 1994, first performed on the evening of January 28, 1994 in the Recital Hall of the University of British Columbia. While each of the works can be performed individually, it was the composer’s intent to create a recital which is logical in its progression. This should suggest that in some way the pieces belong together as a larger whole. The concept of “waiting” circulates throughout all the works, in the sense that the actual material is either minimalist (and so

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