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Journal articles on the topic 'Trumpet'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Campbell, Murray, Arnold Myers, and Michael Newton. "Acoustical behaviour of “baroque” trumpets with vent holes." Journal of the Acoustical Society of America 155, no. 3_Supplement (2024): A108—A109. http://dx.doi.org/10.1121/10.0026976.

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The trumpets for which baroque composers including Bach and Handel wrote viruoso solo parts were natural (valveless) instruments approximately twice the length of a modern C trumpet. Playing chromatically in the high register of a natural trumpet requires great skill, since only the approximately harmonic resonances of the fixed-length air column are available. In the second half of the twentieth century several makers collaborated with performers to develop variants of the natural trumpet incorporating three or four finger-holes. Such instruments, widely used in modern ensembles playing baroq

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2

Zavialova, Olha, and Zhang Jinqiu. "Baroque concert for trumpet with orchestra of Italian composers: ways of formation." Culturology Ideas, no. 26 (2'2024) (2024): 53–60. https://doi.org/10.37627/2311-9489-26-2024-2.53-60.

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The ways of formation of the genre of Trumpet Concerto with Orchestra in the work of Italian composers of the Baroque era are highlighted. It was found that the trumpet in the concert genre of a certain period was first used in the work of the Italian Master J. Torelli who was a key figure in the development of trumpet art of the Baroque period in Italy. As one of the founders of the solo Violin Concerto, this artist contributed greatly to the development of the genre of the Trumpet Concerto with Orchestra. The peak of the development of the Trumpet Concert in Italy was the work of Fr. O. Manf

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3

Tararak, Yu P. "The history of the origin and development of the trumpet: the organological aspect." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 123–37. http://dx.doi.org/10.34064/khnum1-54.08.

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Logical reason for research. Modern performance on wind instruments, in particular on the trumpet, is characterized by a powerful development. It is an object of listening interest and composing, and today it has a fairly large repertoire of both transpositions and original works in many instrumental compositions (from solo to various ensembles and orchestras) in different styles and genres. This situation in music practice requires theoretical understanding and generalization, however, we can state that at the moment, music science highlights the performance on the wind instruments without an

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4

Mohamed, Mimoun, Vincent Fréour, Christophe Vergez, Keita Arimoto, Valentin Emiya, and Bruno Cochelin. "Prediction of trumpet performance descriptors using machine learning." Acta Acustica 8 (2024): 65. http://dx.doi.org/10.1051/aacus/2024042.

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Based on a physical model of a trumpet’s functioning, the numerical continuation approach is used to construct the model’s bifurcation diagram, which depends on the instrument’s acoustic characteristics and the musician’s parameters. In this article, we first identify 10 descriptors that account for the main characteristics of each bifurcation diagram. It is first shown that these descriptors can be used to classify four professional trumpets with a recognition rate close to 100%. The XGBoost algorithm is used for this purpose. Secondly, we evaluate the ability of different classical machine l

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5

Lešnik, Luka, Nejc Mlakar, Ignacijo Biluš, and Breda Kegl. "THE OPTIMIZATION OF A RACE CAR INTAKE SYSTEM." Journal of Energy Technology 10, no. 3 (2024): 11–23. https://doi.org/10.18690/jet.10.3.11-23.2017.

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This paper deals with the optimization of a race car intake system in order to increase engine power output. The goal of optimization was to test how different lengths of intake trumpet influence air mass flow, pressure fluctuations and, consequently, the obtained engine-rated power and torque. Six trumpet lengths were tested using the 1-D AVL BOOST simulation program. The obtained numerical results of engine-rated power and torque were compared with the information obtained from the engine’s manufacturer. The results of optimization indicate that the length of the intake trumpet significantly

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6

Horez, Iulian. "16. Trumpet and Orchestra Concert in D Major by Georg Philipp Telemann in Interpretation Vision of Wynton Marsalis and Rafael Méndez." Review of Artistic Education 19, no. 1 (2020): 134–39. http://dx.doi.org/10.2478/rae-2020-0016.

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AbstractLike most baroque concerts, the Concerto for trumpet and orchestra in D major by Georg Philipp Telemann raises particular problems of interpretation. It is a concert written in the head register of the trumpet, with frequent references in the acute register. I should mention that the head register of a trumpet depends on its size. At a normal trumpet in and flat (and not piccolo), the acute register is from do (and flat from the first octave) to the next do ascendant. The head register continues from do2 to do3. In the trumpets in do, re, mi flat, fa, sol, the principle remains the sam

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7

Thibodeau, Joseph, and Marcelo M. Wanderley. "Trumpet Augmentation and Technological Symbiosis." Computer Music Journal 37, no. 3 (2013): 12–25. http://dx.doi.org/10.1162/comj_a_00185.

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This article discusses the augmentation of acoustic musical instruments, with a focus on trumpet augmentation. Augmented instruments are acoustic instruments onto which sensors have been mounted in order to provide extra sonic control variables. Trumpets make ideal candidates for augmentation because they have spare physical space on which to mount electronics and spare performer “bandwidth” with which to interact with the augmentations. In this article, underlying concepts of augmented instrument design are discussed along with a review and discussion of twelve existing augmented trumpets and

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8

Zdrodowska, Magdalena. "Życie po życiu wiktoriańskiej techniki. Trąbki słuchowe w XX i XXI wieku." Przegląd Kulturoznawczy, no. 3 (45) (2020): 153–73. http://dx.doi.org/10.4467/20843860pk.20.021.12581.

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Victorian ear trumpets in XX and XXI century Throughout the 19th century ear trumpets became the most popular and in fact the only technical solution for deaf people. They merged with the behavior regarded as typical for the deaf such as misinterpretations and communicational loss, therefore ear trumpets turned into a social stigma. They became objects that were bashfully hidden by users. In the 20th century however ear trumpets’image as well as functions changed as they were substituted with modern, electric and later electronic hearing prostheses. Once ear trumpets became antiquated their pl

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9

Fragos, Emily. "Trumpet." Yale Review 108, no. 2 (2020): 9. http://dx.doi.org/10.1353/tyr.2020.0097.

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10

King, Bruce, and Jackie Kay. "Trumpet." World Literature Today 73, no. 4 (1999): 736. http://dx.doi.org/10.2307/40155148.

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11

Hairston, Alena. "Trumpet." Callaloo 29, no. 2 (2006): 691–93. http://dx.doi.org/10.1353/cal.2006.0098.

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12

Fragos, Emily. "Trumpet." Yale Review 108, no. 2 (2020): 9. http://dx.doi.org/10.1111/yrev.13618.

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13

Suresh, D., J. O’Gallagher, and R. Winston. "A Heat Transfer Analysis for Passively Cooled “Trumpet” Secondary Concentrators." Journal of Solar Energy Engineering 109, no. 4 (1987): 289–97. http://dx.doi.org/10.1115/1.3268220.

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Some practical questions associated with the use of hyperboloidal “trumpet” shaped terminal concentrators for use in solar thermal applications are addressed. Computer ray-trace calculations show that the flux distribution is strongly peaked over a small neck area at the exit of the trumpet, which will be subjected to a substantial thermal load. A quasi-transient heat transfer model has been developed to analyze the thermal behavior of passively cooled trumpets. The thermal analysis shows that simple techniques exist such that one can design passive secondary trumpets which will remain below s

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14

Doc, J. B., C. Vergez, and J. Hannebicq. "Inverse problem to estimate lips parameters values of outward-striking trumpet model for successive playing registers." Journal of the Acoustical Society of America 153, no. 1 (2023): 168–78. http://dx.doi.org/10.1121/10.0016808.

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The objective of this work is to estimate by inverse problem lip parameters values of trumpet model so that the oscillation thresholds for successive playing registers occur for the same blowing pressure as the one measured on several trumpet players. The lips vibration is modeled through an oscillator including unknown parameters such as resonance frequency, quality factor, surface mass, stiffness, and opening at rest of the lips. The oscillation threshold is calculated through linear stability analysis of the outward-striking model including the nonlinear coupling with the bore of the trumpe

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15

Kwasi Gbagbo, Divine, та John Doe Dordzro. "From Tradition to Innovation: The Incorporation of Trumpet in Bɔbɔɔbɔ (Borborbor) Dance of The Ewe People". International Journal of Arts, Humanities & Social Science 05, № 07 (2024): 23–34. http://dx.doi.org/10.56734/ijahss.v5n7a4.

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This article explores the emergence and evolution of bɔbɔɔbɔ (borborbor), a distinctive Ewe dance that originated in mid 20th century British Togoland (now the Volta Region of Ghana) and French Togoland (now Togo). Initially rooted in traditional kokomba dance forms, particularly tuidzi and akpese, bɔbɔɔbɔ rapidly integrated European military brass band instruments, notably the bugle and later the trumpet, influenced by the burgeoning popular music genre of highlife in Ghana. Drawing on ethnographic research conducted in Ewe communities in Ghana, this paper examines the transformative role of

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16

Fuchs, Evelyn, Veronika C. Beeck, Anton Baotic, and Angela S. Stoeger. "Acoustic structure and information content of trumpets in female Asian elephants (Elephas maximus)." PLOS ONE 16, no. 11 (2021): e0260284. http://dx.doi.org/10.1371/journal.pone.0260284.

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Most studies on elephant vocal communication have focused on the low-frequency rumble, with less effort on other vocalization types such as the most characteristic elephant call, the trumpet. Yet, a better and more complete understanding of the elephant vocal system requires investigating other vocalization types and their functioning in more detail as well. We recorded adult female Asian elephants (Elephas maximus) at a private facility in Nepal and analyzed 206 trumpets from six individuals regarding their frequency, temporal and contour shape, and related acoustic parameters of the fundamen

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17

Suwantada, Patcharee, and Joseph Bowman. "Guidelines for creation of a Luk Thung method for trumpet." Malaysian Journal of Music 11, no. 1 (2022): 145–63. http://dx.doi.org/10.37134/mjm.vol11.1.9.2022.

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21st century trumpet players are required to play many diverse styles of music. One of these unique musical styles, Luk Thung (a Thai traditional music style) is music derived from Thai folk music culture that describes the Thai rural lifestyle, especially in the lyrics. Learning this style is a crucial part of a trumpet player’s chances for career success in Thailand’s musical industry. For trumpet players, performing Luk Thung music requires fundamental trumpet techniques. Because of the need for training trumpet players in this unique Thai musical style, this research aims to generate the g

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18

Freeman-Attwood, Jonathan. "Trumpet Menu." Musical Times 132, no. 1776 (1991): 81. http://dx.doi.org/10.2307/966604.

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19

Gorham, Charles J., Edward Tarr, and S. E. Plank. "The Trumpet." Notes 48, no. 2 (1991): 518. http://dx.doi.org/10.2307/942063.

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20

Rycroft, David, M. T. Wright, Edward Tarr, and S. E. Plank. "The Trumpet." Galpin Society Journal 44 (March 1991): 185. http://dx.doi.org/10.2307/842241.

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21

Placek, Robert W., William R. Higgens, and David B. Williams. "Micro-Trumpet." Music Educators Journal 72, no. 2 (1985): 20. http://dx.doi.org/10.2307/3396546.

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22

Patrick, James, Bill Coleman, Sammy Price, et al. "Trumpet Story." American Music 12, no. 2 (1994): 206. http://dx.doi.org/10.2307/3052529.

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23

Dufour, Ronald P., and Bill Coleman. "Trumpet Story." MELUS 20, no. 2 (1995): 169. http://dx.doi.org/10.2307/467634.

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24

Setz, C. "Ostrich Trumpet." Literary Imagination 14, no. 1 (2011): 83. http://dx.doi.org/10.1093/litimag/imr127.

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25

Holmes, Brian W. "Demonstration trumpet." American Journal of Physics 53, no. 5 (1985): 504–5. http://dx.doi.org/10.1119/1.14217.

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26

Williams, Nancy Compton. "Trumpet Vine." Appalachian Heritage 29, no. 3 (2001): 4. http://dx.doi.org/10.1353/aph.2001.0029.

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27

Dence, Thomas. "Trumpet Curve." Math Horizons 22, no. 3 (2015): 2. http://dx.doi.org/10.4169/mathhorizons.22.3.2.

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28

O'Hare, F., A. W. Turner, J. G. Crowston, and D. Ehrlich. "Trumpet tension." Case Reports 2009, apr07 2 (2009): bcr1220081301. http://dx.doi.org/10.1136/bcr.12.2008.1301.

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29

Zevin, Rabbi Schlomo Josef. "HAZOZERAH (TRUMPET)." Historic Brass Society Journal 4, no. 1 (1992): 57–70. https://doi.org/10.2153/0119920011005.

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30

Setz, Clemens. "Ostrich Trumpet." Literary Imagination 14, no. 1 (2012): 83. https://doi.org/10.1353/lim.2012.a942989.

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31

Horez, Iulian. "16. Sinfonia Avanti Il Barcheggio by Alessandro Stradella in Interpretations of the Trumpeters Iulian Horez and Miroslav Kejmar." Review of Artistic Education 21, no. 1 (2021): 133–38. http://dx.doi.org/10.2478/rae-2021-0016.

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Abstract Alessandro Stradella is a lesser-known composer in trumpet works. However, the Sinfonia avanti il Barcheggio is of great beauty and is written perfectly trumpet. The original is composed for trumpet in C, but the key of D major in which the concerto played with trumpet in C is written poses the biggest tuning problems. For this reason, I recommend for this concert a trumpet in A. The tuning will be much better, it will be played in F major, the natural notes of the trumpet will be used a lot (C, E, G).

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32

Corte, Lucia, Lathan Liou, Paul F. O’Reilly, and Judit García-González. "Trumpet plots: visualizing the relationship between allele frequency and effect size in genetic association studies." Gigabyte 2023 (September 1, 2023): 1–10. http://dx.doi.org/10.46471/gigabyte.89.

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Recent advances in genome-wide association and sequencing studies have shown that the genetic architecture of complex traits and diseases involves a combination of rare and common genetic variants distributed throughout the genome. One way to better understand this architecture is to visualize genetic associations across a wide range of allele frequencies. However, there is currently no standardized or consistent graphical representation for effectively illustrating these results. Here we propose a standardized approach for visualizing the effect size of risk variants across the allele frequen

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33

Fiqriannur, Ibnu Syahruroji. "CONCERT ETUDE TRUMPET KARYA ALEXANDER GEODICKE (ANALISIS TEKNIK PERMAINAN TRUMPET)." Repertoar Journal 1, no. 1 (2020): 36–48. http://dx.doi.org/10.26740/rj.v1n1.p36-48.

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Concert Etude Trumpet bertempo 152bpm. Nuansa lagu ini bersifat Lincah dan Tegang. Kemudian untuk dapat memainkan lagu ini terdapat teknik yang harus dikuasai oleh pemain Trumpet anatara lain Double Tounging, Slur, Legatto, Stacatto. Lagu ini mendominasikan pada teknik Double Tounging. Karya ini telah dimainkan oleh pemain Trumpet ternama, yakni Alison Balsom. Tujuan penelitian ini (1) Untuk mengetahui teknik permainan Trumpet lagu Concert Etude Trumpet. (2) Untuk mengetahui bagian-bagian didalam lagu Concert Etude Trumpet. Teknik pengumpulan data menggunakan reduksi data, penyajian data teks

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34

Potter, Nancy L., Lauren R. Johnson, Stephen E. Johnson, and Mark VanDam. "Facial and Lingual Strength and Endurance in Skilled Trumpet Players." Medical Problems of Performing Artists 30, no. 2 (2015): 90–95. http://dx.doi.org/10.21091/mppa.2015.2015.

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Trumpet players produce and manipulate sound through their instrument by articulating the lips, cheeks, and tongue to create a proper airflow. These sustained muscle contractions may result in increased facial and lingual strength and endurance. The purpose of this study was to determine if adult trumpet players who practice at least 6 hrs/wk differed from adult non-trumpet-playing controls in strength and endurance of the lips, cheeks, and tongue. Methods: This case-control study involved 16 trumpet players, 16 healthy controls balanced for age and sex, and 1 trumpet player 25 years post-Bell

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35

Tomes, Frank. "Flat Trumpet Experiments." Galpin Society Journal 43 (March 1990): 164. http://dx.doi.org/10.2307/842488.

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36

Webb, John. "The Billingsgate Trumpet." Galpin Society Journal 41 (October 1988): 59. http://dx.doi.org/10.2307/842708.

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37

Halliday, Mark. "Trumpet Player, 1963." Journal of Popular Music Studies 13, no. 2 (2001): 243–44. http://dx.doi.org/10.1111/j.1533-1598.2001.tb00027.x.

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38

Kochetkov, Yu, T. Kravchik, and A. Protopopov. "Famous trumpet effects." IOP Conference Series: Materials Science and Engineering 779 (April 24, 2020): 012031. http://dx.doi.org/10.1088/1757-899x/779/1/012031.

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39

MONTAGU, JEREMY. "Sounding the trumpet." Early Music XIX, no. 1 (1991): 153–55. http://dx.doi.org/10.1093/earlyj/xix.1.153.

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40

Hwang, Shih M. "Trumpet horn speaker." Journal of the Acoustical Society of America 83, no. 1 (1988): 408. http://dx.doi.org/10.1121/1.396170.

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41

Crowe, William J. "An Uncertain Trumpet." Journal of Library Administration 36, no. 3 (2002): 73–80. http://dx.doi.org/10.1300/j111v36n03_07.

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42

Arnold, M. "The rectal trumpet." Journal of WOCN 30, no. 6 (2003): 289. http://dx.doi.org/10.1016/s1071-5754(03)00432-7.

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43

Hastings, John H. "Valveless trumpet instrument." Journal of the Acoustical Society of America 78, no. 4 (1985): 1455. http://dx.doi.org/10.1121/1.392815.

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44

Grogan, Tracy A., and David J. Kramer. "The Rectal Trumpet." Journal of Wound, Ostomy and Continence Nursing 29, no. 4 (2002): 193–201. http://dx.doi.org/10.1097/00152192-200207000-00008.

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45

Arnold, Mary. "THE RECTAL TRUMPET." Journal of Wound, Ostomy and Continence Nursing 30, no. 6 (2003): 289. http://dx.doi.org/10.1097/00152192-200311000-00002.

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46

Keller, Jindrich. "Antique Trumpet Mutes." Historic Brass Society Journal 2 (1990): 97–103. http://dx.doi.org/10.2153/0119900011004.

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47

Pinckney Benedict. "The Angel’s Trumpet." Appalachian Heritage 38, no. 1 (2009): 25–39. http://dx.doi.org/10.1353/aph.0.0229.

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48

Diamandis, Eleftherios P. "Playing the Trumpet." Clinical Chemistry 57, no. 12 (2011): 1789. http://dx.doi.org/10.1373/clinchem.2011.175828.

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49

Nicholson, G. "The unnatural trumpet." Early Music 38, no. 2 (2010): 193–202. http://dx.doi.org/10.1093/em/caq026.

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50

BOWLES, EDMUND A. "Blowing a trumpet." Early Music XVIII, no. 2 (1990): 350—b—351. http://dx.doi.org/10.1093/em/xviii.2.350-b.

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