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Dissertations / Theses on the topic 'Truth of Art'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Bogdanovska, Jasna. "Dossier : truth /." Online version of thesis, 2007. https://ritdml.rit.edu/dspace/handle/1850/3845.

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Runhild, Roeder Shashi. "Truth over method : art matters." Doctoral thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24575/24575.pdf.

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Roeder, Shashi Runhild. "Truth over Method : Art Matters." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24575/24575.pdf.

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4

Waters, Benjamin (Ben). "Truth as art: Heidegger and Adorno." Thesis, The University of Sydney, 2005. https://hdl.handle.net/2123/27993.

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The present work examines the meaning, plausibility and function of a truthaesthetic determination of art, that is, of a philosophy that understands art in terms of a supposed truth-bearing capacity. This question is to be answered in two parts: firstly it is asked how truth would have to be conceived such that art could at all be conceived as a bearer of truth; secondly, it is examined how this truth conception is elaborated into a theory of art. The content of the investigation has two sources: it lays out side by side what I understand to be the two most current of the major truth-ae

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5

Warmus, Sarah E. "The lost generation: truth and art." Thesis, Boston University, 2004. https://hdl.handle.net/2144/27792.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02

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6

Mitchell, Mark. "Rethinking the funnybook : comics, truth & art /." Title page and introduction only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arm6821.pdf.

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7

Hughes, Judith University of Ballarat. "Thread of truth." University of Ballarat, 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12766.

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"It is thought that phobias are caused by a fear of the unknown and can be overcome by self-help learning resulting in better understanding. Observation and scientific investigation have been used to create a body of artwork for the purpose of helping to desensitize people who suffer from arachnophobia. Field trip collections, photography, printmaking and installations have been used to capture, explore and create visual artworks that have been designed to highlight fact-based features of spiders and their webs."<br>Master of Arts (Visual Arts)

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8

Hughes, Judith. "Thread of truth." Thesis, University of Ballarat, 2005. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/65780.

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"It is thought that phobias are caused by a fear of the unknown and can be overcome by self-help learning resulting in better understanding. Observation and scientific investigation have been used to create a body of artwork for the purpose of helping to desensitize people who suffer from arachnophobia. Field trip collections, photography, printmaking and installations have been used to capture, explore and create visual artworks that have been designed to highlight fact-based features of spiders and their webs."<br>Master of Arts (Visual Arts)

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9

Hughes, Judith. "Thread of truth." University of Ballarat, 2005. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14601.

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"It is thought that phobias are caused by a fear of the unknown and can be overcome by self-help learning resulting in better understanding. Observation and scientific investigation have been used to create a body of artwork for the purpose of helping to desensitize people who suffer from arachnophobia. Field trip collections, photography, printmaking and installations have been used to capture, explore and create visual artworks that have been designed to highlight fact-based features of spiders and their webs."<br>Master of Arts (Visual Arts)

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10

SOUZA, ALINE JOBIM E. "NATIONAL COMMISSION OF TRUTH, ART AND PUBLIC INTERVENTION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34359@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES<br>A dissertação Comissão Nacional da Verdade, Arte e Intervenção Pública pretende estabelecer um diálogo entre design / comunicação visual, arte política e história do período ditatorial no Brasil, tendo como base empírica o Relatório da CNV (especificamente o Volume III: Mortos e Desaparecidos Políticos). A partir da análise do Relatório da Comissão Nacional da Verdade, criamos oficinas de

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11

Fisher, Darren Clint. "Autofictographics: Exploring Truth and Identity in Autobiographical Comics." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/366969.

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This exegesis documents my investigation into autobiographical sequential art narratives, surveying both the studio work of my doctoral candidature and key contextual research I undertook, and articulating the interrelations between theory and practice in this field. The prime contention of this research is that autobiography is inherently fictive, as it relies on fallible memory and fractured personas in order to convey narrative. Furthermore, the medium of sequential art as a vehicle for autobiographical narratives brings with it slippery interactions between image, word, and meaning, which

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12

Soysal, Deniz. "Conceptual Background Of Truth Content Of Art In Gadamer." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12609689/index.pdf.

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The following dissertation is an endeavor to put forward the conceptual background of Gadamer&rsquo<br>s assertion in Truth and Method that art has a truth value. This conceptual background includes many important concepts which are indispensable in understanding the assertion that art has a truth value. Second chapter is mainly concerned with Bildung and sensus communis. Bildung describes the nature of knowledge which flourishes in the character of the person and which changes that person by penetrating the personality of him. Sensus communis describes the relationship of truth with the power

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13

Parker, Wendy Ann. "Political photomontage: transformation, revelation, and "truth"." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/2755.

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This thesis focuses on how photomontage has been used by certain artists during periods of political unrest and artistic revolution. For the purposes of this study, "photomontage" is defined as any artwork into which a photograph is collaged in order to construct a political narrative. The photograph(s) may come from the mass media, or it can be privately created. This thesis is concerned with more than photomontage as a means of creating overtly political art, however. Specifically, Chapter One provides a general overview of the artwork and writing of the most politically motivated of the Dad

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14

Bamford, Sarah Rebecca. "Nietzsche's aestheticist claim : on the relation between art and truth." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/4012/.

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Nietzsche's controversial "aestheticist" claim that existence and the world are only justifiable as aesthetic phenomena provides the motivation for this thesis. The aestheticist claim is summative of Nietzsche's characteristic aestheticism, which allows for a link between the typically distinct concepts of art and truth. Although the available literature includes analysis of Nietzsche's aestheticism, no full defence of it has previously been offered. The general view seems to be that aestheticism should be treated sceptically, and as such, it remains underdeveloped within contemporary Nietzsch

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15

Smith, Philip. "The truth of a madman : the works of Art Spiegelman." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/16364.

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Art Spiegelman is one of the most important figures in the history of American comics. His work Maus (1980 and 1991) is arguably the landmark text in the field of comic book studies. Given the relatively recent reissue of his first collection Breakdowns (2008) and the publication of his interview/essay collection/scrapbook Metamaus (2011), it is likely that his work will continue to be the subject of critical interest. This thesis concerns the collections Breakdowns (1977 and 2008), Maus (1980 and 1991) and In the Shadow of No Towers (2004). It represents the first book-length extended study o

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16

Lynch, Liam Joseph. "Complex truth from simple beauty: Oscar Wilde’s philosophy of art." Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/195.

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In this thesis I analyse a selection of the works of playwright, poet, novelist and essayist, Oscar Wilde, with the purpose of interpreting his philosophy of art. The thesis interprets Wilde’s philosophy of art as embodying a dialectical relationship, in the Hegelian sense, between the aesthetic, sensual experience of art, and the cognitive contemplation of the artwork.

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17

Risser, Rita. "A broad aesthetic : beauty, truth, and goodness." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84542.

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The dissertation A Broad Aesthetic: beauty, truth, and goodness , takes into consideration three distinct but related aspects of aesthetics: perception, appreciation, and evaluation (beauty, truth, and goodness respectively). A central concern in an avowedly broad aesthetics is to attend, equally, to the bounds of the experiences or activities under consideration. Hence, this dissertation is a exploration of the breadth, but also of the limits, of certain aesthetic experiences and art-based activities (e.g., the appreciation and evaluation of artworks). It is a consideration of what sha

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18

Block, Katherine M. "Veils: Truth in Translation." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2540.

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This supporting document for the thesis exhibition entitled “Veils: Truth in Translation” will discuss Block’s exploration of painting during her time at East Tennessee State University. The supporting document also provides the historical background and influences which have contributed to Block's overall process and techniques. These influences include the Abstract Expressionists, Carl Jung, Ferdinand de Saussure, John Dewey, Theodor Adorno, Joan Mitchell and Gerhard Richter. In the supporting document Block probes the idea that non-objective painting is more than a language confined by ling

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19

Lowe, Jeremy. "Desiring truth : the process of judgment in fourteenth-century art and literature /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9463.

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20

Hansen, Nathan. "Constructs: Truth, Lies, and Humanity." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2108.

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This thesis is a discussion of my ideas, struggles and outcomes experienced during the making of my two bodies of work, Devices and Relics. These two bodies of work explore fleeting moments, the intrinsic values of labor and imagination with reference to sedentary living and labor in contemporary American society.

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21

McDonald, Deidre Ann. "Beauty and Truth: Re-defining Legal Artistry's Normative Aspirations." The University of Waikato, 2007. http://hdl.handle.net/10289/2365.

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Abstract Judges are responsible for creating case law, and each case is important, because each develops (in theory) the body of law as a whole. Each judgment should be able to meet the definition of 'art' that I will set out and apply in this thesis. Where a judgment meets that test of art, it will be successful in relaying the 'truth' of the law in a rich, lasting and forceful manner. It is important for case law to relay the truth of the law in such a way because case law's function is to communicate and reinforce social values by recognising and applying universal principles of justice and

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22

Quaoser, Nova. "Art's Truth: An Aid to Ethical Sensibility." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2123.

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In this paper I explore the philosophical implications of decision theory and deliberation on ethics, paying special attention to how vicious individuals yearn for a separate philosophical account. Drawing largely on Fricker, McDowell, Paul, and Nussbaum I discuss how transformative experiences open a window for understanding moral development in terms of habituation in the Aristotelian sense, and further how the vicious individual’s failure to deliberate may be remedied via a transformation through art.

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23

Fitzpatrick, Donal. "Correspondences: Creative Practice as a Disturbance in the Field of the Possible; an Examination of the Relationship Between the Fictive and the Real in the Creative Act." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/367312.

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Correspondences: Creative practice as a disturbance in the field of the possible, investigates the role of creative artistic practice in our engagement with the real. The creative and theoretical research in this project explores the role that Art plays as a truth procedure and offers a speculative account for the production of the new within a situation. The key questions addressed in this research project are how the creative arts change and mutate and the role they play in the generation of innovation. It offers a reconsideration of the practice of art making as an affirmative agent in the

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24

Lindsey, Renee J. "The Truth of Night in the Italian Baroque." UKnowledge, 2015. http://uknowledge.uky.edu/art_etds/10.

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In the sixteenth century, the nocturne genre developed in Italian art introducing the idea of a scene depicted in the darkness of night. This concept of darkness paired with intense light was adopted by Caravaggio in the late sixteenth century and popularized by himself and his followers. The seemingly sudden shift towards darkness and night is puzzling when viewed as individual occurrences in artists’ works. As an entire genre, the night scene bears cultural implications that indicate the level of influence culture and society have over artists and patrons. The rising popularity of the theate

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25

Royster, Dayon. "Pfashən-uhble naan-sints". Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6847.

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26

Ostrander, Edward Frank. "Decline, Decay, And Degeneration: Channeling A Capacity To Discover Truth In Destruction." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1245263805.

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27

Lombard, Sunell. "Fiction, friction and fracture : autobiographic novels as a site for changing discouses [i.e. discourses] around subjectivity, truth and identity." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/21778.

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Thesis (MPhil)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: The concept of the self or subject is more relevant now than ever, since society’s perceptions about selfhood are in the process of changing. Autobiography is an important site for the critical discussion of issues surrounding the subject – such as truth, identity formation and agency – seeing that it is one of the most revealing spaces in which these altering perceptions manifest. As can be deduced from the title of my thesis, FICTION, FRICTION AND FRACTURE: Autobiographic Novels as a Site For Changing Discourses Around

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28

Kotwal, Kaizaad Navroze. "Variations of Virtual Reality in Theatre and Film: Truth and Illusions Via Art and Technology." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392809424.

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Kotwal, Kaizaad Navroze. "Variations of virtual reality in theatre and film : truth and illusion via art and technology /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488203552779304.

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30

Vermont, Ernest L. "Tactics of truth : military principles for waging spiritual warfare /." [Longwood, Fla.] : Xulon, 2006. http://library.fuller.edu/library/archives/bookplates/kraft_charles_h.asp.

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31

MacDonald, Kelsey M. "Apparent Fate, 2010: Dismantling the Notion of Photographic Truth." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/18.

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When creating a current work, artists cannot ignore the images that have preceded theirs. The history of a medium and the related history of subject matter is vital to the meaning of a new art work. Each sign and symbol has a connotation out of the artists’ control. The developed meaning of a symbol is inseparable for the viewer regardless of the acknowledgment of that meaning by the artist. To work with imagery and not address it’s historical context is to perpetuate it’s meaning. The only way to not state what has already been stated is to critically engage with the preexisting meaning of t

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32

Chen, Karen Y. "Constructing Historical Truth: An Examination of the Chinese Art Market As A Reflection of China’s Concerted but Conflicted Contemporary Reconciliation with its Problematic Past." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/cmc_theses/877.

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This paper examines the connection between art and nationalism in Chinese culture and asserts that the recent market boom and price jump in Chinese fine art reflects a concerted yet conflicted effort by the Chinese government and Chinese society as a whole to reconcile with a problematic twentieth-century past. The paper first delves into the historical practice of utilizing art to construct political narratives though Ming-Qing dynasties before examining how antiquarianism was utilized by Mao Zedong himself and by the modern day Chines Communist Party.

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33

Rye, Ashley Gail. ""The truth of the life of Christ" spiritualism, naturalism and religious devotion in James Tissot's "The life of our Saviour Jesus Christ" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 67 p, 2009. http://proquest.umi.com/pqdweb?did=1889099001&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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34

Faust, Daiane Cristina. "Filosofia e literatura : como pensar o encontro?" reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131062.

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Esta pesquisa inspira-se em questionamentos levantados por discentes de Ensino Fundamental e Médio acerca da atribuição do adjetivo “filosófico” a determinadas obras popularmente conhecidas como literárias. O objetivo desta dissertação é, justamente, problematizar a rigidez da categorização de obras como sendo ou de ordem filosófica, ou literária, dada a compreensão de que tal processo resulta no enclausuramento dos campos e, consequentemente, no seu empobrecimento. Deste modo, questiona-se: em que sentido ou quais sentidos pode-se operar cruzamentos entre filosofia e literatura? Inicio o trab

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35

Daynes, Rebecca. "Creating [in]sincerity: A study of sincerity in contemporary visual art practice." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/134474/2/Rebecca%20Daynes%20Thesis.pdf.

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Undertaken during the turn towards a 'post-truth' culture and the rise of the #MeToo movement, this practice-led project has investigated sincerity's contradictions and difficulties and devises conceptual and mediated strategies for 'sincere' creative engagement in arts practice, specifically in relation to expressions of trauma. This thesis considers the role of sincerity in ethical, communicative, phenomenological, and affective modes, examining the nature of sincerity across visual platforms.

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36

Huang, Kuei-ying. "A Brighter Truth : Considering Pre-Raphaelite Colour in the Theory and Practice of the Victorian Art World." Thesis, University of Essex, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520051.

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37

Blackwell, Kerry J. "Martin Heidegger : art & technology /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030811.151320/index.html.

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Thesis (M.A. (Hons.)- Visual Arts) -- University of Western Sydney, Nepean, 1997.<br>The thesis includes : Appendix 1- Catalogue of Works which comprises 59 coloured slides. The intent of this body of work is to visually interpret the book of poems "Akhenaten" by the Australian contemporary poet, Dorothy Porter. Thesis submitted for the degree of Master of Arts (Honuors) Visual Arts, University of Western Sydney, Nepean, Faculty of Visual and Performing Arts. Bibliography : p. 58-61.

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38

Shipe, Rebekah C. "Authenticity, Originality and the Copy: Questions of Truth and Authorship in the Work of Mark Landis, Elizabeth Durack, and Richard Prince." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337265281.

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39

Brendel, Maria Lydia. "Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ55305.pdf.

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40

Sabašinskaitė, Jūratė. "Vartotojiškumas kaip technologijomis konstruojama tiesa." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110616_114443-09502.

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Visais laikais žinios buvo reikalingos tam, kad atmintyje išsaugotų patirtį bei skatintų pažinimą. Nuo modernybės epochos tiesos ieškojimo tikslai kinta. Masinė medija, kaip priemonė perduoti technologijų dėka gaunamas žinias, pažangos eroje virstančias informacija, visuomenėje yra priimama taip neabejotinos tiesos šaltinis. Tačiau kaip pastebi filosofai J.-F. Lyotard‘as bei J. Baudrillard‘as, visada yra kažkas, kas reguliuoja, kuri informacija gali pasiekti vartotojus, o kokią verta nutylėti. Todėl naujuoju medijos skleidžiamos „tiesos“ kriterijumi tampa nauda, kurią apsprendžia ideologizuoto

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Blackwell, Kerry J. "Martin Heidegger: art and technology." Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/33.

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An artists's approach to studio practice reflects knowledge acquired from a variety of source. Various methods are tried, modified, and re-interpreted, culmination in a studio practice that reflects one's own understanding of process and work ethic. This process is the work and the work practice concealed in the artwork, is rarely framed in verbal language. Martin Heidegger offers a particular philosophy of work practice that is clarified in words, allowing me to place my present understanding of studio practice within the notion of Greek techne. This essay is an explication of two works by th

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Mundy, Robyn C. "A novel, The nature of ice and exegesis, Writing with light : truth and meaning in visual representations of Antarctica." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/356.

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The Nature of Ice' comprises a dual narrative with two Antarctic stories set one century apart. The contemporary strand concerns three central characters: Freyr Jorgensen, a photographer working for a summer at Davis Station who is inspired by Frank Hurley's early Antarctic photography; Davis Station chippie Chad McGonigal, assigned as Freyr's field assistant; and Freyr's husband Marcus, who is at home in Perth researching the 1911-14 Australasian Antarctic Expedition (AAE) in preparation for Freyr's Antarctic photographic exhibition.

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Santos, Maria Edivania Vicente dos. "Arte e verdade: ecos de um entrelaçamento." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-05052014-122458/.

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A tese versa sobre o problema da verdade em Merleau-Ponty e sua oposição à verdade como adequação, portanto, à ontologia clássica dualista e, nesta via, sobre a arte como acesso à verdade, no percurso desencadeado pelo filósofo, e o que daí decorre em relação à instituição de uma ontologia. A arte, pois, como expressão da trama do ser por dentro - não imitação, re-apresentação ou fuga e, neste sentido, testemunho e rebento de uma reversibilidade irredutível (do expresso e da expressão, do signo e do sentido, do corpo e do espírito, de mim e de outrem, da palavra e do silêncio) no que toca à e

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Fernandes, Larissa Sousa. "Verdade em obra: arte e poesia na filosofia de Martin Heidegger." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/5600.

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Made available in DSpace on 2015-05-14T12:11:44Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1047503 bytes, checksum: 230ab0e07e1af73b32377f25c5f1c2eb (MD5) Previous issue date: 2011-10-24<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This essay aims to understand how the thoughts about art and poetry are articulated in Martin Heidegger's (1889 1976) philosophy, by reading the lectures The origin of the work of art and Hölderlin and the essence of poetry. In Heidegger s work, art and poetry are analized totally separated from aesthetics appreciation and the

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Siqueira, Ana Carla de Abreu. "A arte e o pÃr-se-em-obra da verdade na filosofia de Martin Heidegger." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12715.

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CoordenaÃÃo de AperfeÃoamento de Pessoal de NÃvel Superior<br>O propÃsito geral desta dissertaÃÃo consiste em defender, sob a perspectiva de Martin Heidegger, que a verdade pÃe-se em obra na arte. Em um primeiro momento, mostramos como Heidegger interpreta os temas da EstÃtica e seus principais conceitos. ApÃs questionar a arte como mÃmesis, ele examina o processo de entrada da arte no horizonte da EstÃtica. Sua investigaÃÃo se estende ao pensamento de Nietzsche que, ao manter o debate estÃtico em torno do sujeito, nÃo teria meditado sobre a prÃpria obra. Em seguida, promovemos uma revisÃo dos

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46

Rabello, Juliano [UNESP]. "Verdade e arte: a concepção ontológica da obra de arte no pensamento de Martin Heidegger." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151867.

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Submitted by JULIANO RABELLO null (julianofilosofia@gmail.com) on 2017-10-04T22:24:50Z No. of bitstreams: 1 VERSÃO FINAL DISSERTAÇÃO.pdf: 893622 bytes, checksum: 31a3607ce7d36ceb2ccf55ea9d2483de (MD5)<br>Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-10-09T16:49:16Z (GMT) No. of bitstreams: 1 rabello_j_me_mar.pdf: 893622 bytes, checksum: 31a3607ce7d36ceb2ccf55ea9d2483de (MD5)<br>Made available in DSpace on 2017-10-09T16:49:16Z (GMT). No. of bitstreams: 1 rabello_j_me_mar.pdf: 893622 bytes, checksum: 31a3607ce7d36ceb2ccf55ea9d2483de (MD5) Previous i

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Benedetti, Alexa Leigh. "Civil Religion Iconography : A New Theoretical Perspective Regarding Public Art." Thesis, Uppsala universitet, Teologiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-445889.

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Based‌ ‌on‌ ‌the‌ ‌idea‌ ‌that‌ ‌public‌ ‌art‌ ‌reflects‌ ‌cultural‌ ‌values‌ ‌and‌ ‌is‌ ‌meant,‌ ‌not‌ ‌as‌ ‌many‌ ‌have‌ ‌argued‌ ‌as‌ ‌a‌ ‌means‌ ‌of‌ ‌teaching‌ ‌history,‌ ‌but‌ ‌rather‌ ‌as‌ ‌a‌ ‌means‌ ‌of‌ ‌promoting‌ ‌cultural‌ ‌ideals,‌ ‌ ‌public‌ ‌art‌ ‌serves‌ ‌a‌ ‌role‌ ‌in‌ ‌lauding‌ ‌people‌ ‌and‌ ‌behaviors‌ ‌and‌ ‌reflects‌ ‌a‌n important facet in the ‌creation‌ ‌of‌ ‌a‌ ‌national‌ ‌identity‌ ‌and‌ ‌ethos. Further,‌ ‌that‌ ‌in‌ ‌this‌ ‌function‌ ‌of‌ ‌promoting‌ ‌societal‌ ‌norms,‌ ‌public‌ ‌art‌ ‌serves‌ ‌as‌ an‌ iconography ‌of‌‌ a “civil ‌religion”‌ ‌which‌ ‌tell‌s ‌a‌ ‌stor

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Burger, Pieter Willem. "Die interaktiewe naspeuring van implisiete betekenis in die visuele kunswerk : 'n hermeneutiese soeke na waarheid = The interactive interpretation of implied meaning in the visual artwork : a hermeneutical search for truth." Thesis, Bloemfontein : Central University of Technology, Free State, 2011. http://hdl.handle.net/11462/153.

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Vasconcelos, Gustavo Caverzan. "A hermenêutica da arte em Hans-Georg Gadamer." Universidade Federal do Espírito Santo, 2013. http://repositorio.ufes.br/handle/10/6279.

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Made available in DSpace on 2016-12-23T14:09:38Z (GMT). No. of bitstreams: 1 Gustavo Caverzan Vasconcelos.pdf: 1025506 bytes, checksum: 781bc97d8489bda39e989b5eb4c23a2b (MD5) Previous issue date: 2013-08-20<br>It is intended to present the Hans-Georg Gadamer hermeneutics of art and his philosophical defense about the possibility of knowledge of the truth in the experience of dialogue lived by anyone that contemplates an artwork. It supports that it is possible highlighting, at first, the play concepts, of festival and symbol and then, the concepts of application and experience thought by G

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Silva, Jetter Jorge. "Wanderings." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3123.

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While it implies aimless movement, the act of wandering is an act of discovery and can become a search for the unexpected. Wandering, as a metaphor for making, creates opportunities to work in ways where the final outcome is unknown. This can be accomplished by the creation of methods and instructions designed for wandering-the act of discovery. In the field of design, these ideas can be incorporated as methods for making that guide the design process in ultimately unknowable ways, resulting in products that bear little trace of preconception. The role of chance and indeterminacy as methods fo

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