Academic literature on the topic 'Truth to the author'
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Journal articles on the topic "Truth to the author"
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Krystek, Jędrzej. "Shakespeare. Stwarzanie świata Stephena Greenblatta, czyli odkrywczość kulturowej mozaiki." Poznańskie Studia Polonistyczne. Seria Literacka, no. 35 (November 5, 2019): 421–38. http://dx.doi.org/10.14746/pspsl.2019.35.20.
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The article is an attempt to analyze the narrative and methodological techniques of new historicism. The basis for the analysis was Stephan Greenblatt’s book Will In the Word. How Shakespeare Became Shakespeare, especially because of of creating biographical and intercultural areas. The author of the analysis follows the relations between the truth of narration and historical truth and tries to determine the constituent elements of Hamlet’s author. The author of the analysis traced the relations between two truths: the truth of the historical time and the truth of the narrative time.
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Fatic, Aleksandar, and Aleksandra Bulatovic. "The problem of truth in war crimes trials." Medjunarodni problemi 64, no. 1 (2012): 34–52. http://dx.doi.org/10.2298/medjp1201034f.
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The author discusses the relationship between the truth and criminal trial in general, with a special focus on war crimes trials and their consequences for the fragile processes of consolidation of violated collective identities in post-conflict states. The authors challenge the idea that a criminal trial is a search for the truth, and present a philosophical argument to the effect that the trial is in fact an event conforming to the model of what the author calls ?quasi-epistemological games?, rather than the model of an epistemological engine. The purpose of the trial is quasi-epistemological, because the model of an epistemological engine entails that the trial is primarily a search for the truth, while this is not the case with criminal trials in general, and especially with war crimes trials. He argues that, while the criminal trial readily invites the truth of the events if it is discovered, it can be and often is both valid and valuable regardless of whether ?the truth, the full truth, and nothing but the truth? is discovered in its course.
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Stern, Johannes. "Author Correction: Supervaluation-Style Truth Without Supervaluations." Journal of Philosophical Logic 49, no. 1 (2019): 219. http://dx.doi.org/10.1007/s10992-019-09506-y.
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Golubovic, Nada. "Truth and reconciliation." Temida 5, no. 4 (2002): 63–64. http://dx.doi.org/10.2298/tem0204063g.
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In this paper present situation in BiH is analyzed and main theses, which, from the author?s point of view, may be understood as the basis for the truth and reconciliation among nations and states, are exposed.
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Hempolińska-Nowik, Eunice. "Prawda podstawową wartością w nauce." Psychologia Rozwojowa 26, no. 3 (2021): 39–47. http://dx.doi.org/10.4467/20843879pr.21.019.15220.
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Truth as the Basic Value in Science The author argues that truth is the basic value in all sciences including psychology. Respecting this value requires understanding different theories of truth, including the Aristotelian classical theory, Russell’s correspondence theory, and Tarski’s semantic theory. This is further presented and discussed in the first part of the article. In the second part, the author discusses different epistemological approaches to the correspondence between perceptual experience and reality and identifies the one favouring understanding in the science of psychology. The author further discusses and emphasises the dangers of confusing beliefs and truth in science. In the next part of the article the consequences and dangers of relativizing truth and of multiplying its subjective types are discussed. The author then refers to an approach which proposes a break with ideals in the assessment of the adequacy of assertions made by social sciences. The author outlines the difference between the concepts of idea and ideal and their roles in psychology. Finally, the author discusses and opposes irrationalism in science, outlining the importance of safeguarding the value of truth in order to achieve the goals set by psychology.
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Hempolińska-Nowik, Eunice. "Prawda podstawową wartością w nauce." Psychologia Rozwojowa 26, no. 3 (2021): 39–47. http://dx.doi.org/10.4467/20843879pr.21.019.15220.
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Truth as the Basic Value in Science The author argues that truth is the basic value in all sciences including psychology. Respecting this value requires understanding different theories of truth, including the Aristotelian classical theory, Russell’s correspondence theory, and Tarski’s semantic theory. This is further presented and discussed in the first part of the article. In the second part, the author discusses different epistemological approaches to the correspondence between perceptual experience and reality and identifies the one favouring understanding in the science of psychology. The author further discusses and emphasises the dangers of confusing beliefs and truth in science. In the next part of the article the consequences and dangers of relativizing truth and of multiplying its subjective types are discussed. The author then refers to an approach which proposes a break with ideals in the assessment of the adequacy of assertions made by social sciences. The author outlines the difference between the concepts of idea and ideal and their roles in psychology. Finally, the author discusses and opposes irrationalism in science, outlining the importance of safeguarding the value of truth in order to achieve the goals set by psychology.
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Oyarzun, Eduardo Valls. "From Carlyle’s Hero to Conrad’s Depraved: Hermeneutics of Morbidity in Heart of Darkness." Prague Journal of English Studies 7, no. 1 (2018): 65–78. http://dx.doi.org/10.1515/pjes-2018-0004.
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Abstract The author of this paper lays out a system of hermeneutics based on the idea of morbidity aimed at checking the commitment (or the lack thereof) of individual subjects to Victorian ethics. The system stems from Thomas Carlyle’s political agenda based on his concept of “hero worship”. The system is then deployed in order to probe into the purported morbidity of Joseph Conrad’s Heart of Darkness. According to the author of this paper, the character of Marlow represents a curious mixture of the heroic archetype proposed by Carlyle, combined with new critical standpoints from other philosophical programmes (specifically Nietzsche’s) proposed at the end of the nineteenth century. Firstly, the author of this paper tackles the prototype of the hero (a sort of medium between reality and Divine Truth) Thomas Carlyle posited in his On Heroes, Hero-Worship, and the Heroic in History (1841). The author of this paper then describes how Marlow shares some of the hero’s features (most notably social responsibility and work ethic), but fails to embody the main trait of Carlyle’s “great men”, namely, their ability to recognize Divine Truth. Indeed, rather than asserting the existence of the Truth, Marlow’s narrative reveals the existence of multiple truths, thus creating a sort of politically morbid revision of Carlyle’s formula.
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Пономарева, Ирина, and Irina Ponomareva. "State: Truth and Myths." Journal of Russian Law 4, no. 12 (2016): 0. http://dx.doi.org/10.12737/22718.
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The article is devoted to the investigation of the category of truth and the category of myth in the sciences of state. The phenomenon of the state was analyzed as a specific sphere of the science integration. Despite the considerable achievements of the modern juridical science, many questions on the real essence of state and the methods of its research sill do not hane any answers. Modern explanatory state-legal theory has essential faults. Dealing with these questions, the author proposes their solving in the context of the informational and systematic approach. The author paid a particular attention to the problems and prospects of integration of the latest philosophical, epistemological and methodological achievements in the sciences of state. The author appeals to some works by Plato, who studied the problems of truth and myths. Relevant fragments of the dialogues were found in “Theaetetus”, “Republic” and “Statesman”. The article deals with Plato’s (mathematical) version of state organization which looked forward to ideas of modern natural sciences. Etymology of the concepts “truth” and “myth” was analyzed in present article.
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Purao, Sandeep. "Truth or Dare." Journal of Database Management 24, no. 3 (2013): 51–66. http://dx.doi.org/10.4018/jdm.2013070104.
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This essay investigates the ontology question in design science research. Writings on the philosophy of science do not fully address this concern for design science research because of the traditional emphasis on discovering truthful laws. In contrast, design science research dares to create novel IT artifacts with a view to realizing alternative futures. Taking this into account, the author articulates fundamental world-views for the canonical form of design science research, which involves instantiation of the outcomes as a software artifact. These world-views include an ontological basis and an epistemological stance that are the foundation of design science research practice. The author’s derivation of these world-views reflects shifts in the researcher’s stance through the research process, and the interconnectedness of the problem and the artifact. The author discusses implications of these proposed world-views including comparisons against other research traditions, greater clarity for design research practice, and the potential for extending the analysis to other strands of design science research.
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Petković, Krešimir. "Ideology and Truth." Političke perspektive 8, no. 3 (2019): 7–39. http://dx.doi.org/10.20901/pp.8.3.01.
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The author argues that any discourse analysis, as well as other approaches in social sciences and humanities, cannot ultimately avoid the truth and ideology distinction. The first part of the article provides several glimpses at the Western philosophical tradition that preserves the value of truth. In the second part, an idea for political science, grounded in such a history of ideas, is sketched. After a brief discussion of what is ideology as opposed to truth, the author proposes a thesis about ideology, identity and power, and several heuristic ideas how to develop it. In the third part, he briefly provides examples from political and policy analysis that correspond to such a project. In the final part, he explains the importance of preserving the distinction between ideology and truth in the discursively postulated “post-truth” era. This combination of epistemology, science, analysis and teleology is reflected together in one political area of utmost importance for political science operating in the public sphere: the politics of naming.
Dissertations / Theses on the topic "Truth to the author"
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Alagic, Azra. "Not like my mother : truth and the author in creative nonfiction." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/26446/1/Azra_Alagic_Exegesis.pdf.
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This exegesis examines how a writer can effectively negotiate the relationship between author, character, fact and truth, in a work of Creative Nonfiction. It was found that individual truths, in a work of Creative Nonfiction, are not necessarily universal truths due to individual, cultural, historical and religious circumstances. What was also identified, through the examination of published Creative Nonfiction, is a necessity to ensure there are clear demarcation lines between authorial truth and fiction. The Creative Nonfiction works examined, which established this framework for the reader, ensured an ethical relationship between author and audience. These strategies and frameworks were then applied to my own Creative Nonfiction.
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Alagic, Azra. "Not like my mother : truth and the author in creative nonfiction." Queensland University of Technology, 2009. http://eprints.qut.edu.au/26446/.
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This exegesis examines how a writer can effectively negotiate the relationship between author, character, fact and truth, in a work of Creative Nonfiction. It was found that individual truths, in a work of Creative Nonfiction, are not necessarily universal truths due to individual, cultural, historical and religious circumstances. What was also identified, through the examination of published Creative Nonfiction, is a necessity to ensure there are clear demarcation lines between authorial truth and fiction. The Creative Nonfiction works examined, which established this framework for the reader, ensured an ethical relationship between author and audience. These strategies and frameworks were then applied to my own Creative Nonfiction.
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Carroll, Jacob. "Authors of truth writers, liars, and spies in Our man In Havana /." Diss., Connect to the thesis, 2009. http://hdl.handle.net/10066/3668.
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O'Farrell, Kevin. "Joyce after Nietzsche : irony and the will to truth." Thesis, University of Oxford, 2012. https://ora.ox.ac.uk/objects/uuid:3de0686a-b70f-433c-ae20-9de7d554b08e.
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This thesis explores and evaluates the work of James Joyce using the ideas of Friedrich Nietzsche. It does so not only by examining Joyce's knowledge of Nietzsche's writings, but also through demonstrating how effectively they can illuminate Joyce's themes and techniques, and aid in a general reconceptualisation of his literary project. My analysis draws on several of Nietzsche's key concepts - perspectivism, ressentiment, the will to power - and applies them to Joyce's work. The main idea I use however is the will to truth. I argue that Joyce's primary concern as an artist was the depiction of what he saw as the truth of contemporary existence, in Dublin and more generally. This aim determines his technē, the origin and form of his work of art. Various manifestations of irony, a key element of Joyce's technique, help illustrate the importance of this will to truth. This understanding of his work eliminates the false division between form and content and through an emphasis on Joyce's artistry and philosophy, rather than the historical context in which he wrote (that is, on the author rather than the man), allows for a truly critical assessment. The five chapters that follow my introduction are chronologically ordered. They examine the early works, Dubliners, A Portrait of the Artist as a Young Man, and especially Ulysses, in considerable detail and from various angles. Though careful to respect the individuality of each, my analyses find a common thread of realism uniting the three major works of prose fiction; beginning with the French naturalism of the short stories, moving on to a new development of perspectival irony and a unique mode of allegory in his first novel, and ending in what Joyce called 'the new realism' of his epic. My study then explains how and why realism is problematised in the later chapters of Ulysses as the will to truth comes to question itself. The thesis concludes with an assessment of Finnegans Wake, considering how it marks a radical departure from Joyce's earlier practice, and why I regard it a failure.
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Rodrigues, Juliano Barreto. "A VERDADE DOS AUTOS VERSUS A VERDADE REAL NA JUSTIÇA CRIMINAL." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/2672.
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Previous issue date: 2013-06-28<br>This paper presents the differences between the truth of the facts and truth that remains in the written records of the criminal process after the production of evidence indicating that one is not identical to another. The fact that writing is an end refiguring contaminated by numerous interpretations of actors, a reductionist historiographic discourse that denies the acts outside the standards and ignores the complexity of a criminal act. It also studies the juridical reason, based on the topical-rhetorical and prudential judgments, showing its fragility, justifying numerous judicial errors. With a focus on disciplinary Discourse Analysis, also uses concepts and theories of Historiography, Psychology, Linguistics and Publicity to treat under new angle, already much discussed topic of the strictly legal point of view. With this diverse perspective, demonstrates the countless acting interfering in the formation of versions ranging registered in the records, emphasis how can (the interfering) distance them (the records) of the real truth. Engages primarily of justice derived from the truth that it capable of producing in the process and will be, as proof, always more or less different from the facts as exactly occurred. Proved this part, we analyze the degree of acceptance of this model by jurisdictional.<br>O texto apresenta as diferenças entre a verdade dos fatos e a verdade que resta escrita nos autos do processo criminal após a persecução penal, indicando que esta não corresponde fielmente àquela, sendo uma refiguração, contaminada por interpretações de inúmeros atores, um discurso historiográfico reducionista que nega os discursos discrepantes e a complexidade do fato criminoso. Estuda a razão jurídica, lastreada na tópica-retórica e no juízo prudencial, demonstrando sua fragilidade, justificadora de inúmeros erros judiciários. Com foco disciplinar na Análise do Discurso, coteja também conceitos e teorias da Historiografia, da Psicologia, da Linguística e da Publicidade para tratar, sob ângulo novo, tema já muito discutido do ponto de vista estritamente jurídico. Com esta óptica diversa, demonstra os incontáveis interferentes que atuam na formação das versões que vão registradas nos autos, destacando o quanto podem (os interferentes) afastá-los (os autos) da verdade real. Trata, essencialmente, da justiça obtida a partir da verdade que se consegue produzir no processo e que será, conforme comprova, sempre mais ou menos diferente dos fatos como exatamente ocorridos. Provada esta parte, é analisado o grau de aceitação deste modelo pelos jurisdicionados.
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Jesus, Maria Gorete Marques de. "\'O que está no mundo não está nos autos\': a construção da verdade jurídica nos processos criminais de tráfico de drogas." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8132/tde-03112016-162557/.
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O que torna possível que narrativas policiais sobre flagrantes de tráfico de drogas sejam recepcionadas como verdade pelos operadores do direito, sobretudo juízes? Qual verdade jurídica é construída quando a testemunha consiste no próprio policial que efetuou o flagrante? Para responder a essas questões, o estudo apresenta análises dos autos e processos judiciais, de entrevistas com policiais e operadores do direito e dos registros de campo de audiências de custódia, e de instrução e julgamento acompanhadas por observação direta. A variedade de fontes de dados exigiu o uso de multimétodos, tendo como ponto central a análise de fluxo do sistema de justiça criminal. Constatou-se que a verdade policial, descrita nos autos, resulta de um processo de seleção daquilo que os policiais do flagrante vão considerar adequado tornar oficial. Para descreverem essas prisões, os policiais dispõem de expressões, linguagens e categorias, utilizadas em suas narrativas. Esse vocabulário policial justifica a abordagem e a prisão, e passa a fazer parte do campo do direito, incorporado em manifestações e decisões judiciais. Mas o que torna isto possível? Inicialmente, parecia que a questão da fé pública era a justificativa central para a acolhida da verdade policial. Contudo, descobriu-se que um repertório de crenças oferece o suporte de veracidade às narrativas policiais: a crença na função policial, acredita-se no agente por representar uma instituição do estado; crença no saber policial, acredita-se que os agentes apresentam suas técnicas, habilidades e estratégias para efetuarem as prisões; crença na conduta do policial, acredita-se que policiais atuam de acordo com a legalidade; crença de que o acusado vai mentir, acredita-se que os acusados têm o direito de mentir para se defenderem; crença de que existe uma relação entre criminalidade e perfil socioeconômico; crença de que os juízes têm o papel de defender a sociedade e a prisão representa um meio de dar visibilidade a isto. A crença é apresentada por promotores e juízes como necessária para o próprio funcionamento do sistema de justiça. A crença dispensa o conhecer, não se questiona a forma como as informações foram produzidas e adquiridas pelos policiais. Práticas de violência, tortura ou ameaça não são averiguadas. Como não consideram verdadeiras as narrativas das pessoas presas, sobretudo aquelas acusadas por tráfico de drogas, expressões como violência policial, extorsão, flagrante forjado não aparecem nas deliberações de promotores e juízes. A crença é central para o exercício do poder de prender e punir dos juízes. A verdade policial é uma verdade que vale para o direito, possui uma utilidade necessária para o funcionamento do sistema, para que os juízes exerçam seu poder de punir, sendo o elemento central para a constituição da verdade jurídica.<br>What makes it possible for police narratives about drug trafficking flagrants to be received as truth by jurists and civil servants, especially judges? What kind of legal truth is built when the witness is the officer himself who made the flagrant? In order to answer these questions, this study presents analyses of court proceedings, interviews with police officers, judges, prosecutors and defenders, field notes and direct observation of hearings of custody, instruction and judgment. The variety of data sources required the use of multimethod, with the central point the criminal justice system flow analysis. It was found that the police truth is the result of a selection process of what the police officer will consider appropriate to register and make official. In order to describe these arrests, the policemen make use of expressions, categories and language patterns to narrate their actions. This police vocabulary justifies the approach and imprisonment, and it becomes part of the law field. But what makes this possible? Initially, the issue of public faith seemed central to explain the acceptance of the police truth. However, we discovered that a repertoire of beliefs offers the support for police narratives: the belief in the police as part of the state, people believe in the policemen because he or she represents an institution of the state; belief in the police knowledge, it is believed the agents present their techniques, skills and strategies in order to make arrests; belief in the conduct of the police, it is believed that police officers work within the law; belief that the accused will lie to defend him or herself; belief that there is a relationship between crime and socio-economic profile; belief that judges have the role of defending society and the imprisonment is a way to give visibility to this. Beliefs such as these are present in the discourses of prosecutors and judges as being central to the proper functioning of the justice system. Believing dismisses knowing, there is no questioning on how the information is produced and acquired by police. Practices of violence, torture and threats are not investigated. As prosecutors and judges do not consider true the narratives of people arrested, especially those charged with drug trafficking, expressions such as police violence, extortion, forged flagrant do not appear in the deliberations of prosecutors and judges. Beliefs are central to the exercise of the power to arrest and punish of judges. The police truth is a truth that has a necessary value for the operation of the legal system. In order for judges to exercise their power to punish, a police truth is the central element for the establishment of a legal truth.
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Prado, Daniel Nicory do. "No mundo dos autos: uma teoria da narrativa judicial." Faculdade de Direito, 2018. http://repositorio.ufba.br/ri/handle/ri/25031.
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DANIEL NICORY DO PRADO.pdf: 1026729 bytes, checksum: 76688c9b2086ace57e533faf769e73cc (MD5)<br>O presente trabalho teve o objetivo de discutir a constituição do universo e a definição dos critérios de verdade da narrativa judicial. Adotando como marcos teórico filosofia aristotélica e as decorrentes reflexões sobre tempo e narrativa de Paul Ricouer e sobre ação comunicativa de Jürgen Habermas, iniciou-se uma revisão das teorias da ação, de base teleológica, da filosofia, as suas consequências para a construção da teoria do fato na ciência jurídica, e a passagem da ação à narração por meio da teoria dos atos de fala. Chegando à questão da narrativa, analisaram-se, a partir de Paul Ricouer, suas principais modalidades, a narrativa histórica e a ficção, sendo que a primeira apresenta uma pretensão de correspondência, verificada pelas provas fornecidas pelo historiador, e a segunda uma pretensão de credibilidade, verificada pela coerência narrativa. À primeira vista, a narrativa judicial seria enquadrada como forma de narrativa histórica, em face da evidente relação entre verdade-correspondência e justiça. No entanto, existem vários indicadores no sistema e na prática jurídica de que nem sempre se alcança a correspondência, mesmo quando não se trata de um problema de insuficiência cognitiva, mas de proibição jurídica de acesso aos elementos disponíveis. Isto é justificado, em parte, porque o processo judicial teria outros valores a preservar além da verdade, mas poderia também ser dito o contrário, que, nesses casos, de renúncia à correspondência, outro tipo de pretensão de validade (como a correção normativa ou o consenso) prevalece sobre a busca da correspondência. Portanto, pode-se concluir que a narrativa judicial é ficcional, mas, como a correspondência não pode ser completamente abandonada, trata-se de ficção baseada em fatos reais. A estrutura da narrativa judicial é binária, dividida em história do processo, narrada no modo mimético alto, dentro da qual se revela gradualmente a história do conflito, narrada nos modos mimético baixo ou irônico, em que o desfecho da primeira é simultaneamente o da segunda. Quanto ao narrador, a pluralidade de pontos de vista narrativos é a principal característica, e decorre do próprio sistema (princípio do contraditório) destinando-se a gerar uma incerteza provisória quanto à verdade, a ser superada com a decisão definitiva. O reconhecimento de que cada processo judicial é um pequeno universo ficcional tem por consequência a adoção da coerência, e não da correspondência, como critério de verdPoade. Por ser ficção baseada em fatos reais, a correspondência não é completamente abandonada, já que a coerência pode ser enganosa. A coerência externa pode gerar equívocos quando remete a uma narrativa familiar, no âmbito da tradição, mas que não reflete corretamente o caso em discussão; a coerência interna pode gerar equívocos quando há falso consenso entre as partes, ou não oposição deliberada de uma delas; quando uma narrativa é coerente por um critério e incoerente por outro, a correção do equívoco deve partir da verificação desta divergência até a decisão por um dos critérios; se uma narrativa é duplamente coerente, mas falsa, ou duplamente incoerente, mas verdadeira, os recursos narrativos disponíveis são insuficientes para a correção do problema.<br>This work intended to discuss how the universe of judicial narrative is constructed and which are its criteria of truth. Adopting Aristotle’s philosophy, and its further developments of the relations between time and narrative, by Paul Ricouer, and of communicative action, by Jürgen Habermas, as the main theoretical framework, it starts reviewing the teleological concept of action, its many philosophical theories, their consequences to the construction of fact as a legal concept, and then its further passage to the narrative theory using the theory of speech acts as a theoretical transition. Regarding narrative theory, Paul Ricouer’s work was used to distinguish the main narrative forms (historical and fictional), according to whom the first has a correspondence claim, verified by the evidence provided by the historian, while the second has a credibility claim, verified by its narrative coherence. At first, it seems evident that judicial narrative should be a form of historical narrative, because of the undeniable relationship between truth (as correspondence) and justice. Despite that, there are many indications, in legal practice, that correspondence is not always reached, not only because of a cognitive defect, but also because of a legal prohibition to access and evaluate the available data. It is justified, in part, by the thought that the Judicial System has other goals, besides truth-finding, but that can be phrased in a different way: when it is a case of abandonment of correspondence, other types of validity-claims (like normative correction or consensus) prevail over its search. So, it can be said that judicial narrative is fictional, but, since correspondence can’t be completely abandoned, it is fiction based on true facts. Judicial narrative’s structure is binary, divided in the trial story, told in the high mimetic mode, in which the conflict story, told in the low mimetic or the ironic mode, is gradually revealed, and the ending of the first is also the ending of the second. Regarding the narrators, the plurality of points of view is the most important aspect, which is a consequence of the system itself and destined to generate a provisional uncertainty about the truth, that the final decision will overcome. Recognizing each case file as a fictional universe means that coherence, and not correspondence, has to be adopted as the criterion of truth. On the other hand, since it is a true facts based fiction, correspondence can’t be completely abandoned, because coherence can be misleading. External coherence can be misleading when it evokes a familiar narrative, ingrained in the tradition, but that doesn’t reflect correctly the particular case. Internal coherence can be misleading when there is a false consensus between the parties, or a false confession by one of them; when a narrative is coherent by one measure and incoherent by another, the correction can come from a verification of this divergence and a decision for one of the criteria, but if a narrative is doubly coherent, but false, or doubly incoherent, but true, the narrative resources are insufficient to correct the problem.
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Huguley, Piper Gian. "Why Tell the Truth When a Lie Will Do?: Re-Creations and Resistance in the Self-Authored Life Writing of Five American Women Fiction Writers." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04252006-174728/.
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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from title screen. Audrey Goodman, committee chair; Thomas L. McHaney, Elizabeth West, committee members. Electronic text (253 p.) : digital, PDF file. Description based on contents viewed May15, 2007. Includes bibliographical references (243-253).
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Trebaul, Dewi. "Sens, référence, idéographie : études sur et autour de Frege." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3115.
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Notre travail de thèse aborde la question suivante : quel est le thème de l'idéographie frégéenne ? Nous y répondons en questionnant l'emploi de la terminologie modèle-théorique ordinairement employée. Notre méthode consiste en un examen détaillé des Grundgesetze, ainsi qu'en une approche comparative avec les œuvres de deux objecteurs contemporains de Frege, le Tractatus-logico philosophicus de Wittgenstein et les Fondements de la géométrie de Hilbert. Pour déterminer ce dont traite l'idéographie, il faut envisager la manière dont sont rendues signifiantes les expressions qu'elle contient. En vue de répondre à cette question, un examen du statut des notions de sens et de référence est accompli, au niveau épistémique, correspondant à la compréhension par un locuteur, ainsi qu'au niveau théorique, concernant leur place précise dans le compte-rendu des démonstrations en langage idéographique. Les notions de sens et de référence sont expliquées par des éclaircissements : leur introduction est déjà leur mise en œuvre. Nous privilégions une lecture interne de ces notions. Au centre de notre travail se trouve le défi formaliste : peut-on conjuguer l'idéal d'une corrélation bi-univoque entre signes et sens et l'exigence d'une pluralité de signes de même sens, nécessaire aux définitions ? Nous montrons que la distinction entre sens et référence conserve un rôle opératoire dans l'idéographie, qu'elle illustre la fécondité démonstrative du système, ce qui a peu été souligné jusqu'à présent dans les études frégéennes. Ainsi il est possible de défendre Frege face à ce défi en soutenant que la diversité des sens, même corrélée à la diversité des signes, ne lui est pas réductible<br>Our doctoral thesis addresses the following question : what is the theme of the fregean conceptual script? We answer it in questioning the model-theoretical framework currently used. Our method consists in a close study of the fregean texts, especially the Grundgesetze, and in a comparative approach with the works of two contemporary critics of Frege, the Tractatus logico-philosophicus by Wittgenstein and the Foundations of geometry by Hilbert. To determine what the fregean conceptual script is about, we have to consider how the expressions it contains are made significant. For that purpose, a close examination of the notions of sense and reference is carried out, at the epistemic level, that corresponds to the understanding by a speaker, and at the theoretic level, that concerns the role it plays in the account of proofs in the conceptual script. Frege explains the notions of sense and reference through elucidations: their introduction is already part of their use. We favour an internal reading of these notions.Crucial in our work is what we reconstruct as a formalist challenge addressed to Frege: is it possible to combine the ideal of a one-one correlation between signs and senses with the demand of a plurality of signs with the same sense, necessary for the purpose of definitions? We show that the distinction between sense and reference retains an operative role in the conceptual script, that it highlights the fecundity of the system, which has seldom been underlined in the fregean studies. Thus we argue that Frege can face that formalist challenge, because the plurality of senses, even when it is correlated with the plurality of signs, cannot be reduced to it
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Soulard, Tossah Christine. "De l'individuation à la philosophie politique : autour de Jan Patočka." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL038.
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Autour de la genèse de l’histoire tchèque, un grand moment de philosophie politique est advenu durant la première moitié du XX° siècle : un État tchécoslovaque peut affirmer son existence, et cela est l’aboutissement d’une confrontation sans concession avec un destin indéfiniment tourmenté, celui d’une longue marche pour s’émanciper de la tutelle de l’Empire austro-hongrois ; persécutions religieuses suivies d’une guerre de trente ans et enfin une expérience intime de l’exil, qui est une brisure de son être. Enfin, le XIX° siècle a ouvert des négociations pour obtenir un statut respectueux des Tchèques avec le parlement autrichien.Cette ouverture a été acquise par un peuple toujours sur la brèche selon Hannah Arendt. La philosophe tchèque lui donne le nom de crise ou Krisis. Il s’éprouve dans son être comme un rapport d’être, scission en son être qui est toujours un questionnement sur soi et sur le monde et aspiration à la perfection et au soin de l’âme. C’est une expérience à haut risque du regard sur la vérité du monde pour l’énonciation d’un sens et d’un jugement, Jan Patocka retrouve là « la solidarité des ébranlés » pour une « vie dans la vérité ». Nous regarderons d’abord et principalement les grandes figures de pensée qui ont fait l’avènement de L’État tchécoslovaque ; ce sont leurs philosophes qui sollicitent sans fin cette pulsion de vie expérience de sa révolte, et principalement Jan Patocka. Ils débordent le convenu, bouscule l’ordre figé pour dévoiler un instant de vérité pour une donation de sens. Ensuite, nous verrons comment les philosophes rois de ce pays, Tomas Garrigue Masaryk et Vaclav Havel sont des guides précieux pour le peuple tchèque en ces années de plomb. Leurs maîtres de philosophie ne sont jamais très loin<br>With the genesis of the Czech history, during the first half of the twentieth century, a great moment of political philosophy is born: a Czechoslovakian State can declare its existence as a result of an uncompromising conflict with an extremely tormented lot. The long walk to emancipation from the Austro-Hungarian empire and the religious persecutions were followed by a thirty-year-long war and eventually ended in a private experience of exile resulting in personal breakdown. Finally, negotiations with the Austrian parliament started in the ninetieth century so the Czech could gain a status of respect. This awareness was gained by a people constantly on the move according to Hannah Arendt. The Czech philosopher called it crisis or Krisis. It can be felt within your own being, just like a [relationship of being], a scission within your being always questioning about one self and the world as well as searching for perfection and spiritual well-being. Considering the truth of the world in order to outline a meaning and a judgment is a high-risk experience. Jan Patocka traces there "the solidarity of the shaken" for a "life in truth".We will first look into the main eminent thinkers that have made the Czechoslovakian State come to life, thanks to its philosophers, mainly Jan Patocka, who after a life of protests, endlessly felt an urge for existence. They trespassed the rules, disrupted the rigid order to unveil a moment of truth and give it a meaning. We will then see how philosopher-kings of this country, Tomas Garrigue Masaryk and Vaclav Havel became precious guides to the Czech people during the country’s dark years. Their philosophy mentors are never too far
Books on the topic "Truth to the author"
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Bigelow, Bryan. Author Unknown: A Story of Truth. My Truth. Your Truth. the Absolute Truth. Independently Published, 2019.
Find full textBook chapters on the topic "Truth to the author"
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Muratova, Nataša, and Anna Obererlacher. "Clemens J. Setz on Bursting the Reader’s Reality Bubble." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_8.
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AbstractIn our article, we explore implications that the indistinguishability of factuality and fictionality in literary works may have on an author’s credibility and their role as an authoritative figure. We do this by looking at one question and one answer in the fictional author interview in Bot – Gespräch ohne Autor (2018) by the Austrian author Clemens J. Setz. Currently, Setz is one of the most distinguished writers in the German-speaking literary scene, known for his versatile literary work and authorial staging practices. Bot plays with the public perception of the author persona Setz and stages an imitation game, also known as the Turing Test. Thus, it affects the perception of truth claims traditionally expected in author interviews. To illustrate, we refer to theoretical approaches to forms and functions of author interviews concerning authorship in the context of the so-called culture of presence and show how Bot reveals a playful reflection on the possibilities, limits, and dangers embedded in the perceived truthfulness within the framework of fiction and authorship, particularly in Setz’s.
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Stafford, Jane. "‘The Genuine Stamp of Truth and Nature’: Voicing The History of Mary Prince." In Colonial Literature and the Native Author. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-38767-3_4.
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Saryusz-Wolska, Magdalena. "The Montage of the National Past: Polish Right-Wing Illustrated Press and the Abuse of History." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_3.
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AbstractThe study analyzes covers of contemporary Polish right-wing magazines and shows that many of them use historical images for political purposes. Referring to the terminology of Antoon de Baets, the author argues that the images on the covers “abuse history,” i.e., use history in an intentionally deceptive way. The main technique of abusing history is montage. Historical motifs are combined with each other either on particular covers or between them. Although originally montage was widely used as means of avant-garde and leftist art, it is now a common method of designing conservative and right-wing imagery. Drawing on the premises of the pictorial turn, the author further claims that the covers shape social and political realities. They are not mere illustrations but powerful actors of the public discourse that promote a view on history in which whole nations are either heroes or traitors, good or bad. Therefore, they contribute to the simplified and even falsified perspective on the past.
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de Figueiredo, Camila Augusta P. "Unveiling Truth and Truthfulness in the Graphic Memoir Heimat." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_5.
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AbstractHeimat: A German Family Album is a book by author and illustrator Nora Krug, named Best Book of 2018 by The Guardian and The New York Times’ critics. It is a collection of family photos combined with drawings, as well as photographic reproductions of objects and historical documents—such as notebooks, questionnaires, police reports, and letters. The narrative follows Krug’s quest to find out whether any of her relatives took part in the Nazi Party or professed any political views during the regime. In this text, I examine how the medial configurations of graphic memoirs in general, and of Heimat in particular, can communicate truthfulness. Relying on Lars Elleström’s framework, I first discuss the notion of truthfulness in mediated communication. Next, I examine the established tradition in graphic memoirs of using media representation, transmediation, and associated media products in order to claim truthfulness, so that readers accept them as valid demonstrations of a factual narrative. Then I present the case of Heimat, indicating how it sometimes differs from this convention. Finally, I offer a possible explanation for this deviation from the traditional use of media representation in graphic memoirs to convey truthfulness.
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"ABOUT THE AUTHOR." In Post-Truth. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/11483.003.0017.
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Ward, Steven C. "About the Author." In Reconfiguring Truth. Rowman & Littlefield Publishers, 1996. https://doi.org/10.5771/9781461641865-165.
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Ellis, David. "Lying for Truth." In Death and the Author. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780199546657.003.0017.
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Miller, George David. "About the Author." In Negotiating Toward Truth. BRILL, 1998. http://dx.doi.org/10.1163/9789004458987_013.
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King, Stephen A., and Roger Davis Gatchet. "About the Author." In Terror and Truth. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496846532.002.0012.
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"About the Author." In Trials Without Truth. New York University Press, 2022. http://dx.doi.org/10.18574/nyu/9780814768709.003.0019.
Full textConference papers on the topic "Truth to the author"
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Nenadić, Svetlana. "Pravna i istorijska istina u limbu između ljubavi i mržnje." In Relation between International and National Criminal Law. University of Belgrade, International Criminal Law Assotiation, 2024. https://doi.org/10.51204/zbornik_umkp_24126a.
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Starting from the phenomenon of the historical narrative of international criminal courts, the author points out differences between legal truth and historical truth, their deifferent methodological approach to the truth of facts and events. The author presents the theoretical foundations of strict legality theory and didactic legality theory and points out their irreconcilability. Also, analyzes legal and and political nature od international criminal law and mechanisms of international criminal justice which make the path to the truth more difficult. Finally, the author concludes that the goals of truth and reconciliation can only be achieved if legal truth and historical truth are not in a relationship of competition and mutual recognition.
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Reshetnikov, V. A. "Conventionality of Social Truth as a Phenomenon of Modern Life." In II International Scientific and Practical Conference "In Search of Social Truth". Publishing House of Irkutsk State University, 2020. http://dx.doi.org/10.26516/978-5-9624-1876-6.2020.11.
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The author anylise some conceptions of social truth. He especially underline the conventional conception of social truth. Social situation in Russian society leads to understanding of triple character of social truth. It may be overcome on the basis of new public treatment and because of social and economic reforms.
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Petryaeva, T. "THE POTENTIAL OF USING THE BIOGRAPHICAL METHOD IN THE PROCESS OF FORMING A STUDENT'S SPIRITUAL AND MORAL PERSONALITY." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_95-99.
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In the article, the author examines in detail the social changes that affect the formation of personality, as well as the education system as a whole. The work reveals the most important social ideas that have influenced the development of society for a long time. This work highlights the most significant social changes and challenges faced by modern society. The paper suggests ways to eliminate the identified social contradictions through the use of the biographical method. The author reveals the educational potential of the method, draws attention to pedagogical risks and ways to solve them.
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Grishin, A. "NOUMENAL AND PHENOMENAL WAYS OF DESIGNATING ONTOLOGICAL EXPERIENCE IN RELATION TO THE ORGANIZATION OF THE EDUCATIONAL PROCESS IN HIGHER EDUCATION." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_44-55.
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In the article, the author analyzes the classifications of noumenal and phenomenal experience in their predication by positive and negative signs in the I. Kant’s system in relation to increasing the verification capabilities of human thinking of students in higher education.
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Belyanskaya, T. "TRADITIONAL FAMILY VALUES AS A FACTOR IN FORMATION OF A CILD'S SOCIO-CULTURAL IDENTITY." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_113-119.
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The article touches upon the problem of the formation of a child's socio-cultural identity. The author notes that family values are the basis for the formation of a child's personality and subconsciously guide in the search for their own civil and socio-cultural identity. The essence of the traditional Russian family is revealed. The positive aspects of the experience of previous generations are noted. The output contains recommendation suggestions.
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Kitaeva, A. "GLOBALIZATION AS A FACTOR OF INFLUENCE ON RUSSIAN SOCIO-CULTURAL IDENTITY." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_130-133.
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The article analyzes the impact of the globalization process on Russian socio-cultural identity. The author provides historical and statistical data that show the level of influence of integration processes on the Russian Federation, and also indicates the position of the state and citizens aimed at effectively maintaining traditional socio-cultural identity. The article concludes that the processes of globalization and integration do not significantly affect the cultural and social structure of Russian society.
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Kvasov, Oleg. "HISTORICAL APHORISM AS A PAREMIOLOGICAL UNIT AND DIDACTIC METHODOLOGY." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_100-103.
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The article examines peculiarities of the perception of historical information by modern youth, notes the increasing volume of «comic» perception of information and clip-thinking of students. These innovations require adaptation of the educational process. In pedagogical work it is proposed to actively use the potential of diverse Russian paremias. The author concludes about the high didactic productivity of using historical aphorisms. Examples are given, peculiarities are noted, and the advantages of this technique are characterized.
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DeFauw, Danielle. "Author and Students Connect to Speak Truth About the Emmett Till Case Through Distance Learning." In 2019 AERA Annual Meeting. AERA, 2019. http://dx.doi.org/10.3102/1437315.
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Panova, N. "OVERCOMING OF I. KANT'S AGNOSTICISM IN THE PHILOSOPHY OF RUSSIAN INTUITIONISM." In THE TRANSCENDENCE OF BEING: THE IDEALS OF THE COGNITION OF TRUTH. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2024. http://dx.doi.org/10.58168/being2024_19-22.
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The article offers an analysis of the epistemological position of N.O. Lossky's philosophy of intuitionism in connection with the controversy with Kant over the issue of the limitations of knowledge. Lossky considered the concept of intuition in a broader sense as a condition and basis of cognition. The thesis "everything is immanent to everything" introduced by him was the foundation of the epistemological position of ideal realism and the assertion of the presence of the subject of knowledge in its original in the cognitive experience of man. Kant's agnosticism is overcome by the Russian thinker through the intuitiveness of the process of cognition, thanks to which the author of intuitionism spoke about the possibility of knowing "the thing in itself".
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Gurevich, Lyubov. "A case analysis of political discourse ambivalence: Between the truth and falsity." In 7th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2021. http://dx.doi.org/10.32591/coas.e-conf.07.14149g.
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Many false statements in connection with COVID-19 have fueled a number of rumors and conspiracy theories in the world. Politicians tend to use complicated technical systems and information technologies in order to influence people’s consciousness, feelings and social behavior. Under the guise of taking care of people’s wellbeing they pursue their own objectives. The political leaders have challenged the world with their claims and political statements which hypocritically announced their striving to serve for the sake of the nations, but in fact demonstrating their strong will to benefit from the situation. However, their actions are not treated by people as aggression and don’t lead to open confrontation and aggravation of military and political relations. They paradoxically manage to balance between the truth and falsity, demonstrating ambivalence of what they state in their speeches and appeals to the nations. The basic methods of political discourse ambivalence analysis, used in the article, are: (a) fact-checking method, (b) scientific analysis of the evidence, (c) peer-reviewed studies and the others. There has been also used a method of logical comparison of three options of political discourse: Political Statement → Fact → Consequence. The analysis of mass media articles, devoted to Covid-19, has helped the author to systematize the elements of political discourse processing (the politicians’ statements for the good of the people) and political cognition (the actual meaning of those actions, which can potentially lead to confrontation between nations). The author is trying to find out the actual reasons of the growing gap between the governments and ordinary people, between nations in the world.
Reports on the topic "Truth to the author"
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Hado, Nataliya. THE TRUTH IN THE SHADOW OF WAR: AN AUTHORITATIVE VOICE IN SUPPORT OF UKRAINE. Ivan Franko National University of Lviv, 2025. https://doi.org/10.30970/vjo.2025.57.13312.
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Review of the book «In the Shadow of War in Ukraine» (“W cieniu wojny w Ukrainie”) by Polish Rev. Professor Andrzej Zwoliński. Published in 2024, the book makes a significant contribution to the understanding of the Russian war against Ukraine, as well as its impact on cultural and religious processes both within Ukraine and globally. The author analyzes the history of Russian imperialism and the history of Ukraine, upon which he comments on the ideological and geopolitical foundations of the conflict. The distinguished and authoritative voice of Rev. Professor Zwoliński in support of the Ukrainian people in the current situation explains to the world why Russia’s war against Ukraine is a brutal crime that has been centuries in the making. The book also provides an opportunity for every Ukrainian to uncover the missing pieces necessary to fully comprehend the depth of the war between Russia and Ukraine as a clash of civilizations. Keywords: war, imperialism, “russkiy mir”, rashism, propaganda.
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Los, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.
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The article deals with the problem of the meaningfulness (essence) of the worldview journalism in the context of the argumentative resources of the work of influentive authors, for which the missionary role of the word is decisive. The search for meaning has been debated for centuries by orators, philosophers, psychologists, writers, sociologists, historians, journalists, and so on. In addition to other factors, a combination of the principles of worldview journalism and conceptual humanitarianism gives effective results. The author explores the acute problem of the effectiveness of a journalistic text through the prism of knowing the truth, meaning, since this is precisely where the source of wisdom is found; we are talking about spirituality, culture, historical memory. As influental authors proved with their arguments, the collection of facts is not enough, it is important to find the meaning of the existence of the individual, communities, and humanity. A number of examples show how the speakers of worldview journalism use all texts, not only from the archives: we are talking about poetry, art, in general, about literature, which revealed the most truth. Figuratively speaking, it is not only about the world of borders, it is important to consider horizons. Turning information into a commodity, focusing on “seasonal” interest based on the materialism of facts, or the inadequacy of many concepts and categories, the faking of media, relativity, obscurity of texts, anti-culture, in other words, the revolution of nihilism inevitably relativizes the very essence of journalism. If creative life is a manifestation of the freedom of the spirit, based on authentic truth, then we should strive to achieve the “extension of vision”, to master combinatorial (combinative) thinking. The ability to think in this way differs from ordinary logic in which the main universal thing remains in the center of attention, and the personality is not lost in individual details. Consequently, we can build a genealogy of ordered things and concepts, feel their inner relationship. Key words: meaning, worldview, journalism, argument, influence, moral principles, creativity.
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Khomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.
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The article is dedicated to the investigation of time-space measurements of journalistic works of Eugen Sverstiuk, a well-known Ukrainian journalist. In particular, the time-space continuum of his works is being discussed, which is characterized as comprehensive, continuous, filled with archetypical images which metaphorize the text, but at the same time structure it, and are beaded on the axis of time and documentarily located in the space. The logics of images initiated in the text is exaggerated by constant dwelling of the author in the time-space dimensions of the epoque, of which he was a contemporary, as well as precise knowledge of World and Ukrainian history and culture. Historical parallelism of journalism of E. Sverstiuk possesses double potential. On the one hand, the author provides arguments for confirmation of his own opinion, and on the other, he shows us historical collisions in the new aspect, which helps consider the past, better understand the present, and think of the future. Pages of his works is space for author’s considerations, which logics impresses by free transgression of the author in the time, and his ability to grasp the most essential, although sometimes precedent, sometimes sudden and forgotten, or even unknown historical facts in order to force them to resonate in the new historical realities, first of all to indicate the importance of national and the need for assigning to it more significance. Using retrospectives, E. Sverstiuk encourages us to return to the national sources and to seek in ourselves the reflections of nationality in order to return historical truth to our audience. This is what, according to E. Sverstiuk, was believed to be one of the most necessary conditions of existence to the independent state. Time-space continuum of E. Sverstiuk’s journalism is reproduction of comprehensive history as continuous process of the development of humanity, and of formation of comprehensive, total, and so to say epic reading and understanding of these processes via accentuation of reader’s attention on key events, phenomena, and facts.
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Lylo, Taras. Російсько-українська війна в інтерпретаціях іранського видання «The Tehran Times»: основні ідеологеми та маніпулятивні прийоми. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11730.
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The article analyzes the main ideologemes in the Iranian English-language newspaper The Tehran Times about the Russian-Ukrainian war. Particular attention is paid to such ideologemes as “NATO-created Ukraine war”, “Western racism”, “an average European is a victim of the US policy”. The author claims that the newspaper is a repeater of anti-Ukrainian ideologemes by the Russian propaganda, including such as “coup d’état in Ukraine”, “denazification”, “special military operation”, “conflict in Ukraine”, “genocide in Donbas”, but retranslates them in a specific way: the journalists of The Tehran Times do not often use such ideologemes, but mainly ensure their functioning in the newspaper due to the biased selection of external authors (mainly from the USA), who are carriers of the cognitive curvature. The object of the research is also the manipulative techniques of the newspaper (the appeal to “common sense”, simplification of a complex problem, etc.). Methods of modeling the image of the enemy are also studied (first of all, such an enemy for the Tehran Times is the USA), among which categoricalness occupies a special place (all features of the opponent are interpreted not only at its own discretion, but indisputably; such and only such perception of the opponent is “the ultimate truth”), stereotypes (stereotypes replace the true knowledge), demonization (the opponent is portrayed as the embodiment of absolute, metaphysical evil) and asynchrony (an astronomer’s view, who sees a star as if it was the same all eternity to this point. The dynamics of history is ignored by propagandist). Keywords: ideologeme, manipulative techniques, Russia, racism, propaganda.
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Lylo, Taras. THE MISSION OF A JOURNALIST IN THE ESSAYISTIC INTERPRETATIONS BY OLEGARIO GONZÁLEZ DE CARDEDAL. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12156.
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The article analyzes Olegario González de Cardedal’s views on journalistic mission, that he interprets as a “ministry”. For him, a journalist is the minister of the word, the creator and the interpreter of events, the spokesperson of human being and the witness of human hope. For the Spanish Catholic theologian and author, the newspaper is both “structure and soul”. He believes that media is something more than an ordinary profitable enterprise and interprets journalism as a “spiritual ministry”. A prerequisite for the true ministry is the hierarchical system of values. In this context, for González de Cardedal the most important are “decisive values”, “permanent priorities”, from the positions of which one should think. He also defines two main ideals of mass communication: the development of nobility and the strengthening of freedom. In addition, Olegario González de Cardedal emphasizes such features of a journalist as the devotion to the truth, the respect for facts, the professional cognition of the order of reality, the empathy and the freedom in relation to the powerful of this world. Moreover, the essayist pays special attention to the need for a more targeted approach to the coverage of international events. Olegario González de Cardedal believes that a reader first of all looks in a newspaper not only for what helps him get closer to the people who live nearby, but also to those ones who live far away. This, in his opinion, is a necessity at a time when information is a source of orientation in the struggle for existence, especially at a time of integral challenges that make geographical distances relative. “Human life has already reached cosmic proportions, and we cannot be human without being neighbors. Even through a provincial newspaper, great events of the world must travel: its landscapes, its people, its destinies...” Recognizing the fact that all newspapers are fundamentally local, however, the thinker notes, they must all build a common consciousness, convince of the common purpose and hope. Keywords: journalistic mission, newspaper, values, ideals of communication, freedom.
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Turnhout, Esther, Anne Beaulieu, and Andreas Weber. Trust and truth. Netherlands Graduate Research School of Science, Technology and Modern Culture, 2022. http://dx.doi.org/10.3990/4.2666-2892.2022.01.
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Aldrich, Susan. Measuring Moments of Truth:. Patricia Seybold Group, 2001. http://dx.doi.org/10.1571/ss10-11-01cc.
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Perkins, William, Mark Tygert, and Rachel Ward. Significance Testing Without Truth. Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada567455.
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Barolsky, Vanessa, Karen Berger, and Kristie Close. Recognising community truth-telling: An exploration of local truth-telling in Australia. Centre for Resilient and Inclusive Societies, 2023. https://doi.org/10.56311/eqag3029.
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Aboriginal and Torres Strait Islander Peoples have been calling for a fuller account of Australia’s history for many decades. Truth-telling has been understood as being central to reconciliation since the Council for Aboriginal Reconciliation began its work 30 years ago, and even prior to this. More recently, this long-held desire for truthtelling was articulated as one of three critical components needed to achieve political transformation in the 2017 Uluru Statement from the Heart, which called for Voice, Treaty and Truth. This collaborative research project between the Alfred Deakin Institute of Citizenship and Globalisation (ADI) and Reconciliation Australia seeks to respond to these calls for truthtelling. It asks what methodologies and processes of community truth-telling are most effective in contributing to: • the recognition of the complexity of colonial history and its current legacy • the redress of injustice arising from this colonial history • the recognition of ongoing First Nations sovereignty • the reconciliation and healing of relationships between Aboriginal and Torres Strait Islander communities and the broader Australian community
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Rasmussen, Lisa. Author Agreement. J. Murrey Atkins Library, University of North Carolina at Charlotte, 2023. http://dx.doi.org/10.55370/nc.921.
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