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Relevant bibliographies by topics / Trutsts

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Academic literature on the topic 'Trutsts'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Trutsts"

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BARRIO, EDUARDO, and LAVINIA PICOLLO. "NOTES ONω-INCONSISTENT THEORIES OF TRUTH IN SECOND-ORDER LANGUAGES." Review of Symbolic Logic 6, no. 4 (October 28, 2013): 733–41. http://dx.doi.org/10.1017/s1755020313000269.

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It is widely accepted that a theory of truth for arithmetic should be consistent, butω-consistency is less frequently required. This paper argues thatω-consistency is a highly desirable feature for such theories. The point has already been made for first-order languages, though the evidence is not entirely conclusive. We show that in the second-order case the consequence of adoptingω-inconsistent truth theories for arithmetic is unsatisfiability. In order to bring out this point, well knownω-inconsistent theories of truth are considered: the revision theory of nearly stable truthT#and the classical theory of symmetric truthFS. Briefly, we present some conceptual problems withω-inconsistent theories, and demonstrate some technical results that support our criticisms of such theories.

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Schmitz, Kenneth L. "Truths of Nature, Truths of Culture, Truths of Faith." Philosophy and Theology 1, no. 2 (1986): 173–90. http://dx.doi.org/10.5840/philtheol19861210.

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Griffith, James. "A Cartesian Rereading of Badiou’s Political Subjectivity." Philosophy Today 63, no. 1 (2019): 93–100. http://dx.doi.org/10.5840/philtoday201925244.

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This article traces the consequences for Badiou’s political subjectivity if his understanding of the Cartesian subject is incorrect. For Badiou, the faithful subject, political and otherwise, is formed through fidelity to the appearance of an event of truth, and the process of this fidelity creates a world. These truths are immanent to the worlds in which they appear. An obscure subject, however, is faithful to a negation, while a reactive subject denies the appearance of a truth’s event. Badiou’s subject radicalizes Lacan’s radicalization of the Cartesian subject, but for him both Descartes and Lacan consider the subject stable since they are caused by truth rather than by the event of a truth. However, immanent to Descartes’s philosophy is an unstable subject, thanks to the role of the imagination in the discovery of the cogito. Fidelity to this immanent Cartesian subject shows Lacan as an obscure subject and Badiou as reactive.

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Bradleyis, Peter. "Plain truths about Hard Truths." British Journal of Healthcare Assistants 7, no. 12 (December 2013): 582–83. http://dx.doi.org/10.12968/bjha.2013.7.12.582.

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Hinzen, Wolfram. "Truth's Fabric." Mind and Language 18, no. 2 (April 2003): 194–219. http://dx.doi.org/10.1111/1468-0017.00221.

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Pfeffer, Jeffrey. "Truth's consequences." Journal of Organizational Behavior 28, no. 7 (2007): 837–39. http://dx.doi.org/10.1002/job.456.

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Scharp, Kevin. "TRUTH'S SAVIOUR?" Philosophical Quarterly 60, no. 238 (January 2010): 183–88. http://dx.doi.org/10.1111/j.1467-9213.2009.634.x.

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Hibbitt, Chris. "Truth’s Freedom." Critical Perspectives on Accounting 12, no. 4 (August 2001): 404. http://dx.doi.org/10.1006/cpac.2001.0501.

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Rose, Hilary, and Steven Rose. "Truths of science and truths of art." Lancet 379, no. 9834 (June 2012): 2331. http://dx.doi.org/10.1016/s0140-6736(12)61004-6.

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Weir, Rebecca. "Sojourner Truth's America." Women: A Cultural Review 22, no. 2-3 (September 2011): 285–88. http://dx.doi.org/10.1080/09574042.2011.565562.

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Dissertations / Theses on the topic "Trutsts"

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GUTH, RYAN K. "HOME TRUTHS." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1020970327.

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Hoyt, Jennifer J. "Self-Evident Truths." Cleveland State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=csu1276012073.

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Stankus, Vytautas. "Lašišų (Salmo salar L.) ir šlakių (Salmo trutta trutta L.) kolumnariozės tyrimai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140305_142530-72735.

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Flavobacterium columnare yra gerai žinomas patogenas sukeliantis kolumnariozę, ir kurio sukeliama liga paliečia gėlavandenes žuvis: tiek akvariumines, tiek žuvivaisos įmonėse, tiek gyvenančias natūraliose gamtinėse sąlygose. Bakteriją pirmą kartą 1922 metais aprašė Herber Spencer Davis, ir jai suteikė pavadinimą, kuris vėliau kelis kartus keitėsi (Bacillus columnaris, Cytophaga columnaris, Chondrococcus columnaris, Flexibacter columnaris) kol buvo pripažintas Flavobacterium columnare pavadinimas, kuris dabar naudojamas. Jungtinėse Amerikos Valstijose ši bakterija atneša labai didžiulius nuostolius. Registruotais duomenimis 2003 m. kolumnaris liga nusinešė daugiau nei 30 milijonų JAV dolerių vien tik iš šamų pramonės. F. columnare dažniausiai pasižymi tuo, kad sukelia žiaunų nekrozę, pelekų erozijas ir žvynų pažeidimus. Išauginta ant Cytophaga agaro kolonija dažniausiai būna rizoidinio tipo, adhezyvi, gelsvos spalvos (dėl pigmento fleksirubinino). Raudonųjų Kongo dažų absorbcija – vienas labiausiai patikimiausių biocheminių testų. Taip pat egzistuoja ir kiti diagnozavimo metodai – serologiniai, molekuliniai. Šios ligos prevencijai reikia reguliariai naudoti kalio permanganatą, vario sulfatą ar kitą dezinfekcinę medžiagą, kuri naikina F. columnare bakterijas. Jei tenka gydyti – visai neseniai pasirodė tyrimai, kuriuose buvo aprašytas fagų panaudojimas. Jie pasižymi kolonijų augimą stabdančiu ar bakterijas naikinančiu poveikiu, tačiau dar reikia atlikti daugybę tyrimų norint... [toliau žr. visą tekstą]
Flavobacterium columnare is a well known worldwide pathogen, causative agent of Columnaris disease, elicting significant problems in freshwater fish including aquariums, culture places, natural surroundings. The first time the bacteria was described and named by Herber Spencer Davis. The name has changed for several times till reached the one is used now (Bacillus columnaris, Cytophaga columnaris, Chondrococcus columnaris, Flexibacter columnaris). In the industry of USA catfish this pathogen causes millions of dollars of losses. According to the statistics of the year 2003, the industry lost more than 30 millions of dollars of income. F. columnare in fish infections may cause skin lesions, fin erosions and gill necrosis, with a high degree of mortality. Cultured on Cytophaga agar grows mostly in rhizoit type very much adhesive collonies coloured in yellow due to pigment flexirubinin. One of the most revieling biochemical tests – absorbance of Congo red dye. Also it can be diagnosed by many serological and molecular assays. Preventive control should be used regularly involving potassium permanganate, copper sulphate or other desinfecant, which is available for F. columnare on the market. The latest treatment described for columnariosis is based upon phages which prevent the growth of F. columnare or kill it, but there are many studies to be done before making any conlusions. The aim of the research – to evaluate morfophysiological status and infestation with Flavobacterium... [to full text]

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Nordwall, Fredrik. "Stream fish population response to harvesting /." Umeå : Swedish Univ. of Agricultural Sciences (Sveriges lantbruksuniv.), 2000. http://epsilon.slu.se/avh/2000/91-576-5867-6.pdf.

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Carlsson, Jens. "Population genetic structure of brown trout in boreal ecosystems /." Umeå : Swedish Univ. of Agricultural Sciences (Sveriges lantbruksuniv.), 2000. http://epsilon.slu.se/avh/2000/91-576-5884-6.pdf.

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Bright, Susan. "Home truths : photography and motherhood." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20537/.

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Home Truths is a curatorial project that examines photographic artworks depicting the experience and symbolism of motherhood in contemporary Western culture. Favouring autobiographical and documentary approaches in art photography of the 2000s, my curatorial practice draws on feminist precedents in art making and writing. There are four main outcomes to this project: an exhibition; an edited book; public programmes and a digital display titled Motherlode. In its entirety Home Truths negotiates what it means to be a mother in the twenty-first century, grappling with stereotypes, personal expectations and cultural constraints, revealing the maternal self to have both agency and power. The artists featured include: Janine Antoni, Elina Brotherus, Elinor Carucci, Ana Casas Broda, Fred Hüning, Leigh Ledare, Hanna Putz, Katie Murray, Annu Palakunnathu Matthew, Tierney Gearon, Miyako Ishuichi and Ann Fessler. In this thesis I investigate contemporary ‘maternal ambivalence’, which I identify as a response to social norms, expectations and the cultural conditions of mothering. I use the frame of ‘life narrative’ to examine maternal ambivalence in the artworks I have curated, contextualizing these within depictions of mothering in the larger photographic culture of motherhood. This thesis outlines the emergence and contextualization of the curated project and takes an expanded view of the possibilities of curating. I examine how Home Truths functioned in relation to institutions, audiences, aesthetics and display culture through the conditions (institutional, economic, aesthetic and theoretical) in which it existed. Crucially, I ask how one experiences the photography in Home Truths. Rather than viewing the different iterations of maternal life narratives examined here (literature, art photography and social networking) in contradistinction, I argue for them to be seen as productive expressions of self whose invocation of maternal subjectivities are reinforced and sustained by their relationship to one another.

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com, andrewgi@tpg, and Iris Lavell. "Caryl Churchill:Representational Negotiations and Provisional Truths." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050225.123039.

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JUDGE: Go away Barbara. Ive had enough. Should we all be kind? You are lukewarm and will be vomited. There are two camps, Barbara, mine and theirs. Either you are with, or you are against. Although English playwright Caryl Churchill wrote the three scripts examined in this thesis more than thirty years ago, each captures our contemporary zeitgeist in sometimes surprising ways. These works explore the shifting politics of power, revealing binary and essentialist representations that not only continue but have been strengthened on all sides in recent years, suggesting their central importance in defining and controlling culture. This thesis examines how Churchill subverts conventional forms of representation and probes the ways in which she herself has been represented by critics and scholars at various periods of her writing career. It is my contention that these processes operate in tandem, performing an ongoing dialogue. Because of the dynamic nature of this dialogue, the aim here is not so much to provide an increasingly unified or finite understanding of the artistic milieu from which a play emerges, as it is to recognize the level of complexity underlying the mutable and political process of its interpretation. I have undertaken a detailed exploration of three lesser-known short scripts from 1972, a watershed year for Churchill, culminating in the relative success of Owners, her first major stage play. While many of her earlier works have been deserving of further exploration, a number of them have been largely overlooked in the broader environment of her subsequent contribution to contemporary theatre. The particular scripts that I explore in the course of this thesis are: The Hospital at the Time of the Revolution; Schrebers Nervous Illness and The Judges Wife, an unperformed stage play, a radio play and a television play respectively. These works are worthy of exploration because of their experiments with the politics of subjectivity as it impacts on race, gender and social class, and notions of legitimacy that shift with a persons changing circumstances. Each of these plays implicitly demonstrates the importance of subjectivity in relation to representational power as it places characters who have traditionally been silenced at the centre of the action. I have titled my thesis Caryl Churchill: Representational Negotiations and Provisional Truths. In invoking this title I pre-empt the engagement of a subjective, strategic essentialist approach, both in critiquing this period of Churchills work and in declaring the assumptions of the arguments contained in the pages that follow.

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Kroedel, Thomas. "A priori knowledge of modal truths." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440706.

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Jolly, Martyn. "Fake photographs making truths in photography /." Click here for electronic access to document: http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf, 2003. http://www.anu.edu.au/ITA/CSA/photomedia/ph_d.pdf.

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Kinser, Amber E. "Crafting Maternal Truths in Three Persons." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/1262.

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Books on the topic "Trutsts"

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Júnior, Rodrigo Alves Guerra. Trutas. Horta: Câmara Municipal da Horta : Secretaria Regional de Educação e Cultura, Direcção Regional dos Assuntos Culturais, 1988.

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Sojourner Truth's America. Urbana: University of Illinois Press, 2009.

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Ferris, Monica. Embroidered Truths. New York: Penguin Group USA, Inc., 2008.

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Hunter, Gwen. False truths. London: Hodder & Stoughton, 1995.

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Copyright Paperback Collection (Library of Congress), ed. Absolute truths. New York: Fawcett Crest, 1996.

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Absolute truths. London: HarperCollins, 1995.

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Hartley, John. Television truths. Malden, MA: Blackwell, Pub., 2008.

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Sandom, J. G. Gospel truths. New York: Doubleday, 1992.

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Sharma, Akshay Chandra. Sweet truths. Calcutta: Writers Workshop, 2000.

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Speaking truths. Bloomington, IN: IUniverse, 2010.

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Book chapters on the topic "Trutsts"

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Sikes, Pat. "Truths, Truths and Treating People Properly." In Explorations in Narrative Research, 123–39. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-988-6_11.

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Voinea, Liviu. "Inconvenient Truths." In Defensive Expectations, 73–107. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55045-5_3.

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Dagnes, Alison. "Two Truths." In Super Mad at Everything All the Time, 1–26. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06131-9_1.

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Highmore, Ben. "Home Truths." In A Companion to Contemporary Design since 1945, 173–88. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119112297.ch9.

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McNeill, Patrick. "Home Truths." In Society Today 2, 156–58. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12065-9_52.

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Leibniz, Gottfried Wilhelm. "First Truths." In Philosophical Papers and Letters, 267–71. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-010-1426-7_31.

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Sandy, Mark. "Strange Truths." In Literary and Cultural Alternatives to Modernism, 38–51. New York, NY : Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429261855-3.

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Lucas, George. "Inconvenient truths." In Ethics and Military Strategy in the 21st Century, 26–41. First edition. | Abingdon, Oxon ; New York, NY : Routledge, [2019] | Series: War, conflict and ethics: Routledge, 2019. http://dx.doi.org/10.4324/9781315189123-3.

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Pelias, Ronald J. "Telling Truths." In If the Truth Be Told, 175–207. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-456-5_6.

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Holt, Annie. "Material truths." In Modernizing Costume Design, 1820–1920, 14–46. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge advances in theatre and performance: Routledge, 2020. http://dx.doi.org/10.4324/9780429054785-2.

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Conference papers on the topic "Trutsts"

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Wang, Yaqing, Fenglong Ma, Lu Su, and Jing Gao. "Discovering Truths from Distributed Data." In 2017 IEEE International Conference on Data Mining (ICDM). IEEE, 2017. http://dx.doi.org/10.1109/icdm.2017.60.

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Gorrono, Javier, Nigel Fox, Agnieszka Bialek, Paul Green, and Tracy Scanlon. "Truths cross-calibration uncertainty tool." In IGARSS 2015 - 2015 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2015. http://dx.doi.org/10.1109/igarss.2015.7326225.

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Lebedev, Sergey. "Consensual Nature of Scientific Truths." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.187.

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Shew, Roger. "NORTH CAROLINA GEOLOGICAL AND ENVIRONMENTAL CONTROVERSIES (ENERGY, WATER, COASTAL ZONE): TRUTHS, HALF TRUTHS, AND LIES?" In 65th Annual Southeastern GSA Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016se-273545.

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Eichberg, Michael, Ben Hermann, Mira Mezini, and Leonid Glanz. "Hidden truths in dead software paths." In ESEC/FSE'15: Joint Meeting of the European Software Engineering Conference and the ACM SIGSOFT Symposium on the Foundations of Software Engineering. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2786805.2786865.

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Randel, Sebastian, Matthias Schuster, Jeffrey Lee, and Florian Breyer. "Myths and Truths about Optical OFDM." In 2007 Digest of the IEEE/LEOS Summer Topical Meetings. IEEE, 2007. http://dx.doi.org/10.1109/leosst.2007.4288301.

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Vassalos, D. "The Damaged Ship- Notions And Truths." In The Damaged Ship II. RINA, 2013. http://dx.doi.org/10.3940/rina.ds.2013.02.

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Zhang, Nevin L., and Shihong Yuan. "Statistical truths in traditional Chinese medicine theories." In 2010 IEEE International Conference on Bioinformatics and Biomedicine Workshops (BIBMW). IEEE, 2010. http://dx.doi.org/10.1109/bibmw.2010.5703875.

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Kurki-Suonio, R. "Real Time: Further Misconceptions or Half-Truths." In Fifth Euromicro Workshop on Real-Time Systems. IEEE, 1993. http://dx.doi.org/10.1109/emwrt.1993.638858.

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Chehdi, K., and C. Cariou. "The true false ground truths: What interest?" In SPIE Remote Sensing, edited by Lorenzo Bruzzone and Francesca Bovolo. SPIE, 2016. http://dx.doi.org/10.1117/12.2241096.

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Reports on the topic "Trutsts"

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Echevarria, II, and Antulio J. Transformation's Uncontested Truths. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada457157.

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Callon, R. The Twelve Networking Truths. RFC Editor, April 1996. http://dx.doi.org/10.17487/rfc1925.

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McNiel, Samuel L. Proposed Tenets of Spacepower: Six Enduring Truths. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada424972.

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Feldstein, Martin. Supply Side Economics: Old Truths and New Claims. Cambridge, MA: National Bureau of Economic Research, January 1986. http://dx.doi.org/10.3386/w1792.

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Holland, Stephen, Jonathan Hughes, Christopher Knittel, and Nathan Parker. Some Inconvenient Truths About Climate Change Policy: The Distributional Impacts of Transportation Policies. Cambridge, MA: National Bureau of Economic Research, September 2011. http://dx.doi.org/10.3386/w17386.

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Anderson, Walter N. Peace with Honor: Enduring Truths, Lessons Learned and Implications for a Durable Peace in Bosnia. Fort Belvoir, VA: Defense Technical Information Center, September 1999. http://dx.doi.org/10.21236/ada383638.

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Carney, David J. Quotations from Chairman David: A Little Red Book of Truths to Enlighten and Guide on the Long March Toward the COTS Revolution. Fort Belvoir, VA: Defense Technical Information Center, January 1998. http://dx.doi.org/10.21236/ada382491.

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, August 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of certain trajectories, with a predictable outcome represented by more or less generic types of musicians who interchangeably are able play the same, limited canonized repertoire, in more or less the same way. Where is the resistance and obstacles, the detours and the unique and fearless individual choices? It is a paradox that within the traditional master-student model, the student is told how to think, play and relate to established truths, while a sustainable musical career is based upon questioning the very same things. A fundamental principle of an independent musical career is to develop a capacity for critical reflection and a healthy opposition towards uncontested truths. However, the unison demands for modernization of institutions and their role cannot be solved with a quick fix, we must look at who we are and who we have been to look at who we can become. Central here is the question of how the music students perceive their own identity and role. To make the leap from a traditional instrumentalist role to an artist /curator role requires commitment in an entirely different way. In this article, I will examine question of identity - how identity may be constituted through musical and educational experiences. The article will discuss why identity work is a key area in the development of a sustainable music career and it will investigate how we can approach this and suggest some possible ways in this work. We shall see how identity work can be about unfolding possible future selves (Marcus & Nurius, 1986), develop and evolve one’s own personal journey and narrative. Central is how identity develops linguistically by seeing other possibilities: "identity is formed out of the discourses - in the broadest sense - that are available to us ..." (Ruud, 2013). The question is: How can higher music education (HME) facilitate students in their identity work in the process of constructing their professional identities? I draw on my own experience as a classically educated musician in the discussion.

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Lylo, Taras. THE IDEOLOGEME «DICTATORSHIP OF RELATIVISM» IN THE ROBERTO DE MATTEI’S ESSAYS: POSTMODERN AND POST-COMMUNIST CONTEXTS. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11100.

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The article considers relativism as a philosophical principle and the moral standpoint of a journalist. In particular, the main argumentation of Roberto de Mattei’s work «Dictatorship of Relativism» is analyzed. Like Ratzinger, the Italian publicist describes modern life as ruled by a dictatorship of relativism which does not recognize anything as definitive and whose ultimate goal consists solely of satisfying «the desires of one’s own ego». In his view, the boundaries of the main conflict of modernity lie between two visions of the world: one that believes in the existence of immutable, absolute values, and one that argues that there is nothing stable, that everything is conditional, time-dependent and can be discussed in the media. The markers of this conflict are our attitude to the famous statement of Protagoras about «man as a measure of all things: of the things that are, that they are, of the things that are not, that they are not», as well as to the non-debatable values, the status of natural and positive law, the worldview neutrality, the dehierarchization and multiplicity of truths, the equalization of all worldviews and axiological standpoint in foreign and Ukrainian media. A special attention in the article is paid to the ideological program of media-relativism, as well as to the postmodern and post-communist contexts of the issue of the penetration of relativism into the journalistic values.

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Home truths: Housing options and advice for people in later life. Centre for Ageing Better, July 2019. http://dx.doi.org/10.31077/ageing.better.2019.07.

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