Academic literature on the topic 'Tsitsi'

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Dissertations / Theses on the topic "Tsitsi"

1

Rine, Dana. "Small Flowerings of Unhu: the Survival of Community in Tsitsi Dangarembga's Novels." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3312.

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This thesis examines the presence of unhu, a process of becoming and remaining human through community ties, in Nervous Conditions and The Book of Not by Tsitsi Dangarembga. Dangarembga interrogates corrupt versions of community by creating positive examples of unhu that alternatively foster community building. Utilizing ecocritical, utopian, and postcolonial methodologies, this thesis postulates that these novels stress the importance of retaining a traditional concept like unhu while also acknowledging the need to adjust it over time to ensure its vitality. Both novels depict the creativity
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2

Mphiko, Benjamin Lesibana. "The oppression of women in the novels of Sembene Ousmane and Tsitsi Dangarembga." Thesis, University of Limpopo, 2016. http://hdl.handle.net/10386/2354.

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Thesis (M. A.(English Studies)) --University of Limpopo, 2016<br>The primary aim of this study is to examine the oppression and repression of African women through the collusion of indigenous African patriarchy and colonial, imperialist values. The selected novels are Nervous Conditions (1988) and God’s Bits of Wood (1960) by Tsitsi Dangarembga and Sembene Ousmane, respectively. The study focuses on the roles played by both African and European values in the class, gender and racial oppression of African women. Using the theoretical frameworks of Marxism and Feminism, the study evaluates issue
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3

Rodgers, Randi Jean. "Representations of women, identity and education in the novels of Tsitsi Dangarembga and Kopano Matlwa." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85705.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores the representation of women, identity and education in the works of Tsitsi Dangarembga, Nervous Conditions (1989) and The Book of Not (2006), and Kopano Matlwa, Coconut (2007) and Spilt Milk (2010), through the lens of postcolonial studies. The arguments presented deal with the complicated factors associated with the formation of new identities in independent Zimbabwe and post-apartheid South Africa. I focus on how African women are represented in the texts taking place at particular socio-historical moments,
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4

Nyoni, Triyono Johan. ""It's the Englishness" : Bildung and Personality Forming as Postcolonial Criticism in Tsitsi Dangarembga’s Nervous Conditions." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95354.

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Through a close reading of Tsitsi Dangarembga’s Nervous Conditions, this essay shows the key links between the novel and Frantz Fanon’s major works. In addition to providing a deeper understanding of Dangarembga’s narrative as a whole, it takes into particular consideration the em­bedded criticism of colonialism in the text. The psychological conditions implied by the title play a central role: the essay shows how these conditions relate to the colonial situation and how refusing to consent to subjugation can be understood as radical criticism of colonial, Christian, as well as patriarchal sup
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5

Bryant, Regina L. "Speaking the invisible : Africana women, black identity, and alienation in the works of Nella Larsen and Tsitsi Dangarembga." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2003. http://digitalcommons.auctr.edu/dissertations/1.

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This study examines black identity and alienation Nella Larsen's and Tsitsi Dangarembgal’s Passing and Nervous Conditions. The novels demonstrate the authors' interpretation of the conditions within their respective societies of the impact of slavery and colonization on Africana women. As a springboard in the development of these issues, Frantz Fanon's seminal works Black Skin, White Masks and The Wretched of the Earth and the DuBoisian notion of double consciousness were used in analyzing the attitudes and behaviors of the oppressed and oppressor of Africana women. This study was based on the
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6

Marima, Tendai. "Suns of the Mbira : a critical exploration of the multiple figurations of femininity in selected fiction by Tsitsi Dangarembga and Yvonne Vera." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6530/.

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My thesis is that multiple figurations of femininity challenging traditional Zimbabwean values are articulated in the representations of womanhood, motherhood and sexuality in the writing of Tsitsi Dangarembga (1959-) and Yvonne Vera (1964-2005). Critically, I draw centrally upon Rosi Braidotti (1994) and Donna Haraway’s (1992; 2004) work on figurations as feminist metaphors theorizing how women challenge and transform socially constructed roles that confine females to subservient social positions. In addition, Gilles Deleuze and Felix Guattari’s (1987) theorization of multiplicity is deployed
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7

Osmani, Donjeta. "I'm Not One of Them but I'm Not One of You : An Analysis of The Effects of Patriarchy and Hybridity in Tsitsi Dangarembga's Nervous Conditions." Thesis, Högskolan i Jönköping, Högskolan för lärande och kommunikation, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-45214.

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This essay examines how the factors that inspire Tambudzai and Nyasha to counter the patriarchy are portrayed and how these factors contribute to the formation of hybrid identities among the younger generation of women in Nervous Conditions (1988) by Tsitsi Dangarembga. Both characters are faced with different predicaments which makes it necessary to divide the factors in regard to each character. The factors that are connected to Tambudzai are the following: the death of Nhamo, the patriarchal male figures, and the will to obtain an education. Meanwhile, the factors that are connected to Nyas
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8

Steiner, Christina. "Writing in the 'Contact Zone' : the problem of post-colonial translation. A study of the 'Afrikanissmo-Project' and Tsitsi Dangarembga's novel Nervous Condtions in German." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/7887.

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Includes abstract.|Includes bibliographical references (leaves: 91-95).<br>Post-colonial translations are located in 'contact zones'. They mediate in the interface of disparate cultures and languages. The multiple determinations and effects of this decisive mediation process are examined in a close reading of the Afrikanissimo-project and the translation of Tsitsi Dangarembga's novel Nervous Conditions. They represent an attempt to engage 'Africa' through literature from a German perspective. Such dialogue is caught in the aporetic tension between the preservation of linguistic and cultural di
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9

Ford, Na'Imah Hanan. "A theory of Yere-Wolo coming-of-age narratives in African diaspora literature /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5959.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 12, 2009) Includes bibliographical references.
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10

McIntyre, Megan. "'Adding wisdom to their natures': British colonial educational practices and the possibility of women's personal emancipation in Charlotte Brontë's Jane Eyre, Buchi Emecheta's Joys of motherhood and Tsitsi Dangrembga's Nervous conditions." Scholar Commons, 2009. http://scholarcommons.usf.edu/etd/2093.

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Popular opinion suggests that education is the 'silver bullet' to end poverty, famine, and all the worlds' ills. The reality of education for women, however, is not as easily classified as transformative. This paper seeks to illuminate, through historical research and literary analysis, the connections between the charity education of Victorian Britain, a system examined in Jane Eyre, and the missionary education which comprised the majority of the educational systems in the British colonies, including Nigeria and Zimbabwe, the settings of Emecheta and Dangarembga's works. Beginning with Charl
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