Academic literature on the topic 'Tsutsui Yasutaka'

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Journal articles on the topic "Tsutsui Yasutaka"

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KUZMENKO, Yu. "Yasutaka Tsutsui's writings in the context of formation of the science fiction in the Japanese literature of the 20th century." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 27 (2021): 39–44. http://dx.doi.org/10.17721/1728-242x.2021.27.39-44.

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The article is of an overview nature and is devoted to the writings by Yasutaka Tsutsui in the context of formation and development of the science fiction genre in the Japanese literature of the second half of the 20th century. It traces the origins of this genre in Japanese folklore and traditional literature, briefly examines the generally accepted classification of four generations of Japanese science fiction writers and analyzes stages of the writer's creative development as one of the three SF masters in modern Japan. The article suggests identifying four periods in Tsutsui Yasutaki's cre
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PALMER, Sera. "The Gendered Strategy of Tsutsui Yasutaka’s Early Works." Border Crossings: The Journal of Japanese-Language Literature Studies 17, no. 1 (2023): 215–31. http://dx.doi.org/10.22628/bcjjl.2023.17.1.215.

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This paper examines the relationship between SF author Tsutsui Yasutaka’s early short stories and the author’s gendered persona. The first section outlines the magazines in which Tsutsui’s early works were published, arguing that these magazines and their imagined readership influenced the content of each work. The second section analyses the representation of female political activity in several of Tsutsui’s early works, arguing that this representation contributed to Tsutsui’s “masculine” image. The third section focuses on how Tsutsui’s short stories depict the difficulties of being a man i
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Moiseenko, Vera Sergeevna. "Artistic image of a modern Japanese woman in the anime film “Paprika” directed by Satoshi Kon." Культура и искусство, no. 11 (November 2021): 46–57. http://dx.doi.org/10.7256/2454-0625.2021.11.34376.

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Cross-cultural communications prompted the international popularity of the Japanese original genre of anime. It has become the translator of not only the Japanese mentality and traditional values to the West, but also demonstrates the changes taking place in Japan. The analysis of artistic image of the anime heroine Atsuko Chiba (Paprika) is the goal of this research. Noticeable changes in the status of women in Japanese society are observed only since the middle of the XX century, which immediately found reflection in Japanese cinematography. The use of empirical and comparative methods allow
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Lee, Sung-Ae. "Adaptations of Time Travel Narratives in Japanese Multimedia: Nurturing Eudaimonia across Time and Space." International Research in Children's Literature 7, no. 2 (2014): 136–51. http://dx.doi.org/10.3366/ircl.2014.0128.

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To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narrative
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Cabrera, Torrecilla Angelica. "Allegories of Japanese women in Paprika by Tsutsui Yasutaka and Kon Satoshi." Electronic Journal of Contemporary Japanese Studies (EJCJS) 19, no. 3 (2019). https://doi.org/10.5281/zenodo.7024980.

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The aim of this article is to analyse the symbolic representation of the Japanese women  through the satirical focus of Paprika, an original novel by Tsutsui Yasutaka (1993) with a  homonym anime film adaptation by Kon Satoshi (2006). Building on a postmodern science  fiction genre, Paprika offers a psychological and metaphorical profile of its female  protagonist, from a critical social perspective regarding hegemonic Japanese ideals. In this  context, the construction of the female protagonist focuses on the psychological perspective  of the manly desire, the co
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Jones, Sumie. "Tsutsui Yasutaka's Teki (The Enemy) or Faust for the twenty-first century." Proceedings of the Association for Japanese Literary Studies 13 (November 4, 2015). http://dx.doi.org/10.26812/pajls.v13i.1506.

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Dissertations / Theses on the topic "Tsutsui Yasutaka"

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Zanonato, Alberto <1991&gt. "(Ri)scrivere dopo Fukushima: Tsutsui Yasutaka." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7909.

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I tragici eventi che l'11 marzo 2011 hanno colpito la regione del Tōhoku hanno lasciato un segno profondo nella storia del Giappone e nella sua letteratura. La scossa tellurica è stata così forte da essere riuscita a far tremare financo il panorama letterario, e lo tsunami sembrava aver travolto e annichilito le parole degli scrittori. A queste catastrofi naturali si è aggiunto il disastro della centrale di Fukushima Daiichi, causato invece dall'uomo: sebbene non sia la prima volta che gli scrittori si trovano di fronte al difficile compito di raccontare una tragedia nucleare, c’è qualcosa che
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Cabrera, Torrecilla Lizbeth Angélica. "El multiverso, icono del diálogo transdisciplinario: una aproximación en las obras de Jorge Luis Borges, Yasutaka Tsutsui y Grant Morrison." Doctoral thesis, Universitat Autònoma de Barcelona, 2017. http://hdl.handle.net/10803/405447.

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El multiverso es un concepto desarrollado por distintos ámbitos epistemológicos en la historia del pensamiento, que a partir de su consideración como teoría cosmológica ha adquirido una dimensión cultural notable. En este sentido, el carácter contrapuesto que aparentemente subyace entre las ciencias y las humanidades puede articularse desde la idea del multiverso, mediante la re-significación de la ficción como vínculo transdisciplinario. Para ello, esta investigación pretende demostrar cómo la presencia del discurso científico en la creación literaria enriquece su análisis y su crítica. La p
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Obataya, Yuji. "Le rêve à travers le monde : naissance de contraintes littéraires chez Queneau, Gary et Tsutsui." Toulouse 2, 2005. http://www.theses.fr/2005TOU20095.

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Cette thèse traite du rêve dans la création littéraire au XXe siècle, tout en choisissant comme corpus certaines œuvres de Queneau (1903-76) ainsi que de Gary (1914-80) et de Tsutsui (1943-). Notre travail, qui comporte deux axes de recherches : la réception de la théorie psychanalytique chez ces écrivains et la question de la contrinate littéraire, vise tout d'abord à essayer d'éclaircir la réception chez eux de la structure du psychisme et sa projection dans leurs œuvres, puis à montrer que l'application de certaines contraintes littéraire de façon volontaire peut découler de l'étude du rêve
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Aronsson, Jonas. "I dialog med tid och rum : Anföring, interpunktion och interjektioner i en kommenterad översättning av Yasutaka Tsutsuis ungdomsroman 時をかける少女 (Toki wo kakeru shoujo)". Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117613.

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Den här uppsatsen består av en översättning från japanska till svenska av Yasutaka Tsutsuis Toki wo kakeru shoujo (Flickan som hoppade genom tiden) och en kommentar av översättningsprocessen. Syftet är att undersöka vilka problem som kan uppstå vid översättningen av anföring, interpunktion och interjektioner samt vilka strategier som kan tillämpas för att lösa dessa problem. Översättningen framställs med ett acceptansinriktat, målkultursorienterat förhållningssätt för att anpassa texten till de normer och förväntningar som är rådande i målkulturen.<br>This master’s thesis consists of a transla
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Watanabe, Yasuyo, and 渡邊恭代. "The Search for Taiwanese Subjectivity:on Ping Lu’s “The Taiwan Miracle” and Tsutsui Yasutaka’s “The End of the World Except Japan”,Chou Jin-Bo’s “The Volunteer Soldiers”,Wei Te-sheng’s “Cape No.7." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/v3wf72.

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碩士<br>國立中興大學<br>台灣文學與跨國文化研究所<br>105<br>This thesis attempts to further explore the appearances of diversified Taiwanese subjectivity through texts of different types and through a wide field of vision. First, on Taiwanese-Japanese science fiction bestsellers “Taiwanese Miracle” by Ping Lu and “The End of the World Except Japan” by Tsutsui Yasutaka, I examine the appearance of Taiwanese and Japanese subjectivity under the wave of capitalist globalization. Second, on Chou Jin-Po’s “Volunteer Soldiers”, a work of imperialist literature during the Japanese colonial period, I consider how the Taiwa
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Books on the topic "Tsutsui Yasutaka"

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Yahashi, Ichirō. Hyōden Tsutsui Yasutaka. Shinchōsha, 1985.

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Yasutaka, Tsutsui. Saikin ningen: Tsutsui Yasutaka. Shuppan Geijutsusha, 2000.

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Fujita, Naoya. Kyokōnai sonzai: Tsutsui Yasutaka to atarashii "sei" no jigen. Sakuhinsha, 2013.

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Yokoo, Kazuhiro. Tōhitsu sengen Tsutsui Yasutaka "danhitsu" no shinsō: "kotobagari" o yurusu na, gisei no jiyū shakai o ute. Chōeisha, 1994.

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Tsutsui Yasutaka nyūmon. Kabushiki Kaisha Seikaisha, 2017.

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Tsutsui Yasutaka no bungei jihyo. Kawade Shobo Shinsha, 1994.

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Tsutsui Yasutaka "danpitsu" meguru daironso. Tsukuru Shuppan, 1995.

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Shōkenrō no chie: Tsutsui Yasutaka no tōku essē. Kin no Hoshisha, 2002.

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Tsutsui Yasutaka no gyakushu: Genron no jiyu o assatsushite iru no wa dare ka. Gendai Shorin, 1994.

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Book chapters on the topic "Tsutsui Yasutaka"

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Suzuki, Akiyoshi. "Time Travel Novels in Japan and Yasutaka Tsutsui’s The Girl Who Leapt Through Time (1967)." In Time Travel in World Literature and Cinema. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52315-1_10.

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