Dissertations / Theses on the topic 'Tuba concertos'
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Potter, David. "Concertino for Tuba, Winds, and Percussion." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500331/.
Full textDaussat, David M. "Birth of the modern concerto an explication of musical design and intention in Journey, concerto for contrabass tuba and orchestra /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6116.
Full textSystem requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded June 17, 2002, June 14, 2004, Oct. 18, 2004, and Nov. 26, 2007. Includes bibliographical references (p. 30-32).
Daussat, David M. "Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6116/.
Full textFischer, Michael A. (Michael Alan). "Ralph Vaughan Williams: An Interpretive Analysis of Concerto for Bass Tuba." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935707/.
Full textRedner, Michael Cumberland. "Tuba recital." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/28874.
Full textRobinson, Ryan J. "A Performance Guide for the Unique Challenges in Concerto for Tuba and Chamber Orchestra by Jan Bach." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699963/.
Full textKittaweepitak, Boonyarit. "The Evolving Role of the Solo Euphonium in Orchestral Music: An Analysis of Lorin Maazel's "Music for Flute and Orchestra with Tenor Tuba Obbligato" and Karl Jenkins' "Cantata Memoria"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707374/.
Full textMenoche, Charles Paul. "Chamber concerto for tuba and thirteen players." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077400.
Full textWorkman, Darren. "Doctoral thesis recital (bass trombone)." 2011. http://hdl.handle.net/2152/16593.
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Li, Wen-Chung, and 黎文忠. "An Analysis and Interpretation of Vaughan Williams’ Tuba Concerto." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/24714057785349249320.
Full text國立臺中教育大學
音樂學系碩士班
103
The 20th century English composer depicted in this dissertation, Ralph Vaughan Williams（1872–1958）, is similar to the Hungarian composer, Bela Bartok（1881–1945）, in the way that they are both famous for collecting folk materials. Unlike other renowned composers, Vaughan Williams learnt music because it was a family tradition and did not find his own voice until later on. When his father past away in 1903, he moved to Leith Hill Place with his mother. It was in this place that he discovered extreme passion for folk songs, and he soon found himself going door to door, requesting and collecting folk materials. In 1910, he not only had a collection of more than 800 folk songs, they were also largely incorporated in his compositions. As a result, the use of folk songs became Vaughan Williams’ distinctive style of composition. The Tuba Concerto analyzed in this dissertation is not only the first concerto piece written specifically for the tuba instrument, but also one of Vaughan William’s major works that is employed with abundant folk materials. This dissertation consists of five chapters. Chapter one is the research motive and methods followed by a brief overview of the history of the term “tuba”. Chapter two discusses the reason behind the making of this concerto along with the biographies of the composer and the two tuba soloists, Philip Bramwell Catelinet（1910–1995）from the premiere held in England and William John Bell（1902–1971）from the premiere held in the United States. Chapter three and four is the pivotal chapters of this dissertation as it is the movement analysis and interpretation of Tuba Concerto. Chapter five then summarizes and concludes the thesis.
CHAO, WEI-CHING, and 趙韋青. "The Analysis and Interpretation of James Barnes Concerto for Tuba." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/z3nphs.
Full textLIN, CHANG, and 張麟. "The Analysis and Interpretation of James Barnes Concerto for Tuba." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/71011308659977702772.
Full text國立臺北教育大學
音樂學系碩士班
104
James Barnes (b.1949) is a famous gifted American composer of our age, and also a well-known tuba soloist. He contributes what he has learned about tuba playing skills and the understanding of the best range of tuba to write the song, “Concerto for Tuba.” Many modern music notation and techniques will be used in this song. Tuba player will meet unprecedented challenges to the interpretation of the song. This article is divided into five chapters to analyze James Barnes Concerto for Tuba. The first chapter is an introduction to demonstrate the motivation and research methods; the second explores James Barnes’ life and writing style ;chapter three is the music analysis of James Barnes Tuba Concerto, the forth chapter shows the author’s interpretation of this concerto, and the final chapter is the summary of the thesis statement.
Hsu, Wen Chiung, and 許文瓊. "The Analysis and Interpretation of Tuba Concerto by Edward Gregson." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/84428112701631528850.
Full text國立臺灣藝術大學
音樂學系
100
Edward gregson is a english composer and educator. His work has vary type. And he composes numerous solo piece for wind instrument. He specially wrotes this Tuba concerto for tuba whitch a tuba repertoire. This thesis according kind of education website, books, doctoral dissertation as research resource. It comes with 5 chapter. Chapter 1: Biography of composer, introduction of Tuba. Chapter 2: Analysis of 1st movement. Chapter 3: Analysis of 2nd movement Chapter. 4: Analysis of 3rd movement. Chapter 5: research of Performing practice. A composer gives the music complete experience that a performer can not totally realized. Only through research and discussion to figure it out deeply. While in performing, the performer will more closer the music. I wish by the analysis and research which can make interpretation of the music closer to the original work from composer’s mind. It also enable the reader to be able to make the music more richer and perfect interpretation.
Huang, Kai Lan, and 黃凱倫. "An Interpretation And Analysis Of Vaughan Williams Tuba Concerto in f minor." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/94469867506036096088.
Full text國立臺灣藝術大學
音樂學系
102
Ralph Vaughan Williams' s ( 12 October 1872 – 26 August 1958 ) Concerto for Bass Tuba is one of the most important and classical concerto in tuba concertos. This concerto has a lot of techniques and full of the changing of tones. There are three movements in this concerto. When performing, tuba players have to notice the harmony and the color with the accompanists, so the sound will achieve the perfect performance. This essay has five chapters. The first chapter is the research motive and purpose. The second chapter is the origin and types of tuba. It illustrates the instrument's evolution and development of tuba before the 19th century. The third chapter is the composer' s introduction, style, characteristic, and the concerto's background. The fourth chapter is the analysis of the Concerto for Bass Tuba. The fifth chapter is the interpretation of the concerto. The sixth chapter is the conclusion which has the conclusion and impression of the research in this thesis by author. R.V. Williams was good at using the properties of instruments and giving the sound with a tremendous momentum that can be found in his compositions. Concerto for Bass Tuba is a later composed work. This work has abundant response skills and reveals the affecting scenes between melodies. In Cadenza, Williams has used broad register (low to high tone) to perform gorgeous melodies. To make awed sounds, he also has used strong tones of tuba. He has created the distinguishing feature of tuba so that the tuba players could make the appealing melodies.
Ko, Min Chung, and 柯閔中. "An Interpretation And Analysis Of Vaughan Williams And John Williams Tuba Concerto." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/30065143485415141621.
Full text中國文化大學
音樂學系碩士班西洋音樂組
100
English composer Ralph Vaughan Williams（1872-1958）, an important nationalism composer in early 20th century, and American composer John Williams（1932- ）, a famous film scores composer in the modern age, two composers from early and late 20th century, both coincidentally wrote their own tuba concerto using their respective specialized composition techniques. Amongst the two, Vaughan Williams happens to be the first tuba concerto composer in music history. This dissertation consists of four chapters. The first chapter discusses research motive and methodology. The second and third chapters analyze the biographies, backgrounds as composers, structures of compositions, and performance techniques of Ralph Vaughan Williams and John Williams respectively. The final chapter summarizes main points in the dissertation and also brings them to a conclusion.
Shen, Min Fong, and 沈旻峰. "An Analytical and Interpretational Study of Eric Ewazen's Concerto for Tuba or Basstrombone." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/70324818385057575313.
Full text中國文化大學
音樂學系西洋音樂組
101
Eric Ewazen（1954 - ）is a distinguished American composer in contemporary music. This concerto is written for bass trombone or tuba, but the style and technique is more suitable for trombone players, so it is a great challenge for tuba players. The writer is going to interpret this concerto by tuba and the sparkle will show up because of different technique and style. This article is divided into five chapters to analyze Eric Ewazen’s Tuba Concerto. The first chapter is an introduction to demonstrate the motivation and research methods; the second explores Eric Ewazen’s life and his writing style; chapter three is the music analysis of Eric Ewazen’s Tuba Concerto; the forth chapter shows the author’s interpretation of this concerto; final chapter is the summary of the thesis statement.
Chao, Li-Kun, and 趙禮堃. "The Analysis and Interpretation of Concerto for Tuba and String Orchestra by Arild Plau." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/urp6kq.
Full text中國文化大學
音樂學系
106
Arild Plau(1920-2005) is a distinguished Norway composer in contemporary music. He began his career as pianist at first. Then he started composing and playing bassoon. He played bassoon in the Norwegan Opera and founded the Oslo Woodwind Quintet. His compositions are mostly for the woodwind or brass quintet, the famous one is the Concerto for Tuba and String Orchestra. The author is going to analyze this concerto and discuss the interpretation. This article is divided into six chapters to analyze Arild’s Concerto for Tuba and the String Orchestra: First of all, the author will state the prupose, intension, range and method of this thesis. Secondly, the weiter introduces the history of the tuba, the devolopement of tuba and its character in the orchestra. In chapter 3, the author will illustrate Arild Plau’s biography, musical style and his concerto for trombone. Also the writer will instroduce the renowned tubist, (Øystein Baadsvik,1966- ), who commissioned and premiered this piece. For chapter 4 and 5, the writer will analyze the Concerto and discuss the interpretation of the music, resolution of the technical challenge. In the end, the essay is cluded with the summary of this thesis.