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Relevant bibliographies by topics / Tucholsky, kurt

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Academic literature on the topic 'Tucholsky, kurt'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Tucholsky, kurt"

1

Tucholsky, Kurt. "Karl Kraus selon Kurt Tucholsky." Agone, no. 35-36 (September 15, 2006): 147–48. http://dx.doi.org/10.4000/revueagone.650.

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King, W. J. "KURT TUCHOLSKY -‘ERFOLG UND WIRKUNG’?" German Life and Letters 39, no. 4 (July 1986): 291–304. http://dx.doi.org/10.1111/j.1468-0483.1986.tb00890.x.

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Schöler, Uli. "Kurt Tucholsky, Hausausweise und der Reichstag." Zeitschrift für Parlamentsfragen 47, no. 4 (2016): 909–12. http://dx.doi.org/10.5771/0340-1758-2016-4-909.

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King, Ian. "Kurt Tucholsky and the Weimar Republic." Debatte: Journal of Contemporary Central and Eastern Europe 13, no. 1 (April 2005): 65–70. http://dx.doi.org/10.1080/09651560500134677.

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Utz, Peter. "Von der „Amazone“ zum „Zeitungsbureau“.: Robert Walsers „Alphabet“ und das literarische Buchstabieren im Feuilleton." Zeitschrift für Germanistik 32, no. 1 (January 1, 2022): 105–25. http://dx.doi.org/10.3726/92171_105.

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Wie das literarische Feuilleton der Zwischenkriegszeit mit katalogartigen Textstrukturen experimentiert, wird ausgehend von Robert Walsers paradigmatischem Alphabet (1921), das auch in die Nähe des französischen Surrealismus rückt, erkundet. Weitere Spielformen des feuilletonistischen Buchstabierens reichen von den satirisch geschärften Alphabeten Kurt Tucholskys und Anton Kuhs bis zu den Feuilletonsammlungen Ernst Kammerers, welche die neue Sprach- und Feuilletonordnung nach 1933 nur noch nachstammeln. The literary feuilleton of the interwar period experimented with catalogue-like text structures. This is explored starting with Robert Walser’s paradigmatic Alphabet (1921), which also moves close to French surrealism. Other forms of feuilletonistic spelling range from the satirically sharpened alphabets of Kurt Tucholsky and Anton Kuh to the feuilleton collections of Ernst Kammerer, which only stammer the new language and feuilleton order after 1933.

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Schimkowitsch, Stephanie, Dakshayani Shankar, Charlotte Ursule, and Alexandra Ludewig. "Tucholsky, Kurt: Germany? Germany! Satirical Writings. The Kurt Tucholsky Reader. New York: Berlinica Publishing, 2017 (Kurt Tucholsky in Translation). -- ISBN 978-1-935902-38-6. 208 Seiten, $ 14,95." Informationen Deutsch als Fremdsprache 47, no. 2-3 (April 8, 2020): 326–29. http://dx.doi.org/10.1515/infodaf-2020-0082.

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King, Ian. "Kurt Tucholsky as Prophet of European Unity." German Life and Letters 54, no. 2 (April 2001): 164–72. http://dx.doi.org/10.1111/1468-0483.00196.

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Bednarczuk, Monika. "Modernity and the Jewish Stigma. Julian Tuwim, Alfred Döblin and Kurt Tucholsky: Biographies and Work." Acta Universitatis Lodziensis. Folia Litteraria Polonica 36, no. 6 (May 30, 2017): 69–98. http://dx.doi.org/10.18778/1505-9057.36.06.

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The paper deals with biographical, ideological and artistic links between Julian Tuwim, Alfred Döblin and Kurt Tucholsky. On the one hand, the basis of comparison are biographical similarities, the Jewish origin of those three writers, their family dramas, the experience of politically opressive school, the trauma of revolution or war, and the exile to name just a few. On the other hand, the article demonstrates the ways the modernity has influenced the attitudes and texts of Döblin, Tucholsky and Tuwim. While talking about modernity, the author focuses on such phenomena as secularisation and urbanisation processes, mass political movements, and new cultural challenges.Tuwim, Döblin and Tucholsky were born into assimilated Jewish families. Their perspective on the stereotypical Jews (the orthodox Jews as well as Jewish bankers or manufacturers) is marked with antipathy, or even contempt. The writers’ ambivalence towards the diapora and towards their own origin illustrate “Jewish self-hatred”; however, all three authors change their opinion on Jewry in the face of the growing anti-Semitic and Nazi danger, and especially the Holocaust. Döblin is proud of being Jewish after his visit to Poland in 1924, Tucholsky warns German Jews against the consequences of their passivitivy, and Tuwim publishes in 1944 his agitating manifesto We, Polish Jews. Last but not least, the three authors go into exile because of their Jewish ancestry and sociocultural activities. Therefore, it is no coincidence thatone cannot help having associations with Heinrich Heine: his biography can be interpreted as a prefiguration of a Jewish artist’s biography.Furthermore, Tuwim, Döblin and Tucholsky are notably sensitive to social questions, and their sensitivity to such issues results to some extent from their difficult childhood and youth. Especially significant seem in that respect family conflicts and the moving from city to city, since such experiences increase the feeling of loneliness and the vulnerability to depression. Nevertheless, Döblin, Tucholsky and Tuwim come with impetus into the cultural life of Germany and Poland and work in the areas of literature, cabaret (satire) as well as journalism. They share sympathy for the political left and fears of the orthodox communism. They are simultaneously advocates and ardent critics of great cities. They pay attention to new phenomena (the popularity of cars, the role of the press, the new morality) and react to them. Their aim is creating a culture which appeals to the masses and educates them in a non-intrusive way. However, the awareness of their own intellectual superiority imposes distance towards lower social groups. The distance stems, firstly, from the universal ambivalence artists feel towards the masses, and secondly, from the ideological moderation characteristic of petit bourgoisie and of the political centre. In general, Döblin, Tucholsky and Tuwim are idealists who hope for a humanitarian world which is impossible in the era of extrem political violence leading to the Holocaust.

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Puaux, Jean-Pierre. "Kurt Tucholsky Allemand, juif, socialiste et franc-maçon." Humanisme N° 293, no. 3 (August 1, 2011): 80–84. http://dx.doi.org/10.3917/huma.293.0080.

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Paenhuysen, An. "Kurt Tucholsky, John Heartfield andDeutschland, Deutschland über Alles." History of Photography 33, no. 1 (February 2009): 39–54. http://dx.doi.org/10.1080/03087290802582921.

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Dissertations / Theses on the topic "Tucholsky, kurt"

1

Burrows, Stephanie J. "Tucholsky and France /." Leeds : Maney, 2003. http://catalogue.bnf.fr/ark:/12148/cb39011669p.

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Burrows, Stephanie. "Tucholsky and France." [Leeds] : Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London School of Advanced Study, 2001. http://catalog.hathitrust.org/api/volumes/oclc/48753309.html.

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Burrows, Stephanie J. "Kurt Tucholsky and France." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243634.

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Eggert, Manfred. "Kurt Tucholsky miroir d'une certaine Allemagne, 1907-1933 /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376169235.

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Eggert, Manfred. "Kurt Tucholsky : miroir d'une certaine Allemagne - 1907 à 1933." Tours, 1988. http://www.theses.fr/1988TOUR2016.

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Ce travail, articule autour de trois themes - militarisme, justice, enseignement-, etudie a travers les oeuvres politiques de kurt tucholsky le combat pour ce que l'auteur appelle l'autre allemagne. - du militarisme qu'il denonce au pacifisme auquel il adhere de facon de plus en plus radicale a mesure que monte la menace de guerre, tucholsky ne cesse de se battre contre un systeme qui, selon lui, impregne toutes les valeurs allemandes. Il stigma- tise l'esprit et le role de la reichswehr hostile a la republique de weimar. - l'auteur s'indigne de la partialite des verdicts politiques, scandaleusement indulgents pour l'extreme droite militariste. Juriste averti, il reclame aussi des reformes de droit civil: divorce, ho- mosexualite, avortement, conditions de detention, peine de mort ou censure. - tucholsky s'en prend enfin au systeme d'enseignement. Il passe methodes et programmes au crible d'un ideal pedagogique. Rien ne trouve grace a ses yeux. Ni les ministres, ni les en- seignants, ni les eleves. Il reserve l'essentiel de ses critiques aux professeurs (lycees et universites) dont l'ideologie prepare une jeunesse revancharde, et aux etudiants dont l'esprit et les activites caracterisent une generation qui va faire le lit du nazisme. - ce travail remet au premier plan du combat politique un homme aujourd'hui a la fois celebre et meconnu en allemagne, generalement reduit a ses aspects de chansonnier et de satiriste de la societe. Tucholsky, cassandre inspiree de weimar, meritait ce renouveau
This work is organized around three main themes, namely: militarism, justice and education. The struggle for what kurt tucholsky calls the other germany is studied through the author's political works. - from a militarism he attacks to a pacifism which he embra- ces with increasing enthusiasm as the threat of war becomes more likely, tucholsky keeps fighting a system which, he feels, has infiltrated every german value. He stigmatizes the spirit and the role of the reichswehr with its hostile attitude to the weimar republic. - the author feels indignation at the prejudiced political verdicts with their revolting le- niency for the militarist extreme right. An expert in law, he compaigns for a reform of civil law: divorce, abortion, homosexuality, conditions of detention, death penalty or cen- sorship. - tucholsky criticizes the educational system. Teaching methods and school curricula are assessed in the light of his own ideals. Ministers, teachers or pupils do not escape without a criticism. His best shafts are for teachers (high school or college) whose ideology prepares german youth for revenge, and for students whose mentality and acti- vities are typical of a generation that will be the hotbed of nazism. -this study empha- sizes the significance of the political struggle of a man who is at once famous and inad- equately recognized in germany. He is commonly reduced to the role of chansonnier or of satirist of society. As weimar's inspired cassandra tucholsky deserved such a revival of interest

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Degournay, Robert. "Approche stylistique et rhétorique de textes de Kurt Tucholsky." Paris 10, 2002. http://www.theses.fr/2002PA100152.

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Cette travail se propose d'étudier du point de vue linguistique, stylistique et rhétorique un choix de textes représentatifs de Kurt Tucholsky (1890-1935 ). Ils se caractérisent par une grande diversité. Cet écrivain qui s'est adjoint quatre pseudonymes, qui présentent chacun un langage particulier, s'est particulièrement intéressé à la langue et nous laisse un témoignage engagé et satirique sur la République de Weimar. Après avoir retracé brièvement sa vie en relation avec l'époque historique, afin de situer son oeuvre, nous nous intéresserons d'abord au vocabulaire et à la ponctuation. L'importance particulière que Tucholsky attachait à la répétition, sera abordée avec d'autres traits de son style. Puis nous évoquerons les langues particulières du cabaret, du journalisme et le jargon berlinois. Le rapport de Tucholsky à la judéité rappellera la polémique que ses prises de position ont suscitée et suscitent encore. Nous avons retenu, pour l'étude de la langue, un choix de textes considérés comme les plus importants par la littérature critique. Tucholsky est aussi un des plus grands écrivains épistolaires de son époque. La langue y est plus spontanée, la chronique des événements de plus en plus inquiète. Après 1933, le silence qu'il s'est imposé, sa correspondance avec sa seconde épouse Mary Gerold, ainsi que son amour pour la France seront évoqués
The object of this work is to study from a linguistic, stylistic and rhetorical perspective, a great variety of texts which are representative of Kurt Tucholsky's art. This writer, who wrote under four different pseudonyms, each of them introducing a specific form of speech, took great interest in language and has left us a satirical and committed testimony on the Weimar Republic. After a cursory biographical presentation that will set his work in its proper historical context, we will first deal with vocabulary and punctuation, his strong emphasis on repetition and other features of his style. Next, the specific speech forms of the cabaret, journalism and the Berlin jargon will be evoked, as well as Tucholsky's relationship with Jewishness, an opportunity to recall the controversy that was started by his stance, that lasts to this very day. We have based our linguistic study on material which critical writing regards as essential. Tucholsky also stands as one of the major letterwriters of his time, whose spontaneous style serves an increasingly alarming chronicle of events. The themes of his self-imposed silence after 1933, his correspondence with Mary Gerold, his second wife, and his love for France will also be developed

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7

Broscoe, Stephen Robert. "Deutschland, Deutschland ueber alles, Kurt Tucholsky zwischen auflehnung und resignation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37295.pdf.

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Broscoe, Stephen. "Deutschland, Deutschland über alles : Kurt Tucholsky zwischen Auflehnung und Resignation." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28025.

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This thesis is an attempt to assess the importance of the satirical photo essay Deutschland, Deutschland uber alles in the life and literary development of the German author Kurt Tucholsky, and to help establish the significance of the work in the German literary canon. The work appeared in 1929, and marked a complete departure from his previous output in many respects. He experimented with the genre of photo essay and photomontage in collaboration with renowned montage artist and dedicated Communist John Heartfield, attempted to reach a new reading audience in the German working classes, and published the book in a radical publishing house with strong ties to the German Communist Party.
However, despite the successful combination of photograph, photomontage and text which allowed Tucholsky and Heartfield to produce many insightful and scathing criticisms of Weimar society, the book largely failed to deliver a relevant social or political criticism of the Weimar Republic. Tucholsky's criticisms were directed toward the ruling Social Democratic Party and other parties of the bourgeois political establishment, but he ignored or refused to see the far greater threat posed by the rising tide of National Socialism. (Abstract shortened by UMI.)

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Blanke-Kiessling, Ursula. "" ... dieser Staat ist nicht mein Staat ... " über das Staats- und Verfassungsdenken Kurt Tucholskys." Baden-Baden Nomos, 2008. http://d-nb.info/992704685/04.

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Schwarz, Anne. "Les chroniques franco-allemandes de Kurt Tucholsky (1924-1929) : une médiation ambivalente." Thesis, Aix-Marseille, 2021. http://theses.univ-amu.fr.lama.univ-amu.fr/211120_SCHWARZ_755h534xdsp863r839l_TH.pdf.

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Souvent réduit à la figure du journaliste lucide, satirique ou bien polémiste de la République de Weimar, Kurt Tucholsky (1890-1935) a tenu un rôle plus interculturel qu’il n’a été dit. Il a vécu à Paris comme correspondant étranger de 1924 à 1929, or, cette période, bien que peu étudiée, a eu un impact significatif sur son oeuvre. Il y a en effet développé un nouveau type de textes que l’on peut qualifier de chroniques franco-allemandes. Tucholsky écrit sur la France à destination d’un lectorat allemand, en confrontant sans cesse les réalités des deux sociétés. Il poursuit ainsi son combat pour la paix, mais en changeant de méthode : il place désormais cette lutte sous les auspices du rapprochement entre la France et l’Allemagne. Le propos de cette thèse est de démontrer en quoi Tucholsky s’inscrit pleinement dans la longue lignée des médiateurs franco-allemands. À partir des concepts de transfert culturel et de médiateur, nous fondons notre analyse sur l’étude du récit de voyage Ein Pyrenäenbuch, ainsi que sur celle des articles et poèmes de cette période qui présentent une dimension franco-allemande. Il en ressort que Tucholsky a construit un portrait partial du voisin français et que sa stratégie d’écriture oscille entre provocation du lecteur et incitation à un rôle actif de sa part. Outre ces deux dimensions majeures qui font la singularité des chroniques, l’ambivalence et les limites d’une telle démarche médiatrice constituent un troisième axe fort de cette thèse
Despite having often been reduced to the status of lucid and satirical journalist or to that of a polemicist of the Weimar Republic, Kurt Tucholsky (1890-1935) yet played a far more intercultural role than it’s been said. He lived in Paris, working as a foreign correspondent from 1924 to 1929 and this period, although rarely studied, had a significant impact on his work. Indeed, at that time, he developed a new type of text which we characterise as « French-German chronicles ». Tucholsly writes about France for a German readership and constantly compares the realities of both societies, thereby pursuing his fight for peace with yet another method- that of striving to bring France and Germany closer together.Our aim is thus to demonstrate how Tucholsky stands fully in line with the long list of French-German mediators. Based on the concepts of cultural transfer and of mediator, our analysis focuses on the study of both the travel book Ein Pyrenäenbuch and of articles and poems dating from that period which have a Franco-German dimension. It eventually reveals that Tucholsky depicted France with partiality and that his writing strategy sways between provoking the reader and inciting him or her to play an active role.Added to those two major dimensions which make the chronicles unique, the last and strong axis of the thesis revolves around the ambivalence and limits that such a mediation work imply

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Books on the topic "Tucholsky, kurt"

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Hepp, Michael. Kurt Tucholsky. Reinbek bei Hamburg: Rowohlt, 1998.

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Hepp, Michael. Kurt Tucholsky. Reinbek bei Hamburg: Rowohlt, 1998.

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Hepp, Michael. Kurt Tucholsky: Biographische Annäherungen. Reinbek bei Hamburg: Rowohlt, 1993.

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Bemmann, Helga. Kurt Tucholsky: Ein Lebensbild. Frankfurt/M: Ullstein, 1994.

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Bemmann, Helga. Kurt Tucholsky: Ein Lebensbild. Berlin, Germany: Verlag der Nation, 1990.

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Bonitz, Antje. Kurt Tucholsky: Ein Verzeichnis seiner Schriften. Marbach am Neckar: Deutsche Schillergesellschaft, 1991.

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Tucholsky, Kurt. Germany? Germany!: The Kurt Tucholsky reader. Manchester: Carcanet, 1990.

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Bonitz, Antje. Kurt Tucholsky: Ein Verzeichnis seiner Schriften. Marbach am Neckar: Deutsche Schillergesellschaft, 1991.

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Rothert-Tucholsky, Brigitte. Tucholskys Grosskusine erinnert sich: Die einzige Überlebende der Grossfamilie von Kurt Tucholsky. Grimma: Edition Winterwork, 2009.

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Austermann, Anton. Kurt Tucholsky: Der Journalist und sein Publikum. München: Piper, 1985.

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Book chapters on the topic "Tucholsky, kurt"

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Riha, Karl. "Kurt Tucholsky." In Kritik, Satire, Parodie, 195–210. Wiesbaden: VS Verlag für Sozialwissenschaften, 1992. http://dx.doi.org/10.1007/978-3-322-97029-9_15.

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Schüller, Liane. "Tucholsky, Kurt." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19432-1.

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Weyergraf, Bernd. "Tucholsky, Kurt." In Metzler Autoren Lexikon, 790–92. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_390.

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Weise, Horst G., and KLL. "Tucholsky, Kurt: Rheinsberg." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19434-1.

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Struve, Ulrich. "Kurt Tucholsky (1890–1935)." In Der Findling Kaspar Hauser in der Literatur, 169. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03383-3_33.

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Weise, Horst G., and KLL. "Tucholsky, Kurt: Ein Pyrenäenbuch." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19435-1.

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Prill, Meinhard. "Tucholsky, Kurt: Schloß Gripsholm." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19437-1.

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Schüller, Liane. "Tucholsky, Kurt: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19433-1.

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Bauer, Michael. "Tucholsky, Kurt: Deutschland, Deutschland über alles." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19436-1.

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Lüthke, Albrecht, and Ingo Müller. "Ein „ Vorwort“ von Kurt Tucholsky aus dem Jahre 1929. Merkblatt für Geschworene." In Strafjustiz für Nicht-Juristen, 21–23. Wiesbaden: VS Verlag für Sozialwissenschaften, 1998. http://dx.doi.org/10.1007/978-3-663-11532-8_2.

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