Dissertations / Theses: 'Tucholsky, kurt'

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Burrows, Stephanie J. "Tucholsky and France /." Leeds : Maney, 2003. http://catalogue.bnf.fr/ark:/12148/cb39011669p.

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Burrows, Stephanie. "Tucholsky and France." [Leeds] : Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic Studies, University of London School of Advanced Study, 2001. http://catalog.hathitrust.org/api/volumes/oclc/48753309.html.

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Burrows, Stephanie J. "Kurt Tucholsky and France." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243634.

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Eggert, Manfred. "Kurt Tucholsky miroir d'une certaine Allemagne, 1907-1933 /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376169235.

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Eggert, Manfred. "Kurt Tucholsky : miroir d'une certaine Allemagne - 1907 à 1933." Tours, 1988. http://www.theses.fr/1988TOUR2016.

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Ce travail, articule autour de trois themes - militarisme, justice, enseignement-, etudie a travers les oeuvres politiques de kurt tucholsky le combat pour ce que l'auteur appelle l'autre allemagne. - du militarisme qu'il denonce au pacifisme auquel il adhere de facon de plus en plus radicale a mesure que monte la menace de guerre, tucholsky ne cesse de se battre contre un systeme qui, selon lui, impregne toutes les valeurs allemandes. Il stigma- tise l'esprit et le role de la reichswehr hostile a la republique de weimar. - l'auteur s'indigne de la partialite des verdicts politiques, scandaleusement indulgents pour l'extreme droite militariste. Juriste averti, il reclame aussi des reformes de droit civil: divorce, ho- mosexualite, avortement, conditions de detention, peine de mort ou censure. - tucholsky s'en prend enfin au systeme d'enseignement. Il passe methodes et programmes au crible d'un ideal pedagogique. Rien ne trouve grace a ses yeux. Ni les ministres, ni les en- seignants, ni les eleves. Il reserve l'essentiel de ses critiques aux professeurs (lycees et universites) dont l'ideologie prepare une jeunesse revancharde, et aux etudiants dont l'esprit et les activites caracterisent une generation qui va faire le lit du nazisme. - ce travail remet au premier plan du combat politique un homme aujourd'hui a la fois celebre et meconnu en allemagne, generalement reduit a ses aspects de chansonnier et de satiriste de la societe. Tucholsky, cassandre inspiree de weimar, meritait ce renouveau
This work is organized around three main themes, namely: militarism, justice and education. The struggle for what kurt tucholsky calls the other germany is studied through the author's political works. - from a militarism he attacks to a pacifism which he embra- ces with increasing enthusiasm as the threat of war becomes more likely, tucholsky keeps fighting a system which, he feels, has infiltrated every german value. He stigmatizes the spirit and the role of the reichswehr with its hostile attitude to the weimar republic. - the author feels indignation at the prejudiced political verdicts with their revolting le- niency for the militarist extreme right. An expert in law, he compaigns for a reform of civil law: divorce, abortion, homosexuality, conditions of detention, death penalty or cen- sorship. - tucholsky criticizes the educational system. Teaching methods and school curricula are assessed in the light of his own ideals. Ministers, teachers or pupils do not escape without a criticism. His best shafts are for teachers (high school or college) whose ideology prepares german youth for revenge, and for students whose mentality and acti- vities are typical of a generation that will be the hotbed of nazism. -this study empha- sizes the significance of the political struggle of a man who is at once famous and inad- equately recognized in germany. He is commonly reduced to the role of chansonnier or of satirist of society. As weimar's inspired cassandra tucholsky deserved such a revival of interest

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Degournay, Robert. "Approche stylistique et rhétorique de textes de Kurt Tucholsky." Paris 10, 2002. http://www.theses.fr/2002PA100152.

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Cette travail se propose d'étudier du point de vue linguistique, stylistique et rhétorique un choix de textes représentatifs de Kurt Tucholsky (1890-1935 ). Ils se caractérisent par une grande diversité. Cet écrivain qui s'est adjoint quatre pseudonymes, qui présentent chacun un langage particulier, s'est particulièrement intéressé à la langue et nous laisse un témoignage engagé et satirique sur la République de Weimar. Après avoir retracé brièvement sa vie en relation avec l'époque historique, afin de situer son oeuvre, nous nous intéresserons d'abord au vocabulaire et à la ponctuation. L'importance particulière que Tucholsky attachait à la répétition, sera abordée avec d'autres traits de son style. Puis nous évoquerons les langues particulières du cabaret, du journalisme et le jargon berlinois. Le rapport de Tucholsky à la judéité rappellera la polémique que ses prises de position ont suscitée et suscitent encore. Nous avons retenu, pour l'étude de la langue, un choix de textes considérés comme les plus importants par la littérature critique. Tucholsky est aussi un des plus grands écrivains épistolaires de son époque. La langue y est plus spontanée, la chronique des événements de plus en plus inquiète. Après 1933, le silence qu'il s'est imposé, sa correspondance avec sa seconde épouse Mary Gerold, ainsi que son amour pour la France seront évoqués
The object of this work is to study from a linguistic, stylistic and rhetorical perspective, a great variety of texts which are representative of Kurt Tucholsky's art. This writer, who wrote under four different pseudonyms, each of them introducing a specific form of speech, took great interest in language and has left us a satirical and committed testimony on the Weimar Republic. After a cursory biographical presentation that will set his work in its proper historical context, we will first deal with vocabulary and punctuation, his strong emphasis on repetition and other features of his style. Next, the specific speech forms of the cabaret, journalism and the Berlin jargon will be evoked, as well as Tucholsky's relationship with Jewishness, an opportunity to recall the controversy that was started by his stance, that lasts to this very day. We have based our linguistic study on material which critical writing regards as essential. Tucholsky also stands as one of the major letterwriters of his time, whose spontaneous style serves an increasingly alarming chronicle of events. The themes of his self-imposed silence after 1933, his correspondence with Mary Gerold, his second wife, and his love for France will also be developed

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Broscoe, Stephen Robert. "Deutschland, Deutschland ueber alles, Kurt Tucholsky zwischen auflehnung und resignation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37295.pdf.

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Broscoe, Stephen. "Deutschland, Deutschland über alles : Kurt Tucholsky zwischen Auflehnung und Resignation." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28025.

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This thesis is an attempt to assess the importance of the satirical photo essay Deutschland, Deutschland uber alles in the life and literary development of the German author Kurt Tucholsky, and to help establish the significance of the work in the German literary canon. The work appeared in 1929, and marked a complete departure from his previous output in many respects. He experimented with the genre of photo essay and photomontage in collaboration with renowned montage artist and dedicated Communist John Heartfield, attempted to reach a new reading audience in the German working classes, and published the book in a radical publishing house with strong ties to the German Communist Party.
However, despite the successful combination of photograph, photomontage and text which allowed Tucholsky and Heartfield to produce many insightful and scathing criticisms of Weimar society, the book largely failed to deliver a relevant social or political criticism of the Weimar Republic. Tucholsky's criticisms were directed toward the ruling Social Democratic Party and other parties of the bourgeois political establishment, but he ignored or refused to see the far greater threat posed by the rising tide of National Socialism. (Abstract shortened by UMI.)

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Blanke-Kiessling, Ursula. "" ... dieser Staat ist nicht mein Staat ... " über das Staats- und Verfassungsdenken Kurt Tucholskys." Baden-Baden Nomos, 2008. http://d-nb.info/992704685/04.

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Schwarz, Anne. "Les chroniques franco-allemandes de Kurt Tucholsky (1924-1929) : une médiation ambivalente." Thesis, Aix-Marseille, 2021. http://theses.univ-amu.fr.lama.univ-amu.fr/211120_SCHWARZ_755h534xdsp863r839l_TH.pdf.

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Souvent réduit à la figure du journaliste lucide, satirique ou bien polémiste de la République de Weimar, Kurt Tucholsky (1890-1935) a tenu un rôle plus interculturel qu’il n’a été dit. Il a vécu à Paris comme correspondant étranger de 1924 à 1929, or, cette période, bien que peu étudiée, a eu un impact significatif sur son oeuvre. Il y a en effet développé un nouveau type de textes que l’on peut qualifier de chroniques franco-allemandes. Tucholsky écrit sur la France à destination d’un lectorat allemand, en confrontant sans cesse les réalités des deux sociétés. Il poursuit ainsi son combat pour la paix, mais en changeant de méthode : il place désormais cette lutte sous les auspices du rapprochement entre la France et l’Allemagne. Le propos de cette thèse est de démontrer en quoi Tucholsky s’inscrit pleinement dans la longue lignée des médiateurs franco-allemands. À partir des concepts de transfert culturel et de médiateur, nous fondons notre analyse sur l’étude du récit de voyage Ein Pyrenäenbuch, ainsi que sur celle des articles et poèmes de cette période qui présentent une dimension franco-allemande. Il en ressort que Tucholsky a construit un portrait partial du voisin français et que sa stratégie d’écriture oscille entre provocation du lecteur et incitation à un rôle actif de sa part. Outre ces deux dimensions majeures qui font la singularité des chroniques, l’ambivalence et les limites d’une telle démarche médiatrice constituent un troisième axe fort de cette thèse
Despite having often been reduced to the status of lucid and satirical journalist or to that of a polemicist of the Weimar Republic, Kurt Tucholsky (1890-1935) yet played a far more intercultural role than it’s been said. He lived in Paris, working as a foreign correspondent from 1924 to 1929 and this period, although rarely studied, had a significant impact on his work. Indeed, at that time, he developed a new type of text which we characterise as « French-German chronicles ». Tucholsly writes about France for a German readership and constantly compares the realities of both societies, thereby pursuing his fight for peace with yet another method- that of striving to bring France and Germany closer together.Our aim is thus to demonstrate how Tucholsky stands fully in line with the long list of French-German mediators. Based on the concepts of cultural transfer and of mediator, our analysis focuses on the study of both the travel book Ein Pyrenäenbuch and of articles and poems dating from that period which have a Franco-German dimension. It eventually reveals that Tucholsky depicted France with partiality and that his writing strategy sways between provoking the reader and inciting him or her to play an active role.Added to those two major dimensions which make the chronicles unique, the last and strong axis of the thesis revolves around the ambivalence and limits that such a mediation work imply

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Wambach, Lovis Maxim. "Grenzgänger zwischen Jurisprudenz und Literatur : Werner Krauss, Kurt Tucholsky, Friedrich Georg Jünger und Martin Beradt /." Baden-Baden : Nomos Verl.-Ges, 2000. http://www.gbv.de/dms/sbb-berlin/311987664.pdf.

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Miederhoff, Thorsten. "Man erspare es mir, mein Juristenherz auszuschütten Dr. iur. Kurt Tucholsky (1890 - 1935) ; sein juristischer Werdegang und seine Auseinandersetzung mit der Weimarer Strafrechtsreformdebatte am Beispiel der Rechtsprechung durch Laienrichter." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/988193795/04.

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Roszik, Anderson Augusto [UNESP]. "A crítica política e literária de Kurt Tucholsky e o início da República de Weimar (1919-1924)." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/94127.

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Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-12-21Bitstream added on 2014-06-13T19:48:15Z : No. of bitstreams: 1 roszik_aa_me_assis.pdf: 1230308 bytes, checksum: 11540821cea3e0d3e83bdd1d6243bdd2 (MD5)
A pesquisa intitulada “A crítica política e literária de Kurt Tucholsky e o início da República de Weimar (1919-1924)” objetiva discutir a construção do discurso crítico de Tucholsky expressa através dos heterônimos Peter Panter e Ignaz Wrobel. O estudo de seus textos suscita indagações a respeito não só do contexto artístico e cultural da República de Weimar, como também questões referentes à relação do autor com o novo sistema político que é marcado, em grande parte, pelo caos social após a Primeira Guerra Mundial (1914-1918). Sob este aspecto, além de contribuir para a ampliação dos conhecimentos sobre Kurt Tucholsky com o respaldo da tradução de seus textos para o português, a pesquisa investiga a configuração do novo sistema político e cultural no início da década de 1920 alemã.
The goal of the research entitled “Political and Literary Criticism of Kurt Tucholsky and the beginning of the Republic of Weimar (1919-1924)” is to discuss the construction of Tucholsky’s critical discourse expressed through the heteronyms Peter Panter and Ignaz Wrobel. The study of his texts propitiates questions not only about the artistic and cultural context of the Republic of Weimar, but also about the author’s relation to the new political system, which is greatly marked by the social chaos post First World War (1914-1918). Under this aspect, besides contributing to the expansion of the knowledge about Kurt Tucholsky with the translations of his texts to Portuguese, the research investigates the configuration of a new political and cultural system in the early German 1920s.

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Roszik, Anderson Augusto. "A crítica política e literária de Kurt Tucholsky e o início da República de Weimar (1919-1924) /." Assis : [s.n.], 2007. http://hdl.handle.net/11449/94127.

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Orientador: Álvaro Santos Simões Junior
Banca: Marlene Holzhausen
Banca: Fábio Luís Chiqueto Barbosa
Resumo: A pesquisa intitulada "A crítica política e literária de Kurt Tucholsky e o início da República de Weimar (1919-1924)" objetiva discutir a construção do discurso crítico de Tucholsky expressa através dos heterônimos Peter Panter e Ignaz Wrobel. O estudo de seus textos suscita indagações a respeito não só do contexto artístico e cultural da República de Weimar, como também questões referentes à relação do autor com o novo sistema político que é marcado, em grande parte, pelo caos social após a Primeira Guerra Mundial (1914-1918). Sob este aspecto, além de contribuir para a ampliação dos conhecimentos sobre Kurt Tucholsky com o respaldo da tradução de seus textos para o português, a pesquisa investiga a configuração do novo sistema político e cultural no início da década de 1920 alemã.
Abstract: The goal of the research entitled "Political and Literary Criticism of Kurt Tucholsky and the beginning of the Republic of Weimar (1919-1924)" is to discuss the construction of Tucholsky's critical discourse expressed through the heteronyms Peter Panter and Ignaz Wrobel. The study of his texts propitiates questions not only about the artistic and cultural context of the Republic of Weimar, but also about the author's relation to the new political system, which is greatly marked by the social chaos post First World War (1914-1918). Under this aspect, besides contributing to the expansion of the knowledge about Kurt Tucholsky with the translations of his texts to Portuguese, the research investigates the configuration of a new political and cultural system in the early German 1920s.
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Mossop, Frances. "Mapping Weimar Berlin : representations of space in the feuilletons of Joseph Roth, Gabriele Tergit and Kurt Tucholsky." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8065.

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Feuilleton articles published during the Weimar period in major Berlin newspapers captured the dynamics of the era. The contrast between pre-revolutionary Wilhelmine Berlin and the industrial modernity that characterised the Weimar capital was particularly influential for journalistic writing. Feuilleton items – short, subjective accounts falling between literary narrative and journalism – offered a sense of re-orientation in altered times by commenting on aspects of daily social and political life in the city. As such, feuilletons are inseparable from Berlin and the events unfolding there during the 1920s and early 1930s. Drawing on the spatial turn in recent cultural studies, this thesis explores how individual feuilleton writers construct Weimar Berlin on the page. Its specific interest is in examining representations of space in the articles of authors and journalists Joseph Roth (1894–1939), Gabriele Tergit (1894–1982) and Kurt Tucholsky (1890–1935). They contributed to the flourishing feuilleton scene in the metropolitan broadsheets and journals, and their works remain significant beyond Berlin and the era of the Weimar Republic. Central to my thesis is the interdisciplinary and comparative approach to the study of their journalistic oeuvres, which foregrounds spatiality within the context of literary analysis. In particular, I illustrate how the authors’ perceptions of the post-war world are articulated through the use of spatial categories. Here, Berlin is shown to be subject to individual acts of mapping as Roth, Tergit and Tucholsky explore the issues of the day via the depiction of specific types of space in the city. Space as an analytical category is a novel, as yet unexplored, means of reading feuilleton articles, and it allows us to identify recurring themes or programmatic issues pursued by writers. Spatial theory, I argue, enhances our understanding of how contemporaries perceived the city and therefore their times. This in turn provides us with new, valuable knowledge of Berlin and the Weimar period.

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Berg, Rainer Michael. "Kurt Tucholskys "Deutschland, Deutschland über alles" im Spiegel der Presse der Weimarer Republik : ein Beitrag zur Rezeptionsgeschichte eines kontroversen 'Bilderbuches' /." Frankfurt a.M, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000253562.

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Middelkamp, Vera Belgum Kirsten. ""Wir haben die Firma gewechselt, aber der Laden ist der alte geblieben" Kurt Tucholsky and the medialized public sphere of the Weimar Republic (1918-1933) /." 2005. http://repositories.lib.utexas.edu/bitstream/handle/2152/1633/middelkampv13944.pdf.

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Middelkamp, Vera. ""Wir haben die Firma gewechselt, aber der Laden ist der alte geblieben": Kurt Tucholsky and the medialized public sphere of the Weimar Republic (1918-1933)." Thesis, 2005. http://hdl.handle.net/2152/1633.

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Brandt, Elisabeth. "Mimesis von Mündlichkeit in Original und Übersetzung: Eine kontrastive Analyse der literarischen Mündlichkeit in Kurt Tucholskys Schloß Gripsholm und ihrer Übersetzung ins Spanische." Master's thesis, 2017. https://ul.qucosa.de/id/qucosa%3A15944.

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Dissertations / Theses on the topic 'Tucholsky, kurt'

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