Relevant bibliographies by topics / Tui li xiao shuo

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Tui li xiao shuo'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Tui li xiao shuo"

1

Zhang, Mengzhe. "POLYPHONIC GENRES IN PIANO CREATIVITY OF CHINESE COMPOSERS." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 148–65. http://dx.doi.org/10.34064/khnum2-24.08.

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Statement of the problem. The twentieth century marked an increased interest in polyphonic music. The geography of polyphonic works for piano expanded significantly and a creative development of many Chinese composers, writing polyphonic piano pieces, took place. Today, polyphonic pieces make up a significant part of the piano repertoire in China, but they are little studied by musicologists and performers. The objective of this study – to reveal the contribution of Chinese composers to the creation of polyphonic piano repertoire of the XX – early XXI century. Analysis of the research and publications on the theme. А large number of modern authors study polyphony from the point of physical and mathematical research methods (Igarashi, Yu. & Ito, Masashi & Ito, Akinori, 2013; Weiwei, Zhang & Zhe, Chen, & Fuliang, Yin, 2016; Li, Xiaoquan et al. others, 2018). This approach does not reveal the factual musical component of polyphonic genres. In the 20th century, musicologists explored polyphony in musical folklore (Wiant, 1936; Fan Zuyin, 2004; Li Hong, 2015) and in professional Chinese composing (Sun Wei-bo, 2006, Winzenburg, 2018). The scientific novelty. This article studies the role of Chinese composers in the development of the world polyphonic piano repertoire of the XX – early XXI century. The methodological basis for the analysis of polyphonic works was the theoretical concepts of P. Hindemith, Peng Cheng, Fang Zuin, Li Hong, Sun Wei-bo. The results of the study. The research outcomes demonstrate the evolutionary development of the genre diversity of Chinese piano polyphony as well as those composers who created magnificent musical pieces. Conclusions. Chinese composers have fully mastered the art of modern counterpoint, represented by the genres of polyphonic program pieces (He Lu Ting), invention (Xiao Shu Xian, Du Qian, Sun Yun Yin, Chen Chen Quang), polyphonic suite (Ma Gui), large polyphonic cycle ( He Shao, Chen Hua Do, Xiao Shu Xian), fugue (Li Jun Yong, Yu Su Yan, Chen Gang, Tian Lei Lei, Duan Ping Tai, Zheng Zhong, Xiao Shu Xian) and small cycle “Prelude and Fugue” (Ding Shan Te, Chen Zhi Ming, Wang Li Shan). Creatively assimilating and rethinking the experience of Western polyphonists, Chinese composers have filled their polyphonic works with national features, firmly linking them with the origins of Chinese traditional and folk music. The polyphonic way of transmitting musical material becomes the most expressive at the moments of profound creativity and musical dramatization.
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2

Lee, Sanggi. "A Study on the variant characters(異體字) in QinJian(秦簡)." Society for International Cultural Institute 15, no. 2 (December 31, 2022): 89–124. http://dx.doi.org/10.34223/jic.2022.15.2.89.

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In Shuihudi QinJian(睡虎地秦簡), large amounts of documents on loan characters have been preserved, which is an important proof of the study of ancient pronunciation. And it was written as transitional writing style between seal scripts(篆书) and official scripts(隷书), therefore, it has filled up a blank in the development of Chinese characters, allowing all to know about how it looks like and it also has been known that Official Scripts got its initial form, as a matter of fact, from Qin Dynasty and in the meantime, some mistaken concepts concerning Qin official scripts have been corrected, which is of great significance in the history of Chinese literature. However, the relationship between sound and meaning is reflected in characters of same source; whereas the relationship between shape and meaning is reflected in the variant characters(異體字) reflect the relationship among shape, sound and meaning. Large number of Qin simplified characters, the shape of which is different from Xiao Zhuan(小篆) but the same shape with 籒文, 古文(ancient characters), still retain lots of shape and meaning of ancient characters, therefore, there is proof that Li Shu(隸書) has not been derived from Xiao Zhuan(小篆), however, they got derivatives from ancient characters originated no later than Xiao Zhuan, and both the ancient shape and meaning for Chinese characters was passed down by means of Shuihudi Qinjian(睡虎地秦簡) that help with the explanation and reading(校读) of ancient characters and also ancient books, which sufficiently demonstrates that without the study of the characters of QinJian characters in Shuihudi, there is no way to understand the relationship among the form, sound and meaning. Strictly speaking, directly comparing Shuo Wen(说文) with Yin Zhou characters could be a jumping study, thus, the conclusion would be imperpect. As has been mentioned above, Shuihudi QinJian(睡虎地秦簡) has maintained plenty of documents of 異體字 which is an important evidence for the study of ancient sounds. lt is becauce 異體字 has been written by means of transitional style of writing between 篆隶, it has filled up an important blank during the process of Chinese characters, making it known that what it looked like and 隸書, as a matter of fact, had its initial formation in time of Warring Period. In addition, some previous wrong concepts have been corrected which is of significance in the history of Chinese literature.
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3

Li, huihui, Dongdong Zhou, Zeshun Yv, Yuqian Liao, Jie Huang, Shujuan Sun, fangchao zheng, et al. "Abstract PO3-06-07: Efficacy and safety of sintilimab in combination with anlotinib plus metronomic chemotherapy in advanced triple negative breast cancer (SPACE): preliminary results of a single-arm, multicenter phase II trial." Cancer Research 84, no. 9_Supplement (May 2, 2024): PO3–06–07—PO3–06–07. http://dx.doi.org/10.1158/1538-7445.sabcs23-po3-06-07.

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Abstract Background: Antiangiogenic drugs have demonstrated synergistic effect with anti-PD-1 antibody in advanced triple negative breast cancer (TNBC). Anlotinib is an oral multi-target tyrosine kinase inhibitor (TKI) that strongly inhibits VEGFR, PDGFR, FGFR, and c-kit. Preclinical studies showed that metronomic chemotherapy inhibited angiogenesis and enhanced the efficacy of immunotherapy in TNBC via modulation of the tumor immune microenvironment. We hereby conducted a single-arm, multicenter, phase II trial to investigate the efficacy and safety of sintilimab (anti-PD-1 antibody) plus anlotinib and metronomic chemotherapy as a potential novel therapeutic strategy in advanced TNBC and explore potential biomarkers. Methods: Forty-four cases were planning to be included in this trial. The eligible patients who had received no more than two lines of chemotherapy for metastatic disease were enrolled and received sintilimab (200 mg iv q3w) and anlotinib (12 mg po d1-14 q3w) plus capecitabine (500 mg po, tid) or vinorelbine (40 mg po, tiw) until disease progression or intolerable toxicity. The primary endpoint is objective response rate (ORR) and secondary endpoints are disease control rate (DCR), progression free survival (PFS), and overall survival (OS). The safety profile has also been assessed. Results: As of April 2023, a total of 44 patients were enrolled, and 42 patients were evaluable for efficacy. 3 patients (7.1%) achieved complete response (CR). 6 patients (14.3%) achieved partial response (PR). 25 patients (59.5%) achieved stable disease (SD).The ORR is 21.4% (95%CI 0.103-0.368) and DCR is 81.0% (95%CI 0.810-0.659). The median PFS was 5.06 months (95%CI 2.051-8.069). The most common grade 1 or 2 adverse events (AEs) include elevated thyroid stimulating hormone (52.38%, 22/42), elevated bilirubin (23.81%, 10/42), hand-foot syndrome (22.22%, 8/42), leukopenia (16.67%,7/42), nausea (14.29%, 6/42). Grade 3 AEs include elevated bilirubin (2.38%, 1/42), hypertension (2.38%, 1/42) and herpes zoster (2.38%, 1/42). No grade 4 or 5 AEs occurred. Conclusions: Our date showed that sintilimab in combination with anlotinib plus metronomic chemotherapy have shown favorable efficacy and acceptable safety profile in patients with advanced TNBC. Clinical trial information: ChiCTR2100044725 Citation Format: huihui Li, Dongdong Zhou, Zeshun Yv, Yuqian Liao, Jie Huang, Shujuan Sun, fangchao zheng, Baojiang Li, Shu Fang, Ling Qiang, Guohua Ren, Bing Bu, Pengfei Qiu, Xinzhao Wang, Chao Li, Fangli Cao, Qian Shao, Dali Han, Lihua Song, Baoxuan Zhang, Bingjie Fan, Liang Xu, Xuemei Xie, Xianguang Zhao, Lanping Liu, Wanlong Li, Zhenbo Wang, Changmin Liu, Hui Fu, Xiao Sun, Zhiqiang Shi, Fengxiang Li. Efficacy and safety of sintilimab in combination with anlotinib plus metronomic chemotherapy in advanced triple negative breast cancer (SPACE): preliminary results of a single-arm, multicenter phase II trial [abstract]. In: Proceedings of the 2023 San Antonio Breast Cancer Symposium; 2023 Dec 5-9; San Antonio, TX. Philadelphia (PA): AACR; Cancer Res 2024;84(9 Suppl):Abstract nr PO3-06-07.
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Dissertations / Theses on the topic "Tui li xiao shuo"

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Mok, Oi Lam. "Gu xiang xiang xiang : Mo Yan yu Li Rui xiao shuo yan jiu /." View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202007%20MOK.

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Lin, Xiaoru. "Cai xue xiao shuo "Jing hua yuan" = Flowers in the mirror as an erudite fiction /." click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17981992f.pdf.

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Tse, Dorothy Hiu Hung. "Xun mu : 90 nian dai da lu jia shi xiao shuo yan jiu /." View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202004%20TSE.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2004.
Includes bibliographical references (leaves 153-166). Also available in electronic version. Access restricted to campus users.
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4

Lam, Yat-lim. "The society of Hong Kong in Lilian Lee's fiction Li Bihua xiao shuo zhong de Xianggang she hui /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208629.

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Law, Wai-yi. "Male midlife crisis as depicted in Chi Li's fiction Chi Li xiao shuo de nan xing zhong nian wei ji /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42925721.

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Wong, King-fai. "From the novel Fuxi Fuxi to the movie Judou a study of Chinese culture in the eyes of the west = Cong xiao shuo dao dian ying kan xi fang lun shu de Zhongguo wen hua : yi yuan zhu xiao shuo "Fuxi Fuxi" ji dian ying "Judou" wei li /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31380268.

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7

Tang, Suk-yin. "The effectiveness of enhancing form seven students' speaking proficiency through cognitive training Si wei neng li xun lian dui ti sheng zhong qi xue sheng shuo hua neng li de cheng xiao yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37648068.

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8

Li, Yongyi. "Dui "San yan" zhong fu nü zi sha de lun li xue fen xi = An analysis of the ethics of women suicide recorded in San Yan /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17088525a.pdf.

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9

Tang, Shing-chau. "The signaling effect of topic sentence on comprehension of Chinese expository prose of secondary four students Zhu ti ju dui zhong si xue sheng shuo ming wen yue du li jie de ti shi xiao ying /." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31960443.

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Books on the topic "Tui li xiao shuo"

1

Peijin, Lin, ed. Guai xiao xiao shuo. Taibei Shi: Du bu wen hua, cheng bang wen hua chu ban, 2010.

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Tui li yao zai fang xue hou. Beijing: Xin xing chu ban she, 2012.

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zai, Dong chuan du, and Huang jian yu. Tui li yao zai wan can hou. Ji nan: Shan dong wen yi chu ban she, 2013.

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Buluoke. Xiao cheng. Shanghai: Yi wen chu ban she, 2017.

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ke, Huo, and Qiao yi. Shi jie xuan yi tui li gu shi. Bei jing: Zhong guo hua qiao chu ban she, 2014.

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yan, Yan wu fei. Xiao shi de qin yin. Nan ning: Guang xi ren min chu ban she, 2013.

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Ri ben jing cai tui li xiao shuo xuan. Beijing: Jiu zhou chu ban she, 2011.

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mo, Gang qi zhuo, and Lin wen ling. Ka fei guan tui li shi jian bu: Xia ci jian mian shi, qing rang wo pin chang ni zhu de ka fei. Bei jing: Xian dai chu ban she, 2014.

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yu, Meng. Shen xian luo xuan. Chang sha: Hu nan ren min chu ban she, 2007.

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An zhong an: Tui li xiao shuo [ji. [Singapore]: Chuang yi quan gong zuo shi, 2001.

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