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Journal articles on the topic 'Tullio Lombardo'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Syson, Luke, and Valeria Cafà. "Adam by Tullio Lombardo." Metropolitan Museum Journal 49 (January 2014): 8–31. http://dx.doi.org/10.1086/680047.

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2

Knox, Giles, and Alison Luchs. "Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490- 1530." Sixteenth Century Journal 27, no. 4 (1996): 1096. http://dx.doi.org/10.2307/2543920.

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3

Zuraw, Shelley E. "Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490- 1530.Alison Luchs." Speculum 73, no. 1 (1998): 222–24. http://dx.doi.org/10.2307/2886927.

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4

Lehmann, Claudia. "Weißer Marmor – Medium des emittierenden Lichtes Tullio Lombardo und die Arca di S. Antonio in Padua." Zeitschrift für Kunstgeschichte 82, no. 3 (2019): 321–54. http://dx.doi.org/10.1515/zkg-2019-3003.

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5

Sheard, Wendy Stedman. "Tullio Lombardo in Rome? The Arch of Constantine, the Vendramin Tomb, and the Reinvention of Monumental Classicizing Relief." Artibus et Historiae 18, no. 35 (1997): 161. http://dx.doi.org/10.2307/1483545.

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6

Pincus, Debra. "The Sculpture of Tullio Lombardo. Anne Markham Schulz. Vistas: New Scholarship on Sculpture 1250–1780. London: Harvey Miller Publishers, 2014. 464 pp. €140." Renaissance Quarterly 69, no. 1 (2016): 253–55. http://dx.doi.org/10.1086/686356.

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7

Coonin, A. Victor. "Alison Luchs. Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490-1530. Cambridge and New York: Cambridge University Press, 1995. 209 illus. + xiv + 210 pp. $70. ISBN: 0-521-47075-7." Renaissance Quarterly 51, no. 2 (1998): 622–24. http://dx.doi.org/10.2307/2901597.

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8

Cafà, Valeria. "Ancient Sources for Tullio Lombardo’s Adam." Metropolitan Museum Journal 49 (January 2014): 32–47. http://dx.doi.org/10.1086/680026.

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9

Luchs, Alison. "Tullio Lombardo's Ca' d'Oro Relief: Self-Portrait with the Artist's Wife?" Art Bulletin 71, no. 2 (1989): 230. http://dx.doi.org/10.2307/3051195.

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10

Lucks, Alison. "Tullio Lombardo's Ca' d'Oro Relief: A Self-Portrait with the Artist's Wife?" Art Bulletin 71, no. 2 (1989): 230–36. http://dx.doi.org/10.1080/00043079.1989.10788496.

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11

Riccardelli, Carolyn, Michael Morris, George Wheeler, Jack Soultanian, Lawrence Becker, and Ronald Street. "The Treatment of Tullio Lombardo’s Adam: A New Approach to the Conservation of Monumental Marble Sculpture." Metropolitan Museum Journal 49 (January 2014): 48–116. http://dx.doi.org/10.1086/680027.

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12

Coluzzi, Paolo. "Language planning for Italian regional languages (“dialects”)." Language Problems and Language Planning 32, no. 3 (2008): 215–36. http://dx.doi.org/10.1075/lplp.32.3.02col.

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In addition to twelve recognized minority languages (Law no. 482/1999), Italy features a number of non-recognized so-called “dialects” that is difficult to state, but which renowned linguists like Tullio De Mauro and Giulio Lepschy calculate as ranging between 12 and 15. These languages are still spoken (and sometimes written) by slightly less than half of the Italian population and are the first languages of a significant part of it. Some of them even have a history of (semi)official usage and feature large and interesting literary traditions. An introduction on the linguistic situation in It
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13

Celetti, David. "The Wealth of Communities: War, Resources and Cooperation in Renaissance Lombardy. Matteo Di Tullio. Farnham: Ashgate Publishing Limited, 2014. xvi + 218 pp. $124.95." Renaissance Quarterly 69, no. 1 (2016): 272–73. http://dx.doi.org/10.1086/686368.

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14

Vester, Matthew. "Matteo di Tullio, The wealth of communities: war, resources and cooperation in Renaissance Lombardy (Farnham: Ashgate, 2014. Pp. xvi + 217. ISBN 9781472442468 Hbk. £70)." Economic History Review 68, no. 4 (2015): 1461–62. http://dx.doi.org/10.1111/ehr.12253.

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15

Mocarelli, Luca. "Stati di guerra: I bilanci della Lombardia francese dal primo Cinquecento. Matteo Di Tullio and Luca Fois, eds. With Philippe Hamon. Sources et documents 2. Rome: École française de Rome, 2014. x + 526 pp. €45." Renaissance Quarterly 68, no. 4 (2015): 1396–97. http://dx.doi.org/10.1086/685165.

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16

Goja, Bojan. "Giovanni Vendramin i iluminacije u inkunabulama samostana Sv. Frane u Šibeniku." Ars Adriatica, no. 5 (January 1, 2015): 115. http://dx.doi.org/10.15291/ars.521.

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The article analyses the illuminations of two incunables which are housed in the monastery of St Francis at Šibenik. The front page of the incunable of John Duns Scotus’ Scriptum in quattuor libros Sententiarum Petri Lombardi (Johannes de Colonia et Johannes Manthen, Venice, 1477) is decorated with high-quality figural and phytomorphic illuminations. In the corners of the decorative frame in the upper margin are the figures of a heronand a monkey. Vertical sections of the frame are filled with flowers, leaves and berries in the colour blue, green and cyclamen pink and with numerous stylized go
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17

"The sculpture of Tullio Lombardo." Choice Reviews Online 52, no. 09 (2015): 52–4586. http://dx.doi.org/10.5860/choice.189843.

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18

"Tullio Lombardo and ideal portrait sculpture in Renaissance Venice, 1490-1530." Choice Reviews Online 34, no. 02 (1996): 34–0719. http://dx.doi.org/10.5860/choice.34-0719.

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19

Campbell, Stephen. "Stephen J. Campbell. Review of "Tullio Lombardo and Venetian High Renaissance Sculpture" by Alison Luchs." caa.reviews, April 7, 2010. http://dx.doi.org/10.3202/caa.reviews.2010.36.

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