Relevant bibliographies by topics / Turkish Historical fiction

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Academic literature on the topic 'Turkish Historical fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Turkish Historical fiction"

1

Kara, Halim. "The Literary Portrayal of Mehmed II in Turkish Historical Fiction." New Perspectives on Turkey 36 (2007): 71–95. http://dx.doi.org/10.1017/s089663460000460x.

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AbstractThis article examines the portrayal of Mehmed II, the conqueror of Istanbul, in Turkish historical fiction, as well as the literary and ideological implications of his portrayal with regard to Turkish national identity. Since the early Turkish Republic, Mehmed II has been described as a major character in over thirty historical novels. The article argues that over time the literary characterization of Mehmed II in Turkish fiction has undergone substantial change. During the early republican period, historical fiction adopted an ambivalent attitude toward Mehmed II. While one historical
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2

Ağarı, Murat. "Historical Roots and Syntactic Nature of Languages." Journal of History Culture and Art Research 10, no. 4 (2021): 32–43. http://dx.doi.org/10.7596/taksad.v10i4.3138.

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All languages have a common, ontological nature, and this nature cannot be changed. Although there are some differences in the fictions of languages, the general course of this ontological nature is the same in all languages. Although we are talking about an ontological nature that is the same in all languages, the differences that exist between languages affect and determine the attitudes of societies that use this language. In another respect, history is a totality of social attitudes. Therefore, the language used by society can affect the attitude of that society. In other words, societies
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3

Dr., Shiny Mendonce. "The Forty Rules of Love and Honour: Multi-Layered Narratives by Elif Shafak." Criterion: An International Journal in English 15, no. 1 (2024): 311–18. https://doi.org/10.5281/zenodo.10795675.

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Elif Shafak, a Turkish-British novelist has made a spellbinding impression in the field of her native literature giving it a rung higher up in the ladder of world literature. In line with the native Turkish tradition of storytelling, Shafak is a storyteller at her best and a feminist writer. The Turkish tradition of telling stories within stories has been utilised to its best by Shafak in all her crowning pieces of fiction and non-fiction. The narrative techniques used by Shafak make her works an enchantment, an easy reading experience with a high level of understanding and intricate levels of
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4

Yikik, Ahmet. "Historical Novel as a Propaganda Tool: Reviving the Ottoman Past in Fiction." Turkish Historical Review 13, no. 1-2 (2022): 233–59. http://dx.doi.org/10.1163/18775462-bja10043.

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Abstract From the nineteenth century to the present day, a considerable number of Turkish novels have been published which either incorporate facts from Ottoman history directly into their plots, or rely on that history to form the background of the action. These novels play a significant role in the formation of Turkish national consciousness. The scope of this article is to analyse the historical novels İtiraf (Confession) and Her Yerde Kan Var (There is blood everywhere), which were written during the reign of the Justice and Development Party (akp). The article uses a sociology of literatu
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5

Repenkova, Maria M. "GÜlten DayioĞlu’s Alternative History Fantasy Novel." Oriental Courier, no. 2 (2022): 129. http://dx.doi.org/10.18254/s268684310021600-8.

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The paper observes the artistic features of the fantasy novel Twilight Birds (Alacakaranlık Kuşları, 2005) by the famous contemporary Turkish writer Gülten Dayioğlu. The study aims to prove that the novel, in terms of its artistic and aesthetic attributes, belongs to a subgenre of science fiction, alternative history, which is new to Turkish literature. The following objectives were pursued: to characterise Turkish fiction literature in 1990–2000 (classification of genres, genre features, representatives of each genre), to outline the main stages in the study of Turkish fiction by national res
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6

Gürçağlar, Şehnaz Tahir. "Adding towards a nationalist text." Target. International Journal of Translation Studies 13, no. 1 (2001): 125–48. http://dx.doi.org/10.1075/target.13.1.08gur.

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This is a study of a “concealed translation” of Bram Stoker’s Dracula in Turkish. Ali Riza Seyfi, who was known as an author and translator of historical fiction and books on Turkish history, produced a version of the novel under the title Kazikli Voyvoda,which was published in 1928 and reprinted in 1946. Kazikli Voyvoda combines the original gothic aspects with a Turkish nationalist discourse, exemplifying the kind of role translation can assume in the making of national identities. The article traces the matricial norms employed by Seyfi to reveal those of his additions to Dracula that resul
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7

Larkovich, D. V. "The Russo-Turkish Wars in Russian Literature: Axiological Priorities in Historical Dynamics." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 80, no. 4 (2021): 5. http://dx.doi.org/10.31857/s241377150016288-9.

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The paper represents the experience of analytical description of the fictional discourse, which captures the chronicle of the long-lasting military confrontation between the Russian Empire and the Sublime Porta. The author pursues the goal to trace the logic of evaluative dynamic specific to the Russian literary tradition in the perception and reflection of the events of the Russo-Turkish wars. The material of the paper is a sufficiently voluminous corpus of literary and journalistic texts, most fully and clearly representing the wide range and variability of axiological attitudes of participa
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8

Repenkova, Maria M. "On the coordinate change in the Turkish literary process." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2024): 222. http://dx.doi.org/10.31857/s086919080029201-8.

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Abstract: In this study, the author examines the literary landscape in Turkey given the new dimension opened by the vertical gradation of fiction. The division of literature into high literature (classic), middle-tier (Belles-lettres), and low-tier literature (for mass consumption) is becoming increasingly prominent. Belles-lettres seems to be the most mobile of those, with its representatives being able to, over time, find themselves both at the top and the bottom rung of this paradigm. Zülfü Livaneli's works straddle the line between the high literature and belles-lettres, while boo
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9

Gasparyan, David. "Reflection of the Genocide in the Fiction." Ցեղասպանագիտական հանդես 10, no. 1 (2022): 84–96. http://dx.doi.org/10.51442/jgs.0029.

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A huge amount of fiction has been created, starting from 1915 to the present day, by writers who became victims of the genocide themselves, devoted to the Armenian Genocide. The material in this article is presented from three points of view, considering: (a) the first decades of Soviet rule; (b) the return to their roots of Armenian writers who left their homeland because of the genocide and became foreign writers; and (c) foreign writers, in this case the position of a Turkish writer from within Turkey. In the first decades of the Soviet Union’s existence, the view of the historical past, in
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10

Bas, Isil. "Fact and fiction: subverting orientalism in Ann Bridge's The dark moment." Acta Neophilologica 46, no. 1-2 (2013): 53–63. http://dx.doi.org/10.4312/an.46.1-2.53-63.

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While postcolonial criticism has extensively traced the Western women writers's accounts of the Orient, Ann Bridge's contribution to the genre remained unheard-of. In The Dark Moment she tells the story of the foundation of the Turkish republic after the struggle against Western imperialism, a theme highly controversial for a British diplomat's wife. Moreover, she plays with the conventions and representational strategies of traditional Orientalist narratives inverting each in turn to create an unprejudiced awareness of the historical context and the social and cultural specificities of Turkey
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Books on the topic "Turkish Historical fiction"

1

Göğebakan, Turgut. Tarihsel roman üzerine. Akçağ, 2004.

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2

Kayseri ve Yöresi Kültür, Sanat ve Edebiyat Bilgi Şöleni (2nd 2006 Kayseri, Turkey). II. Kayseri ve Yöresi Kültür, Sanat ve Edebiyat Bilgi Şöleni: 10-12 Nisan 2006 : bildiriler. Erciyes Üniversitesi, 2007.

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1968-, Çeri Bahriye, ed. Tarih ve roman: Boğazkesen üzerine yazılar. Can, 2001.

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4

Pourliakas, Petros. Halmyro metaxi: Hē historia henos iapōnikou ploiou stē phlegomenē Smyrnē to 1922. Ekdotikē Athēnōn, 2022.

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director, Gülsoy Murat publishing, Kocabıyık Ergun 1965 editor, Aravi Meltem (Contributor), and Şuşut Burak cover designer, eds. Osmanlı'yı tahayyül etmek: Tarihsel romanda Fatih temsilleri. Boğaziçi Üniversitesi Yayınevi, 2017.

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6

1914-1970, Orhan Kemal, ed. The idle years: My father's house and The idle years. Peter Owen Publishers, 2008.

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7

Kemal, Orhan. The idle years: A novel. Anatolia Publishing, 2003.

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8

Orhan, Pamuk. The white castle: A novel. Braziller, 1991.

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9

Orhan, Pamuk. Beyaz kale. Can Yayınları, 1985.

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10

Pamuk, Orhan. Belai︠a︡ krepostʹ: [roman]. "AMFORA", 2006.

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Book chapters on the topic "Turkish Historical fiction"

1

Tüzün, Selin, and Aygun Sen. "The Past as a Spectacle." In Advances in Media, Entertainment, and the Arts. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6190-5.ch011.

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Television plays an important role in shaping our perception of the past. Popular television fiction selects, alters, and reinterprets the past in order to appeal to a broad audience. The Magnificent Century (2011–present) is one such television drama, which unfolds during the reign of the Ottoman Sultan, Suleiman the Magnificent. The show, which is the most expensive Turkish television drama to date, promises its audience a spectacle. It has proven a huge success domestically and as of 2013 has been syndicated in 46 other countries. The show's success has been commodified both officially and
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2

Maraucci, Tina. "Riflessi e ombre del sé in Beyaz Kale di Orhan Pamuk Venezia, l’Impero e la nazione tra narcisismo e vergogna." In Riflessi e ombre nel Mar Bianco Scambi e interazioni tra Europa, Impero ottomano e Turchia. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-794-4/007.

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This essay focuses on Beyaz Kale (The White Castle), the first historical novel in Orhan Pamuk’s literary production. Generally considered by Turkish critics as a fictional adaptation of East‑West dichotomies, the work leads to a more accurate reflection on power dynamics and hegemonic hierarchies in the trans‑Mediterranean space of the seventeenth century. Dealing in particular with the peculiar symbology of the mirror exhibited in the text, I will illustrate how Pamuk appeals to the complex dialectics between Venice and the Ottoman Empire to frame identity, history and cultural memory issues
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Conference papers on the topic "Turkish Historical fiction"

1

Nicoglo, Diana. "Reflection of the events of the “Balkan” period in the Gagauz fiction." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.

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The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also
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2

Tekiner, Halil. "THE TURKISH PHYSICIAN (1803): A FRENCH OPERA BUFFA BY NICOLÒ ISOUARD." In 46th INTERNATIONAL CONGRESS FOR THE HISTORY OF PHARMACY. Pharmaceutical Association of Serbia, 2024. http://dx.doi.org/10.46793/ishp46.183t.

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This study analyzes Nicolò Isouard’s Le Médecin turc (The Turkish Physician), an opera buffa that premiered on November 19, 1803, at the Théâtre de l’Opéra Comique in Paris. Authored by Armand Gouffé and Pierre Villiers, the libretto offers a nuanced critique of early 19th-century medical practices and societal attitudes towards medicine. Set against an orientalist portrayal of Ottoman Istanbul, the opera narrates the story of Khalil, an elderly Turkish apothecary-physician who claims to have discovered a universal cure, as he navigates through ambition and deceit. It addresses themes of medic
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