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Journal articles on the topic 'Turkish influences on European fashion'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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1

Karamullaoglu, Nazife, and Ozlem Sandikci. "Western influences in Turkish advertising." Journal of Historical Research in Marketing 12, no. 1 (2019): 127–50. http://dx.doi.org/10.1108/jhrm-10-2018-0050.

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Purpose This purpose of this paper is to explore how Western design, fashion and aesthetic styles influenced advertising practice in Turkey in the post-Second World War era. Specifically, the authors focus on the key targets of the consumerist ideology of the period, women and discuss the representations of females in Turkish advertisements. Design/methodology/approach Data were analysed using a combination of social semiotic and compositional analysis methods. Compositional analysis focused on the formal qualities and design elements of the ads; social semiotic analysis sought to uncover thei
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Shapiro, B. "Shakherazada from Bellevue or french boudoir "a la turk" of the XVIII century." History: facts and symbols, no. 2 (June 15, 2023): 63–72. http://dx.doi.org/10.24888/2410-4205-2023-35-2-63-72.

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Introduction. The boudoir as a concept of a peculiar female room originated at the beginning of the 18th century, when the Turkish was just beginning to enter European fashion. Among the factors that influenced this fashion, more than anything else is the publication of the first French translation of the fairy tales «One Thousand and One Nights» (1704-1717). France was a trendsetter in those years, and the development of fashion greatly helped by letters from travelers. Materials and methods. The intensification of FrancoTurkish diplomatic relations also contributed: after the arrival in Pari
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Adamou, Evangelia, and Amalia Arvaniti. "Greek Thrace Xoraxane Romane." Journal of the International Phonetic Association 44, no. 2 (2014): 223–31. http://dx.doi.org/10.1017/s0025100313000376.

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Romani is an Indo-Aryan language spoken in several European countries as well as in the Americas, Asia and Australia, showing substantial dialectal variation. This illustration deals with Xoraxane Romane (Turkish Romani) spoken in Greek Thrace. Xoraxane Romane, which belongs to the Vlax branch of Romani, has been heavily influenced by contact with Turkish and also shows influences from Greek. As a result, Xoraxane Romane exhibits a mixed system that includes phonemes borrowed from both Turkish and Greek but without exhibiting complex phonological phenomena such as Turkish vowel harmony.
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Deslandes, Ghislain, and Jocelyn Maixent. "Turkish auteur cinema and European identity: Economic influences on aesthetic issues." Journal of European Popular Culture 2, no. 1 (2012): 81–98. http://dx.doi.org/10.1386/jepc.2.1.81_1.

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Atasayar, Dilan. "The Embodiment of National Image in Ceramic Products with China and European Countries Exchange and Dissemination Case Study: Turkish Coffee Cups." American Journal of Arts and Human Science 3, no. 4 (2024): 1–10. http://dx.doi.org/10.54536/ajahs.v3i4.3625.

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Culture is a broad concept encompassing material and spiritual aspects acquired through socialization and experience. It includes language, beliefs, ethical standards, and consumption patterns, uniting people within a community and significantly influencing their behavior. Culture plays an important role in design and influences the design process according to ever-changing behavior patterns. Product design, a subset of the design field, provides a tangible platform for expressing cultural knowledge. Consequently, product design is a significant medium for illustrating the impact of cultural i
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Fulya, SAVAŞ, and BÜYÜKÇAPAR Seyfullah. "The Use of Traditional Patchwork Technique in Contemporary Ceramic Art." NTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, no. 3 (2023): 248–60. https://doi.org/10.5281/zenodo.8350618.

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Handicrafts have emerged to meet the needs of individuals such as covering and protection since the existence of human beings. The handicrafts, which developed with the skills and skills of people over time and changed according to the natural conditions, have come to reflect the cultural characteristics, artistic tastes, traditions and customs of the society in which they emerged. Kırkyama, which is the cultural richness of Anatolia from part to whole; It is one of the traditional Turkish Handicrafts. Kırkyama is known in Anatolia with names such as forty pare, patchwork bundle, lady dillendi
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Fejes, Katalin. "Film, Fashion, and the Modern Woman: Western Cultural Influences in Hungary in the 1930s." Stan Rzeczy, no. 2(21) (November 1, 2021): 273–96. http://dx.doi.org/10.51196/srz.21.10.

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This paper takes a novel approach to exploring the relationship between fashion salons and sound films in making the image of the modern woman in the 1930s. In this period, liberal cultural tendencies contradicted the increasingly authoritarian political trends in Central Europe. In Hungary, sound films transformed the fashion industry, and fashion salons were quick to respond by creating new clothing for the modern women. This paper investigates the figure of the modern woman as it appeared in newspapers, fashion magazines, and sound films. The type of independent, purposeful woman shown in t
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Celik, Hakan, and Ridvan Kocaman. "Roles of self-monitoring, fashion involvement and technology readiness in an individual’s propensity to use mobile shopping." Journal of Systems and Information Technology 19, no. 3/4 (2017): 166–82. http://dx.doi.org/10.1108/jsit-01-2017-0008.

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Purpose This paper aims to investigate the relationships between self-monitoring, fashion involvement and technology readiness in the mobile shopping context. Although mobile shopping is still a novel activity in Turkish economical and social spheres, it has the potential to become an important driver of B2C electronic commerce in Turkey. Many Turkish firms have already extended their multichannel strategies by integrating a mobile channel into their pre-existing on-line and off-line channels. However, customers should be ready to actually embrace mobile commerce for the success of these strat
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Ulusoy, Nilay. "It’s hard to do fashion in Istanbul – or is it?" Clothing Cultures 6, no. 1 (2019): 57–75. http://dx.doi.org/10.1386/cc_00004_1.

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All major cities have a unique ‘atmosphere’ that influences inhabitants and visitors, and that shapes ideas and objects related to it. The identity of a city is a social construct, and this symbolic, imaginary construct is associated with a specific local production system. With its heritage combining Roman, Byzantine and Ottoman elements and its contemporary urban life, Istanbul is recognized as one of the world’s cultural capitals. Turkey, on the other hand, is one of the world’s leading textile-manufacturing countries, with the majority of products made in and around Istanbul. This is notew
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Babic, Annessa Ann, and Tanfer Emin Tunc. "‘Here comes the (Turkish) bride’: American consumer culture and the Turkish bridal industry." Fashion, Style & Popular Culture 00, no. 00 (2021): 1–20. http://dx.doi.org/10.1386/fspc_00092_1.

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This ethnographic study seeks to position Turkish women within the lucrative global bridal industry, which is today heavily influenced by the style, aesthetics and consumer values of the American wedding. It will add to the existing literature by examining Turkish brides’ participation in transnational networks that promote the commodification of weddings in Turkey – a country where, for many, weddings were until quite recently low-budget affairs designed to maximize newlywed profits. We will explore how such networks establish and reinforce bridal rules and codes through wedding props such as
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MATHEY, Kosta. "Peristeriones: An Architecture not made for People?" EKISTICS The problems and science of human settlements 61, no. 368/369 (1994): 343–53. https://doi.org/10.5281/zenodo.8423090.

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More than 1000 dovecots are spread over the Greek Island of Tinos (Cyclades). As form and decoration are mostly determined by the owner-builder, they represent a unique variety of Vernacular Architecture. However, Their appearance is also partly influences by the topography, decorative elements derived from the surrounding nature, limitations due to the building materials, believe, religion and fashion. Equally interesting is the historical setting in the rivalry between orthodox and catholic churches, and the liberation movement of Greeks against Turkish occupation. The underlying resear
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Knudsen, Ståle. "BETWEEN LIFE GIVER AND LEISURE: IDENTITY NEGOTIATION THROUGH SEAFOOD IN TURKEY." International Journal of Middle East Studies 38, no. 3 (2006): 395–415. http://dx.doi.org/10.1017/s002074380641240x.

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With socioeconomic liberalization and development, especially since 1980, Turkey has witnessed rapid changes in consumption patterns and fashion styles. Often one fad rapidly follows another, creatively combining symbols of the Ottoman era, foreign influences, and regional traditions. Kandiyoti argues that “[t]here is little doubt that class cultures in Turkey are increasingly being shaped and redefined through the medium of consumption.” Thus, consumption has emerged recently as a central concern and analytical tool in historical, anthropological, and sociological works on Ottoman and Turkish
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MORARU, Andrei-Cristian. "TURKISH INTERVENTION IN SYRIA AND GEOSTRATEGIC IMPLICATIONS ON THE EUROPEAN UNION." INTERNATIONAL SCIENTIFIC CONFERINCE "STRATEGIESXXI" 18, no. 1 (2022): 108–16. http://dx.doi.org/10.53477/2971-8813-22-12.

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Operation "Peace Spring" is an event of major importance in understanding the relationship between Turkey and Syria, the future relations between the two states and the European and international community.Turkey's design of a security zone has created stability for the state in question and destabilized the entire region at the societal level. Thus, the instability generated is a vulnerability for European and international security, and can be exploited by countries that oppose the democratization process or countries that have political andfinancial interests in that area. In today's societ
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Totan, Virðinia, and Petruța-Maria Coroiu. "Stylistic Correlations Between Serbian and European Music in the 20th Century." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (2024): 221–28. http://dx.doi.org/10.24193/subbmusica.2024.1.16.

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The Serbian musical culture was put late into connection with the European one. The fact that the first piano was introduced in Serbia in 1824 indicates that cultivating Serbian music was not possible under the Turkish domination. The spread of Serbian music in Europe made it possible to publish compositions by foreign authors and Serbian composers, which drew attention to the themes of Serbian music. The compositions were printed and published in Leipzig, Vienna, Prague, Paris, Budapest, London. The tours abroad performed by Serbian choirs and soloists popularized Serbian songs all over Europ
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Calcara, Eros. "Symbols and Objects of Desire: The Ottoman Fashion Between Representation of the Turk and Manifestation of Power in the Italian Renaissance Peninsula." Religions 16, no. 1 (2024): 15. https://doi.org/10.3390/rel16010015.

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The 16th century in Italy was an era of great cultural ferment, characterized by an intense exchange of ideas, goods and influences between the various European powers and the neighboring Eastern Empires, including the Ottoman Empire. Despite the climate of hostility, the “metus hostilis” towards the Turks, and the conflicts with the latter, during the 16th century, an obsession with what came from the East further developed. This article aims to explore the role of Ottoman fashion and style in the Italian Peninsula during this period, analyzing the artistic, cultural, and social influences th
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Durugönül, Esma. "Fazıl Say: A Turkish Musician in Europe." European Review 24, no. 3 (2016): 451–61. http://dx.doi.org/10.1017/s1062798716000181.

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Identity isn’t given once and for all:it is built up and changes throughout a person’s lifetime.1The aim of this paper is to determine how and to what extent Fazıl Say, whose inspiration, according to his own words, is the bridge between Europe and Asia, has become an ambassador between Europe and Turkey.2 A further aim is to determine whether Fazıl Say may be referred to as ‘hybrid’ concerning both his person and his works. This will be done first by describing his background and then the conditions which led not only to his European, but also his global success. Assuming that not only his fa
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Mateo, Alejandro. "Influence of Cultural Diversity and Identity on Fashion Expression and Communication in Mexico." International Journal of Fashion and Design 3, no. 1 (2024): 1–11. http://dx.doi.org/10.47604/ijfd.2387.

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Purpose: The aim of the study was to investigate the influence of cultural diversity and identity on fashion expression and communication in Mexico.
 Methodology: This study adopted a desk methodology. A desk study research design is commonly known as secondary data collection. This is basically collecting data from existing resources preferably because of its low cost advantage as compared to a field research. Our current study looked into already published studies and reports as the data was easily accessed through online journals and libraries.
 Findings: In Mexico, cultural diver
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Pesti, Brigitta. "Die schwüle Welt des Harems •." Hungarian Studies 37, no. 1 (2023): 68–84. http://dx.doi.org/10.1556/044.2022.00223.

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AbstractIn the 18th century, as political and economic relations with the East strengthened, and the first travelogues on Turkey and various other works on ethnological, geographical and cultural topics were published, a particularly positive reception of the Orient became widespread, originating from the southern and south-eastern Europe. As a result, the image of the threatening apocalyptic enemy, the “bloodhound”, was replaced by the stereotype of an attractive and exotic foreigner.The euphoric reception of Ottoman culture was initially manifested in the presentation of operas and Turkish f
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Galustyan, Regina. "The Roots of the Racial Nationalism of the Committee of Union and Progress: Ideas, Individuals, Influences." International Journal of Armenian Genocide Studies 7, no. 1 (2022): 6–25. http://dx.doi.org/10.51442/ijags.0027.

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The Armenian, Assyrian and Greek genocides perpetrated within the Ottoman Empire by the Turkish government at the beginning of the 20th century were not only the direct implementations of ideological convictions or a result of a single decision. Those were, rather, the amalgam of certain theories adjusted to political and economic developments in the country and the desire to turn the multi-ethnic and multi-religious empire into a Turkish nation-state. Stressing the importance of ideas and ideologies in the process of historical development, this article attempts to show certain strains of CUP
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Kaiter, Edith Hilde, and Olga Kaiter. "Dobrujan Interculturality – German versus Turkish Culture." European Journal of Social Sciences Education and Research 2, no. 1 (2014): 188. http://dx.doi.org/10.26417/ejser.v2i1.p188-192.

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The first cultural influences come out in Dobruja together with the appearance of the first German colonists, beginning from 1840 till 1891. The colonization process develops itself in three stages and colonies in places like Tulcea, Malcoci, Almagea, Ciucurova, Cogealac, Tariverde, M. Kog?lniceanu and others set up as a result. The German population has created an original culture, an ethnic and spiritual communication being deeply set up, but at the same time a communication struck by the specific conditions imposed by the history of this south-eastern European area. On the other side, the T
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Tüysüz, Şükriye, and Mert Gül. "Investigating Türkiye’s financial nexus: A wavelet coherence analysis of sovereign CDS spreads, bond yields, stock index, and FX rates." Mathematical Modelling and Numerical Simulation with Applications 4, no. 4 (2024): 395–415. https://doi.org/10.53391/mmnsa.1455355.

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This article investigates the intricate relationships between sovereign credit default swaps (CDS) and various Turkish financial assets, including the US Dollar to Turkish Lira exchange rate (USDTRY), the Borsa Istanbul 100 (XU100) stock index, and government bond yields. Employing a rigorous wavelet coherence analysis that captures the timefrequency domain, this study utilizes daily data from November 2008 to July 2022 period containing important financial, economic and global health crises, such as Great Recession, European Debt Crises, and COVID-19 pandemic. The wavelet coherence results un
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KETTERER, ROBERT C. "Why early opera is Roman and not Greek." Cambridge Opera Journal 15, no. 1 (2003): 1–14. http://dx.doi.org/10.1017/s0954586703000016.

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During the seventeenth and eighteenth centuries, the models of Greek tragedy and Aristotelian theory were appealed to repeatedly, first to invent the dramatic genre we call opera, and then in an effort to use theory to rid that genre of what were perceived to be its self-indulgent excesses. This essay argues that despite these theoretical claims, influences from classical Rome were so thoroughly ingrained in European librettists that it was the experience of the Latin that prevailed. Roman subject matter, dramatic structure, philosophical fashion and imperial performance-context produced a mus
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Quézel, P. "The forest vegetation of Turkey." Proceedings of the Royal Society of Edinburgh. Section B. Biological Sciences 89 (1986): 113–22. http://dx.doi.org/10.1017/s0269727000008952.

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SynopsisThe Turkish forests are a complex of Mediterranean, European, Euxine and Irano-Turanian influences. The boundaries between these 4 bioclimatic-biogeographical zones have, especially in the E of the country, been little studied and their limits are difficult to establish. Phytosociological and biogeographical aspects of these forest zones are discussed. In the bioclimatic-Mediterranean region, the forest and pre-forest structures are related to QUERCETALIA ILICIS in the thermo- and meso-Mediterranean stages, and to QUERCETALIA PUBESCENTIS in the supra-Mediterranean stage, except in sout
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Ivanovic-Barisic, Milina. "Clothing narrative on the example of Belgrade." Bulletin de l'Institut etnographique 71, no. 1 (2023): 243–66. http://dx.doi.org/10.2298/gei2301243i.

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In each city, clothing stories (narratives) can be followed over a longer or shorter period of time. The clothing of the residents of Belgrade went through several stages - from a copy of Turkish clothing to the creation of the so-called national costume in the 19th and early 20th centuries, and up to fashion clothing in the 20th century. In the past two centuries, the clothing appearance of the inhabitants of Belgrade has been completely changed and adapted to the challenges of the time in the production of clothing. Political, financial, economic, cultural, educational and other changes that
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Cvijanović, Irena. "ANCIENT MOTIFS AND SYMBOLS ON THE FACADES OF MODERN BELGRADE." Zbornici radova Istorijskog instituta Beograd, no. 45/2024 (August 20, 2024): 33–58. http://dx.doi.org/10.34298/zr9788677431549.c033.

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This paper deals with ancient facade motifs in the recent architecture of Belgrade and the influences under which they were created. Generations of our students who stayed in France and other European countries brought the neoclassical style to Serbia. With the development of Neoclassicism, characters from ancient mythology came to life on Belgrade’s facades. Particularly interesting antique facade motifs can still be seen today on the buildings of the Palace of the Serbian Academy of Sciences and Arts, Archives of Serbia, Captain Miša’s building, Old General Staff, Old Royal Palace, Turkish E
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Lanovyk, Mariana B., and Zoriana B. Lanovyk. "Understanding the multiculturalism of Eastern Europe in the folklore and ethnographic works of Volodymyr Hnatiuk about the Ugrian Rusins." Rusin, no. 67 (2022): 342–60. http://dx.doi.org/10.17223/18572685/67/19.

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According to the research, Academician Volodymyr Hnatiuk's scholarly inquiry had focused on the elements of multiculturalism long before the theory of multiculturalism was developed. Hnatiuk studied the problems of coexistence of different ethnic groups in the multicultural realm of the Eastern European area, with a partucLuar attention to the Ugrian Rusins. In his research, Hnatiuk employed basic concepts for modern multicultural studies, such as historically determined multicultural space of Eastern Europe, which combines national and ideological heterogeneity, cultural diffusion and social
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Önis, Ziya. "Diverse but Converging Paths to European Union Membership: Poland and Turkey in Comparative Perspective." East European Politics and Societies: and Cultures 18, no. 3 (2004): 481–512. http://dx.doi.org/10.1177/0888325404266936.

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The study considers some of the key forces that have resulted in a marked divergence, at least until recently, in the fortunes of two candidate countries, Poland and Turkey, on the path to European Union membership. The more rapid progress made by Poland in this regard is explained on the basis of the systematic interaction of domestic political forces and international influences that generates virtuous or vicious cycles in terms of EU membership. The reforming elites in Poland with the help of a highly vocal civil society and mobilization from below were able to display considerable unity an
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Hoxha, Erlis. "The Economic, Political and Socio-Cultural Influence of Turkey and Russia in Albania: Perceptions from Youth Political Forums." European Journal of Social Sciences 1, no. 3 (2018): 14. http://dx.doi.org/10.26417/ejss.v1i3.p14-20.

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Background: The specific geographical position of Albania, has promoted opposing influences from Western and Eastern countries. Two large influential countries with clear economic and political interests in Albania are Russia and Turkey. Aim of study: The aim of the present study was to assess perceptions of economic, political and cultural influence of Turkey vs. Russia in Albania. The main hypothesis of the study was that perceptions of Turkish influence would be stronger as compared to Russian influence. Methodology: The sample included 140 participants, 71 women and 69 men, mean age of 23.
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Noor, Huda, Amna Arshad, Nimra Noor, and Tuba Latif. "Contemporary Art of Dubbing in Pakistan: A Case Study of Suprasegmental Translation of Turkish Serials into Urdu." Journal of Arts and Linguistics Studies 3, no. 2 (2025): 2723–60. https://doi.org/10.71281/jals.v3i2.349.

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This research examines the suprasegmental adaptation of Turkish television series in Urdu dubbing, focusing on measurable differences in pitch, intonation, and rhythm, and their implications for technical synchrony and cultural-ideological mediation. By employing a mixed-methods design, 18 scenes from six Turkish dramas and their Urdu-dubbed counterparts were analyzed. Praat software had been employed to quantify acoustic features (intensity, pitch, syllable duration) and qualitative integrated frameworks (Audiovisual Translation Theory, Relevance Theory, Prosodic Phonology). Results revealed
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AYANGIL, RUHI. "Western Notation in Turkish Music." Journal of the Royal Asiatic Society 18, no. 4 (2008): 401–47. http://dx.doi.org/10.1017/s1356186308008651.

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The adoption of western notation (which is an example of graphic notation) as the “official system” in Turkey dates from after 1828. Sultan Mahmud II (reigned 1808–1839) abolished the Janissary force in 1826 and with it the musical unit of that army, it was a band for wind and percussion instruments (Mehterhâne-i Hümâyûn). He then organised his new army on western lines and thus introduced an institution of western origin, the military band, as the musical unit of his modern army. This new institution, which was European in its music system, instruments, repertoire and first and foremost its m
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Ayaydın Cebe, Günil Özlem. "To Translate or Not to Translate? 19th Century Ottoman Communities and Fiction." Die Welt des Islams 56, no. 2 (2016): 187–222. http://dx.doi.org/10.1163/15700607-00562p03.

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In the 19th century, Turcophone communities of the Ottoman Empire displayed a keen interest in European fiction. This study questions whether translating European works was simply linguistic substitution or rather had intrinsic dimensions such as cultural appropriation. It also investigates the reciprocity of literary production, and offers some observations on how translation influences and inspires “the making of literature”. The methods used are mainly based on statistical interpretation of bibliographic data and comparative sociological analysis. Turkish works printed in Arabic, Armenian a
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Maxwell, Simeran. "Performing fashion/fashioning performance: Kansai Yamamoto, David Bowie and Ziggy Stardust." Critical Studies in Men's Fashion 11, no. 1 (2024): 21–36. http://dx.doi.org/10.1386/csmf_00081_1.

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Kansai Yamamoto (Japan 1944–2020) was one of the first Japanese designers to break into European and American fashion markets. Following his first London showing in 1971, Kansai (as he was known) worked with David Bowie (England 1947–United States 2016) to create a wardrobe for the performer’s 1973 tour, Aladdin Sane. This article explores the pivotal role the collaboration between Kansai and Bowie played in the construction of the performative persona Ziggy Stardust. Focusing on Kansai’s designs and his approach to the western fashion industry – where he employed a similar strategy of deliber
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Polajnar Horvat, Katarina, and Katarina Šrimpf Vendramin. "Issues Surrounding Behavior towards Discarded Textiles and Garments in Ljubljana." Sustainability 13, no. 11 (2021): 6491. http://dx.doi.org/10.3390/su13116491.

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In recent years, post-consumer textile waste has become an important issue that attracts attention from activists, scientists and the media. The production and use of clothing has more than doubled in the last fifteen years due to declining costs, streamlined operations and rising consumption under the influence of fast fashion. According to research, the average European buys as much as 26 kg of textiles each year and discards 11 kg, while a very small share of post-consumer textile waste is recycled. This article presents the findings of a study on household textile waste in the capital of L
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Pavliukh, M. V. "Western European political influences on Polish fashion magazines in Lviv (end of the 19TH – 1ST half of the 20TH century)." Politicus, no. 2 (2023): 118–24. http://dx.doi.org/10.24195/2414-9616.2023-2.17.

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Filyushkin, Alexander. "Conquest, Borders, Geopolitics." Russian History 43, no. 1 (2016): 1–21. http://dx.doi.org/10.1163/18763316-04301004.

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Livonian War (1558–83) was not a local Baltic war, but a European conflict. What was the place of Livonian War in the context of European wars of the 16th century? Europe in this era experienced colonial wars, wars of independence, religious wars, Turkish wars etc. The Livonian War bears the strongest resemblance to Italian wars of 1494–1559. Those were wars about tying microstates to new monarchies. In part, a similar process took place in Livonia. It was a microstate with an obsolete socio-political hierarchy unable to fight back (the Livonian branch of the Teutonic Order). Several new Europ
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Bogner, Franz X., and Michael Wiseman. "Toward Measuring Adolescent Environmental Perception." European Psychologist 4, no. 3 (1999): 139–51. http://dx.doi.org/10.1027//1016-9040.4.3.139.

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This study presents a scale developed to measure two dimensions of environmental perceptions—reactions towards preservation and towards utilizing nature and/or the environment—consisting of two and three subscales, respectively. The empirical part consists of a reanalysis of data from four national samples, now analyzed together as one sample. The results of the four subsamples (of some 4,500 secondary school pupils in total) have been published elsewhere as bilateral studies. The aim of the present analysis is to identify a scale that is valid for the entire European sample: By means of facto
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Velykyy, Atanasiy. "Brest union in its universe." Ukrainian Religious Studies, no. 81-82 (December 13, 2016): 28–31. http://dx.doi.org/10.32420/2017.81-82.741.

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The Brest Union is a church-historical event in 1596 and on this basis established an understanding between the Ukrainian-Belorussian Orthodox Church and the Roman Throne: the recognition of the Roman Pope as the head of the Church with all the conclusions of this confession in matters of faith, morals and church administration (as defined by the Florentine Cathedral in 1439 .), with the preservation of administrative, ritual, disciplinary and, in general, ecclesiastical and cultural autonomy within the framework of the Kyiv Metropolitanate. The Turkish captivity of the Constantinople Patriarc
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Радић, Првослав. "Из периодизације оријенталних утицаја у српском језику". Српски језик : студије српске и словенске 19 (1 січня 2014): 199–217. https://doi.org/10.5281/zenodo.6401681.

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Иако су везе српског језика са оријенталним језицима веома старе, оне су посебно обележиле период од XIV века. Највише турских језичких трагова остало је дуж главних стратегијских праваца турског надирања, чему су допринеле и миграције српског становништва које су разносиле турцизме далеко од средишних балканских области. Контакти српског и турског језика остваривали су се у широкој социолингвистичкој скали коју је наметао турски освајач. Снажно потискивање турске власти с Балкана крајем XIX века и њено коначно протеривање почетком XX века имало је за последицу осеку турцизама, до које је неиз
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Turcu, Oana, and Cristian Brancu. "The Economic and Socio-Cultural Impact of the Beauty Industry in the European Union." Proceedings of the International Conference on Business Excellence 18, no. 1 (2024): 3737–48. http://dx.doi.org/10.2478/picbe-2024-0304.

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Abstract In recent years, the beauty industry has grown a lot and is now a big part of the economy in the European Union. This paper looks at how the beauty industry affects society and the economy. It talks about jobs, new ideas, consumer happiness, and economic growth. First, the paper gives an overview of the European beauty industry, including its size, structure, and main trends. Then, it discusses how the industry creates jobs, both directly and indirectly, in manufacturing, distribution, retail, and beauty services. The paper also talks about how the industry is good for innovation, suc
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Helbling, Laura A., Martin J. Tomasik, and Urs Moser. "Ambiguity in European seasonal comparative research: how decisions on modelling shape results on inequality in learning?" Zeitschrift für Erziehungswissenschaft 24, no. 3 (2021): 671–91. http://dx.doi.org/10.1007/s11618-021-01009-4.

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AbstractSummer break study designs are used in educational research to disentangle school from non-school contributions to social performance gaps. The summer breaks provide a natural experimental setting that allows for the measurement of learning progress when school is not in session, which can help to capture the unfolding of social disparities in learning that are the result of non-school influences. Seasonal comparative research has a longer tradition in the U.S. than in Europe, where it is only at its beginning. As such, summer setback studies in Europe lack a common methodological fram
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Kocsis, Éva, Noémi Mózes, and Helga Feith. "Magyarországi helyzetkép táplálkozási szokásokról a kultúra és a hagyományok tükrében, különös tekintettel a romákra." Kaleidoscope history 11, no. 22 (2021): 109–22. http://dx.doi.org/10.17107/kh.2021.22.109-122.

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For centuries, the traditional eating habits of the Hungarian people have also been influenced by historical events, what kind of rule we were under, or which country we were allied with. The eating habits of the smaller segments, such as families, were determined by the given political situation and social affiliation. Of course, the weather conditions also had a great influence on the ingredients of the kitchen. Today’s modern eating habits are influenced by knowledge, financial means, fashion, the environment. The combination of these, combined with physical inactivity, causes the domestic
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Bozdağ, Çiğdem. "Intercultural learning in schools through telecollaboration? A critical case study of eTwinning between Turkey and Germany." International Communication Gazette 80, no. 7 (2018): 677–94. http://dx.doi.org/10.1177/1748048518802221.

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Digital media offer various possibilities for internet-based telecollaboration in schools and open up a space for intercultural learning. Diverse initiatives like such as the European Union-initiative eTwinning network aim to support telecollaboration projects in education. This article argues that we need to develop critical and grounded understanding of telecollaboration projects and how they are being embedded in the context of existing school cultures. The article presents an in-depth case study of a telecollaboration project between a Turkish and a German school. On the basis of observati
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Kim, Hyon-Sob. "The appearance of Korean architecture in the modern West." Architectural Research Quarterly 14, no. 4 (2010): 349–61. http://dx.doi.org/10.1017/s1359135511000145.

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Although the general influence of the architecture of East Asian countries on the formation and development of modern architecture has been widely recognised, detailed evidence about the extent and nature of this influence has been accruing through a growing body of research. This began with Chinoiserie, a Chinese-style fashion around the eighteenth century in Europe, which was imprinted in the Rococo interior as well as in the jardin anglo-chinois with its Chinese pavilions. Then in the late nineteenth century there was a European zeal for Japanese art, Japonisme, which appeared in the Arts a
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Coşar, Cihan, Krisztina Panyi, and Akos Varga. "Try Not to Be Late! - the Importance of Delivery Service in Online Shopping." Organizations and Markets in Emerging Economies 8, no. 2 (2017): 177–92. http://dx.doi.org/10.15388/omee.2017.8.2.14186.

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This study focuses on the role of delivery services in online purchases and their impact on customer satisfaction. Delivery service is one of the most important tasks of online purchase related to logistics, its performance directly influences the level of satisfaction. We aim to research what the online webshops and e-commerce businesses can or should do to have a positive impact on the customer satisfaction level. The research showed that delivery process in online purchases plays a significant role in customer satisfaction and in the decision making of whether or not one should purchase goo
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Тетяна Младенова. "ORIENT В. А. МОЦАРТА: ВІД АЛЮЗІЇ ДО ЕТИКО- ЕСТЕТИЧНОЇ СТИЛЬОВОЇ МОДЕЛІ". World Science 2, № 4(56) (2020): 14–20. http://dx.doi.org/10.31435/rsglobal_ws/30042020/7028.

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Throughout the history of music, the dialogue of cultures in the West- East discourse has produced various Orientalism models. Introducing a fashion for oriental decorations in Europe, using new instruments, borrowing modes of musical expression, as well as alluding to signs and symbols of oriental religions and philosophies gave rise to reshaping European musical aesthetics as early as the 18th century. At that time, Wolfgang Amadeus Mozart and his work were undoubtedly pivotal for the art. One can retrospectively observe that Turkish Janissary musical traditions significantly freshened and e
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Aydınlı, Julie, and Deniz Ortaçtepe. "Selected research in applied linguistics and English language teaching in Turkey: 2010–2016." Language Teaching 51, no. 2 (2018): 210–45. http://dx.doi.org/10.1017/s0261444818000010.

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In this state-of-the-art review, we aim to build on Alptekin & Tatar's (2011) article covering research conducted in Turkey between 2005 and 2009, and survey published research in 31 Turkey-based journals between 2010 and 2016. As the second review paper on Turkey's English language teaching (ELT) agenda, our goal is twofold: first, to introduce the research of those researchers whose high-quality, Turkey-based work may not be known outside Turkish academia; and second, to point to recent scholarly developments that have occurred in Turkey and set these in the context of recent shifts in l
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Vasili, Evis. "Internationalisms: Do They Affect or Enrich the Modern Albanian Language?" European Journal of Multidisciplinary Studies 1, no. 2 (2016): 352. http://dx.doi.org/10.26417/ejms.v1i2.p352-356.

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Language is a symbol of cultural, national or state identity. For Albanians, language was and is the most important feature establishing their identity. The first attempts to codify the written Albanian language were distinguished since the second half of the nineteenth century by the Albanian scholars, who led the cultural movement "Albanian National Renaissance", where first of all we can mention Konstandin Kristoforidhi and Sami Frashëri. As an isolated Indo-European language, Albanian language is part of the Balkan linguistic connection. Although the Albanian language has not lost its orig
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Kluczewska-Wójcik, Agnieszka. "modernité "orientale"." Manazir Journal 3 (March 7, 2022): 110–30. http://dx.doi.org/10.36950/manazir.2021.3.8.

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Oriental influences present in Polish culture since the Middle Ages and incarnated by the idea of “sarmatisme” were re-evaluated or outright rejected by the young modernist generation. In fact, at the turn of the nineteenth and twentieth century the traditional Polish “Orientality” was replaced by a wave of interest for the aesthetics of Islamic art, a reflection of the European “Oriental renaissance”. The Polish imaginarium had long associated the art and culture of Islam uniquely to the Middle East and its craft. The romantic epoch brought with it a new interest for medieval Spain, Granada i
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Bamber, William. "Anti-imperialism, ambiguity and the emergence of the sherwani-topi style in Hyderabad state, 1860‐1900." International Journal of Fashion Studies 9, no. 2 (2022): 257–80. http://dx.doi.org/10.1386/infs_00071_1.

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In the last quarter of the nineteenth century, the Indian ‘princely state’ of Hyderabad became strongly associated with a particular form of male dress based around the long sherwani coat and fez or rumi topi. Although often dismissed as a mere Indian frock coat by colonial commentators and historians, by 1890 the sherwani was widely recognized within India as a distinctively Hyderabadi garment, symbolizing the state’s continued autonomy and claims to civilized, modernizing legitimacy. Yet the sherwani encompassed many influences, from colonial European to Ottoman Turkish and regional Deccani,
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Hanulikova, Adriana. "The role of perceived ethnicity in speech processing: Insights from diverse populations and methods." Journal of the Acoustical Society of America 151, no. 4 (2022): A99. http://dx.doi.org/10.1121/10.0010780.

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In this talk, I will discuss behavioral and electrophysiological studies that examine the extent to which perceived talker identity influences speech comprehension and evaluation. Two frequently discussed theoretical accounts lead to different predictions. Bias-based accounts assume conscious misunderstanding of a standard variety in the case of a speaker classification as nonnative, resulting in negative ratings and poorer comprehension. Exemplar-based models suggest that such effects arise only when a contextual cue to the social identity is misleading, i.e., when ethnicity and speech clash
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