Academic literature on the topic 'Turkish Islamic poetry'

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Journal articles on the topic "Turkish Islamic poetry"

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Yılmaz, Arif, and Mustafa Çiçek. "A Classification Essay on Islamic Poetry in Contemporary Turkish Literature." Journal of Lifestyle and SDGs Review 4, no. 3 (2024): e02581. http://dx.doi.org/10.47172/2965-730x.sdgsreview.v4.n03.pe02581.

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Objectives: The objectives of this study are to define Islamic poetry, explore its analytical methodology and provide examples that illustrate its thematic concepts within contemporary Turkish poetry. Methods: To achieve these objectives, the study employs document analysis and a qualitative research approach. The analysis focuses on contemporary Turkish poetry, examining examples across eight distinct categories of Islamic poetry. Results: The analysis of Islamic poetry within contemporary Turkish literature reveals its diverse manifestations across various thematic categories. These are Isla
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Yilmaz, Arif, and Mustafa Çiçek. "A Classification Essay on Islamic Poetry in New Turkish Literature." Revista de Gestão Social e Ambiental 18, no. 9 (2024): e06445. http://dx.doi.org/10.24857/rgsa.v18n9-008.

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Objectives: The objectives of this study are to define Islamic poetry, explore its analytical methodology, and provide examples that illustrate its thematic concepts within modern Turkish poetry. Methods: To achieve these objectives, the study employs the document analysis method, which is a qualitative research approach. The analysis focuses on modern Turkish poetry, examining examples across eight distinct categories of Islamic poetry. Results: The analysis of Islamic poetry within modern Turkish literature reveals its diverse manifestations across various thematic categories. These include
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Munir, Mehmet. "FUZULIY SHE’RIYATIDAGI BA’ZI OBRAZLARNING ASKETSIZM NUQTAYI NAZARIDAN FALSAFIY TAHLILI." TAMADDUN NURI JURNALI 8, no. 59 (2024): 202–12. http://dx.doi.org/10.69691/x7h3tp53.

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In this philosophical analysis attempt, the nature of the relationship (the act of thinking) between the poems of the wise poet Fuzulî and his mental world will be tried to be explained by the method of philosophical analysis. Our main purpose in doing this is to explain how the aesthetic bond (taking into account internal and external elements) is established between Fuzulî's poetry, an aesthetic object, and the aesthetic subject (Fuzulî) who created it. If it is possible to achieve this, it will be shown that the knowledge of the aesthetic subject (as aesthetic knowledge) will to some extent
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Isgandarzade, A. "A COMPARATIVE STUDY OF THE NAMES OF ANIMALS AND BIRDS WITH TURKIC LANGUAGES USED IN THE LANGUAGE OF AHMADI'S MASNAVI "JAMSHID AND KHURSHID"." Scientific heritage, no. 141 (July 26, 2024): 31–36. https://doi.org/10.5281/zenodo.12907703.

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The Azerbaijani literary language was used as the language of poetry by many poets who brought up in Eastern Anatolia at the end of the 13<sup>th</sup> century and the 14<sup>th</sup> century, and the poems written in this language were almost the first examples of the Ottoman Turkish literary language. Because we do not have material evidence that written literature in Anatolia began before the 13<sup>th</sup> century. Ahmadi is one of the successors of Anatolian Turkish Islamic literature, which started with Mevlana Jalaladdin Rumi and Yunis Amre in the 13<sup>th</sup> century, and is one of
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Usmanova, Nodira Lutfullayevna. "Storytelling in Turkish Literature." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 863–66. https://doi.org/10.5281/zenodo.15475323.

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Turkish literature boasts a rich storytelling tradition, spanning centuries and encompassing diverse genres, from oral folk tales to modern novels. Rooted in the cultural and historical contexts of the Turkic peoples, this tradition reflects a blend of nomadic heritage, Islamic influences, and interactions with neighboring civilizations. Early storytelling, primarily oral, included epic narratives like the Dede Korkut tales and folk stories such as Karag&ouml;z and Hacivat. With the advent of written literature in the Ottoman era, genres like mesnevi poetry and travelogues emerged, while the 1
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KEKLİK, Murat. "THE MOTIF OF “SECCADEYİ SUYA SERMEK” AND ITS REFLECTIONS IN CLASSICAL TURKISH POETRY." Akademik Dil ve Edebiyat Dergisi 6, no. 2 (2022): 0. http://dx.doi.org/10.34083/akaded.1081869.

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The motif of "seccadeyi suya sermek" is a motif encountered in epics and folk tales, Alevi-Bektashi legends and Dede Korkut stories. Over time, it has turned into a metaphor that takes place in modern Turkish poetry, albeit a little, in classical Turkish poetry texts. Motif; It has a depth of meaning in beliefs and cultures such as Sumer, India, China, Christianity, which goes back to mythological ages and points to the pre-Islamic beliefs of the Turks. The reconciliation of the concepts and metaphors of "prayer rug" and "water" in the structure of the motif is the embodiment of the intertwine
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Sulaiman, Shiyar. "Review of the book "Teşeyên Nezmê"." Kurdiname, no. 10 (April 28, 2024): 247–52. http://dx.doi.org/10.55106/kurdiname.1437718.

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The article is a review of the book Teşeyên Nezmê by Professor Dr. Abdul Rahman Adak, published by Nûbihar Publishing House. The book consists of 638 pages. The book explains how Kurdish poets write their poems. He talks extensively about every type of poetry and shows many interesting poems by ancient poets of all Kurdish dialects. It can be said that the subject of the book is not limited only to the forms of poetry composition, but rather it is a selection and description of ancient Kurdish poets, because the book contains interesting information and examples about each of the poets. The bo
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RADOJEVIĆ, Danilo. "A REVIEW OF NJEGOŠ’S WORKS IN THE CONTEXT OF OTTOMAN RULE." Lingua Montenegrina 10, no. 2 (2012): 123–28. https://doi.org/10.46584/lm.v10i2.289.

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As a statesman, politician and diplomat, Njegoš expressed his views about the position of the Balkan peoples under Turkish rule. In addition to the diplomatic and other correspondence, he transposed such views into his works of poetry. Njegoš’s attitudes towards the Turkish rule are often not objectively analyzed in the voluminous literature on the great Montenegrin author; they were generalized and taken as his (exclusive) relationship towards the Islamic religion. Njegoš’s condemnation of the methods of Ottoman rule, reflected in the fact that it used religion as an encouragement and support
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Muhammad Saeed Ahmad and Dr. Saeed Ahmad. "A Comprehensive Review of Abdul Aziz Khalid's Works." Tasdiqتصدیق۔ 3, no. 01 (2021): 53–71. http://dx.doi.org/10.56276/tasdiq.v3i01.58.

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Abdul Aziz Khalid is one of the most renowned Pakistani poets of Urdu literature. He adorned his poetry bouquet with multiple languages such as Arabic, Persian, Turkish, Hindi, and Hebrew. He wrote almost forty books on different types of literature, especially on Naat, Ghazal, Poem, quatrains, translation, and criticism. His knowledge &amp; vision about Islamic history and literature of different languages is above board. The names of his books are very unique and earned immense popularity particularly Farquleet, MaazMaaz, TaabTaab, Manhamanna, Lehun-e-sareer, Abu Turab, Sani lasani, Kaf e Da
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Babović, Dželila. "The Role of Commentaries in the Canonization of Literary Values – With Special Reference to the Commentaries of Poetry of Bosnian Authors in Oriental Languages." Prilozi za orijentalnu filologiju, no. 69 (January 18, 2021): 109–29. http://dx.doi.org/10.48116/issn.2303-8586.2019.69.109.

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The writing of commentaries in the Oriental-Islamic tradition was originally focused on the text of the Qur’an and Hadith. The extremely strong religious tradition of hermeneutics and textual exegesis significantly influenced overall literacy, so that commentary appears as one of the most significant prose forms in classical Oriental-Islamic literature. In the unity and intertwining of different cultural identities in the Islamic civilization circle, searching for the literary works of Bosnians in Oriental languages, as an important component of the historical continuity of national literature
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Dissertations / Theses on the topic "Turkish Islamic poetry"

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Light, Nathan. "Slippery paths the performance and canonization of Turkic literature and Uyghur muqam song in Islam and modernity /." 1998. http://catalog.hathitrust.org/api/volumes/oclc/41085482.html.

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Books on the topic "Turkish Islamic poetry"

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1868-1956, Muhammed Lutfî, ed. Hâce Muhammed Lutfî (Efe Hazretleri): Hayâtı, şahsiyeti ve eserleri. Efe Hazretleri Vakfı, 2006.

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Emine, Yeniterzi, ed. Türk edebiyatında na'tlar: Antoloji. Türkiye Diyanet Vakfı, 1993.

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Emre, Yunus. Laten we liefhebben en onszelf geliefd maken. Nederlandse Unie van Turks-Islamitische Organisaties, 1991.

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editor, Çiftçi Cemil, ed. Mâtem-nâme ve Vâveylâ. Kevser Yayınları, 2012.

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Mustafa, Tatçı, ed. Dîvân-ı İlâhiyât. Sahhaflar Kitap Sarayı, 2004.

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Paşa, Kâzım. Aşkın hazineleri: Makālîd-i aşk : (Kerbelâ mersiyeleri). Kevser Yayınları, 2011.

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Nazar, Mahdum Abid, ed. Revnaku'l-İslâm. Çile Yayınları, 2010.

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Şafak, Turgay, and İsa Akpinar. Hz. Ali'nin sözlerinin farsça ve Türkçe manzum tercümeleri: Tercümetü'l-le'âlî ve tezkiretü'l-me'âlî Hoca Mesûd. Tercümetü'l-le'âlî - rıhletî. B|y|yenay Yayınları, 2020.

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Tok, Vedat Ali. Türk şiirinde Hz. Muhammed (s.a.v.). Geçit Yayınevi, 1997.

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editor, Tulum A. Mertol, and Süleymaniye Umumı̂ Kütüphanesi, eds. Tazarru'nâme = Yakarışlar kitabı: (inceleme-metin-tıpkıbasım). Türkiye Yazma Eserler Kurumu Başkanlığı, 2014.

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Book chapters on the topic "Turkish Islamic poetry"

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Pifer, Michael. "Kırşehir Kinships." In Kindred Voices. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300250398.003.0006.

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This trek across the soundscapes of Rum culminates in the city of Kırşehir, where Sultan Valad’s followers attempted to spread the teachings of their master. Here one finds Gülşehri and Aşık Paşa, two of the earliest poets of Anatolian Turkish, adapting the poetry of Rumi for new ends. Not only did these poets fashion a literary genealogy that bound Turkish poetry to its Persian and Arabic antecedents, but they also composed verse in a dizzying array of languages, including Arabic, Persian, Turkish—and, in one case, even Armenian. Far from spurning the poetry of ‘others,’ the earliest poets of
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Mauder, Christian. "Legitimating Sultanic Rule in Arabic, Turkish and Persian—Late Mamluk Rulers as Authors of Religious Poetry." In Rulers as Authors in the Islamic World. BRILL, 2024. http://dx.doi.org/10.1163/9789004690615_017.

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Badam, Azzaya, and Şaban Doğan. "World Poet Yunus Emre." In Türk Kültür Hayatından Yansımalar: Hacı Bektâş-ı Velî Yunus Emre Mehmed Âkif Ersoy Üzerine Uluslararası Araştırmalar. TÜRKİYE BİLİMLER AKADEMİSİ, 2024. https://doi.org/10.53478/tuba.978-625-6110-25-0.ch04.

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Poetry and hymns, with the deep meanings they carry, allow a person to express everything that he wants to say but cannot express or cannot fully express, with words that come from the depths of the soul. Therefore, they have the power to touch the soul of every reader. Many names have written in this genre of literature over the centuries, but only some of them have achieved worldwide fame. Yunus Emre, the classical representative of Turkish poetry, who lived at the end of the 13th century and the beginning of the 14th century, is indeed one of these names. In his poems and hymns, Yunus Emre
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Aydemir, Mustafa. "Mehmed Âkif Ersoy." In Türk Kültür Hayatından Yansımalar: Hacı Bektâş-ı Velî Yunus Emre Mehmed Âkif Ersoy Üzerine Uluslararası Araştırmalar. TÜRKİYE BİLİMLER AKADEMİSİ, 2024. https://doi.org/10.53478/tuba.978-625-6110-25-0.ch06.

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The fact that Mehmed Âkif took Arabic lessons from his father, Tahir Efendi, who was a teacher in Fatih, at a young age is important as it shows the sources from which he was nourished. While he was studying at the high school of the Mülkiye School, his literature teacher, Muallim Naci, formed the basis of his poetry. During this period, he had the opportunity to get to know both Eastern and Western literature closely and was influenced by Sa’dî and Hâfız. In addition to Muallim Naci, he is influenced by metaphysical poems of Abdülhak Hamid Tarhan and the descriptions of nature by Recaizâde Ma
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Feldman, Walter. "Defining the Mystical Music of the Mevlevi Dervishes." In From Rumi to the Whirling Dervishes. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474491853.003.0002.

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Modern Turkish usage (since the post-WWII era) tends to collapse the distinction between ‘mysticism’ and ‘religion’ by creating a binary contrast of the secular and the religious. This binary system does not agree with the culture of the Ottoman Empire, and of the earlier Muslim Turkic states of Anatolia. In all of them Islamic mysticism or ‘Sufism’ had a defined place in a variety of social contexts, both in the cities and in the countryside. Unlike other areas of the Muslim world, in the Ottoman Empire the pan-Islamic mystical ceremony known as ‘zikr’ and the various more specialized mystica
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Pickett, James. "Introduction." In Polymaths of Islam. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750243.003.0011.

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This introductory chapter provides an overview of the Islamic scholars of Bukhara during the long nineteenth century. Islamic scholars were among the most influential individuals in their society, and that power rested on their mastery of diverse forms of knowledge rather than birthright. Instead of imagining those varied competencies and practices as embodied by separate professions, this book conceptualizes them as distinct practices and disciplines mastered by a single milieu. Instead of imagining stratified castes of “ulama” as against “sufis” as against “poets,” there is a unified social
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Feldman, Leah. "Aesthetics of Empathy." In On the Threshold of Eurasia. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501726507.003.0003.

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This chapter discusses the Azeri poetry of Mirza Fatali Axundov and Abbas Sehhet’s translations of the Russian imperial sublime. The chapter focuses on the geography of the sublime as central to the construction of a Turkic supranational community defined through a boundless ethics of empathy and intuition drawing on both Russian Orientalist tropes and Islamic thought.
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Seyed-Ghasem, Leila. "The Poetics of Preposing and Postposing (Taqdīm and Taʾkhīr) in the History of Bayhaqī." In Arabic, Persian, and Turkic Poetics. British AcademyLondon, 2024. https://doi.org/10.5871/bacad/9780197267790.003.0005.

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Abstract This chapter seeks to revive maʿānī al-naḥv, the most overlooked branch of the Islamic science of balāgha (eloquence), which delves into the potential of syntax in creating poetics. Reviving this knowledge, it aims to shed light on the literary aspects of the History of Bayhaqī, the most significant work of Persian documentation on the history of the Ghaznavids, as well as a literary masterpiece, which has been underexplored because of the dominance of a poetry-centred approach in the Persian literary tradition. Drawing on Jurjānī’s concept of naẓm (composition), this chapter challeng
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BAŞTÜRK, ŞÜKRÜ. "YAHYA BİN BAHŞÎ MEVLİD’İ." In VEFATININ 600. YILINDA SÜLEYMAN ÇELEBİ VE MEVLİD GELENEĞİ. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-50-4.ch25.

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With the Turkification of Anatolia after the 11th century, the written language, which was established and developed on the basis of Oghuz in Anatolia between the 13th and 15th centuries, is called the Old Anatolian Turkish, and the Turkish language, in this period, became an independent written language by disposing of the traces of Old Turkish. Especially with the governor’s encouragement of writers and poets to write in Turkish, both the number of works written in Turkish increased and significant steps were taken in an attempt to become a written language in Oghuz, and accordingly, many co
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Marmon, Shaun. "Cairo:Eunuchs and Sacred Boundaries Eunuchs and the Vestibule: A Poet’s Model." In Eunuchs And Sacred Boundaries In Islamic Society. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195071016.003.0001.

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Abstract When the young Turkish freedman ‘Alā’ al-Dīo al-Ghuzūlī, aspiring poet and frequenter of the literary circles of fourteenth-century Cairo and Damascus, composed his sole contribution to the field of medieval Arabic belles lettres, the Kitab mafāli’ al-budūr fī manāzil al-surūr, or Book of the Risings of the Full Moons on the Dwellings of Joy, he chose an unusual structure in which to display his mastery of the genre: he built a house.1 The resulting work, as its florid title vaguely suggests, is an anthology of verses, anecdotes, and proverbs on the subject of the ideal home, arranged
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Conference papers on the topic "Turkish Islamic poetry"

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MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be
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Mehmetali, Doç Dr Bekir. "THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE." In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.

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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Musta
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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figur
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Davronova, Zarnigor. "CHARACTERISTICS OF THE ANTHROPONYMS MENTIONED IN "BABURNAMA"." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/uubs9677.

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It is known from history that Central Asia has given the world many thinkers, poets and generals. Zahiriddin Muhammad Babur Mirza, one of the most complex, most attractive and greatest figures of our history, a unique person, took a proud place in world history during his short life of only forty-seven years. What Zahiriddin Muhammad Babur saw and experienced from the day he ascended the throne to his death is "Vaqoye" (this work is also called "Vaqeoti Baburiy", "Tuzuki Baburiy", "Tawarikhi Baburiy", "Baburiyya" in other sources. Later it was called "Baburnoma" saying is written in ) which ha
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