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Journal articles on the topic 'Turkish Mythology'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Ucan, Bahadir. "Generation of Character Designs Based on Pre-Islamic Beliefs of Turks." International Journal of Religion 5, no. 5 (2024): 746–57. http://dx.doi.org/10.61707/6w8eck77.

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Turkish communities had lived under the belief system of Turkic mythology, known as Tengriism, in a significant part of their history. It is noteworthy that Turkic mythology elements, which have taken such a place in the cultural life of the Turks, are not sufficiently used as visual design tools. Considering the significance of preserving cultural heritage, Turkic mythology is rarely shown in animations, video games, or movies. The primary gods, goddesses, and supernatural creatures of Turkic mythology are not directly depicted, despite the existence of some animations relating to Turkic cult

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YERKEZHAN, Seitkazy. "MYTHOLOGY IN ZİYA GÖKALP AND CAMBIL CABAYEV." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 3 (2023): 67–92. http://dx.doi.org/10.46291/zfwt/150305.

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This article deals with the origin and history of the terms myth, mythology. There were described myths and features which are common to the Turkic world. Also the main theme of discussion were the peculiarities and similarities of the earth mythology, water and sky worlds of Turkish literature. Descent of the "Jeruyik" concept originates from the written monuments of Sak, Hun, Orkhon. The article analyzes the mythical nature of the concept. In Kazakh literature, the "jeruyik" concept originates from the time of Asan's grief. The "jeruyik" concept is an idea similar to heaven on earth. Jeruyik

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Хасан, Вежди. "МИТОЛОГИЧНИ ЕЛЕМЕНТИ В ТУРСКИЯ РОМАН". Годишник на Шуменския университет. Факултет по хуманитарни науки XXXVA (7 грудня 2024): 147–62. https://doi.org/10.46687/yoha6785.

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The mythological elements in the new Turkish literature appear after the translations of ancient authors’ works. The novels feature images of ancient Greek gods and scenes from ancient Greek mythology. The novels describe their superhuman abilities and their role in certain situations. Heroes possess abilities akin to gods and this sets them apart from other people. They are strong like Zeus. Searching for their past like Odysseus, they fall into Kirche's webs. The presence of negative mythological images shows that the path is difficult, but surmountable. Natural phenomena are also described

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Satıcıoğlu, H. "SOME KYRGYZ LEGENDS THAT AROSE THROUGH THE INFLUENCE OF ISLAMIC PARABLES." Herald of KSUCTA n a N Isanov, no. 2-2-2022 (April 30, 2022): 1011–17. http://dx.doi.org/10.35803/1694-5298.2022.2.1011-1017.

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There is a reciprocal relationship between religion and culture. Religion is a social institution that creates societies with elements such as faith, morals and rituals along with their cultures. In the historical process, beliefs such as Buddhism, Manichaeism, Zoroastrianism, Judaism, Christianity have been adopted by various Turkish tribes for various social and political reasons. However, the influence of the belief of Sky God, which is the basis of Turkish mythology and culture, on the Turkish tribes living in Turkestan has always continued. One of the results of the Talas War, which took

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5

Ilkin Hasanov, Ilkin Hasanov. "THOR HEYERDAHL AND AZERBAIJAN." PIRETC-Proceeding of The International Research Education & Training Centre 34, no. 01 (2025): 100–115. https://doi.org/10.36962/piretc34012025-100.

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This article invesigates the hypotheses of the famous Norwegian scientist and traveler Thor Heyerdahl about the historical and cultural ties between the peoples of Azerbaijan and Norway. Having visited Azerbaijan and observing petroglyphes in Gobustan, Heyerdahl comes to the conclusion that there are historical and ethnic ties between the two countries and that Norwegians and Azerbaijanis had the same roots in ancient times. The author of the article, in addition to highlighting the research of the famous traveler, attempts to provide some explanations for the Turkic roots of Odin, the chief g

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6

AGAYEV, Emin. "Investigations Of Mirali Seyidov About Turkish Mythology." Journal of Turkish Studies Volume 4 Issue 3, no. 4 (2009): 10–19. http://dx.doi.org/10.7827/turkishstudies.669.

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7

Ulus Avcı, Ünzüle, and Hatice ÇETİNKAYA. "Culture Carried from Turkish Mythology to Anatolia." International Journal of Language and Education Research 3, no. 3 (2021): 16–43. http://dx.doi.org/10.29329/ijler.2021.586.2.

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UCAN, Bahadir, Ertan TOY, Mehmet Emin KAHRAMAN, and Ismail Erim GULACTI. "REPRESENTATION OF TURKISH MYTHOLOGY IN VIRTUAL REALITY ENVIRONMENT." PEOPLE: International Journal of Social Sciences 6, no. 2 (2020): 362–70. http://dx.doi.org/10.20319/pijss.2020.62.362370.

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9

Bayrak, Bengisu. "Editorial." CINEJ Cinema Journal 6, no. 1 (2017): 1–3. http://dx.doi.org/10.5195/cinej.2017.173.

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This issue of CINEJ focuses on a variety of topics: Animated documentary, political cinema, female sexuality, religion, mythology and culture, orientalism, globalization and action movies, Halit Refiğ and Turkish cinema.

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10

BOZOK, Barış. "GODDESS CYBELE AND UMAY ANA İN CONTEMPORARY TURKİSH ART." IEDSR Association 7, no. 20 (2022): 167–79. http://dx.doi.org/10.46872/pj.579.

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In the past and today, many artists have made artistic productions based on their mythologies and cultures. It is seen that they are trying to convey their mythology and culture with works from all branches of art. In this research, it is studied how the cult of Goddess Cybele, which is considered as a subject in plastic arts, and the cult of Umay Ana, which is included in Turkish Mythology, reflected in Contemporary Turkish Art, from the Anatolian mythology and culture field, which has a very wide structure. In the research, the works of Neslihan Kıyar, one of the artists who reflect the cult

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11

Özkul, Kifayet. "The Horse in Turkish Mythology, Ahal-teke and Hyotherapy Methods." İnsan ve Sosyal Bilimler Dergisi 8, no. 1 (2025): 1–25. https://doi.org/10.53048/johass.1591641.

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The horse, which has been a source of inspiration in many fields from architecture to art in Turkish civilizations rising on horses from Turkestan to Anatolia, has been an indispensable element and cult at every stage of Turkish cultural history with the words “The horse is the wing of the Turk” in Divan-ı Lügat'it Türk written by Kashgarlı Mahmut and “A man on foot has no hope” in Dede Korkut. The horse, which is associated with the symbol of “time” in Kutadgu Bilig and with the “Big Dipper Constellation” in Turkish cosmology, has become famous as a close friend and valuable asset of bards su

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12

SAĞLAM CAN, Esengül. "Mythology as a Literary Source in Ahmet Midhat Efendi's Taaffüf Novel." Edebî Eleştiri Dergisi 6, no. 2 (2022): 116–25. http://dx.doi.org/10.31465/eeder.1073243.

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Ahmet Midhat Efendi, one of the versatile writers of Turkish literature, saw mythology as a spring that feeds literary works and drew attention to the importance of mythology in the series of articles he wrote in periodicals. In his novel Taaffüf, which was published as a book in 1895, the author preferred the method of telling the conflict of the heroine (Sâniha) with ancient representations and tried to exemplify how mythology can be used in the novel genre. In the novel, the heroine's struggle in her married life is told through two characters of Roman mythology. Sâniha's this struggle betw

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13

Baitenova, Nagima. "The idea of unity in Turkish mythology and religious worldviews." Azerbaijan Journal of Educational Studies 2, no. 2 (2020): 18–27. http://dx.doi.org/10.29228/edu.351.

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14

Boz, Murat. "Türk Kültüründe ve Alevi-Bektaşi İnancında Kapı-Eşik Kavramı." Edeb Erkan 3 (June 19, 2023): 157–71. http://dx.doi.org/10.59402/ee003202306.

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In Turkish culture, places and some parts of places have been given literal and esoteric meanings. When we look at the Alevi-Bektashi belief and culture, this situation is encountered in the concepts of door and threshold. In this article, the meanings of the concepts of door and threshold in Turkish culture and Alevi-Bektashi belief, the place of these concepts in Turkish mythology, how and how they take place in Islamic literature, their historical and religious origins and the way they are applied in worship are emphasized. At the beginning of the article, it is explained what kind of meani

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Urgancı, Elif Merve. "The Use of Cultural Symbols in Digital Media: An Evaluation Through Motion Graphics." Selçuk Üniversitesi Sosyal Bilimler Meslek Yüksekokulu Dergisi 28, no. 1 (2025): 245–71. https://doi.org/10.29249/selcuksbmyd.1647315.

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Cultural Cultural symbols play a significant role in transmitting social identity and values across generations. With the possibilities offered by modern technology, these symbols can reach wider audiences by being reinterpreted and processed through motion graphics on digital platforms. This study examines how cultural symbols can be reproduced in digital media and transmitted to younger generations. The primary aim is to adapt the Creation Epic of the Altai Turks using motion graphics as a modern storytelling technique and to evaluate its impact on contemporary audiences. A quantitative anal

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16

Kemaloğlu, Muhammet. "Türk Rivayetlerinde "Bozkurt" / The Bozkurt in Turkish Mythology." Journal of History Culture and Art Research 3, no. 4 (2015): 103. http://dx.doi.org/10.7596/taksad.v3i4.334.

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Bozkurt -Türk, Moğol ve Altay mitolojisinde kutsal hayvan ve ulusal sembol. Bozgurt (Boskord, Pusgurt) olarak da söylenir. Bozkaskır, Çalkurd sözcükleri yine aynı anlama gelir. Moğollar Börteçine (Börteşına, Börtöşono) derler. Gök kurt veya Gökbörü / Kökbörü tabiri de yine niteleyici olarak kullanılır. Yol gösterici, kutlu kurt, tüm Türk ve Moğol boylarının ortak totemidir. Bazı Türk ve Moğol boyları, soylarının bu kutlu varlıktan türediğine inanırlar. Kurt sürülerinin başında bulunup idare eden kurtlara da Gökkurt denilir. Kaskır ve Börü kelimeleri de değişik lehçe ve şivelerde kurt demektir

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17

Baghirova, Fatima. "The harmony of nature and civilization in contacts wıth ancient Turkish mythology." Studies on Oral Folk Literature of Azerbaijan, no. 02 (2024): 123. https://doi.org/10.59849/2309-7922.2024.2.123.

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18

DEMİRCİOĞLU, Devrim. "Türk mitolojisinde çocuklarda kahramanlık olgusu." Kastamonu İnsan ve Toplum Dergisi 2, no. 3 (2024): 25–36. https://doi.org/10.5281/zenodo.10987493.

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<strong>Türk mitolojisinde çocuklarda kahramanlık olgusu</strong> <strong> </strong><strong>Öz</strong> Türkler tarihin her devrinde çocuk eğitimine büyük önem vermişlerdir. Bu durum Türklere ait ilk bilgilerin yer aldığı yazılı metinlerde de gözlenmektedir. Türklerin tarih sahnesine çıktığı türeyiş destanlarında çocuk kahramanlar her zaman önemli birer figür olmuşlardır. Bu destanların birinde savaşta öldürülmeyip çöle bırakılan bir bebeğin dişi bir kurt tarafından emzirilme

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19

Shapira, Dan. "Īrān-o Tūran: On Iranian (and Quasi-Iranian) in the Ruhnama." Iran and the Caucasus 14, no. 2 (2010): 265–78. http://dx.doi.org/10.1163/157338410x12743419190188.

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AbstractAfter the disintegration of the Soviet Union, political élites of some of the former Soviet republics, especially the Turkic-speaking ones, found themselves in ideological limbo. The first President of Turkmenistan, Saparmurat Niyazov (Saparmyrat Nyýazow), has trodden his way out from the vacuum of legitimacy in the most original and interesting manner. In 2001, Niyazov, known also as Turkmenbashi (Türkmenbaşy), made public his book, Ruhnama, which later has been translated into about fifty languages. The book, appealing to the Oğuz Turkic heritage of the Turkmen nation, to her remote

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20

Khujanova, Gulchehra Uralovna. "THE IMAGE OF A PERFECT MAN IN ANCIENT TURKISH POETRY." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, no. 09 (2021): 69–75. http://dx.doi.org/10.37547/pedagogics-crjp-02-09-15.

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Man, being primarily a spiritual being, has always tried to comprehend the natural and social processes taking place around him. Observation of them, direct participation in these processes of the person himself, evaluation from the point of view of certain moral, aesthetic and other social values lead to the emergence of a holistic image of the world. Mythology mainly reflected the ideological foundations of the existence of ancient man, which gave rise to the main question of the worldview, the question of the relationship between "it" and "we". It can be concretized in understanding the rel

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Khujanova, Gulchehra Uralovna. "THE IMAGE OF A PERFECT MAN IN ANCIENT TURKISH POETRY." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, no. 09 (2021): 69–75. http://dx.doi.org/10.37547/pedagogics-crjp-02-09-15.

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Man, being primarily a spiritual being, has always tried to comprehend the natural and social processes taking place around him. Observation of them, direct participation in these processes of the person himself, evaluation from the point of view of certain moral, aesthetic and other social values lead to the emergence of a holistic image of the world. Mythology mainly reflected the ideological foundations of the existence of ancient man, which gave rise to the main question of the worldview, the question of the relationship between "it" and "we". It can be concretized in understanding the rel

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22

Kartal, Atila, Kemal Şimşek, Emine Atmaca, and Haktan Kaplan. "Metaphorical Language and Function of the “Bridal Pick-Up” Ritual in Anatolian Traditional Weddings with Its Origin and Reflections." Religions 15, no. 5 (2024): 530. http://dx.doi.org/10.3390/rel15050530.

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In the urban centers of Türkiye, where cultural changes are more widespread and effective, wedding processional is replaced by the solemnization of the marriage at indoor weddings, and the Kūdegū (old Turkic language; refers to bridegroom, son-in-law) awaiting the bride’s arrival at the boy’s house is replaced by differences in the way of the bride and groom’s entry together; moreover, while wedding rituals such as the bridal bath and groom’s hammam are being forgotten, bachelor/bachelorette parties are on the rise. The beliefs and practices related to the bride being taken out of the girl’s h

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ŞENOCAK, Ebru. "The Place Of Grape In Turkish Folk Culture And In Context Of Mythology." Journal of Turkish Studies Volume 3 Issue 5, no. 3 (2008): 175–92. http://dx.doi.org/10.7827/turkishstudies.418.

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24

Öğr. Üyesi Hasan BALTACI, Dr. "TÜRK MİTOLOJİSİNİN PLASTİK SANAT ESERLERİNE YANSIMASI / The Reflection of Turkish Mythology on Plastic Arts." International Journal of Interdisciplinary and Intercultural Art 10, no. 10 (2020): 85–100. http://dx.doi.org/10.29228/ijiia.115.

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25

Koç, Dilara Eylül, and Özge Çaylak Dönmez. "Türk Mitolojisi Ritüellerinde Yer Alan Yiyecek ve İçecekler (Food and Beverages in Turkish Mythology Rituals)." Journal of Tourism and Gastronomy Studies 8, no. 4 (2020): 3303–18. http://dx.doi.org/10.21325/jotags.2020.763.

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26

Khassenov, B. R. "Mythical and linguistic interpretation of the sign point inside the circle." Bulletin of the Karaganda University. Philology series 101, no. 4 (2020): 34–39. http://dx.doi.org/10.31489/2020ph4/34-39.

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The article is devoted to the hypotheses of S. Qondybai about the archetype sign and sound, which are perceived as changes in Kazakh humanitarian science. S. Qondybai «The Head of Kazakh Mythology» during his short life has made great changes in Kazakh science. He connected several scientific paradigm and made many discoveries in the field of mythology and linguistics. Especially, his opinion of archetypal sounds should not remain out of the researchers’ sight. Turcologist researchers define an archetypal sound at the beginning of a word through sounds that are found in records of written cult

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Bläsing, Uwe, and Asiye Atakan. "Legende oder Sage? Der Fall Mäander." Iran and the Caucasus 16, no. 1 (2012): 13–44. http://dx.doi.org/10.1163/160984912x13309560274019.

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AbstractThis paper focuses on two modern Turkish folktales being recounted in Afyonkarahisar (Western Anatolia). Both tales appear to have their roots in ancient Greek mythology, in which Meander is the main character. The story line is that Meander vows to the mother Goddess Cybele to sacrifice the first person coming to greet him, if she would grant him the victory in a decisive battle. The first person coming up to him after the battle turns out to be a close family member. He becomes mad with grief and kills himself by drowning in a nearby river, which is subsequently renamed in his honour

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Cvijanović, Irena. "ANCIENT MOTIFS AND SYMBOLS ON THE FACADES OF MODERN BELGRADE." Zbornici radova Istorijskog instituta Beograd, no. 45/2024 (August 20, 2024): 33–58. http://dx.doi.org/10.34298/zr9788677431549.c033.

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This paper deals with ancient facade motifs in the recent architecture of Belgrade and the influences under which they were created. Generations of our students who stayed in France and other European countries brought the neoclassical style to Serbia. With the development of Neoclassicism, characters from ancient mythology came to life on Belgrade’s facades. Particularly interesting antique facade motifs can still be seen today on the buildings of the Palace of the Serbian Academy of Sciences and Arts, Archives of Serbia, Captain Miša’s building, Old General Staff, Old Royal Palace, Turkish E

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Anikeeva, Tatiana A. "THE TURKIC DELI [POSSESSED] DOMRUL AND THE GREEK ADMET. A STUDY BY W. EBERHARD." Folklore: structure, typology, semiotics 3, no. 4 (2020): 90–107. http://dx.doi.org/10.28995/2658-5294-2020-3-4-90-107.

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The article contains a commented publication of a fragment from the unpublished work of a Sinologist Wolfram Eberhard (1909–1989) “Über die Erzählungen des Dede Korkut” (“On the legends of” “Dede Korkut”). “The Book of Dede Korkut” always was the object of particular interest to scholars engaged in comparative research and typology of folklore. It is generally accepted that the formation of some of the legends, included in “Kitab-i Dedem Korkut”, was strongly influenced by both the Byzantine, Greek folklore, and archaic plots of the earlier period, what became the starting point of the researc

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SÜMBÜL, Feride, and Selmin SÖYLEMEZ. "İncil ile İlgili ve Tarihi Anıştırmaların Çevirisi: Christopher Marlowe’un Doktor Faustus’u Üzerine Bir Çalışma." Cankaya University Journal of Humanities and Social Sciences 16, no. 1 (2022): 27–42. http://dx.doi.org/10.47777/cankujhss.937402.

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The literary concept of intertextuality provides a new insight for translation studies. According to intertextual theory, texts are not isolated, they interact with each other in a way that a text is under the influence of preceding ones and it affects later writings (Allen 1). In translation, intertextual theory enables translators to take into consideration intertextual relations of a text to other texts which also means a translator should be aware of the literary and cultural tradition of the target culture. Allusions as one of the features of intertextuality hide a broader meaning and car

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Yamaeva, E. E. "On an episode of a funeral ritual associated with a dog in the Teleut epic “Keziyke”: To the problem of Turkic (Oghuz) and Indo-Iranian cultural heritage." Languages and Folklore of Indigenous Peoples of Siberia, no. 42 (2021): 94–101. http://dx.doi.org/10.25205/2312-6337-2021-2-94-101.

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A dog plays a significant role in the world mythology. The Teleut epos “Keziyke” presents the motif of a dog being killed during the funeral ceremony. Also, this motif can be seen in the text of “Avesta” telling about bringing a dog to the funeral ceremony to help the soul reach the world of the dead safely. Teleuts are considered descendants of the ancient Oguz, an ethnic group of Turkic origin. The oral folklore provided us with the idea of a dog state and people born with a dog body and a human head. The analysis of the Chinese chronicle allows assuming that a habit of people’s feeding the

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AYDEMİR, Dilek. "Revitalizing Turkish Mythological Elements through Artificial Intelligence Applications in Graphic Design: A Case Study on Midjourney." International Scientific and Vocational Studies Journal 7, no. 2 (2023): 187–205. http://dx.doi.org/10.47897/bilmes.1400144.

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Artificial intelligence has become a new form of expression within our digitally evolving lives. By using illustrations to narrate stories visually, it's possible to visualize cultural values, traditions, and myths, making them more understandable. Fusing traditional storytelling techniques with the digital capabilities of new technologies like artificial intelligence is a powerful tool for revitalizing stories and traditional narratives, adding a new dimension to these tales and myths. Understanding how we can revive traditional narratives and myths is crucial in grasping their role in preser

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Nurdauletova, B., and O. Amankosov. "Turkic genesis of “seahorses” according to Serikbol Kondybai (based on sacred texts of Mangistau)." Bulletin of L.N. Gumilyov Eurasian National University PHILOLOGY Series 145, no. 4 (2023): 87–98. http://dx.doi.org/10.32523/2616-678x-2023-145-4-87-98.

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In Mangystau sacred texts (petroglyphs, epitaphs, inscriptions), the image of a horse occupies a special place. There is a mythological concept of the «sea horse» in the folklore of the peoples living near the Caspian Sea. «Water stallion» coming out of the water is used as a symbol of speed in the language of giraffes. The article examines the researches of the Kazakh local historian, geographer, ethnographer, mythologist Serikbol Kondybai regarding the «sea horse» in Turkish mythology. Serikbol Kondybai says that the root of the word «ertteu» in the Kazakh language is connected with the pers

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BASHMAKOV, I. S., and A. N. POSISEEV. "ORAL TRADITION AS AN INSTRUMENT OF LOCAL PUBLIC POLICY OF MEMORY (BASED ON THE MATERIALS OF MODERN GREECE)." South Russian Journal of Social Sciences 26, no. 1 (2025): 56–70. https://doi.org/10.31429/26190567-26-1-56-70.

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The article examines the practices of transmitting local historical heritage and socio-cultural experience through oral tradition, implemented in the public policy system, aimed at forming local identity and collective memory, based on the materials of the village of Katoсhi (Municipality of Messalonghi) in western Greece. The research methodology included a qualitative sociological survey (in-depth interviews), as well as an analysis of media data, official websites, and statistics. It was determined that the subjects of public memory policy at the local level are municipal authorities and th

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Begimova, G. A., K. K. Kenzhalin, and G. S. Seіdagaliyeva. "National and cultural knowledge of plant lexemes in Kazakh and Turkish languages." Bulletin of the L.N. Gumilyov Eurasian National University. Political Science. Regional Studies. Oriental Studies. Turkology Series. 134, no. 1 (2021): 144–53. http://dx.doi.org/10.32523/2616-6887/2021-134-1-144-153.

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When a person learns about the world, hefirst of all aims to reveal itssecrets, riddles,in order to see and accept various objects in the environment, to become an integral part of it and to create daily life. Although the trend started in ancient times, it is still recurring today. Because learning and an interest in the process, is a quality specific to humanity. As a result of this knowledge, the language is enriched, thought is improved,various legends, myths, and stories are born. That is, what is achieved in knowledge - with the help of our language, and the worldview itself unfolds alon

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Branach-Kallas, Anna. "The Gallipoli Mission, landscape and the changing meanings of heritage: On Dangerous Ground (2012), by Bruce Scates." Journal of New Zealand & Pacific Studies 10, no. 1 (2022): 25–36. http://dx.doi.org/10.1386/nzps_00090_1.

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Bringing together history, heritage studies, conflict archaeology, ecocriticism and literary analysis, this article contends that the 2012 novel On Dangerous Ground: A Gallipoli Story provides an important reflection on the multiple meanings of Australian national heritage and its fluctuations at the First World War centenary. As I argue, its author, Bruce Scates, recognizes the different heritages of the Gallipoli peninsula by including a multiplicity of voices and perspectives in the 1915 layers of his novel. The whole tradition of Australian historiography, to which Scates himself has large

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Kuśmierski, Jacek. "Material for studying the garden myths of King John III from the nineteenth to the early twentieth century." Studia Wilanowskie XXX (July 31, 2024): 247–322. http://dx.doi.org/10.5604/01.3001.0054.6991.

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The image of King John III as a great lover of gardens is permanently enshrined in Polish tradition and is still alive in the consciousness of many Poles. The sources of this phenomenon are stories, legends and anecdotes published throughout the nineteenth and the early twentieth century, crediting him with planting a countless number of trees, bringing poplars from the Ottoman Empire or employing Turkish captives to build the gardens of the Wilanów palace. The belief in their veracity was so strong that even eminent historians, ethnographers, horticulturists and botanists included them in sci

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Valiyeva, Farida Hijran. "THE MYTHICAL AND MYSTICAL POSITION OF NUMBERS IN 13TH–15TH CENTURY TURKIC LANGUAGE POETRY." Scientific Journal of Polonia University 56, no. 1 (2023): 273–81. http://dx.doi.org/10.23856/5639.

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The article examines the mythical, mystical and mysterious meanings of the numbers included in people's religious-philosophical meetings. XIII–XV centuries Turkish poets' different views on numbers with a special meaning in their work are being refined. The hidden themes touched by the artists of the word, who reflect the literary and artistic principles of the period in their works, are refined by using numbers. The article clarifies the conclusions of our elders, owners of ideas and words in relation to certain events, with examples from oral literature. In the context we will talk about, in

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Kupina, Daryna. "Fazil Say’s «Shahmeran»: the metamodern paradigm of an Eastern myth in the music of a Turkish composer." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 140 (November 28, 2024): 116–26. https://doi.org/10.31318/2522-4190.2024.140.318651.

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The relevance of the study The relevance of this study stems from the insufficient scholarly exploration of Turkish academic music, particularly its contemporary manifestations, which integrate Eastern traditions with Western compositional techniques. The musical legacy of Fazıl Say, one of the most prominent representatives of 21st-century Turkish music, showcases a unique synthesis of national identity and global musical trends, reflecting Turkey's broader cultural context as a crossroads of civilizations. The main objective of the study is to examine the stylistic features of Fazıl Say’s sy

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KABAK, TURGAY. "Examination of Folk Beliefs in Yomra District According to Functional Theory." Revista de etnografie și folclor / Journal of Ethnography and Folklore 2025, no. 1-2 (2025): 106–20. https://doi.org/10.59277/jef.2025.1-2.08.

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When looking at studies on folk beliefs in Turkey, we generally find two types of publications. The majority of research focus on revealing the origins of folk beliefs, which identified through fieldwork, in old Turkish religion and mythology, and establishing connections between the past and the present. The studies in the second group involve analyses of folk beliefs collected from one region of Turkey with those from other regions, or with folk beliefs from different regions of the Turkic world using a comparative method. There are scarcely any studies that address the functional dimension

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Avramović, Zoran. "THE IDENTITY OF KOSOVO-METOHIAN SERBS SHAPED BY HISTORY." Leskovački zbornik 64, no. 1 (2024): 157–68. http://dx.doi.org/10.46793/lz-liv1.157a.

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The author considers characteristics meaning of Serbian culture in Kosovo and Metohija, thoughtout a historical period dating from the XIII and XIV century to the present days. Theoretical and methodological difficulties of such studies are being stressed in the introductory part of the paper. In the second part, existential conditions of cultural life of Serbian people are presented both during the Middle Ages and a long period of the Turkish domination and Albanian islamization. Yugoslav state experience (1918- 2000) and NATO aggression are discussed in the context of culture. The third part

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Yakar, Halide Gamze Ince. "From Mythological Ages to Anthropocene: Nature and Human Relationship." International Education Studies 11, no. 5 (2018): 94. http://dx.doi.org/10.5539/ies.v11n5p94.

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Ecological problems are some of the most important items on the agenda of humanity in the 21st century. Adding spiritual depth, ethical point of view and basic human traditions to the contribution that human beings provide to ecological problems through intellect will provide realistic and lasting results. In the Palaeolithic Age, where man is under the domination of nature, he owes gratitude to the divine power of nature and worships its elements. With the beginning of industrialization, myths were only old-time stories for humanity. Due to the holism rule of ecology the salvation of nature m

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Soğukkuyu, Bahar. "Analysis of cover designs of art books published in Turkey." Journal of Human Sciences 17, no. 4 (2021): 1323–37. http://dx.doi.org/10.14687/jhs.v17i4.6082.

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The action of thinking, which is human-specific, forms the basis of art since yesterday. The individual and the communities not only relieve their vital activities, but also produce products that carry aesthetic value by utilizing the power of sensory and intellectual expression, and use them, keep them, transfer them to future generations, and they are the result of their spiritual meaning beyond their existing constitution. Analyzing the art works, movements, periods and artists in relation to different disciplines such as history, sociology, philosophy, mythology, explaining the concepts of

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Nagy, László Kálmán. "Reinterpretacja poetyki węgierskiej powieści historycznej w utworach najnowszych." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 23 (December 30, 2023): 297–310. http://dx.doi.org/10.24917/20811853.23.17.

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The main idea of the article is the description of selected works which belong to the latest Hungarian historical novels. They are surprising for readers and at the same time constitute a polemic with the genre classics. The best‑known historical novelists ate the turn of the 19th and 20th centuries in Hungary are: Géza Gárdonyi and Maurycy Jókai. One of the reasons for their popularity is the fact that in their works they mentioned well‑known and at the same time painful events from the history of Hungary. It was the era of Turkish rule and the period of theHungarian Spring of Nations. Other

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Meliboeva, Marhabo. "MYTHOLOGY IN THE EPIC ”O’GUZNOMA”." Advances in Science and Humanities 1, no. 04 (2025): 14–16. https://doi.org/10.70728/human.v01.i04.004.

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The Turkic peoples have long possessed a rich spiritual and religious worldview, in which religious-philosophical currents such asShamanism, Zoroastrianism, Monism, and Buddhism played a significant role. Traces of these belief systems are deeply reflected in an-cient Turkic literary heritage, particularly in epic works. The epic ”O‘guznoma” stands as a vivid example, incorporating mythologicalconcepts and reflecting the ancient Turkic worldview. This article explores the mythological elements represented in the ”O‘guznoma”epic and examines their connection with ancient Turkic literary thought

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Akanova, Aikerim, Lyazzat Yespekova, Kuanyshbek Kenzhalin, Amangul Adilbek, and Amina Magzumbekova. "Mythical cognition and social consciousness (based on mythological characters)." Scientific Herald of Uzhhorod University Series Physics, no. 55 (November 24, 2023): 2674–81. http://dx.doi.org/10.54919/physics/55.2024.267vt4.

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Relevance. The set of views that are closely related to art and culture, which develops and develops in close connection with the life of the nations of the world over the centuries is called a worldview.Purpose. The root of such concepts as national cognition, national identity, general worldview is intertwined with mythology.Methodology. The article also proves the origin, foundation, continuity and irony of the mythology found in Turkic and foreign mythology, as well as analyzes the similarities and differences between the core of the Turkic worldview, mythical knowledge of the peoples in t

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Musurmanov Erkin. "Representations of the origin of the universe in ancient and centrasiatic mythology." International Journal on Integrated Education 3, no. 6 (2020): 52–55. http://dx.doi.org/10.31149/ijie.v3i6.406.

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This article discusses the interpretation of the main gods of the Uzbek (Turkic) and Chinese mythology, their similar and distinctive features. Comparing the deities of Chinese mythology Pangu and Uzbek mythology Tengri, as well as the goddesses of Chinese and Uzbek mythology Nyuva and Umai, it is concluded that there is the unity of the genesis of the main gods of the pantheon of mythology of the two peoples.

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Дампилова, Людмила Санжибоевна. "THEONYM 'KHAIRKHAN' IN TURKIC-MONGLOLIAN MYTHOLOGY." Tomsk Journal of Linguistics and Anthropology, no. 2(28) (September 18, 2020): 118–26. http://dx.doi.org/10.23951/2307-6119-2020-2-118-126.

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В тюрко-монгольской мифологии при проведении обрядовых действ (почитание небожителей, духов предков, духов гор и огня) наиболее употребительным обращением к божеству является слово хайрхан / кайракан. Статья посвящена значениям данного слова в тюркских и монгольских обрядовых действах, выявлению их различий в зависимости от традиций, обрядового действа, языковых особенностей в диахронном срезе. Актуальным представляется анализ теонима хайрхан / кайракан у монгольских народов в сравнении с сибирскими тюрками Саяно-Алтайского ареала с точки зрения сохранности и трансформации кодового слова в обр

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Orazkhan, N. N., S. Daribaev, and R. Orazova. "Zhalmauyz Kempir – a Special Image in Turkic Mythology." Iasaýı ýnıversıtetіnіń habarshysy 134, no. 4 (2024): 233–45. https://doi.org/10.47526/2024-4/2664-0686.117.

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The most ancient layer of literature, characteristic of the Turkic peoples, originates from ancient Turkic mythology, which is based on images and plots, mythological symbols and associations. An important direction in the development of the field of mythology in ancient times is associated with the appearance of mythical creatures that, through a magical chain, generalize a community of images similar in properties and appearance. Genres such as archaic epics, fairy tales, and legends developed at a later time on the basis of ancient mythological views. Some mythical creatures in these works

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Маммадова, Самира Джамал кызы. "Lexical units and in common Turkic mythology." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 3(282) (March 2, 2022): 77–82. http://dx.doi.org/10.53598/2410-3489-2021-3-282-77-82.

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В статье проводится этимологический анализ лексических единиц шаман и кам , широко используемых в шаманизме. В ходе исследования анализируются всевозможные варианты и семантические дублеты этих лексических единиц в тюркских языках, изучается этимологическая история и ареал употребления данных слов. Излагаются языковые факты о родственной связи этих лексических единиц в тюркских языках. Установлено, что шаманизм не является религией, по утверждению автора на самом деле - это особая система мировоззрения древних народов. В рамках исследования были использованы историко-сравнительный, сравнительн

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