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Books on the topic 'Turkish Women poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2024

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1

Bekiroğlu, Nazan. Şâir Nigâr Hanım. Cağaloğlu, İstanbul: İletişim, 1998.

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2

Balkan kadın şairleri şiir antolojisi. Prizren, Kosova: BAY Yayınları, 2009.

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3

author, Çeşm-i. Âfet 1907, ed. Kahire sarayında bir hanım şair: Çeşm-i Âfet ve divânı (Levha-i Dil). Konya: Palet Yayınları, 2012.

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4

Kolçak, Olcay. Adile Sultan. İstanbul: Kastaş Yayınevi, 2005.

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5

Ölümünün 100. yılında Sultan II. Mahmud'un kızı Âdile Sultan: Hayatı, vakıfları ve hayratı. Eyüp, İstanbul: Çamlıca Kültür ve Yardım Vakfı, 2000.

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6

Tarihsel süreçte-- Kıbrıs Türk edebiyatı'nda kadın şair ve yazarlar. [Nicosia, Cyprus?]: Mavi Basım Yayın, 2007.

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7

Gökhan, Halil. Kadın şiirleri. İstanbul: Kafekültür Yayıncılık, 2017.

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8

Barış, Şafak. Kadın portreleri. Cağaloğlu, İstanbul: Gar Yayınları, 2020.

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9

Halide Nusret Zorlutuna: Küçük dostların öğretmeni. Bursa: Ezgi Kitabevi, 2008.

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10

Ayçiçek, Arzu K. Dağın ardı: (anı defteri). İstanbul: Artshop, 2017.

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11

1963-, Alkan İspirli Serhan, ed. Solmuş çiçekler: Inceleme-metin. Erzurum: Salkımsöğüt Yayınları, 2008.

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12

Sarıçiçek, Mümtaz. Şair Sezen Aksu: Müziğin gölgesindeki şiir. Kayseri: Kimlik Yayınları, 2018.

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13

Hakverdioğlu, Metin. Mihrî Hâtun'u anlamak: Tahlil. Ankara: Amasya Belediyesi Kültür Yayını, 2016.

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14

Hanım, Şeref. Şeref Hanım divanı. İstanbul: Kitabevi, 2002.

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15

Tanzimat'tan Cumhuriyet'e aydın kadınlar: Şair ve yazarlar (1850-1950). İstanbul: Akademik Kitaplar, 2012.

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16

20. yüzyıl âşık şiiri geleneğinde kadın âşıklar. Ankara: Akçağ, 2012.

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17

Konuşmalar kitabı: Şairler arasında kadın olmak. İstanbul: Paradoks, 2013.

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18

Orhan, Pamuk. Snow. New York, USA: Vintage International, 2005.

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19

Orhan, Pamuk. Snow. New York: Vintage International, 2005.

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20

1952-, Freely Maureen, ed. Snow. New York: Everyman's Library, 2011.

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21

Stella, Vretou, ed. Chioni. Athe na: O keanida, 2007.

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22

1952-, Freely Maureen, ed. Snow. New York: Knopf, 2004.

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23

Anna, Polat, ed. Śnieg. Kraków: Wydawn. Literackie, 2006.

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24

Orhan, Pamuk. Xue. Taibei Shi: Mai tian chu ban, 2008.

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25

1952-, Freely Maureen, ed. Snow. New York: Vintage International, 2005.

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26

Orhan, Pamuk. Schnee: Roman. Bonn: Bundeszentrale für politische Bildung, 2005.

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27

Snow. Rearsby: W.F. Howes, 2007.

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28

Orhan, Pamuk. Nieve. México, D.F: Alfaguara, 2006.

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29

Sergeevna, Avrutina Appolinariâ, and Torgovo-izdatel'skij dom "Amfora", eds. Sneg. Sankt-Peterburg: Amfora, 2013.

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30

I︠U︡khma, Mishshi. Avalkhi chăvashsen chaplă khĕrarămĕsem: Avalkhi chăvashsen khĕrarăm-i︠u︡răşisem. [Shupashkar]: "Pike" zhurnal biblioteki, 1993.

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31

1943-, Soeria Disastra, ed. Tirai bambu: Kumpulan puisi baru Tiongkok. Bandung: Titian, 2006.

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32

Ümmü'l-muharrirat Halide Nusret Zorlutuna. Cağaloğlu, İstanbul: Kitabevi, 2011.

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33

Kimseye Etmem Sikayet. Dogan Kitap, 2013.

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34

Havlioglu, Didem. Mihrî Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History. Syracuse University Press, 2017.

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35

Mihrî Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History. Syracuse University Press, 2017.

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36

Balan, Canan. Imagining Women at the Movies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0005.

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This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging in the patriarchal imagination of that time. In order to understand the reception of early cinema in Turkey as well as the cultural status of Turkish cinema among the Ottoman/Turkish intelligentsia and the gender politics surrounding it, the chapter looks at novels, poems, and newspaper reviews. The discussion begins with an overview of film market in post-World-War I Istanbul and cinema-going as a public experience in the Ottoman capital. An analysis of female spectators depicted by male authors reveals a changing culture of spectatorship. This occurred concomitantly with the sociopolitical transition from the declining Ottoman Empire to the rise of the Turkish nation-state. The chapter argues that the change in gender politics during this period triggered the new anxieties that creative writers project onto the activity of filmgoing, and particularly that by cinema-going women.
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37

Orhan, Pamuk. NIEVE. ALFAGUARA, 2005.

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38

Orhan, Pamuk. Snow. Everyman Paperback Classics, 2011.

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39

Neve. Editora Campanhia das Letras, 2007.

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40

Orhan, Pamuk. Snow. RH Audio, 2007.

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41

Snow. Gardners Books, 2005.

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42

Orhan, Pamuk. Nieve/snow. Alfaguara, 2006.

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43

Orhan, Pamuk. SCHNEE. Carl Hanser Verlag, 2006.

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44

Orhan, Pamuk. Schnee. Fischer, 2007.

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45

Neige. European Schoolbooks, 2004.

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46

Snow. Alfred A. Knopf, 2005.

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47

Kar. Iletisʹim, 2004.

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48

Neige. GALLIMARD, 2005.

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49

Snow. New York: Knopf Doubleday Publishing Group, 2006.

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50

Orhan, Pamuk. Schnee. Fischer Taschenbuch Vlg., 2009.

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