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1

al-Dīn, Waḥīd al-Dīn Bahāʼ. Wujūh Turkumānīyah fī riḥāb al-thaqāfah wa-al-ṣiḥāfah. [publisher not identified], 2013.

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2

Issa, Zahraa Haval. Irak Türkmen kadın yazımı. Günce Yayınları, 2021.

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3

Hasan, Mushirul. Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. Oxford University Press, 2010.

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4

Hasan, Mushirul. Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. Oxford University Press, 2010.

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5

Adıvar, Halide Edib. House with wisteria: Memoirs of Turkey old and new. Transaction Publishers, 2009.

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6

Euripides. Trojan women. Oxford University Press, 2008.

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7

Euripides. The Trojan women. Focus Classical Library, 2005.

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8

Euripides. The Trojan women. I.R. Dee, 1999.

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9

Euripides. The women of Troy. Methuen Drama, 2007.

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10

Adıvar, Halide Edib. House with wisteria: Memoirs of Halidé Edib. Leopolis Press, 2003.

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11

Euripides. Trojan women: The Trojan women by Euripides, and Helen and Orestes by Ritsos. Exile Editions, 1990.

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12

Hayatseven, Hülya, and Ş. Gönül Küfteoğlu. Anlatan kadınlar: Roman, öykü. Kadın Eserleri Kütüphanesi ve Bilgi Merkezi Vakfı, 2003.

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13

Euripides. Trojan women: Iphigenia among the Taurians ; Ion. Harvard University Press, 1999.

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14

Berlinski, Claire. Lion eyes. Ballantine Books, 2007.

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15

Berlinski, Claire. Lion eyes. Ballantine Books, 2007.

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16

Berlinski, Claire. Lion eyes. Ballantine Books, 2007.

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17

Bunting, Eve. A turkey for Thanksgiving. Scholastic Inc., 1993.

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18

1946-, Ḵẖayāla Priyadarśī Ṭhākura, ред. Sno: [vaiśvika rājanīti ko eka prema kahānī meṃ sameṭatā adbhuta upanyāsa]. Peṅguina Buksa, 2012.

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19

Sergeevna, Avrutina Appolinariâ, and Torgovo-izdatel'skij dom "Amfora", eds. Sneg. Amfora, 2013.

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20

translator, ʻAbdāllī ʻAbd al-Qādir, ed. Thalj. Dār al-Madá, 2017.

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21

1952-, Freely Maureen, ed. Snow. Everyman's Library, 2011.

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22

Stella, Vretou, ed. Chioni. O keanida, 2007.

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23

1952-, Freely Maureen, ed. Snow. Knopf, 2004.

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24

Anna, Polat, ed. Śnieg. Wydawn. Literackie, 2006.

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25

1952-, Freely Maureen, ed. Snow. Vintage International, 2005.

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26

Orhan, Pamuk. Nieve. Alfaguara, 2006.

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27

Orhan, Pamuk. Snow. Vintage International, 2005.

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28

Orhan, Pamuk. Snow. Vintage International, 2005.

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29

Orhan, Pamuk. Xue. Mai tian chu ban, 2008.

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30

Orhan, Pamuk. Schnee: Roman. Bundeszentrale für politische Bildung, 2005.

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31

Pamuk, Orhan. The museum of innocence. Random House Large Print, 2009.

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32

Orhan, Pamuk. The museum of innocence. Random House Audio, 2009.

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33

Orhan, Pamuk. The Museum of Innocence. Knopf Doubleday Publishing Group, 2009.

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34

Orhan, Pamuk. Muzei Nevinnosti. Izd-vo "Amfora", 2009.

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35

Orhan, Pamuk. The museum of innocence. Random House Large Print, 2009.

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36

Orhan, Pamuk. The museum of innocence. Vintage International, 2010.

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37

1952-, Freely Maureen, ed. The museum of innocence. Alfred A. Knopf, 2009.

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38

Halide Edib ve gerçekler. Kripto, 2012.

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39

Halidé Edib and Sibel Erol. House with Wisteria: Memoirs of Turkey Old and New. Transaction Publishers, 2003.

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40

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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41

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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42

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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43

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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44

Adıvar, Halide Edib. House with Wisteria: Memoirs of Turkey Old and New. Taylor & Francis Group, 2017.

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45

Balan, Canan. Imagining Women at the Movies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0005.

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This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging in the patriarchal imagination of that time. In order to understand the reception of early cinema in Turkey as well as the cultural status of Turkish cinema among the Ottoman/Turkish intelligentsia and the gender politics surrounding it, the chapter looks at novels, poems, and newspaper reviews. The discussion begins with an overview of film marke
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46

Çaha, Ömer. Strong State and Plural Society in Turkey. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978726765.

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The author draws attention to the strong state tradition and the pluralistic society that both prevailed in Turkey. He argues that the Turkish state tradition envisages centralization, social cohesion and an obedient political culture. Through the modernization process of the last century, it has tried to change the society from top to down, and built an ideological and unitarian public sphere. However, the transition to multi-party system in 1950 and the liberalization policies that followed in the post-1980s have prepared the ground for different social movements to come into existence in th
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47

Istanbul In Womens Short Stories. Milet Publishing, 2012.

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48

Between modernity and nationalism: Halide Edip's encounter with Gandhi's India. Oxford University Press, 2010.

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49

Parrot, Andrea, and Nina Cummings. Sexual Enslavement of Girls and Women Worldwide. Greenwood Publishing Group, Inc, 2008. http://dx.doi.org/10.5040/9798216013549.

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They are in different countries but share the same hell. Maria is one of 14 women lured from Mexico to Seattle, Washington, with the promise of a job, then held by force in a brothel and required to sexually service men 12 hours a day. Anna is a young mother from the Ukraine who left her husband and children there to take a job as a housecleaner in Italy, where she was put in a barred, guarded house and forced into prostitution. Nadia is an 11-year-old girl in Africa, kidnapped and forced to have sex with a militiaman daily, with a machete ever ready nearby should she refuse. All three women a
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50

Adıvar, Halide Edib. House With Wisteria: Memoirs of Halide Edib. Leopolis Press, 2003.

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