Relevant bibliographies by topics / Turquoise (Color)

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Academic literature on the topic 'Turquoise (Color)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Turquoise (Color)"

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Gevers, Wim, Ineke Imbo, Roi Cohen Kadosh, Wim Fias, and Robert J. Hartsuiker. "Bidirectionality in Synesthesia." Experimental Psychology 57, no. 3 (January 1, 2010): 178–84. http://dx.doi.org/10.1027/1618-3169/a000022.

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Color-grapheme synesthetes automatically perceive achromatic numbers as colored (e.g., 7 is turquoise). Up until recently, synesthesia was believed to be unidirectional. For instance, the number 7 gives rise to the percept of turquoise but the perception of turquoise does not trigger the number 7. However, some recent studies argue for bidirectional connections ( Cohen Kadosh et al., 2005 ; Johnson et al., 2007 ; Knoch et al., 2005 ). In this study, a multiplication verification task (e.g., 7 × 2 = 14, true/false?) was used to test bidirectionality. In agreement with previous studies we observed that the presentation of colors evokes numerical magnitudes. The current findings add two important notions to previous studies: (a) The influence of color on the processing of numerical information can be extended to multiplication verification tasks and (b) The perception of color can both facilitate and interfere with the processing of digit-related information.
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CANTO-PEREIRA, LUIZ HENRIQUE M. DO, GALINA V. PARAMEI, EDGARD MORYA, and RONALD D. RANVAUD. "Inhibition or facilitation of return: Does chromatic component count?" Visual Neuroscience 23, no. 3-4 (May 2006): 489–93. http://dx.doi.org/10.1017/s0952523806233261.

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Inhibitory effects have been reported when a target is preceded by a cue of the same color and location. Color-based inhibition was found using red and blue nonisoluminant stimuli (Law et al., 1995). Here we investigate whether this phenomenon depends on the chromatic subsystem involved by employing isoluminant colors varying along either the violet-yellow or purple-turquoise cardinal axis. Experiment 1 replicated Law et al.'s study: After fixating magenta, either a red or blue cue was presented, followed by a magenta “neutral attractor,” and, finally, by a red or blue target. In Experiment 2, violet and yellow, cue or target, varied along a tritan confusion line in the CIE 1976 chromaticity diagram. In Experiment 3, purple and turquoise, cue or target, varied along a deutan confusion line in the CIE 1976 chromaticity diagram. Normal trichromats (n = 19) participated in all three experiments. In Experiment 1, color repetition indeed resulted in longer reaction times (RTs) (4.7 ms, P = 0.038). In Experiment 2, however, no significant color repetition effect was found; RTs to violet and yellow were not significantly different, though tending toward slower responses (2 ms) for violet repetition but faster (5 ms) for yellow. Experiment 3 also showed no color repetition effect (P = 0.58); notably, RTs were overall faster for purple than for turquoise (22 ms, P < 0.0001). Furthermore, responses tended to be slower for purple repetition (4 ms, P > 0.05), but faster for turquoise (7 ms, P > 0.05). These findings demonstrate that color repetition is not always inhibitory but may turn facilitatory depending on the colors employed. The results indicate that disengagement of attention is an unlikely mechanism to be the sole explanation of previously reported color-based inhibition of return. We suggest a complementary, perceptual explanation: response (dis)advantage depends on whether the stimuli are isoluminant and on the opponent chromatic subsystem involved. The choice of the colors employed and the cue-attractor-target constellation also may be of significance.
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Shieh, Kong-King, and Yen-Kung Lai. "Effects of Ambient Illumination, Luminance Contrast, and Stimulus Type on Subjective Preference of VDT Target and Background Color Combinations." Perceptual and Motor Skills 107, no. 2 (October 2008): 336–52. http://dx.doi.org/10.2466/pms.107.2.336-352.

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This study investigated the effects of the target and background color combination on subjective preference, i.e., aesthetic appearance, legibility and visual comfort, of stimuli presented on a visual display terminal under various ambient illuminations, luminance contrasts, and stimulus types. Analysis showed the main effect of color combination was significant for the three dependent variables. Black-on-white and blue-on-white were the most preferred combinations, while turquoise-on-green and turquoise-on-red were the least preferred. A sign was rated better than text. The significant interaction between color combination and luminance contrast indicated that more preferred color combinations were rated better under higher luminance contrast, whereas less preferred color combinations had better ratings under lower luminance contrast.
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Yang, Liuxinyue, Bo Qi, and Qi Guo. "The Effect of Icon Color Combinations in Information Interfaces on Task Performance under Varying Levels of Cognitive Load." Applied Sciences 14, no. 10 (May 16, 2024): 4212. http://dx.doi.org/10.3390/app14104212.

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In human–computer interaction interfaces, icons serve as highly symbolic elements that convey information and significantly influence the performance of visual search and other tasks. Thus, the selection of appropriate colors plays a crucial role in the design of human–computer interfaces. This study aimed to investigate the effects of icon color combinations on human visual search task performance across various cognitive load conditions. The experiment was divided into two parts, involving a cognitive load test experiment and an icon search task, wherein the former required participants to select the target icon from 16 de-colored icons, and the latter involved selecting the target icon from 16 color combinations of 8 colors (background colors: black, red, blue, and purple; foreground colors: white, yellow, green, and turquoise). A total of 20 participants (11 females and 9 males, all aged between 18 and 24 years) were recruited for this experiment to perform both tasks sequentially. Through a comprehensive consideration of factors such as the NASA-TLX scale, retrieval time, etc., the experimental results revealed that cognitive load increased with time pressure, resulting in varying optimal color combinations for different cognitive load levels. Additionally, background colors did not affect task response time under different cognitive loads, whereas white foreground color was superior to turquoise foreground color in a medium cognitive load environment. Meanwhile, our results recommend prioritizing white-on-black as the preferred color combination, given that it demonstrated excellent cognitive performance in all three cognitive load environments. Conversely, white-on-blue is not recommended as a color combination for the design of high cognitive load environments. Concerning medium cognitive load environments, yellow-on-red or white-on-purple color combinations were preferred. Finally, in low cognitive load environments, white-on-purple is recommended as the primary color combination. Overall, this study provides a theoretical reference for the future design of interactive interface icons across various contexts.
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Kadosh, Roi Cohen, Noam Sagiv, David E. J. Linden, Lynn C. Robertson, Gali Elinger, and Avishai Henik. "When Blue is Larger than Red: Colors Influence Numerical Cognition in Synesthesia." Journal of Cognitive Neuroscience 17, no. 11 (November 2005): 1766–73. http://dx.doi.org/10.1162/089892905774589181.

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In synesthesia, certain stimuli (“inducers”) may give rise to perceptual experience in additional modalities not normally associated with them (“concurrent”). For example, color-grapheme synesthetes automatically perceive achromatic numbers as colored (e.g., 7 is turquoise). Although synesthetes know when a given color matches the one evoked by a certain number, colors do not automatically give rise to any sort of number experience. The behavioral consequences of synesthesia have been documented using Stroop-like paradigms, usually using color judgments. Owing to the unidirectional nature of the synesthetic experience, little has been done to obtain performance measures that could indicate whether bidirectional cross-activation occurs in synesthesia. Here it is shown that colors do implicitly evoke numerical magnitudes in color-grapheme synesthetes, but not in nonsynesthetic participants. It is proposed that bidirectional co-activation of brain areas is responsible for the links between color and magnitude processing in color-grapheme synesthesia and that unidirectional models of synesthesia might have to be revised.
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Onoda, H., and R. Sasaki. "Preparation of novel blue phosphate pigments in imitation of turquoise." Cerâmica 65, no. 376 (December 2019): 641–44. http://dx.doi.org/10.1590/0366-69132019653762807.

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Abstract As a novel blue pigment, various hydrated copper aluminum phosphate imitating turquoise, CuAl6(PO4)4(OH)8.4H2O, were prepared by mixing copper nitrate solution, aluminum nitrate solution, phosphoric acid, and sodium hydroxide solution. Samples with similar chemical composition with turquoise were prepared. The obtained powders were evaluated with X-ray diffraction, infrared spectra, ultraviolet-visible reflectance spectra, and L*a*b* color space. Further, other related compositions were also investigated. Samples heated at low temperature were light blue powder. By heating at 700 ºC, the color of materials changed to deep green. Samples with high copper ratio indicated lower L* value and small a* and b* values. The low copper ratio was suitable to obtain light blue and deep green phosphate pigments.
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Gallo, Jurex, Josephine Borja, Susan Gallardo, Cris Salim, Pailin Ngaotrakanwiwat, and Hirofumi Hinode. "OPTIMIZATION FOR PHOTOCATALYTIC COLOR REMOVAL OF TURQUOISE BLUE DYE C.I. 199 IN IMMOBILIZED AC/TIO2 AND UV - SYSTEM USING RESPONSE SURFACE METHODOLOGY." ASEAN Engineering Journal 1, no. 1 (January 16, 2012): 14–27. http://dx.doi.org/10.11113/aej.v1.15321.

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The aim of the study is to optimize the process parameters in photocatalytic color removal of Turquoise blue dye (TBD) using immobilized Titania-activated carbon (AC/TiO2) and UVsystem. A preliminary study was performed which revealed that 5% is the best AC loading in AC/TiO2. The immobilized AC/TiO2 with 5% AC loading was characterized using BET, SEM, TEM and TGA techniques. The point of zero charge (pHpzc) of the composite catalyst was also determined. Response surface methodology (RSM) based on Central composite design (CCD) was applied in optimization. The cummulative effect of operating parameters initial dye concentration, catalyst loading, initial solution pH, UV intensity and recirculating flow rate on the efficiency of immobilized AC/TiO2 for Turquoise blue dye removal were evaluated. A mathematical model was proposed and the analysis of variance (ANOVA) indicated that the derived model could be used to navigate the design space. The mathematical model is correlated to the experimental value with a correlation coefficient of 0.93. The optimum operating parameters were found to be 15 ppm initial dye concentration, initial dye solution pH of 3.0, 3g/ L catalyst loading, recirculating flow rate at 100 ml/s and UV intensity of 2.5 mW/cm2 . The initial dye concentration has the highest influence in color removal while the recirculating flow rate is found as the least significant factor. These optimum conditions exhibited 90.0 % and 86.4 % color removal for Turquoise blue dye and textile wastewater with TBD stream respectively.
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RUBINA YOUSAF, SAMINA T AZEEMI, and ATTYIA RASHID. "TREATMENT OF INSOMNIA BY TURQUOISE COLOUR (495NM) DURING PREGNANCY." Pakistan Postgraduate Medical Journal 24, no. 3 (June 1, 2013): 66–69. http://dx.doi.org/10.51642/ppmj.v24i3.220.

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Purpose: The aim of this study was to evaluate the effect of turquoise color (495 nm) for the treatment of insomnia during pregnancy Material and Methods: This study was carried out in the department of Obstetrics and Gynaecology at Al-Khidmat teaching Mansoorah hospital Lahore affiliated with University College of Medicine and Dentistry, Lahore.60pregnant female patients were included in the study and divided into two groups (mean age 27yrs.). The study population belonged to 20-35 years of age. Parity of the patients ranged from para 0 to para 6. Results: Group 1 acted as control and was not prescribed any medicine or Chromotherapy while group 2 was started with turquoise colour therapy according to the method described earlier During 1st trimester of pregnancy the mean sleep time was enhanced considerably from 4.5 to 5 hours by applying turquoise light. During 2nd trimester of pregnancy the sleep time was increased from 5 to 5.8 hours. During 3rd trimester of pregnancy, the sleep time was again increased from 4.5 to 5 hours. At the end of the study, Group 1 reported an increase in total sleep time, sleep efficiency, decreased Fatigue and day time drowsiness while increased concentration. Conclusion: During pregnancy, insomnia is a difficult condition to treat since all the medicines prescribed have side effects on fetus as well as on the mother, so Chromotherapy is suggested as an easy, safe, cost effective and yet an effective method for treating insomnia.
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Faas, Stefanie M., and Martin Baumann. "Light-Based External Human Machine Interface: Color Evaluation for Self-Driving Vehicle and Pedestrian Interaction." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 63, no. 1 (November 2019): 1232–36. http://dx.doi.org/10.1177/1071181319631049.

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In today’s road traffic pedestrians seek eye contact with drivers to move along safely. Such communication is no longer possible with self-driving vehicles. Previous research shows that an external Human-Machine-Interface (eHMI) provides an interface between self-driving vehicles and pedestrians. However, recommendations for standardization are still being developed. The study compares the colors white and turquoise for eHMI lamps indicating that the automated driving system is engaged. The colors are evaluated in a street-crossing scenario and a parking lot scenario with a Wizard-of-Oz vehicle equipped with eHMI lamps mounted on top of the vehicle. We conducted questionnaires and structured interviews with N=59 participants to identify eHMI design guidelines. Our research provides evidence that turquoise facilitates pedestrians’ factors like visibility, discriminability, sense of safety and trust higher than white. The results are consistent among traffic scenarios. This paper contributes in formulating research-based design guidelines to improve pedestrian safety.
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Munyayi, Tozivepi Aaron, Danielle Wingrove Mulder, Engela Helena Conradie, and Barend Christiaan Vorster. "Quantitative Galactose Colorimetric Competitive Assay Based on Galactose Dehydrogenase and Plasmonic Gold Nanostars." Biosensors 13, no. 11 (November 1, 2023): 965. http://dx.doi.org/10.3390/bios13110965.

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We describe a competitive colorimetric assay that enables rapid and sensitive detection of galactose and reduced nicotinamide adenine dinucleotide (NADH) via colorimetric readouts and demonstrate its usefulness for monitoring NAD+-driven enzymatic reactions. We present a sensitive plasmonic sensing approach for assessing galactose concentration and the presence of NADH using galactose dehydrogenase-immobilized gold nanostars (AuNS-PVP-GalDH). The AuNS-PVP-GalDH assay remains turquoise blue in the absence of galactose and NADH; however, as galactose and NADH concentrations grow, the reaction well color changes to a characteristic red color in the presence of an alkaline environment and a metal ion catalyst (detection solution). As a result, when galactose is sensed in the presence of H2O2, the colored response of the AuNS-PVP-GalDH assay transforms from turquoise blue to light pink, and then to wine red in a concentration-dependent manner discernible to the human eye. This competitive AuNS-PVP-GalDH assay could be a viable analytical tool for rapid and convenient galactose quantification in resource-limited areas.
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Books on the topic "Turquoise (Color)"

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Jim, Arndt, ed. Art of turquoise. Layton, Utah: Gibbs Smith, 2011.

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Dingles, Molly. Turquoise As a Parakeet (Community of Color). Dingles/Treehouse Court, 2004.

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(Illustrator), Walter Velez, ed. Turquoise As A Parakeet (Community of Color). Dingles/Treehouse Court, 2005.

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Bell, Jean, and Max S. Bell. Everyday Math: Student Material Set : Turquoise Color. 2nd ed. Sra, 2004.

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Bell, Jean, and Max S. Bell. Everyday Math: Student Material Set : Turquoise Color. Sra, 2004.

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Turquoise: Legacy of bright sky, lush earth. Istanbul, Turkey: Filli Boya, 2017.

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Dingles, Molly. Turquoise As A Parakeet/turquesa Como Un Periquito (Community of Color/Comunidad Del Color). Dingles/Treehouse Court, 2004.

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Butterfly, The Riha. Moon and Mountains : 7x10 Hard Cover, 350 Pages, Color: Multi, Turquoise. Independently Published, 2022.

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Green, Mara K. Turquoise Flowers Illustrations in Grayscale and Color: Grayscale Coloring Book for Adults. Independently Published, 2022.

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W, K. Blank Art Book: Sketchbook for Drawing, Artists Edition, Color Turquoise with Green, Floral Motif. Independently Published, 2021.

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Book chapters on the topic "Turquoise (Color)"

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Huang, Boling, Xuan Wang, Tingting Yang, Jiani Shen, Qingzheng Ma, Lansen Li, Wei Huang, Miao Li, and Xihan Yang. "Fitting Analysis of RGB Model of the Turquoise." In Advances in Transdisciplinary Engineering. IOS Press, 2022. http://dx.doi.org/10.3233/atde220075.

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In order to overcome the disadvantages of poor repeatability and strong subjectivity brought by traditional artificial experience classification and realize the quantitative intelligent classification of turquoise, RGB model needs to be fitted. By fitting the RGB model of turquoise classification with linear function and polynomial function, it is proved that after fitting the model with polynomial function, the Adjusted R-Square (R2) reach more than 0.99. Using this method, the RGB model of optimal turquoise classification can be obtained, and improve the measurement accuracy of the color parameters of turquoise more than doubled.
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Bunson, Margaret. "F." In A Dictionary of Ancient Egypt, 88–94. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195099898.003.0006.

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Abstract faience glassy manufactured substances of the ancient Egyptians. The process developed by the artisans of the Nile Valley may have been prompted by a desire to imitate highly prized turquoise, although there was a great diversity of color in faience. The usual Egyptian faience was composed of a quartz or crystal base, covered with a vitreous, alkaline com pound with calcium silicates to provide the colors and the glassy finish. The Egyptians called faience tjehenet.
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Horning, Ned, Julie A. Robinson, Eleanor J. Sterling, Woody Turner, and Sacha Spector. "Working with images." In Remote Sensing for Ecology and Conservation. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780199219940.003.0009.

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There are two very different ways to envision a satellite image: as a photograph taken with a camera, or as a visual representation of spectral intensity data quantifying the light reflecting off of objects on a planet’s surface. In working with satellite images, sometimes the objective is to highlight and accent the information in the image using tools to enhance the way the image looks—the same goal that a professional photographer might have when working in the darkroom with film or using Photoshop to manipulate digital photographs. Another objective could be to manipulate the image using automated processing methods within a remote sensing package that rely on a set of equations that quantify information about reflected light. With either approach the goal is to gain information about conditions observed on the ground. At first glance, the image in Fig. 3.1 bears little resemblance to what most people would recognize as a terrestrial landscape. After all, its predominant colors are orange and bright turquoise. The use of colors in creating a visual image allows great breadth in the types of things one can identify on the ground, but also makes image interpretation an art. Even an inexperienced interpreter can make some sense of the image; more experienced interpreters with knowledge of the color scheme in use are able to determine finer details. For example, in Fig. 3.1 some of the more prominent features are a river (blue line on the left side of the image) a gradient of different vegetation (orange colors throughout the image that go from light to dark), and burn scars (turquoise patches). Fig. 3.2 shows a portion of landscape represented in the satellite image in Fig. 3.1. The red dot in Fig. 3.1 indicates the location where the photograph was taken. This photograph shows what a human observer would see looking south (in this case toward the top of the satellite image) from the point represented by the red dot. The view in the photograph differs from the satellite image in two important ways.
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Green, Alexandra. "Introduction." In Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings, 1–24. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390885.003.0001.

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Step into a Burmese temple from the seventeenth, eighteenth, and early nineteenth centuries and you are surrounded by a riot of color and imagery. The interior walls and ceilings are completely covered with paintings. You see bright reds and greens if you are in the seventeenth and eighteenth centuries, and reds and a brilliant turquoise from the late eighteenth and into the early nineteenth century. The imagery ranges from guardian figures, protective diagrams, and scenes of hell to textile patterns and representations of Buddhist biography. Large-scale deities and ogres, numerous registers filled with figures, landscape scenery, and buildings, and floral-geometric patterning occupy the space around a Buddha image or images that face east or are set around a central pillar....
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Scholte, Tatja. "Ernesto Neto’s Célula Nave." In The Perpetuation of Site-Specific Installation Artworks in Museums. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723763_ch04.

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Célula Nave. It happens in the body of time, where truth dances (2004) by the Brazilian artist Ernesto Neto is an interactive installation artwork, commissioned by the Museum Boijmans Van Beuningen in Rotterdam. The artwork consists of a spacious construction of turquoise fabric – the “nave” – hanging on a series of aluminium poles. Visitors are allowed to enter the nave and touch the fabric with their hands and feet. The spatial design of Célula Nave is intertwined with the museum’s Bodon Gallery, for which the artwork was created. The size of the installation has been adapted to its large-scale dimensions; the colour of the fabric matches the greenish floor of the gallery, and the daylight falling into the room enhances the fabric’s translucency.
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Brown, Katie. "Dorothy Draper." In Invisible Giants, 62–66. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195168839.003.0012.

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Abstract My infatuation with the interior designer Dorothy Draper began with my love of hot dogs. When I was young I would eat one thing and one thing only-hot dogs with mustard. I also had a favorite place to eat my meal and that was Howard John- son s. The grilled dogs satisfied my stomach. But the colors of the restaurant, a combination of bright orange and turquoise blue, dazzled in my eyes. Dorothy Draper, the restaurant’s designer, was brave enough to pair these colors. I developed my most significant attachment to Dorothy Draper during the long summer days in a small northern Michigan town. These days were often slow, dull, and depressing. But there was always one day I looked forward to: the day my mother, my sisters, and I spent on Mackinaw Island. My sisters loved the horseback riding, the boat rides, and the chocolate fudge. But I had eyes only for Grand Hotel. It is a beautiful white Victorian fortress. The outside took my breath away, but the inside made my heart beat fast. There was no doubt about it - Dorothy had been there. The long halls, the dining rooms, and the shops were all decorated in bright colors, long stripes, and soft.florals. Each wall,. floor, and furniture covering seemed so whimsical they seemed to possess their own dzstinctive, enticing scent. We usually settled in some corner where we ordered tea and cakes. I would nestle in comfortably on some big over-stuffed yummy chair covered in the softest, brightest fabric the back of my knees had ever felt. Dorothy Draper was not only a maverick in my profession, she was the magician who entertained and inspired the imagination of a growing girl.
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Conference papers on the topic "Turquoise (Color)"

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Guo, Ying, Lili Jin, and Hongjuan Sun. "The contribution of Cu2+, Fe2+, Fe3+to bluish green color of HuBei turquoise." In Photonics Asia 2010, edited by Ning-Hua Zhu, Jinmin Li, Farzin Amzajerdian, and Hiroyuki Suzuki. SPIE, 2010. http://dx.doi.org/10.1117/12.870669.

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