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Journal articles on the topic 'TV representation'

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1

McIntyre, Joanna. "Transgender idol: Queer subjectivities and Australian reality TV." European Journal of Cultural Studies 20, no. 1 (2016): 87–103. http://dx.doi.org/10.1177/1367549416640535.

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Transgender is a marginalised category to which reality TV has given visibility, yet it is usually overlooked in observations regarding the minority groups that have gained mainstream representation through these programmes. Popular Australian reality TV shows have provided a unique space for the constructive representation of certain queer subjectivities. The Australian reality TV contestants in question present gendering that embraces ambiguity, that is, they demonstrate the deliberate disruption and blurring of gender/sex category divisions. This article examines the ways in which Australia
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Hohenstein, Svenja, and Katharina Thalmann. "Difficult Women: Changing Representations of Female Characters in Contemporary Television Series." Zeitschrift für Anglistik und Amerikanistik 67, no. 2 (2019): 109–29. http://dx.doi.org/10.1515/zaa-2019-0012.

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Abstract Starting out with a brief overview of recent TV series that feature complex and complicated female characters – or, as we call them, ‘difficult women’ – this introduction investigates the changing manner in which women have been represented on TV in previous decades. Demonstrating that especially TV shows of the 2010s undermine and work against traditional and stereotypical portrayals of women on TV and instead establish feminist discourses, we argue that this time period can be defined as a pivotal moment with regard to changing representations of women on TV. Using Netflix’s Orange
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Pedersen, Vibeke. "TV Aestetics and the Representation of Women." MedieKultur: Journal of media and communication research 2, no. 4 (1986): 17. http://dx.doi.org/10.7146/mediekultur.v2i4.732.

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Nakajima, Yasuto. "Production & representation technology on TV program." Journal of the Institute of Television Engineers of Japan 44, no. 1 (1990): 24–28. http://dx.doi.org/10.3169/itej1978.44.24.

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Rückert, Jasmin. "Queer Desire in Japanese TV Series." Vienna Journal of East Asian Studies 11, no. 1 (2019): 1–30. http://dx.doi.org/10.2478/vjeas-2019-0001.

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Abstract This article provides an analysis of representations of sexual minorities in Japanese TV series. It outlines how homosexual and queer desire is depicted and how stereotypes and tropes are used in the construction of queer characters in this media format. The article also illuminates the ways in which TV series differentiate between depictions of same-sex romance and opposite-sex romance. The corpus of analysed TV series spans a period of twenty-five years. Thus, the analysis also sheds light on changes in the representation of sexual minorities over time. Examples from recent TV serie
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Goddard, Edited and introduced by Michael, and Christopher Hogg. "Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2." Critical Studies in Television: The International Journal of Television Studies 15, no. 3 (2020): 255–66. http://dx.doi.org/10.1177/1749602020937566.

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This is the second more substantial part of the introduction to the final Trans TV special issue, distributed across issues 15.2 and 15.3 of this journal. As well as introducing the contents of this issue, we reflect in this introduction on the Trans TV project as it has developed since 2017, via an engagement with two key televisual texts namely Transparent (2014–2019) and Pose (2018–). We argue that this certainly reflects positive developments in terms of transgender representation and authorship but this progress is more complex when considered in terms of television aesthetics and politic
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Vanchenko, Tatyana Petrovna. "On modeling TV programs." Journal of Flm Arts and Film Studies 5, no. 2 (2013): 122–32. http://dx.doi.org/10.17816/vgik52122-132.

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The article examines the presence of shows on TV, reveals the culturological foundations of screen representation as a mass culture phenomenon and points out the techniques of modeling this kind of TV programs.
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Dexl, Carmen, and Katrin Horn. "“Beef Jerky in a Ball Gown”: The Camp Excesses of Titus Andromedon in Unbreakable Kimmy Schmidt." Open Cultural Studies 1, no. 1 (2017): 442–53. http://dx.doi.org/10.1515/culture-2017-0041.

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AbstractIn this essay, we look at Titus Andromedon from the Netflix-sitcom Unbreakable Kimmy Schmidt (2014-) as a singular phenomenon in contemporary TV: a black queen whose use of camp distances him from stereotypes, but connects him with audiences. Titus thus not only adds to a more diverse representation of black experience on TV but also interrogates prevailing TV tropes. Titus thus presents a crucial (and critical) addition to the contemporary TV landscape, to which several TV critics in leading media outlets have recently attested a turning point in the representation-both in quantity an
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González-de-Garay, B., M. Marcos-Ramos, and C. Portillo-Delgado. "Gender representation in Spanish prime-time TV series." Feminist Media Studies 20, no. 3 (2019): 414–33. http://dx.doi.org/10.1080/14680777.2019.1593875.

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Mingant, Nolwenn Anne. "‘Not A Terrorist’: The Representational Alternative of Reality TV in All-American Muslim." CINEJ Cinema Journal 3, no. 1 (2014): 4–27. http://dx.doi.org/10.5195/cinej.2013.74.

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The reality TV show All-American Muslim depicts the lives of five Muslim families of Lebanese descent in Dearborn. Although the project was conceived as mainstream entertainment and not as a political statement, it led to a controversy over the representation of ‘true’ Muslims. Indeed the interest of the show lies in the fact that it offers its participants an opportunity to express themselves in an otherwise hostile media environment. The reality TV format seems particularly apt at providing a different vision of American Muslim, a vision clashing with images usually conveyed by TV news and H
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Pindado-Pindado, Julián. "Archetype and reality on TV: Quality, formats and representation." Comunicar 13, no. 25 (2005): 101–8. http://dx.doi.org/10.3916/c25-2005-014.

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This article arises from some conclusions of the «Wise´s Report » and examines the difficulties to obtain a quality TV at the moment. Data demonstrate that the audiences consume a lot of popular entertainment This fact proves that the way towards a quality TV is very difficult, after years of television channels modelling the audience´s tastes. It is necessary to start from the TV current reality to obtain a formative and cultural TV that includes the experience of «telephiles» generations. If these generations prefer entertainment formats, these formats must be used for an education in values
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McGuire, Sarah. "A defense of the modern, high-tech redneck on reality TV: Why the world loves Duck Dynasty and its resulting redemptive representation of Rednecks." SURG Journal 7, no. 3 (2014): 5–14. http://dx.doi.org/10.21083/surg.v7i3.2972.

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This article uses key terms and concepts from Television Studies to “close read” the reality TV show Duck Dynasty in its visual form. This article questions not only how Duck Dynasty represents rednecks, but also how the representation of the “redneck” is understood by the TV audience. It explores the success of Duck Dynasty as a reality TV show and argues that it redeems “rednecks” from Hollywood’s previous portrayals of the overly caricatured redneck stereotype. The Robertsons have the ability to convey truth – even if it is through a partially fake/mediated realm – and what they actually re
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Wu, Doreen D., and Agatha Man-kwan Chung. "Hybridized images." Cultural China in Discursive Transformation 21, no. 2 (2011): 177–95. http://dx.doi.org/10.1075/japc.21.2.02wu.

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As advertising can be a social factor and cultural artifact, this study analyzes the images of “modern Chinese woman” via an investigation of their role portrayals, appearance/projection, and verbal characteristics represented in a total of 164 award-winning Chinese TV commercials from 2007 to 2009. Results show that a much larger percentage of females in the Chinese TV commercials embody modern rather than traditional representations. The commercials from Mainland China have also manifested modern representations of the women in more dimensions than their counterparts in Hong Kong. Furthermor
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DuCros, Faustina M., Christina B. Chin, Jenny Jong-Hwa Lee, Nancy Wang Yuen, Meera E. Deo, and Noriko Milman. "Asian Americans and Pacific Islanders on TV." Contexts 17, no. 4 (2018): 12–17. http://dx.doi.org/10.1177/1536504218812863.

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EL Kandoussi, Mohamed. "Moroccan TV Programming in Ramadan: An Analysis of Gender Representations." European Scientific Journal, ESJ 13, no. 8 (2017): 121. http://dx.doi.org/10.19044/esj.2017.v13n8p121.

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The purpose of this article is to explore how gender representations are portrayed through the examination of the salient images and messages latent in a prime-time comic series entitled Kenza FDouar (Kenza in the village) that was aired during the holy month of Ramadan in 2014 on 2M which is a Moroccan state-owned television channel. The study adopts the textual representation approach and draws heavily on the critical discourse analysis. The findings point to the absence of a coherent and consistent policy by the domestic outlet towards the gender issue in the series. The paper also reveals
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عبد العزیز, انسام. "Redefining Gender Representation in Selected TV Commercials:A Multimodal Approach." مجلة البحث العلمی فی الآداب 1, no. 2 (2018): 1–23. http://dx.doi.org/10.21608/jssa.2018.12140.

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정옥희. "The History of Dance Representation on North American TV." Korean Journal of Dance Studies 42, no. 3 (2013): 117–42. http://dx.doi.org/10.16877/kjds.42.3.201305.117.

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Harutyunyan, Angela. "The Real and/as Representation: TV, Video, and Contemporary Art in Armenia." ARTMargins 1, no. 1 (2012): 88–109. http://dx.doi.org/10.1162/artm_a_00002.

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The article situates video art produced in Armenia in the late 1990s and early 2000s in the framework of larger social transformations from modern to post-modern society. It explores the ways in which the paradigm shift in media representations in Armenia affected art production and reception. By critically examining theories of video art as developed in the context of the Euro-American academia and their applicability to historically specific contexts, the article argues that the late 1990s brought about a rapid shift in the relationship between the real and representation in which media imag
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Rosidi, Imron. "Consuming Representations of Korean TV Dramas among Indonesian Muslim Youth." Jurnal The Messenger 12, no. 2 (2020): 111. http://dx.doi.org/10.26623/themessenger.v12i2.2115.

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<p><em><span>This article dealt with Korean TV dramas consumption among Muslim youth in Pekanbaru. It aimed to undestand their interpretations on the television dramas. The values of being a Muslim was constantly under scrutiny by the image representation in Korean TV Dramas. As transnational cultural products, they were considered as reducing Islamic values for Muslim youth. Using ethnographic study, forty two informants were selected based on a purposive sampling technique in which they loved on consuming Korean TV dramas. This article found that Muslim youth were active au
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Kustanto, Lilik. "ANALISIS NARATIF: KEMISKINAN DALAM PROGRAM REALITY TV “PEMBERIAN MISTERIUS” DI STASIUN SCTV." REKAM: Jurnal Fotografi, Televisi, dan Animasi 11, no. 2 (2016): 109. http://dx.doi.org/10.24821/rekam.v11i2.1297.

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Reality TV merupakan sebuah program televisi yang menggambarkan sebuah peristiwa realita atau peristiwa nyata. Namun, program tersebut mengalami perkembangan dengan menampilkan kejadian yang nyata dan dibuat sehingga disebut program hibriditas. Sebagai sebuah program yang menggambarkan kejadian tentunya reality TV memiliki aspek narasi di dalamnya. Salah satunya adalah program reality TV “Pemberian Misterius” yang menarasikan tentang memberi pertolongan dengan memberi hadiah kepada orang lain yang memenuhi kriteria yang ditetapkan. Namun, narasi yang ceritakan tersebut sebenarnya memiliki makn
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Li, Huaxin, and Jinxiao Pan. "Deflection Tomography Reconstruction Based on Diagonal Total Variation." MATEC Web of Conferences 246 (2018): 03022. http://dx.doi.org/10.1051/matecconf/201824603022.

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In view of the shortages of the reconstruction algorithm based on Total Variation (TV) minimum under the framework of measured field compressed sensing, we study the measured field sparse representation method and solving method of optimization equation, and propose the measured field reconstruction algorithms based on Diagonal Total Variation (DTV). When there is no obvious change in the reconstruction iteration of TV, gradient transformation of diagonal direction is introduced, the multi-directional information is used to obtain a more sparse representation of the measured field in the recon
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22

Yoon Hyun Chul. "The Representation of Self-Identity in Video Phone TV Commercials." Journal of Digital Design 8, no. 2 (2008): 349–58. http://dx.doi.org/10.17280/jdd.2008.8.2.034.

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Pourre, F., E. Aubert, J. Andanson, and J. P. Raynaud. "Representation of Asperger syndrome in contemporary movies and TV series." Neuropsychiatrie de l'Enfance et de l'Adolescence 60, no. 5 (2012): S27. http://dx.doi.org/10.1016/j.neurenf.2012.05.076.

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Shibata, Yuko, and Darrell Y. Hamamoto. "Monitored Peril: Asian Americans and the Politics of TV Representation." Pacific Affairs 69, no. 1 (1996): 146. http://dx.doi.org/10.2307/2760917.

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Ju, Hye Yeon, and Kwang Woo Noh. "Multiculturalism and Representation of Racial Others in Korean TV Dramas." Cartoon and Animation Studies 32 (September 30, 2013): 335–61. http://dx.doi.org/10.7230/koscas.2013.32.335.

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Sursanova, Iuliia V. "Representation of everyday nationalism practices on “Russia 1” TV channel." Ars Administrandi (Искусство управления) 13, no. 1 (2021): 31–48. http://dx.doi.org/10.17072/2218-9173-2021-1-31-48.

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Introduction: the article focuses on how everyday practices are used by the state to project the image of a Russian patriot. State-owned and state-related media discourse models are traditionally studied from the top down. We will analyze how the state and the media manage the display of daily nationalism, which has usually been seen in a bottom-up approach. Thus, the combination of both approaches − banal and everyday nationalisms − will highlight the state’s interest in encouraging Russians to use their version of patriotism in everyday life. For this, a qualitative study of the video report
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Borges, Gabriela, and Alex Caravela. "From City of God to City of Men: The Representation of Violence in Brazilian Cinema and Television." Cinémas 22, no. 1 (2011): 123–48. http://dx.doi.org/10.7202/1005807ar.

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This paper discusses the representation of violence in Brazilian cinema and television through analysis of the TV seriesCity of Men(2003-7), which is a follow-up to the filmCity of God(2002), with the same actors, sets and non-linear narrative. The project began with the production of the TV episodePalace II(2000), which was developed intoCity of God’s script. After receiving international acclaim, it resulted in the production ofCity of Men. In this context, it is important to emphasise the relationship between cinema and television and their particular features as products of the Brazilian a
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Osanami Törngren, Sayaka, and Sofia Ulver. "Who Is Marketised in Colour-Blind Sweden? Racial and Ethnic Representation in Swedish Commercials 2008–2017." Genealogy 4, no. 4 (2020): 100. http://dx.doi.org/10.3390/genealogy4040100.

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From a social equality representation perspective, advertising should ideally mirror the multicultural composition at the national market, because mass-mediated identity representations may act as cultural resources for those with marginalised identities. To investigate the observance to such an ideal in a context where the ethnic and racial composition of the population saw a rapid change, this article examines 676 Swedish TV commercials in over the period 2008–2017, and analyses the representation of non-White persons of colour (POC). Through this quantitative and qualitative examination, we
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Panis, Koen, Steve Paulussen, and Alexander Dhoest. "Managing Super-Diversity on Television: The Representation of Ethnic Minorities in Flemish Non-Fiction Programmes." Media and Communication 7, no. 1 (2019): 13–21. http://dx.doi.org/10.17645/mac.v7i1.1614.

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This study examines and evaluates the representation of ethnocultural diversity in non-fiction TV programmes broadcasted by the Flemish (Belgian Dutch-speaking) public service broadcaster VRT in the 2016–2017 TV season. A qualitative content analysis of a sample comprising 36 clips and episodes of 14 non-fiction programmes was supplemented by four focus group interviews with a total of 12 participants belonging to different ethnocultural minorities. The findings suggest that despite several measures undertaken by the VRT, the representation of ethnocultural minorities is still unbalanced and b
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Celik Rappas, Ipek A., and Sezen Kayhan. "TV Series Production and the Urban Restructuring of Istanbul." Television & New Media 19, no. 1 (2016): 3–23. http://dx.doi.org/10.1177/1527476416681500.

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This article explores the entangled relationship between Turkish TV series and the city of Istanbul examining both the series’ representation of the city and the effects of flourishing series’ production on the city. We argue that TV series production and representation changes and is changed by the urban restructuring of globalizing Istanbul since the late 1980s. Analyzing internationally popular series such as Noor, Valley of the Wolves, and 1001 Nights and building on television, urban and cultural studies, this article explores the ways that Istanbul’s neoliberal renovation process appears
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Zhang, Qiping, Yin Zhang, Yongchao Zhang, Yulin Huang, and Jianyu Yang. "Airborne Radar Super-Resolution Imaging Based on Fast Total Variation Method." Remote Sensing 13, no. 4 (2021): 549. http://dx.doi.org/10.3390/rs13040549.

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Total variation (TV) is an effective super-resolution method to improve the azimuth resolution and preserve the contour information of the target in airborne radar imaging. However, the computational complexity is very high because of the matrix inversion, reaching O(N3). In this paper, a Gohberg–Semencul (GS) representation based fast TV (GSFTV) method is proposed to make up for the shortcoming. The proposed GSFTV method fist utilizes a one-dimensional TV norm as the regular term under regularization framework, which is conducive to achieve super-resolution while preserving the target contour
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Hogg, Christopher. "A Class Act: An interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama." Critical Studies in Television: The International Journal of Television Studies 15, no. 3 (2020): 302–11. http://dx.doi.org/10.1177/1749602020934670.

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In this interview, actor Julie Hesmondhalgh reflects on her rich body of work in British TV drama, connecting her own career trajectory with a consideration of wider industry developments in casting and representation, diversity and inclusion. With extended reference to Coronation Street (1960–) and Doctor Who (1963–1989, 2005–), Hesmondhalgh discusses how far UK TV drama production has come in tackling systemic inequalities and exclusions, while also stressing the progress still required, particularly in relation to capturing the complexities of class identity. More broadly, the insights offe
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Tamborini, Ron, Lindsay Hahn, Sujay Prabhu, Brian Klebig, and Clare Grall. "The Representation of Altruistic and Egoistic Motivations in Children’s TV Programming." Communication Research Reports 34, no. 1 (2016): 58–67. http://dx.doi.org/10.1080/08824096.2016.1227312.

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Belmonte-Arocha, Jorge, and Silvia Guillamón-Carrasco. "Co-educating the gaze against gender stereotypes in TV." Comunicar 16, no. 31 (2008): 115–20. http://dx.doi.org/10.3916/c31-2008-01-014.

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TV serials analyzed in this paper show a representation of stereotyped gender. These cultural products, despite its apparent modernity, reproduce inequalities in the representation of the feminine and masculine through gender stereotypes which are sexist models for the construction of gender identity among its young viewers. Besides, a gender and co-education approach for an audiovisual alphabetization should be a good way against inequality. Se analizan en este trabajo un conjunto de series de televisión que plantean una representación estereotípica de los géneros. Pese a su aparente modernid
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Gans-Segrera, Sandra, Javier Molina-García, and Vladimir Martínez-Bello. "Representation of physical activity domains and sedentary behaviors across categories of gender and disability in children’s TV cartoons." Motricidade 14, no. 4 (2018): 14–23. http://dx.doi.org/10.6063/motricidade.13847.

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Television (TV) cartoons could reflect and shape social values about children’s health-related behaviors. The main aim of this study is to analyze the portrayal of physical activity (PA) domains in the most popular Spanish children’s television (TV) cartoons. It is performed a content analysis of each scene following a coding scheme. The sample selected included the five most popular children’s TV cartoons for the 2013-2014 period in Spain. Our results show a large gap between the modest representation of different PA domains compared to the overwhelming depiction of sedentary behaviors. We do
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Guang-jin, Wang. "Research on the representation of granular vertical size grading and numerical simulation method with the typical waste rock site." Tehnicki vjesnik-Technical Gazette 22, no. 3 (2015): 677–83. http://dx.doi.org/10.17559/tv-20150428103311.

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Deng, Hong, Dongwei Ren, Gang Xiao, David Zhang, and Wangmeng Zuo. "A Coordinate Descent Method for Total Variation Minimization." Mathematical Problems in Engineering 2017 (2017): 1–13. http://dx.doi.org/10.1155/2017/3012910.

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Total variation (TV) is a well-known image model with extensive applications in various images and vision tasks, for example, denoising, deblurring, superresolution, inpainting, and compressed sensing. In this paper, we systematically study the coordinate descent (CoD) method for solving general total variation (TV) minimization problems. Based on multidirectional gradients representation, the proposed CoD method provides a unified solution for both anisotropic and isotropic TV-based denoising (CoDenoise). With sequential sweeping and small random perturbations, CoDenoise is efficient in denoi
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Kazyuchits, Maxim Fyodorovich. "Human Being in Media Arts: Character and TV Series." Journal of Flm Arts and Film Studies 3, no. 3 (2011): 86–98. http://dx.doi.org/10.17816/vgik3386-98.

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The article explores the changes in depicting human beings on television (TV series) caused by modernization in the media culture. The processes connected with the esthetics and narrative changes should be viewed in terms of the general changes affecting all communication-information technologies. The accent is laid upon two important aspects: the changes in the representation of the character's body and the transformations in the narrative of TV shows which have led to the change of the ideological component (norms and values).
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Garrido, Rocío, and Anna Zaptsi. "Archetypes, Me Too, Time’s Up and the representation of diverse women on TV." Comunicar 29, no. 68 (2021): 21–33. http://dx.doi.org/10.3916/c68-2021-02.

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The feminist movements Me Too and Time’s Up have showcased the power of the audiovisual industry and social networks denouncing sexual harassment and promoting gender equality. Nevertheless, women in the media –and, specifically, on TV– continue to be underrepresented and stereotyped. Then, according to Time’s Up, it is urgent to increase the number of women in front of and behind the cameras, as well as to embed social movements’ influences on media productions in order to broaden the archetypal models used for characters' design/analysis. Despite the benefits of archetypes in storytelling, t
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del-Río-Pereda, Pablo, and Miguel del-Río-Álvarez. "Reality construction by Spanish infancy across TV consumption." Comunicar 16, no. 31 (2008): 99–108. http://dx.doi.org/10.3916/c31-2008-01-012.

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This paper presents the preliminary exposition and results of a feasibility project for an Observatory of Consumption of Infantile Television that contributes with indexes of evolutionary impact (developmental ratings) of diverse contents, taking part in the television diet of Spanish children. The model of analysis has developed indicators about 7 evolutionary dimensions relative to the imagery representation and to the orientation in the symbolic reality. This model has been applied in a pilot stage to a limited but significant sample (the 10 and the 30 most seen programs by 4, 7, and 12-yea
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Bouko, Catherine, Olivier Standaert, and Astrid Vandendaele. "Being a journalist in a multilingual country: Representations of Dutch among Belgian French-speaking journalists." Multilingua 38, no. 3 (2019): 231–51. http://dx.doi.org/10.1515/multi-2018-0036.

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Abstract In this paper, we examine how the francophone TV audience is introduced to the Flemish community and its language through daily news broadcasts. More specifically, our research looks at how the Dutch language is used when francophone journalists prepare and produce their reports – during all stages of the process –, up until the actual broadcast. We therefore conducted 15 qualitative interviews with TV news journalists employed by the Belgian French-speaking public broadcaster. The interviews were organized around eight topics, e.g. the place of Dutch in the newsroom and the languages
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Tutar, Cem. "Risk Toplumu Söylemlerinin Televizyon Reality Programlarında Temsili." Etkileşim 2, no. 4 (2019): 88–115. http://dx.doi.org/10.32739/etkilesim.2019.4.65.

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Temellerini Aydınlanma Düşüncesinden alan modernleşme teorisi toplumsal alanı akıl ve bilimin öncülüğünde metafizik bilgi dışarıda kalacak şekilde planlarken belirsizlikler ve riskler üretir hale gelmiştir. Modernliğin kendi üzerine uygulanması anlamına gelen düşünümsellik fikri oluşan bu yeni toplumsal düzeni risk toplumu olarak adlandırırken; risk, modern toplumların gündelik yaşam pratiklerinin bir parçası olarak sıradan insanın hayat epizotlarına eklemlenmeye başlamıştır. Giderek daha fazla etkisi hissedilen risk söylemi medya aracılığı ile modern toplumların gündelik yaşamında dolayımlanm
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Joo, Jaewon. "Representation of Others in TV Contents: Focusing on the KBS News 9." Journal of the Korea Contents Association 14, no. 8 (2014): 40–49. http://dx.doi.org/10.5392/jkca.2014.14.08.040.

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Lipsitz, George. "Book Review: Monitored Peril: Asian Americans and the Politics of TV Representation." Journal of Asian American Studies 1, no. 1 (1998): 104–7. http://dx.doi.org/10.1353/jaas.1998.0002.

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Sánchez González, Sofía, and Beatriz González de Garay Domínguez. "La Diversidad Afectivo-Sexual en First Dates (Cuatro: 2016-). Análisis de Contenido del Perfil de los Participantes." Masculinities & Social Change 9, no. 2 (2020): 113. http://dx.doi.org/10.17583/mcs.2020.3629.

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The aim of the current research is to study the affective-sexual diversity on the TV show First Dates and its representation of LGBT participants. The methodology used was the content analysis of 28 programs from the third season and the selection of a final sample of 260 participants (n = 260). The results show the presence of a high percentage of LGBT members (in comparison with demographical data), although its representation is not uniform: lesbianism, bisexuality and transsexuality are scarce, and young people are the population group with more LGBT individuals on the TV show. In addition
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Biryukova, Polina. "Representation of a Film Recipient in Neologisms of the English Cinematic Discourse." Philology & Human, no. 2 (July 21, 2021): 97–105. http://dx.doi.org/10.14258/filichel(2021)2-08.

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This work analyzes English neologisms of cinematic discourse that characterize a film recipient – they name the viewers, describe the process of their perception of TV content, denote acceptance or rejection of its content, the incentive nature of cinema. Based on the semantic components contained in the definitions and/or the contextual field of the neologisms at hand, a conclusion was drawn on the ever-growing role of cinematography in a personal life of a 21st century person, its ubiquity in daily life both in the form of a moving image and in other incarnations. The neologisms under consid
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Velásquez-de-León, Isabel-Francis. "Treatment of women image in Venezuelan TV spots." Comunicar 13, no. 26 (2006): 137–41. http://dx.doi.org/10.3916/c26-2006-21.

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This paper is a descriptive research about the women image in Venezuelan TV spots, through the analysis of roles, gender stereotypes and physical features. They show the predominance of sensual women, their reclusion in domestic environments and the representation of white, young and brunette women. Este trabajo recoge una investigación descriptiva acerca de la imagen de la mujer en los comerciales venezolanos a través del análisis de los roles, estereotipos de género y características físicas. Arroja el predominio de la mujer sensual, el confinamiento de la mujer al entorno doméstico y la rep
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Zeng, Fanfan, Hongwei Du, Jiaquan Jin, Jinzhang Xu, and Bensheng Qiu. "Compressed Sensing MRI via Extended Anisotropic and Isotropic Total Variation." Journal of Medical Imaging and Health Informatics 9, no. 6 (2019): 1066–75. http://dx.doi.org/10.1166/jmihi.2019.2702.

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Compressed sensing (CS) is a technique to reconstruct images from undersampling data, reducing the scanning time of magnetic resonance imaging (MRI). It utilizes the sparsity of images in some transform domains. Total variation (TV) has been applied to enforce sparsity. However, traditional TV based on the l1-norm is not the most direct way to induce sparsity, and it cannot offer a sufficiently sparse representation. Since the lp-norm (0< p < 1) promotes the sparsity better than that of the l1-norm, we propose two extended TV algorithms based on the lp-norm: anisotropic and isotropic tot
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Zhou, Jian, and Jianli Liu. "Segmentation of defects in textile fabric with robust texture representation and total variation." International Journal of Clothing Science and Technology 32, no. 6 (2020): 813–23. http://dx.doi.org/10.1108/ijcst-10-2019-0157.

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PurposeVisual quality control on raw textile fabrics is a vital process in weaving factories to ensure their exterior quality (visual defects or imperfection) satisfying customer requirements. Commonly, this critical process is manually conducted by human inspectors, which can hardly provide a fast and reliable inspection results due to fatigue and subjective errors. To meet modern production needs, it is highly demanded to develop an automated defect inspection system by replacing human eyes with computer vision.Design/methodology/approachAs a structural texture, fabric textures can be effect
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Verkholomova, Elena Vladimirovna. "THE LINGUISTIC PERSONA REPRESENTATION OF THE TV PRESENTER (AS ILLUSTRATED BY THE V. TRETYAKOV’S TV PROGRAM “WHAT DO WE DO?”)." Sovremennye issledovaniya sotsialnykh problem, no. 3-1 (November 14, 2016): 37. http://dx.doi.org/10.12731/2077-1770-2016-3-1-37-49.

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