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Journal articles on the topic 'TV'

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Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

BURY, G. "TV OR NOT TV." Journal of Paediatrics and Child Health 30, no. 4 (August 1994): 373a—374. http://dx.doi.org/10.1111/j.1440-1754.1994.tb00673.x.

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2

Blau, J. "Telephone TV [TV broadcasting]." IEEE Spectrum 42, no. 6 (June 2005): 16–17. http://dx.doi.org/10.1109/mspec.2005.1437006.

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3

Smith, A. "TV or not TV?" Sexually Transmitted Infections 78, no. 3 (June 1, 2002): 185–86. http://dx.doi.org/10.1136/sti.78.3.185.

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4

Jurriëns, Edwin. "‘TV or Not TV’." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 172, no. 1 (January 1, 2016): 33–65. http://dx.doi.org/10.1163/22134379-17201020.

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5

Raunsbjerg, Preben. "Tv-flader & tv-fiktioner." K&K - Kultur og Klasse 23, no. 80 (January 23, 1996): 165–67. http://dx.doi.org/10.7146/kok.v23i80.20708.

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6

Kleiner, Kurt. "TV, TV on the Wall." Scientific American Mind 18, no. 1 (February 2007): 8. http://dx.doi.org/10.1038/scientificamericanmind0207-8a.

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7

Moran, Albert. "TV nation or TV city?" Continuum 24, no. 3 (May 28, 2010): 343–56. http://dx.doi.org/10.1080/10304311003703140.

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8

Lassiter, Christo. "TV or Not TV. Statutory Appendix." Journal of Criminal Law and Criminology (1973-) 86, no. 3 (1996): 1002. http://dx.doi.org/10.2307/1143943.

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9

Duby, Aliza. "Harnessing TV Formats to Educational TV." Educational Media International 28, no. 2 (June 1991): 70–74. http://dx.doi.org/10.1080/0952398910280206.

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10

Aziz, Tipu, John Stein, and Ranga Yogeshwar. "Animal testing: TV or not TV?" Nature 470, no. 7335 (February 2011): 457–59. http://dx.doi.org/10.1038/470457a.

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11

Owens, Martin D., and Action A. Lavitch. "TV or Not TV: Will America Emulate Pay-TV Gambling Formats?" Gaming Law Review and Economics 18, no. 5 (June 2014): 447–50. http://dx.doi.org/10.1089/glre.2014.1855.

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12

Fox, B. "Digital TV rollout [US digital terrestrial TV]." IEEE Spectrum 38, no. 2 (February 2001): 65–67. http://dx.doi.org/10.1109/6.898802.

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13

Dietl, Helmut, and Egon Franck. "Free-TV, Abo-TV, Pay per View-TV — Organisationsformen zur Vermarktung von Unterhaltung." Schmalenbachs Zeitschrift für betriebswirtschaftliche Forschung 52, no. 6 (September 2000): 592–603. http://dx.doi.org/10.1007/bf03372630.

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14

Pahlen, Kai Graf von. "Painful TV." Entertainment and Sports Law Journal 9, no. 1 (June 1, 2011): 2. http://dx.doi.org/10.16997/eslj.27.

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15

Jensen, Jens F. "Interaktivt TV." K&K - Kultur og Klasse 23, no. 80 (January 23, 1996): 27–66. http://dx.doi.org/10.7146/kok.v23i80.20703.

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16

Dede, Georgia, Georgios Loupatatzis, Dimitris Grigoropoulos, Georgios Chatzithanasis, Thomas Kamalakis, and Christos Michalakelis. "Cloud TV." International Journal of Corporate Finance and Accounting 7, no. 1 (January 2020): 39–53. http://dx.doi.org/10.4018/ijcfa.2020010103.

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Cloud TV is a cloud-based live television streaming program or app, allowing the user to watch high definition (HD) TV channels without the requirement of a TV box or aerial but only a stable internet connection. As the number of Cloud TV channels continuously increases, so does the need for a techno-economic evaluation and analysis, which constitutes the aim of this paper. The analysis aims to provide an assessment of the required investment for a new Pay TV operator, using Cloud TV technology in the internet of things (IoT) era. The adopted methodology includes demand forecasting and cash flows calculations and important economic indicators, for a time period of 10 years and different diffusion scenarios. Evaluation of the methodology was based on statistics obtained from one of the larger telecom providers in Greece. Results indicate that investing on Cloud TV technology in Greece is feasible for the technologies of over-the-top (OTT), IPTV, and Smart TV. A sensitivity analysis is also performed, studying the case of a new entry for a Pay TV operator in the local market with emphasis on OTT services, which gains a significant percentage of customers.

17

Sæther, Susanne Østby. "Virkelighets-tv." Norsk medietidsskrift 8, no. 02 (October 1, 2001): 138–45. http://dx.doi.org/10.18261/issn0805-9535-2001-02-09.

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18

Jokela, Eeva-Liisa. "Lasten tv." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 10, no. 1 (January 1, 1997): 59–60. http://dx.doi.org/10.23994/lk.116677.

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19

Gordon, Blake. "Reality Tv." Afterimage 34, no. 3 (December 1, 2006): 36–38. http://dx.doi.org/10.1525/aft.2006.34.3.36.

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20

Beringer, Lisa M. "Resistance TV." Studies in American Humor 8, no. 1 (April 1, 2022): 75–94. http://dx.doi.org/10.5325/studamerhumor.8.1.0075.

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ABSTRACT African American sketch comedy uses satirical humor to decenter common white tropes of Blackness that are reinforced in media depictions through an intellectual and emotional approach that both frees satirists from traditional form and structure and that asks viewers—especially white ones—to question the root cause of their laughter and in turn their embrace of racist systems. Focusing on the harmfulness of racism and its intersection with sexism, this article argues that sketch comedy uses satirical humor to flip the script on commonly held stereotypes of Blackness, resist American racism, and in the end assert a claim for Black humanity in self-defined terms, offering humorous resistance as a modality that may get us closer to finding an “off switch” to racism.

21

Guaraná, Bruno. "TV Snapshots." Film Quarterly 76, no. 1 (2022): 93–100. http://dx.doi.org/10.1525/fq.2022.76.1.93.

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22

Chellel, Annie. "TV intruders." Nursing Standard 10, no. 42 (July 10, 1996): 20. http://dx.doi.org/10.7748/ns.10.42.20.s32.

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23

Reidy, Robin. "TV Stories." Afterimage 14, no. 3 (October 1, 1986): 4–5. http://dx.doi.org/10.1525/aft.1986.14.3.4.

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24

Tamblyn, Christine. "TV Guide." Afterimage 13, no. 7 (February 1, 1986): 17. http://dx.doi.org/10.1525/aft.1986.13.7.17.

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25

Reidy, Robin. "TV Stories." Afterimage 14, no. 3 (October 1, 1986): 4–5. http://dx.doi.org/10.1525/aft.1986.14.3.4.

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26

Tamblyn, Christine. "TV Guide." Afterimage 13, no. 7 (February 1, 1986): 17. http://dx.doi.org/10.1525/aft.1986.13.7.17.

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27

Guaraná, Bruno. "Cinematic TV." Film Quarterly 75, no. 1 (2021): 93–98. http://dx.doi.org/10.1525/fq.2021.75.1.93.

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28

Stroud, Louise. "Tv review." Learning Disability Practice 7, no. 8 (October 1, 2004): 24. http://dx.doi.org/10.7748/ldp.7.8.24.s21.

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29

Pütz, Christoph, and Florian Jedlitschka. "Addressable TV." WiSt - Wirtschaftswissenschaftliches Studium 48, no. 12 (2019): 55–57. http://dx.doi.org/10.15358/0340-1650-2019-12-55.

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Addressable TV vereint Vorteile der digitalen Werbung mit der Reichweite des Klassikmediums TV. Der vorliegende Beitrag beschreibt diese im deutschen Markt noch junge Werbeform und zeigt deren Anwendungsmöglichkeiten für das Marketing auf. Es wird ferner auf deren aktuellen Grenzen eingegangen, die häufig eher ungenau umrissen werden, und ein Ausblick zur künftigen Entwicklung gegeben.

30

Weigand, Karl Heinz. "Business TV." MedienJournal 22, no. 4 (May 3, 2017): 41–47. http://dx.doi.org/10.24989/medienjournal.v22i4.535.

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31

Holtz, Andrew. "Educational TV." Oncology Times 28, no. 23 (December 2006): 26–27. http://dx.doi.org/10.1097/01.cot.0000288623.84698.ae.

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32

Bevan, Alex. "Reality TV." Information, Communication & Society 19, no. 12 (November 25, 2015): 1799–802. http://dx.doi.org/10.1080/1369118x.2015.1114658.

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33

Spear, Hila J. "TV Nurses." Journal of Christian Nursing 27, no. 4 (October 2010): 318–21. http://dx.doi.org/10.1097/cnj.0b013e3181ed9f1a.

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34

Totah, Faedah M. "Ramadan TV." Anthropology News 58, no. 4 (July 2017): e261-e264. http://dx.doi.org/10.1111/an.581.

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35

Matusik, Wojciech, and Hanspeter Pfister. "3D TV." ACM Transactions on Graphics 23, no. 3 (August 2004): 814–24. http://dx.doi.org/10.1145/1015706.1015805.

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36

Ghobhainn, Ian Mac a'. "An TV." Comhar 59, no. 11 (1999): 13. http://dx.doi.org/10.2307/25573907.

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37

Lincoln Geraghty. "Nostalgia TV." Science Fiction Studies 40, no. 2 (2013): 385. http://dx.doi.org/10.5621/sciefictstud.40.2.0385.

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38

WALKER, JOHN A., and ROBERT FERGUSON. "ARTS TV." Art Book 1, no. 3 (June 1994): 21a. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00140.x.

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39

Sun, Marjorie. "TV Scientists." Science 228, no. 4705 (June 14, 1985): 1294. http://dx.doi.org/10.1126/science.228.4705.1294.a.

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40

Baker, Catherine. "TV Socialism." Feminist Media Studies 17, no. 3 (March 27, 2017): 524–26. http://dx.doi.org/10.1080/14680777.2017.1304721.

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41

Kelley, Bailey. "Lifestyle TV." Feminist Media Studies 17, no. 4 (June 6, 2017): 691–93. http://dx.doi.org/10.1080/14680777.2017.1330995.

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42

Jackson, T. "TV: Shipman." BMJ 325, no. 7355 (July 13, 2002): 109. http://dx.doi.org/10.1136/bmj.325.7355.109.

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43

Keeley, P. "TV: Death." BMJ 325, no. 7355 (July 13, 2002): 110. http://dx.doi.org/10.1136/bmj.325.7355.110.

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44

Fryett, Sarah E. "Tv Review." Queer Studies in Media & Popular Culture 1, no. 3 (September 1, 2016): 361–64. http://dx.doi.org/10.1386/qsmpc.1.3.361_5.

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45

Ravela, Christian. "Tv Review." Queer Studies in Media & Popular Culture 2, no. 3 (September 1, 2017): 389–94. http://dx.doi.org/10.1386/qsmpc.2.3.389_5.

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46

Ross, Valerie. "Color TV." Scientific American Mind 21, no. 3 (July 2010): 13. http://dx.doi.org/10.1038/scientificamericanmind0710-13a.

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47

Newman, Michael Z. "Free TV." Television & New Media 13, no. 6 (October 20, 2011): 463–79. http://dx.doi.org/10.1177/1527476411421350.

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48

Moylan, Katie. "Uncanny TV." Television & New Media 18, no. 3 (August 1, 2016): 269–82. http://dx.doi.org/10.1177/1527476415608136.

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This article explores how two recent television drama miniseries, Top of the Lake and Les Revenants produce moments of the uncanny. I argue that both series produce the uncanny in formal ways made possible by conditions of a televisuality characterized by narrative complexity and a pronounced aesthetic. In their first season, both series draw on recognizable conventions of the police procedural genre, but each develops a dialectical narrative structure that rotates between a rational procedural plotline and an irrational, less linear narrative of a secretive community. In my exploration, I conceive of the televisual moment as a form of rupture and draw on Freud’s original sense of “the uncanny” as making strange what was fundamentally familiar. I argue that ultimately each series mobilizes “the uncanny” in distinctive ways, resulting in two endings with very different implications.

49

Takechi, Masaru. "Smart TV." Journal of The Institute of Image Information and Television Engineers 66, no. 6 (2012): 484–87. http://dx.doi.org/10.3169/itej.66.484.

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50

Vicinus, Martha, and Annie Woodhouse. "TV Guide." Women's Review of Books 7, no. 9 (June 1990): 26. http://dx.doi.org/10.2307/4020777.

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