Relevant bibliographies by topics / Twentieth-century spanish poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Twentieth-century spanish poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Twentieth-century spanish poetry"

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Gullón, Ricardo, and David Draper Clark. "Twentieth-Century Spanish Poetry." World Literature Today 59, no. 2 (1985): 207. http://dx.doi.org/10.2307/40141455.

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SUMILLERA, ROCÍO G. "Shakespeare’s Hamlet in Twentieth-century Spanish Poetry." Bulletin of Hispanic Studies 92, no. 6 (September 2015): 645–66. http://dx.doi.org/10.3828/bhs.2015.39.

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Stallings, G. C. "Jazz and Surrealism in Twentieth-Century Spanish Poetry." Genre 37, no. 2 (January 1, 2004): 201–23. http://dx.doi.org/10.1215/00166928-37-2-201.

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Andrews, Jean, and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century: Modernity and beyond." Modern Language Review 91, no. 2 (April 1996): 505. http://dx.doi.org/10.2307/3735083.

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Pritchett, Kay, and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century: Modernity and beyond." Hispania 79, no. 1 (March 1996): 47. http://dx.doi.org/10.2307/345584.

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Bellver, Catherine G., and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century: Modernity and beyond." Rocky Mountain Review of Language and Literature 49, no. 2 (1995): 185. http://dx.doi.org/10.2307/1347991.

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Miller, Martha Lafollette, and Jonathan Mayhew. "The Poetics of Self-Consciousness: Twentieth-Century Spanish Poetry." Hispanic Review 64, no. 2 (1996): 289. http://dx.doi.org/10.2307/474665.

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Ballesta, Juan Cano, and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century. Modernity and Beyond." Hispanic Review 65, no. 3 (1997): 355. http://dx.doi.org/10.2307/474965.

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Wilcox, John C., and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century: Modernity and Beyond." South Atlantic Review 60, no. 3 (September 1995): 161. http://dx.doi.org/10.2307/3201159.

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Crispin, John, and Andrew P. Debicki. "Spanish Poetry of the Twentieth Century: Modernity and Beyond." World Literature Today 69, no. 2 (1995): 338. http://dx.doi.org/10.2307/40151180.

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Dissertations / Theses on the topic "Twentieth-century spanish poetry"

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Cerigioli, Marcelo Maciel. "Rafael Alberti: leituras do Museu do Prado." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-22082012-115640/.

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A presente dissertação analisa os livros sobre o Museu do Prado, A la pintura (1948) e Noche de guerra en el Museo del Prado (1956), ambos do escritor espanhol Rafael Alberti, escritos na Argentina, durante seu longo exílio. A investigação parte da contextualização de Alberti, que nos leva a uma aproximação ao tema, o Museu do Prado, tratado de maneira diferente nas duas obras. Na sequência, é analisado o livro A la pintura e, em seguida, a peça de teatro Noche de guerra en el Museo del Prado.
This study analyzes the books about the Prado Museum, A la Pintura (1948) and Noche de guerra en el Museo del Prado (1956), both of spanish writer Rafael Alberti, written in Argentina, during his long exile. The investigation parts from the context of Alberti, that leads to an approach to the subject, the Prado Museum, treated differently in the two books. In the sequence is analyzed the book A la pintura and then the piece of theater Noche de guerra en el Museo del Prado.
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Rodríguez, Cerezales María. "Juan Larrea y Gerardo Diego: Poesía en Traducción." Doctoral thesis, Universitat Pompeu Fabra, 2011. http://hdl.handle.net/10803/48673.

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En esta tesis se estudian los aspectos de la poesía de Juan Larrea (1895-1980) relacionados con la traducción. Se presenta un corpus exhaustivo de las traducciones de Gerardo Diego (1896-1987) de poemas de Juan Larrea constituido a partir de textos publicados y textos conservados en el archivo personal de Diego. Se analizan los mecanismos de la escritura francesa de Larrea intervenidos por la doble presencia del francés y el español y los aspectos de la misma que representan una especial dificultad en traducción, y se ofrece asimismo un análisis de las traducciones de Gerardo Diego y una aproximación a los presupuestos de la teoría creacionista vinculados con la traducción poética. Se dedica un estudio al ultraísmo con el objetivo de contextualizar los comienzos poéticos de Juan Larrea y Gerardo Diego en la poesía de vanguardia y reconocer la naturaleza renovadora de esta en el panorama poético español de los años veinte. Igualmente, se ofrece un estudio sobre la experiencia universitaria de Juan Larrea en Córdoba (Argentina) como parte del análisis de su poesía.
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Diaz, Ruiz Fernando. "Malditismo y subversión en la poética de Fernando Vallejo: un estudio sobre su obra, recepción y estrategia literaria." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209393.

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Este trabajo analiza la gestación, funcionamiento y recepción de la estrategia literaria de Fernando Vallejo, en especial, el malditismo y la subversión que caracterizan su controvertida poética. Para hacerlo, adopta un enfoque metodológico que tiene en cuenta tanto los aportes de la Sociología de la literatura como los de disciplinas como la Estética de la recepción y el Análisis del discurso, sin olvidarse de estudiar los códigos narrativos, afectivos y culturales que favorecen los efectos subversivos de sus textos, entre los que destaca el pacto ambiguo firmado con sus lectores por el autor colombiano, único en la narrativa actual en español.

Ante la ausencia de un marco teórico sobre este tipo de obras subversivas o malditas, de manera más específica se intentan desentrañar las claves principales de las poéticas del mal y de la subversión, llegando a proponer un cuadro explicativo con los rasgos que, en base al estudio pluridisciplinar de nociones como la “desviación social”, el “mal” y la “subversión”, presentan los textos literarios subversivos y malditos. En este sentido, los no hispanistas pueden leer esta tesis como un case study o materialización de dicha propuesta

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Ce travail analyse la gestation, le fonctionnement et la réception de la stratégie littéraire de Fernando Vallejo, et plus particulièrement la malédiction et la subversion qui caractérisent sa poétique controversée. Dans ce but, l’étude adopte un point de vue méthodologique qui tient compte tant des apports de la Sociologie de la littérature que de l’Esthétique de la réception et de l’Analyse du discours. Seront également étudiés les codes narratifs, affectifs et culturels qui favorisent les effets subversifs des textes, parmi lesquels ressort l’ambiguïté du pacte signé par l’écrivain colombien avec ses lecteurs, unique dans la littérature contemporaine de langue espagnole.

Devant l’absence de cadre théorique sur ce type d’œuvres subversives ou maudites, il s’agit d’identifier de manière plus spécifique les éléments clés des poétiques du mal et de la subversion, pour arriver à proposer un cadre explicatif. Celui-ci comprend les caractéristiques que présentent, sur base de l’étude pluridisciplinaire de notions telles que la “déviation sociale” et la “subversion”, les textes littéraires subversifs et maudits. En ce sens, les non hispanistes pourront lire cette thèse comme une étude de cas ou comme la matérialisation d’une telle proposition théorique.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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Books on the topic "Twentieth-century spanish poetry"

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Debicki, Andrew Peter. Spanish poetry of the twentieth century: Modernity and beyond. Lexington, Ky: University Press of Kentucky, 1994.

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The poetics of self-consciousness: Twentieth-century Spanish poetry. Lewisburg [Pa.]: Bucknell University Press, 1994.

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Poetry, physics, and painting in twentieth-century Spain. New York: Palgrave Macmillan, 2011.

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Getting the picture: The ekphrastic principle in twentieth-century Spanish poetry. Lewisburg [Pa.]: Bucknell University Press, 1997.

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Sonntag, Iliana L. Twentieth-century poetry from Spanish America: An index to Spanish language and bilingual anthologies. Lanham, Md: Scarecrow Press, 1998.

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Kuhnheim, Jill S. Spanish American poetry at the end of the twentieth century: Textual disruptions. Austin: University of Texas Press, 2004.

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The poem and the insect: Aspects of twentieth century Hispanic culture. San Francisco: International Scholars Publications, 1999.

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Spooner, David. The poem and the insect: Aspects of twentieth century Hispanic culture. Lanham, MD: University Press of America, 2001.

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Main themes in twentieth-century Afro-Hispanic Caribbean poetry: A literary sociology. Lewiston, N.Y: Edwin Mellen Press, 2009.

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Shaughnessy, Lorna. The developing poetic philosophy of Pedro Salinas: A study in twentieth century Spanish poetry : "la reconquista de la entereza del hombre". Lewiston: Mellen University Press, 1995.

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Book chapters on the topic "Twentieth-century spanish poetry"

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Montilla, Patricia M. "Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers." In Postmodern Parody in Latin American Literature, 29–47. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90430-6_2.

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Rogers, Gayle. "“Splintered Staves”." In Incomparable Empires. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231178563.003.0002.

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Examines Ezra Pound’s aborted career as a Hispanist and translator of Spanish texts, from the late medieval Poema del Cid to romanceros (ballads), and his attacks on Germanic philology and his promotion of a comparative, poeticized mode of scholarship. His overlapping poetry and scholarship, dramatized the historical decline of Spanish literature, but insisted that imperial and literary flourishing must be separated. Together with Dos Passos, Pound illustrates the investment of modernist aesthetics, especially the signature style of fragmentation, in the new academic formations of the early twentieth century.
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"Two Twentieth-Century Spanish Poets." In Sappho to Valéry, 241–78. University of Arkansas Press, 1990. http://dx.doi.org/10.2307/j.ctvrdf290.14.

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Galasso, Regina. "The Source of an Avant-Garde Voice: Music and Photography in José Moreno Villa." In Translating New York, 63–106. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941121.003.0003.

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This part studies the New York prose and poetry of José Moreno Villa, one of the most overlooked cultural figures of twentieth-century Iberian Studies. As a gateway to the context surrounding Moreno Villa's New York, this part begins with a prefatory discussion of Federico García Lorca and his epistolary writing in which he assesses travel to New York as one of the most useful experiences of his life while also repeatedly noting the continuous linguistic negotiations surrounding him while in the city. Then, this part introduces Moreno Villa and the fruits of his transatlantic travel: Pruebas de Nueva York (1927) and Jacinta la pelirroja (1929). Overall, it argues that Moreno Villa's past experiences coupled with his vulnerable linguistic position, as a result of travel, tuned him in the languages of photography, jazz, and the careful use of Spanish, English, and other languages. In doing so, this part proposes that Moreno Villa's literary New York brought his readers more than a superficial experience but one that introduced new discourses and considerations of language and its relationship to other media.
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"Quixotism as a Poetic and National Project in the Early Twentieth-Century Spanish Essay." In International Don Quixote, 15–31. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042029187_003.

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Brooks, Shelley Alden. "Jeffers’s Country." In Big Sur. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294417.003.0002.

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Chapter 1 opens with poet Robinson Jeffers’s introduction to the Big Sur landscape in 1914. Big Sur's rugged setting had long served as an obstacle to settlement or exploration, so that in the early century this coastline was sparsely populated and without modern technologies. Human endeavors had produced few permanent edifices, despite centuries of habitation and decades of small-scale extractive industries. The Spanish name for this coastline, “el sur,” represented how most people viewed the area in the eighteenth, nineteenth, and even into the twentieth centuries: as a rather inconsequential place that existed to the south of the more manageable—and profitable—Monterey Peninsula and its surrounding valley. Not until the 1920s, when highways and commercial tourism proceeded at a rapid pace throughout the country and Jeffers’s published verse on Big Sur gained popularity, did Big Sur’s isolation and underdevelopment become recast as a great asset. This chapter examines how Jeffers’s approbation of locals’ archaic mode of life helped to establish the sense that nature’s elemental forces and Big Sur’s inhabitants could together produce the most appealing landscape.
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