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Journal articles on the topic 'Twenty-first century fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

Tournay Theodotou, Petra. "British Asian Fiction: Twenty-First Century Voices." English Studies 95, no. 2 (January 28, 2014): 231–33. http://dx.doi.org/10.1080/0013838x.2013.838407.

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2

Cormier, Matthew. "The Destruction of Nationalism in Twenty-First Century Canadian Apocalyptic Fiction." American, British and Canadian Studies 35, no. 1 (December 1, 2020): 5–22. http://dx.doi.org/10.2478/abcsj-2020-0014.

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Abstract This article argues that, since the turn of the twenty-first century, fiction in Canada – whether by English-Canadian, Québécois, or Indigenous writers – has seen a re-emergence in the apocalyptic genre. While apocalyptic fiction also gained critical attention during the twentieth century, this initial wave was tied to disenfranchised, marginalized figures, excluded as failures in their attempts to reach a promised land. As a result, fiction at that time – and perhaps equally so in the divided English-Canadian and Québécois canons – was chiefly a (post)colonial, nationalist project. Yet, apocalyptic fiction in Canada since 2000 has drastically changed. 9/11, rapid technological advancements, a growing climate crisis, the Truth and Reconciliation Commission: these changes have all marked the fictions of Canada in terms of futurities. This article thus examines three novels – English-Canadian novelist Emily St. John Mandel’s Station Eleven (2014), Indigenous writer Thomas King’s The Back of the Turtle (2014), and Québécois author Nicolas Dickner’s Apocalypse for Beginners (2010) – to discuss the ways in which they work to bring about the destruction of nationalism in Canada through the apocalyptic genre and affectivity to envision new futures.
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3

Lua, Shirley O. "Recreating the World in Twenty-First-Century Philippine Chinese Speculative Fiction." Prism 19, no. 2 (September 1, 2022): 491–508. http://dx.doi.org/10.1215/25783491-9966767.

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Abstract This article surveys contemporary Filipino Chinese authors' interest in speculative fiction. Many of the authors of this burgeoning movement were included in the anthology Lauriat: A Filipino-Chinese Speculative Fiction Anthology (2012), edited by Charles A. Tan. These authors find speculative fiction a fruitful genre for combining Western literary techniques and material gleaned from Philippine myth and folklore.
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4

Morrison, Jago. "The Turn to Precarity in Twenty-First Century Fiction." American, British and Canadian Studies Journal 21, no. 1 (January 1, 2014): 10–29. http://dx.doi.org/10.2478/abcsj-2013-0017.

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Abstract Recent years have seen several attempts by writers and critics to understand the changed sensibility in post-9/11 fiction through a variety of new -isms. This essay explores this cultural shift in a different way, finding a ‘turn to precarity’ in twenty-first century fiction characterised by a renewal of interest in the flow and foreclosure of affect, the resurgence of questions about vulnerability and our relationships to the other, and a heightened awareness of the social dynamics of seeing. The essay draws these tendencies together via the work of Judith Butler in Frames of War, in an analysis of Trezza Azzopardi’s quasi-biographical study of precarious life, Remember Me.
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5

Birat, Kathie. "Sara Upstone, British Asian Fiction: Twenty-first Century Voices." Commonwealth Essays and Studies 34, no. 1 (September 1, 2011): 105–6. http://dx.doi.org/10.4000/ces.7947.

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6

Tew, P. "PETER BOXALL. Twenty-First-Century Fiction: A Critical Introduction." Review of English Studies 66, no. 273 (May 30, 2014): 202–3. http://dx.doi.org/10.1093/res/hgu044.

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7

Goldman, Dara E., and Brett Ashley Kaplan. "Twenty-First-Century Jewish Writing and the World." American Literary History 33, no. 4 (November 16, 2021): 703–8. http://dx.doi.org/10.1093/alh/ajab072.

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Abstract This introduction situates the essays about twenty-first century Jewish writing and the world in light of the exciting line up of writers who joined us at the University of Illinois for a series bridging fiction and scholarship. Nicole Krauss, Ruby Namdar, David Bezmozgis, and Ayelet Tsabari--Jewish writers from Israel, the U.S., and Canada, span a range of modalities and thematic concerns that ultimately illuminate the complexities of Jewish writing.
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8

Johnsen, Rosemary Erickson. "Twenty-First-Century Irish Mothers in Tana French's Crime Fiction." Clues: A Journal of Detection 32, no. 1 (March 31, 2014): 61–70. http://dx.doi.org/10.3172/clu.32.1.61.

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9

Segal, E. "Fiction Now: The French Novel in the Twenty-first Century." Poetics Today 31, no. 2 (May 25, 2010): 379–80. http://dx.doi.org/10.1215/03335372-2009-033.

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10

Kemp, S. "Fiction Now: The French Novel in the Twenty-First Century." French Studies 63, no. 3 (June 24, 2009): 372–73. http://dx.doi.org/10.1093/fs/knp073.

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11

Fauvel, Maryse. "Fiction Now: The French Novel in the Twenty-First Century." SubStance 41, no. 1 (2012): 144–48. http://dx.doi.org/10.1353/sub.2012.0004.

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12

Balasopoulos, Antonis. "Fictional Menageries: Writing Animals in the Early Twenty-First Century. A Review of Timothy C. Baker, Writing Animals: Language, Suffering, and Animality in Twenty-First-Century Fiction." Word and Text - A Journal of Literary Studies and Linguistics 11 (2021) (December 2021): 209–17. http://dx.doi.org/10.51865/jlsl.2021.15.

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13

Chander, Manu Samriti, and Eugenia Zuroski. "Refusing Eighteenth-Century Fictions: Introduction." Eighteenth-Century Fiction 36, no. 1 (January 1, 2024): 1–5. http://dx.doi.org/10.3138/ecf.36.1.1.

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In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling. We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.
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14

Chander, Manu Samriti, and Eugenia Zuroski. "Refusing Eighteenth-Century Fictions: Introduction." Eighteenth-Century Fiction 36, no. 2 (April 1, 2024): 203–7. http://dx.doi.org/10.3138/ecf.36.2.203.

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In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief ” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling. We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.
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15

Starre, Alexander. "Work in Progress: Curatorial Labor in Twenty-First-Century American Fiction." Zeitschrift für Anglistik und Amerikanistik 68, no. 3 (November 26, 2020): 339–41. http://dx.doi.org/10.1515/zaa-2020-2008.

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16

Delgadillo, T. "The Criticality of Latino/a Fiction in the Twenty-First Century." American Literary History 23, no. 3 (August 22, 2011): 600–624. http://dx.doi.org/10.1093/alh/ajr024.

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17

O'Connell, Hugh C. "Biopolitical Futures in Twenty-First Century Speculative Fiction by Sherryl Vint." Science Fiction Studies 49, no. 3 (November 2022): 598–602. http://dx.doi.org/10.1353/sfs.2022.0068.

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18

Azevedo, Mail Marques de. "The Literature of Testimony and Biographic Fiction in the Twenty-First Century." ABEI Journal 18 (November 17, 2016): 63. http://dx.doi.org/10.37389/abei.v18i0.3519.

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19

Kozaczka. "Writing Poland and America: Polish American Fiction in the Twenty-First Century." Polish American Studies 73, no. 1 (2016): 69. http://dx.doi.org/10.5406/poliamerstud.73.1.0069.

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20

Ameel. "Ontological Instability and Nonhuman Presence in Twenty-First-Century New York Fiction." Style 55, no. 3 (2021): 346. http://dx.doi.org/10.5325/style.55.3.0346.

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21

Lanham, Andrew. "Mitchum Huehls, After Critique: Twenty-First-Century Fiction in a Neoliberal Age." Notes and Queries 65, no. 1 (January 24, 2018): 146–48. http://dx.doi.org/10.1093/notesj/gjx229.

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22

Irr, C. "Toward the World Novel: Genre Shifts in Twenty-First-Century Expatriate Fiction." American Literary History 23, no. 3 (July 25, 2011): 660–79. http://dx.doi.org/10.1093/alh/ajr021.

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23

Astafeva, Tatiana. "Televising Restoration Spain: History and Fiction in Twenty-First-Century Costume Dramas." Historical Journal of Film, Radio and Television 40, no. 4 (April 8, 2020): 895–97. http://dx.doi.org/10.1080/01439685.2020.1747702.

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24

Jordan, S. "French Fiction into the Twenty-First Century: The Return to the Story." French Studies 65, no. 3 (June 28, 2011): 416–17. http://dx.doi.org/10.1093/fs/knr097.

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25

Huang, Yingying. "The Reincarnated Giant: An Anthology of Twenty-First-Century Chinese Science Fiction." Chinese Literature Today 8, no. 1 (January 2, 2019): 146–47. http://dx.doi.org/10.1080/21514399.2019.1618160.

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26

Friedman, Gabriella. "After Critique: Twenty-First-Century Fiction in a Neoliberal Age. Mitchum Huehls." MELUS 42, no. 3 (2017): 228–30. http://dx.doi.org/10.1093/melus/mlx042.

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27

Sanchis-Sinisterra, Carmen. "Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century." Letras Femeninas 42, no. 1 (May 1, 2016): 216–18. http://dx.doi.org/10.14321/letrfeme.42.1.0216.

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28

Tran, Sharon. "Sherryl Vint, Biopolitical Futures in Twenty-First-Century Speculative Fiction." American Literary History 35, no. 3 (August 16, 2023): 1558–61. http://dx.doi.org/10.1093/alh/ajad138.

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29

Rodrigues, Cecília. "Everyday Consumption in Twenty-First-Century Brazilian Fiction by Lígia Bezerra (review)." Arizona Journal of Hispanic Cultural Studies 27, no. 1 (2024): 228–31. http://dx.doi.org/10.1353/hcs.2024.a920077.

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30

Villanueva-Romero, Diana. "Literary Primatology: Reading Primatology in Ape Fiction." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 1 (June 28, 2021): 1–19. http://dx.doi.org/10.28914/atlantis-2021-43.1.01.

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This article aims at defining the field of literary primatology and illustrating the main forms it has taken in Anglophone literatures in the twenty-first century. The article is organized around five sections. The first one introduces the term literary primatology. The second portrays the cultural background against which this field emerged. The third describes its main themes and illustrates them by bringing to the fore significant literary works produced in the twenty-first century. The fourth looks at examples of ape imaginings. Finally, I enumerate some of the unifying characteristics of these narratives and explain literary primatology as one of the responses to today’s Anthropocene anxiety and the feeling of grief or solastalgia for a dying planet.
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31

Ziser, Michael. "Living with Speculative Infrastructures." Boom 3, no. 4 (2013): 27–34. http://dx.doi.org/10.1525/boom.2013.3.4.27.

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This article looks at the California origins of much of Twentieth Century science fiction. It examines how the exploding growth and development of postwar California informed science fiction writers like Ray Bradbury, Robert Heinlein, and Philip K. Dick, and looks to their books for answers to twenty-first century dilemmas such as the uses of technology, the environment, and infrastructure.
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32

Hinchliffe, Jade. "Speculative Fiction, Sociology, and Surveillance Studies: Towards a Methodology of the Surveillance Imaginary." Surveillance & Society 19, no. 4 (December 13, 2021): 414–24. http://dx.doi.org/10.24908/ss.v19i4.15039.

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Utopian theorists often speak about the merits of reading utopian fiction in order to reimagine and rebuild a better world, but dystopian fiction is often overlooked. This is, in my view, misguided because dystopian fiction, like utopian fiction, diagnoses issues with the present, inspires activism and resistance, and, in the twenty-first century, often presents ideas of how to effect positive change through collective activism. As speculative literary genres concerned with world-building, utopian and dystopian fiction have inherent sociological concerns. These texts can therefore be utilised by sociologists and other researchers beyond the arts and humanities. Speculative fiction is important to the field of surveillance studies not only because surveillance is a major theme in these literary texts but also because their formal properties provide us with the language, imagery, and feelings associated with being under surveillance. Twenty-first-century utopian and dystopian fiction has not been thoroughly examined by surveillance scholars. Analysis of utopian and dystopian fiction in this field has also focused on texts set in, and written by authors from, the global north. Considering the plethora of dystopian novels in and beyond the global north published in recent years that discuss surveillance, the neglect of the study of these texts to date is an oversight.
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33

Дроздовський, Дмитро Ігорович. "НАУКОВО-КОНЦЕПТУАЛЬНІ ЗАСАДИ СТВОРЕННЯ «THE ROUTLEDGE COMPANION TO TWENTY-FIRST CENTURY LITERARY FICTION»." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, no. 99 (2022): 40–57. http://dx.doi.org/10.34142/2312-1076.2022.1.99.03.

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In the paper, the author has examined the principles of design and structure of key content-thematic chapters (“Sexuality”, “Identity”, “Finance”, “War/Terrorism”, etc.) in one of the fundamental literary compendiums of the recent years – “The Routledge Companion to Twenty-First Century Literary Fiction”. This edition proposes a scientific systematization of key issues related to the discourse of English-language literature of the XXI Century. The authors of the chapters pay attention to the genre of the novel, which represents the key philosophical, genological, narrative modifications in the stream of the contemporary fiction of Great Britain, the United States and some other countries. “The Routledge Companion…” summarizes the logic of the development of the contemporary literary process in English-speaking countries, emphasizing the forms of distancing from the postmodern novel and defining those worldviews, narratives and otheraspects that give grounds to talk about the emergence of the novel, which reflects a new cultural and historical period, different from the postmodern configurations. It was found out that the editors of the compendium seek to capture the logic of the literary process, while combining historical and literary facts with the delineation of theoretical problems that are reflected in the literary process. Innovative aspects have been identified, the question of the anthropocene has been outlined, the genre of comics and graphic novels and the stream of the contemporary literature has been studied, the theory of realism(s), etc. has been outlined, the way the literary compendium inspires further development of the humanities has been studied. The principles of structuring theoretical problems, the relationship between history, literary theory and philosophy of literature as key factors determining the epistemological basis of the publication have been discussed. “The Routledge Companion…” summarizes key issues related to the humanities in general and cultural studies, phenomenology and anthropology, and, therefore, the compendium is based on a comparative approach (in the broadest sense) involved in writing a 21st century history of literature. The work was prepared within the framework of the Program and Competitive Themes of the National Academy of Sciences of Ukraine “Support of Priority Scientific Research and Scientific-Technical (Experimental) Developments of the Department of Literature, Language, and Arts of the National Academy of Sciences of Ukraine for 2022-2023”. Title: “Scientific and conceptual principles of contemporary literary encyclopedias: world experience”.
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34

Idrus, Mohd Muzhafar, Raihanah M. M., and Ruzy Suliza Hashim. "Pursuing Imperfection, Forgiveness, and Repentance in Popular Twenty-first Century Malay Television Fiction." Kritika Kultura, no. 33/34 (December 17, 2021): 455–75. http://dx.doi.org/10.13185/kk2020.0033/3423.

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35

Whisman, Albert Samuel. "Fiction Now: The French Novel in the Twenty-First Century by Warren Motte." World Literature Today 83, no. 4 (2009): 78–79. http://dx.doi.org/10.1353/wlt.2009.0113.

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36

Cruickshank, Ruth. "Fiction Now: The French Novel in the Twenty-First Century by Warren Motte." Modern Language Review 105, no. 3 (2010): 881–82. http://dx.doi.org/10.1353/mlr.2010.0147.

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37

Valentina Fulginiti. "Degenerate Utopias: Dystopian Revisions of Disneyland in Early Twenty-first-century Italian Fiction." Science Fiction Studies 44, no. 3 (2017): 455. http://dx.doi.org/10.5621/sciefictstud.44.3.0455.

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38

Pigott, Andrew. "Fiction Now: The French Novel in the Twenty-First Century (review)." MLN 123, no. 4 (2008): 949–52. http://dx.doi.org/10.1353/mln.0.0044.

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39

Fletcher, Lisa, Beth Driscoll, and Kim Wilkins. "Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance." Journal of Popular Culture 51, no. 4 (July 16, 2018): 997–1015. http://dx.doi.org/10.1111/jpcu.12706.

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40

Trevenen, Claire. "The great recession in fiction, film, and television: twenty-first-century bust culture." Continuum 30, no. 2 (February 9, 2016): 265–68. http://dx.doi.org/10.1080/10304312.2016.1141871.

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41

Gerald Prince. "Fiction Now: The French Novel in the Twenty-First Century (review)." French Forum 34, no. 1 (2009): 120–21. http://dx.doi.org/10.1353/frf.0.0067.

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42

Bastida-Rodríguez, Patricia, and Gloria Bosch-Roig. "Literature as Travel Guide: Amenity Writing on Mallora as a Twenty-First-Century Consumer Product." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 31 (December 16, 2022): 7–30. http://dx.doi.org/10.35869/afial.v0i31.4295.

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This article discusses a literary tendency which has emerged in connection with new migratory movements, popular literature and consumer culture in the context of Mallorca. This Mediterranean island receives thousands of tourists every year and currently hosts a significant number of what Laurence A. G. Moss (1994) has called “amenity migrants”, most of them from Germany and English-speaking countries. By focusing on a number of narratives produced by amenity migrants on Mallorca, this paper addresses some of the main features shared by these texts, such as their birth as consumer products for a very specific audience and their idealised view of Mallorcan culture, and contends that a central characteristic of the new trend is its hybrid nature, as it combines fiction – usually crime fiction or romance – with the kind of information expected in a travel guide for tourists.
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43

Schabert, Ina. "English Fiction in France: A Cross-Channel Dialogue at the Turn of the Twenty-First Century." Nottingham French Studies 61, no. 1 (March 2022): 45–59. http://dx.doi.org/10.3366/nfs.2022.0338.

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After a period of postmodern innovation, readers as well as some writers in France have developed a taste for English fiction, preferably for texts that invite immersive reading. In contrast to earlier cross-Channel studies with their emphasis on French influence on English literature, an enquiry into current Anglo-French literary relations might show the reverse being true. For a start, this article discusses creative responses to English works in three French novels: Sylvia Tabet represents the Franco-British literary dialogue as an encounter with a variety of Victorian and post-Victorian voices; Julie Wolkenstein stages it as a negotiation between a novel by Henry James and her own fiction; and Jacqueline Harpman replies to Virginia Woolf’s Orlando with an updated version of the myth of the androgyne. Like the English pre-texts, the French offshoots encourage identificatory reading, yet by their mise en abyme techniques they also provoke critical reflection.
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44

Fuchs, Michael, and Christy Tidwell. "Anthropocene, Nature, and the Gothic: An Interview with Christy Tidwell." REDEN. Revista Española de Estudios Norteamericanos 3, no. 2 (May 15, 2022): 100–112. http://dx.doi.org/10.37536/reden.2022.3.1818.

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Christy Tidwell is an associate professor of English and humanities at the South Dakota School of Mines and Technology, and she is one of the leaders of the ecomedia interest group at the Association for the Study of Literature and Environment and the Digital Strategies Coordinator at ASLE as well. Christy is the co-editor of the volumes Gender and Environment in Science Fiction (Lexington Books, 2018) and Fear and Nature: Ecohorror Studies in the Anthropocene (Penn State UP, 2021) and a special issue of Science Fiction Film and Television on creature features. Her essays have appeared in journals such as Extrapolation, Interdisciplinary Studies in Literature and the Environment, and Gothic Nature. She has also contributed to volumes such as Posthuman Biopolitics: The Science Fiction of Joan Slonczewski (Palgrave, 2020), Fiction and the Sixth Mass Extinction: Narrative in an Era of Loss (Lexington Books, 2020), and Creatural Fictions: Human-Animal Relationships in Twentieth- and Twenty-First-Century Literature (Palgrave, 2016).
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45

Segal, Eyal. "The Return of the Omniscient Narrator: Authorship and Authority in Twenty-First Century Fiction." Poetics Today 37, no. 1 (March 2016): 217–20. http://dx.doi.org/10.1215/03335372-3452976.

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46

Hall, Emily. "Twenty-First Century Fiction: What Happens Now eds. by Siȃn Adiseshiah and Rupert Hildyard." College Literature 45, no. 3 (2018): 575–78. http://dx.doi.org/10.1353/lit.2018.0022.

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47

Varsava, Jerry. "Toward the Geopolitical Novel: U.S. Fiction in the Twenty-First Century by Caren Irr." Studies in the Novel 46, no. 4 (2014): 517–18. http://dx.doi.org/10.1353/sdn.2014.0069.

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48

Eastham, Andrew. "The Aesthetic Afterlives of Mr. W. P.: Reanimating Pater in Twenty-First Century Fiction." Lit: Literature Interpretation Theory 20, no. 1-2 (March 5, 2009): 158–72. http://dx.doi.org/10.1080/10436920802690638.

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49

Kalnačs, Benedikts. "Soviet Colonial Modernity and the Everyday in Twenty-First Century Latvian Literature." Interlitteraria 24, no. 2 (January 15, 2020): 408–22. http://dx.doi.org/10.12697/il.2019.24.2.11.

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This paper intends to discuss the case of Latvia in comparison with other European postcolonial situations and to trace the problems which determine the complexity of self-consciousness of the inhabitants of the country from postcolonial and post-Soviet perspective. The focus of this investigation is on the series of novels which deal with twentieth-century history and memory in Latvia. Due to the fact that the chosen texts attempt an evaluation of the Soviet past, an attention is paid to those aspects of representation of the everyday which considerably distinguish contemporary fiction from literary works created during the period of socialist realist dominance. The importance of history and of different everyday practices in forming specific features of national identity is also seen in the context of the attempts of contemporary authors to discover and define themselves as part of today’s global community as they try to position themselves within world literature. In this perspective, the contemporary as well as the historical experience of the Baltic nations testifies to the common roots of European society helping to build bridges between different ethnic and social groups and their members.
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50

Gulick, Anne W. "Campus Fiction and Critical University Studies from Below: Disgrace, Welcome to Our Hillbrow, and the Postcolonial University at the Millennium." Cambridge Journal of Postcolonial Literary Inquiry 9, no. 2 (April 2022): 177–97. http://dx.doi.org/10.1017/pli.2021.52.

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AbstractTwo of South African literature’s best-known titles from the turn of the twenty-first century are works of campus fiction that rarely get recognized as such. In this article I read J. M. Coetzee’s Disgrace (1999) and Phaswane Mpe’s Welcome to Our Hillbrow (2001) as novels whose figuration of the university is far more central to their treatment of the contradictions and ambiguities that characterize postapartheid South Africa than is generally acknowledged. In the course of narratives that seem largely focused on other things, these texts offer up a distinctly South African but also distinctly postcolonial variety of campus fiction, and a critical engagement with the neoliberal university and the conditions under which upward mobility and intellectual inquiry take shape in the twenty-first-century global south. Coetzee and Mpe suggest capacious and transformative, if also deeply ambivalent, ways of imagining an as-yet unrealized decolonial future for universities.
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